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Volume 2, Issue 2

NEBO: A Literary Journal

Nebo, Volume 2, Issue 2 (Fall 1984), continues Arkansas Tech University’s tradition of publishing exceptional poetry and fiction through its biannual literary journal. Edited by students with faculty guidance, this issue features a compelling selection of works that explore themes of memory, transformation, identity, and the intricacies of human experience.

This issue includes poetry and fiction from a diverse group of writers, including John Gery, Wyatt Prunty, Laura McLaughlin, David Mason, and many more. Their works range from deeply personal reflections to broader cultural commentaries, showcasing a wide variety of literary styles.

Additionally, Nebo proudly celebrates the achievements of …

In The Thick Of It, Mark T. Leavens

LSU Master's Theses

In this exhibition, In The Thick Of It, my paintings and sculptures serve as a visual diary of my experience moving to and navigating life in Louisiana. Through art, I document this new landscape and atmosphere, capturing my evolving emotional state, shifting focus, and emerging ideas. As an outsider, the process of discovery introduces layers of tension, curiosity, and fragmentations in my paintings. The spaces within my paintings reflect a constant flux, mirroring the ongoing adjustments to Louisiana’s cultural cues, history, and environment. The complexity of this rich yet challenging place permeates my art, creating dynamic, layered compositions that echo …

Nebo: Volume 2, Issue 1

NEBO: A Literary Journal

Nebo, Arkansas Tech University’s literary journal, continues its tradition of showcasing innovative and thought-provoking creative writing in its Spring 1984 issue. This volume brings together poetry, fiction, and essays from a diverse range of voices, reflecting the evolving landscape of contemporary literature. Featuring work from both emerging and established writers, this issue delves into themes of memory, transformation, and the human condition. Readers will discover a collection rich with narrative depth, poetic experimentation, and critical literary discourse. As Nebo enters its second volume, it reaffirms its role as a space for artistic expression and literary excellence.

Nebo: Volume 1, Issue 2

NEBO: A Literary Journal

The Fall 1983 edition of Nebo (Volume 1, Issue 2) continues the journal’s commitment to showcasing compelling poetry and fiction that push the boundaries of literary expression. This issue brings together a diverse collection of works, exploring themes of human experience, memory, relationships, and artistic interpretation. With contributors ranging from emerging to established voices, the selections in this issue offer a wide spectrum of poetic lyricism and narrative depth. Featuring works from Lawrence Millman, Warren Hope, Turner Cassity, and many others, this volume engages with the complexities of storytelling and the power of the written word.

As Nebo maintains its …

Nebo: Volume 1, Issue 1

NEBO: A Literary Journal

Nebo Literary Journal is a dynamic collection of contemporary fiction, poetry, and creative nonfiction that highlights emerging voices in literature. Curated by Arkansas Tech University, this issue features a diverse range of storytelling, lyrical expression, and thought-provoking essays that explore themes of identity, human connection, and the power of narrative. With contributions from talented writers across genres, Nebo serves as a creative space for literary exploration and artistic expression. Whether through evocative poetry or compelling short stories, this issue invites readers to immerse themselves in the richness of modern literature.

Juan Sánchez Cotán’S Still Lifes And Artistic Ingenio In Early Modern Toledo, Carmen Ripollés

Schnitzer School of Art + Art History + Design Faculty Publications and Presentations

This essay brings new light on the creation and early reception of the still lifes of the Toledan painter Juan Sánchez Cotán. It focuses on Cotán’s friendship with and professional relationship to the metalworker Diego de Valdivieso and the manuscript illuminator Juan de Salazar, both of whom are recorded as being among the first owners of his still lifes. An analysis of these artists’ works vis-j-vis Cotán’s still lifes reveals similar technical and conceptual concerns, as well as a shared will to elevate their crafts to demonstrate ingenio. This analysis therefore places Cotán’s still lifes in the context of artistic …

Visual Mindful Autoethnography In Practice: Integrating Visual Expressive Art And Self-Compassion Into The Research Process, Jennifer Bentley

Mindfulness Studies Theses

This thesis introduces the framework of Visual Mindful Autoethnography (VmAE) which integrates mindfulness, self-compassion, and creative visual expression as tools for reflexive self-inquiry within the research process. Grounded in the principles of autoethnography and mindfulness, VmAE fosters a deep engagement with personal narratives, biases, and cultural contexts while encouraging emotional resilience, self-awareness, and ethical integrity. By utilizing techniques such as expressive art and visual process journalling, this approach re-presents the inner emotional landscape while facilitating a balanced exploration of subjective experience. The framework is supported by the “P.A.C.E. Research with C.A.R.E.” model, which establishes mindfulness and self-compassion as foundational principles …

Examining The Creative Process Of Visual Artists: A Phenomenological Study, Filiberto Vargas

Dissertations

Creativity fuels problem solving and innovation, driving both economic growth and individual success. Yet, many schools and organizations fail to nurture it. Today, there is a decline in creativity scores among U.S. students. This is concerning since many of these students will be the future leaders of organizations and communities. For this reason, this dissertation explores the creative process of visual artists to better understand how creativity can be cultivated. Visual artists' perspectives and sense-and-meaning-making processes offer a unique view of innovation and creativity. However, there is limited research on the creative processes of contemporary visual artists from culturally diverse …

It Is Not Her Fault She Didn’T Know Mary Had A Lamb, Samer Ridikkuluz

Theses and Dissertations

“It is not her fault she didn’t know Mary had a lamb” is not an Arab Queer conflict. It is the genocide of everything they told me art was and the decolonial clarity of what art can be. Whether it be bridging the gap between the East and the West, the straights and the gays, or me and the world—I investigate the human condition, the parts we play, and how identity evolves and hides.

How Eye See, Now I See, Michael Anthony Simon

Theses and Dissertations

Michael Anthony Simon’s paper addresses ideas surrounding the fluid nature of perception, time, and ideas of control, or lack there-of. Creating a symbolic relationship between paintings and sculpture. Simon both embraces and confuses the notion that understanding is never truly stable or secure.

To Swallow The Stars, Catie Dillon

Theses and Dissertations

Through abstract paintings of illuminated voids, Catie Dillon explores ideas of interconnectedness. In "To Swallow the Stars", she traces the layers of her process, examining the function of gesture, color, light, and space as a means to capture the ineffable.

List Of No's, Hwi Hahm

Theses and Dissertations

Through abstract paintings with an emphasis on the absence of the human form, Hwi Hahm creates an esoteric, veiled expression, prompting the question: when do swaths of paint become something? In this paper he discusses the dissociation of identity, and how it offers a balance between material properties and the illusionistic possibilities of painting.

Shapes That Hide Their Shadows, Jennifer Blaine

Theses and Dissertations

shapes that hide their shadows concerns itself with the mutability of memory. The complexities of girlhood to womanhood, and the way we are shaped by place and space, are explored through the artist recounting childhood memories connected to her grandparents' hometowns. Divided into three different sections, the artist discusses drawing as medium, creating a lexicon through using visual symbols, and the logistics of building your own archive.

Colors, Volume 1, Jeff Vasiloff, Md, Mph

Physician Assistant Scholarly and Creative Works

No abstract provided.

A Deep Reinforcement Learning Framework For Sequential Art Creation, Asmin Pothula

Computer Science and Engineering Theses - Archive

Most computational art systems rely on generative models that produce a complete artwork in a single pass, without capturing the gradual, decision-driven process through which human artists construct visual pieces. Prior research in sequential, stroke-based image generation, including differentiable neural painters and model-based reinforcement learning agents, has explored step-by-step creation, but these systems typically aim to reconstruct the input image within the same visual representation space, closely matching brushstrokes, textures, or colors to the target. In contrast, this thesis investigates sequential art creation in a different artistic representation, where the final artwork does not share the same visual form as …

The Influence Of Japanese Art And Aesthetics On The Paintings Of Théodore Rousseau, Erinn Alexis Stuart

Graduate Research Theses & Dissertations

Landscape paintings of Barbizon painter Théodore Rousseau provide a unique perspective on the impact of Japanese artworks on nineteenth-century French painting. The examination of Eastern influences on Western art has been confined to Western urban popular culture, resulting in a narrative that restricts the understanding of modern art to the context of Western industrialization. This method of exploring cultural influences constructs a narrative of othering, confining the perception of its impact to the superficial and commercial, thus perpetuating an othering subnarrative, not only between the two nations but also between the different genres of Western art. Through an investigation into …

Senior Show - Merch Design, Nicole Tranel

Senior Art Portfolios

This Senior Capstone Project serves as the culmination of my undergraduate journey, highlighting the skills I have acquired and demonstrating my ability to apply them in real-world professional settings such as merch design. Through this project, I expanded my expertise beyond artistry, embracing design as a complementary skillset that enhances my creative and problem-solving abilities.

Blackness And Nineteenth-Century Art In The Atlantic World, Rachel Hooper

Curatorial Publications

No abstract provided.

I Miss My Teeth; I Feel Your Teeth, Emma A. Brauser

Scripps Senior Theses

I miss my teeth and I feel your teeth are two projects that build on one another in an exploration of the mouth as a vessel for embodied experience and interpersonal translation. These pieces represent the mouth as an ever-changing landscape, one that requires multisensorial modes of understanding. I feel your teeth counters overreliance on the visual, introducing gum-chewing as a way to comprehend the translation from the visual to the tactile and back to the visual.

Visions Of The Garden: Transforming The Former Claremont Golf Course Into The Coastal Sage Mosaic, Ella C. Kim

Pitzer Senior Theses

A thirty-three-acre parcel of land sits at the foothills of the San Gabriel Mountains at a vulnerable wildland-urban interface (WUI), raising key ecological concerns. This parcel, a former golf course, is the focused site for this conceptual landscape and restoration plan. The now-neglected site has no proposed plans for restoration or development yet holds significant potential for transformation. Stakeholders’ conflicting visions range from land preservation, ecological restoration, Indigenous land rights, commodification for revenue and development, and prioritizing the needs of the natural environment in coexistence with modern human enjoyment. The conceptual plan addresses these critical considerations in verbal and visual …

Glossed Over, Rebecca Oh

Theses and Dissertations

Glossed Over is a collection of interdisciplinary artworks exploring my Korean-American diasporic identity and how gender, queerness, religion, neurodivergence, and internet culture intersect within that experience. Through a blend of painting, woodworking, and sculpture, this installation carries the various elements of undefinable 한 (pronounced: han), a concept I attempt to define and contextualize in the Introduction and throughout this thesis. Each artwork operates through coded language, metaphor, and partial disclosure, offering space for the othered to find recognition through subtle cues and signifiers. Through Glossed Over and this thesis, I scratch the surface of my journey in reconciling generational trauma …

Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman

College of Graduate Studies: Theses & Dissertations

My work is rooted in the biblical definition of faith: “Now faith is the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1). Like the Bible’s layered complexity—its patterns, metaphors, and cultural references—faith is not merely intellectual but an active trust in what is unseen. It transcends knowledge, anchoring itself in conviction and hope. This intersection of theology and lived experience is at the core of my practice.

Theopoetics—a framework that fuses theology and artistic expression—shapes my approach, allowing faith to be embodied through form rather than merely explained. Two seemingly distinct bodies of work—one centered …

Post Opera, Suzy Lykins

Theses and Dissertations

Post Opera is a spell and work of embodied research which explores medicalization, desire, labor, and belief. Through methods of performance, sound, text and installation, I facilitate encounters of trans-femininity, spiritual power and connectivity. An opening wound, a set of psychic scalpels, sutures and bandages prepare this text for your consumption, take care to digest her well.

Art As Witness: Carrying Christian Iconographies In The Works Of Henry Ossawa Tanner During The Gilded Age To Contemporary Autobiographical Testimonial Art, Ziona King

Pomona Senior Theses

Culminated in a solo exhibition of three works titled the prodigal daughter and The Great High Priest, Baptism, and The Lord of Hosts, this research explores the implications of the Christian methodologies and iconographies in the works of Henry Ossawa Tanner to influence testimonial artwork containing personal Christian iconographies of water baptism, spiritual encounter in everyday life, the lion of Judah, bowls, and more interpretive motifs.

The Chemical Nature Of Colors, Bryant Corbin, Bryant Corbin

Longwood Senior Thesis Proposal

No abstract provided.

Wondering And Wandering, Madeleine Herisson-Leplae

Theses and Dissertations

For my thesis, I have taken the concept of excavation and used it as a visual metaphor for my artistic process. Using my recurring motifs of a hole, ladder, and the gem, I break down the writing into three sections. First, the hole, a metaphor for entering an image; second, the ladder, process as investigation; and lastly, the gem, which represents wonder and delight. This work is influenced by childhood fantasies, video games, and believing in magic.

Hard Edge Expansion, Quinderrious Humphrey

College of Graduate Studies: Theses & Dissertations

Hard-edge painting has always been rooted in precision, crisp forms, and the rejection of gestural abstraction. My work builds on this tradition while pushing its boundaries, breaking free from the conventional picture plane, exploring objecthood, and activating space through material and color. By using shaped wood substrates instead of canvas, I transform paintings into physical objects that interact with their environment rather than existing as flat images. The natural grain of the wood plays an integral role in this, creating an organic contrast to the controlled, geometric forms I apply.

Color functions as both a formal and perceptual tool in …

Mark & Gesture, William E. Pugh

College of Graduate Studies: Theses & Dissertations

This paper explores the development of my painting and printmaking practice through the lens of process, artistic influence, and creative community. At the heart of my work is a dedication to mark-making in printmaking and painting as gesture and authorship and as a visual language shaped by process, scale, layering, and texture. My work is influenced by artists such as Jackson Pollock, Mark Rothko, Wayne Thiebaud, and Peter Max, as well as by my personal history with music. The paper reflects on how process, interdisciplinary influence, and artistic dialogue shape a practice rooted in both personal exploration and discovery.

Guanacos De Corazón, Ana Marcela Sinnett

College of Graduate Studies: Theses & Dissertations

This thesis explores the intersections of indigeneity, mestizaje, and decolonial aesthetics through a mixed-media art practice rooted in Salvadoran history and identity. Drawing on ancestral traditions such as indigo dyeing and backstrap weaving, Guanacos de Corazón investigates how materiality, folklore, and handcraft function as forms of visual resistance, meaning art that disrupts dominant narratives, critiques systems of power, and reclaims erased cultural memory.

Through formal analysis, historical context, and interviews with Salvadoran artists, this thesis challenges ideas of mestizaje that promote cultural and ethnic superiority and contribute to the erasure of ancestral beliefs.

How do we rescue ancestral traditions that …

Weathering And Beyond: Leveraging Mathematical Modeling To Simulate Erosion In Digital Media, Fiona Irving-Beck

Scripps Senior Theses

How might we bring an idea to life from both a mathematical and an artistic perspective? Within Weathering, I use imagery of environmental erosion to explore the differences between physical and digital forms of representation. I created a physical painting of an abandoned copper mine, digitized the work, and then used a mathematical model to digitally “erode” it, which I re-translated into paintings. While the explicit texture present in physical work speaks best to my practice/intent, the mathematical framework that is the basis for my digital work affords a powerful mode of temporal flexibility. Used in conjunction, these two …