Art and Design Commons^™

La Representación De Los Seres Voladores En Tejidos Ceremoniales Tiwanaku, Elisa Cont

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Este estudio iconográfico e iconológico se propone analizar la representación de una particular tipología de seres antropo-zoomorfos en la cultura Tiwanaku mediante una investigación transdisciplinaria, que incluye estudios de arqueología, antropología, semiótica y estética. Algunos seres antropo-zoomorfos con atributos de aves, felinos, cérvidos y llamas estarían representados flotando en sentido horizontal, y simbolizarían el chamán en su estado de trance, realizando su viaje mágico, a través del consumo de unas substancias psicoactivas. Los artistas tiwanakotas por medio de las imágenes de “seres voladores” reflejarían unos principios acerca de su cosmovisión, y revelarían el rol fundamental que algunas experiencias mágicos-religiosas ejercían …

Las Tapicerías Del Sitio Topater En El Contexto De Los Textiles Del Formativo Medio (500 A.C.-100 D.C.) En Atacama, Soledad Hoces De La Guardia Chellew, Ana María T. Rojas Zepeda

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

El presente trabajo expone un conjunto excepcional de piezas en técnica de tapicería encontrados en el cementerio de Topater, cercano al rio Loa, ubicado en el desierto de Atacama, Norte de Chile. Estos tejidos, objeto de investigaciones previas (Agüero 2000; Cases 2000; Sinclaire 2001), en conjunto con los anillados y los textiles con afelpados de mecha, constituyen la base de caracterización técnica del sitio. Las nuevas condiciones de almacenaje y reciente procesamiento de este material han permitido abarcar la totalidad de los textiles en tapicería, profundizando un estudio técnico estructural y de sistemas de representación asociados para desde allí replantear …

Proceso De Retejido, Por Medio De Cordeles De Papel Japonés, En Una Bolsa Procedente De La Cueva De La Candelaria, Torreón, Coahuila, México, Miriam Elizabeth Castro Rodríguez, Gloria Martha Sánchez Valenzuela, Orlando Martínez Zapata

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

La Cueva de la Candelaria, es una cueva mortuoria fechada entre el 1100 y 1300 d.C. (Aveleyra 2010) dónde se depositaron los cuerpos de grupos de cazadores recolectores junto con los bienes que les habían pertenecido en vida. Gracias a sus condiciones de cueva seca se lograron conservar y rescatar una gran variedad de artefactos elaborados con fibras semiduras de agavaceas como son los objetos de cordelería (redes, bolsas, cuerdas). Debido al deterioro natural de las fibras y los generados durante el contexto de enterramiento como son los lixiviados de los cuerpos, desarrollo de microorganismos, acciones de insectos y animales …

Textiles Y Plumas. Documentación Y Conservación De La Colección Etnográfica Del Museo De Farmacobotánica Juan A. Domínguez, Facultad De Farmacia Y Bioquímica De La Universidad De Buenos Aires (Argentina), Silvana Di Lorenzo, Lucila Pesoa, Cecilia Pérez De Micou, María Del Carmen Toribio

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

El museo de Fármacobotánica “Juan A. Domínguez” preserva una interesante colección etnográfica de textiles y plumaria procedente de varias regiones de Argentina, Bolivia y Paraguay. En este trabajo presentamos el estado de avance de la investigación, documentación y conservación preventiva en referencia al patrimonio recolectado en la región del Gran Chaco. Mediante este proyecto independiente de investigación y conservación nuestro objetivo es dar a conocer esta colección inédita para preservarla, ponerla en valor y propender a su visualización.

The “Juan A. Domínguez” Pharmacobotanical Museum preserves an interesting ethnographic collection of textiles and feathers form various regions of Argentina, Bolivia and …

Kuna Shirts From Panama In Brussels’ Art And History Museum, Anne-Françoise Martin

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

The Kuna live in the San Blas Archipelago off the coast of Panama. Kuna women make cotton shirts (mola/molakana) using the reverse appliqué technique. They start by superimposing several thin layers of very colourful fabric. A subtle positioning of cuts brings out the colours of the lower layers and creates patterns. Kuna women are inspired by plants and animals in the nature that surrounds them when creating these patterns. They also draw on a repertoire of patterns from everyday objects. These shirts, sewn with pride and a great deal of humour, can tell us a lot about Kuna society. They …

El Traje Ceremonial De Los Samilantes, Olga Liliana Sulca, Enrique Oscar Cifre Kargachin

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

En la Puna salto jujeña (extremo noroeste de Argentina), se celebran todos los años una serie de festividades que vinculan la tradición católica con una serie de rituales, cuyos orígenes tienen profundas raíces prehispánicas. En estas celebraciones se entrelazan música, atuendos, danzas y ceremonias. Una de esas expresiones sincréticas es la denominada Danza del Suri. Sus participantes, también llamados samilantes o “plumudos” se destacan por el uso de un particular atavío, cuya finalidad tiene como objetivo encarnar el aspecto y la conducta del suri o ñandú cordillerano (ave no voladora) que se extiende por el área cordillerana desde el altiplano …

El Horizonte Medio En Huacas De Moche: Naturaleza De La Ocupación Post-Mochica En Huaca Del Sol (C. 800-1000 D.C.), Lizbeth Pariona, Carlos Rengifo, Moisés Tufinio

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Este artículo presenta los resultados del análisis estilístico y de técnicas de manufactura de un grupo de textiles recuperados en contextos funerarios correspondientes a la segunda mitad del Horizonte Medio (800-1000 d.C.) excavados en el edificio conocido como Huaca del Sol, en el sitio Huacas de Moche de la costa peruana. Estos materiales orgánicos presentan características que permiten la identificación de rasgos del estilo Mochica local junto con estilos foráneos, lo que ayuda a una mejor comprensión de las interacciones culturales en el sitio durante este singular periodo. Los resultados de este estudio brindan, además, nuevos detalles sobre las características …

Portada E Información Editorial / Frontmatter And Editorial Information

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Covers - Cubiertas; Contents - Contenido; Programme – Programa; Asociaciones Sponsors; Words from Director – Palabras de la directora ▪ Marina Pugliese; Preface – Prólogo ▪ Carolina Orsini, Federica Villa ; Photos from the workshop - Fotos del taller; Links to recorded sessions online @ Youtube - Enlaces a sesiones grabadas en línea @ Youtube

Textiles De La Cultura Nasca Del Proyecto Arqueológico Nasca-Palpa Al Sur Del Perú, Daniela Biermann

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Los textiles excavados por el proyecto arqueológico Nasca-Palpa en el Departamento de Ica provienen de dos asentamientos y un sitio sagrado cerca de la ciudad moderna de Palpa. En base a los datos arqueológicos se clasifican los textiles en varios rasgos de la cultura Nasca (200 aC – 650 d.C.): Los asentamientos fueron habitados permanentemente durante un largo período y, además, periódicamente, fueron utilizados como cementerios. Los hallazgos textiles son de tumbas de diferentes periodos, formas y sectores de los asentamientos. Paralelamente se trata por primera vez de textiles de capas compactas de áreas habitadas y además de todas las …

Knot Anomalies On Inka Khipus: Revising Locke’S Knot Typology, Sabine Hyland

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

In 2007, in the IV Actas de las Jornadas Internacionales sobre Textiles Precolombinos, Kylie Quave noted the existence of various structural anomalies in khipus presumed to date to the Late Horizon. These anomalies included the use of non-cotton vegetal fibres, the inclusion of single red strings, subsidiary cords that are plied through rather than half hitched, and the placement of long knots and figure-8 knots “in a way that precludes a numerical reading”. Since Quave’s article, there has been little examination of such anomalies, nor have scholars known whether such anomalies were to be found in khipus that had …

Estudio De Un Grupo De Chuspas De La Huaca Malena, Lourdes Chocano Mena

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

El presente trabajo es la investigación de un grupo de chuspas provenientes del cementerio de la Huaca Malena. El objetivo fue analizar técnicamente aspectos de su elaboración e iconografía descubriendo así las características comunes que compartían, como los rasgos diferentes entre ellas. A simple vista este conjunto de chuspas puede parecer muy heterogéneo, sin embargo, existen algunos elementos que se comparten transversalmente, por ejemplo: la fibra, los colores y el ligamento textil, sin embargo, hay otros elementos diferentes creando sub tipos dentro del conjunto, por ejemplo: la forma, las dimensiones, la rotación de las urdimbres y los acabados. El proceso …

Festones En Pequeñas Vestimentas De Enterratorios De Altura (Capacocha), Verónica Cereceda Bianchi

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Los festones son bordados exteriores que se incorporan en prendas ya terminadas en un telar. En el presente texto intentamos un análisis de este tipo de terminaciones que circundaba las vestimentas de pequeñas estatuitas en esos importantes rituales de sacrificios infantiles que son las capacocha. Por la cantidad de reglas que implicaba su elaboración, tanto en lo que se refiere a su ubicación como en la sintaxis de su organización cromática, es posible considerarlos como verdaderos códigos que cumplían sus mensajes de comunicación y sus posibles poderes rituales, a partir de angostas listas de diferentes colores, sin necesidad de utilizar …

Invites Only: Exploring Social Dynamics And Self-Image Through Oil Paint, Mara Cressey

Graduate Theses/Dissertations

My thesis work depicts the events of a fictional party. Using oil paint, I create multi-figure works that feature recurring characters, various narratives, complex relationships, and emotions associated with this fictitious evening. Within this painted realm, I portray a more confident, powerful version of myself; an alter ego, who exists alongside these various characters. Drawing inspiration from compositional strategies from Renaissance art history and Christian altarpieces, I paint on large-scale, shaped canvas and paper to suggest doors, windows, and other domestic, interior spaces. Additionally, these shapes allow me to juxtapose suggestions of prominence and divinity with satire, irreverence, and profanity. …

The Birth Of "A Painting": You Yong Solo Exhibition, Dongpeng Wang

MA Projects

Curator Wang Dongpeng takes great pride in unveiling "The Birth of 'A Painting'," an exclusive solo exhibition by the renowned painter You Yong. In this thoughtprovoking display, You Yong harnesses the simplicity of the iPad to craft vivid artworks that capture the essence of individual lives amidst the pandemic. His pieces offer a window into the lived realities within mainland China during these challenging times. This exhibition is an invitation to an extraordinary art experience that breaks free from the confines of traditional art space, promising to leave viewers with lasting impressions. The Birth of "A Painting" stands as a …

Pearls Of Power: Navigating Empire And Kingship In The Nineteenth Century In Qing Dynasty China And Victorian England, Jinrui Chen

MA Theses

This thesis provides an academic exploration of the socio-cultural and political connotations of pearl jewelry during the Qing Dynasty in China and the Victorian era in England. It examines the symbolic prominence of the Eastern pearl within the Qing Dynasty’s hierarchical and imperial contexts, juxtaposing this with the emotional and personal resonance of pearl jewelry in Victorian England. The study employs an array of primary Chinese sources and insightful case studies to investigate the dynamics of pearl harvesting, consumption, and perception, thereby unveiling the diverse roles pearls played in these distinct societies. This comparative approach addresses a gap in existing …

Himalayan Murals, Himalayan Buddhist Murals: Styles, Symbolic Themes And Historical Evolution, Jiazhen Zhang

MA Theses

Himalayan Buddhist murals are decorative elements and represent profound artistic expressions laden with relevant cultural and religious values. Disseminated through monasteries and temples of the Himalayan regions, such as Tibet, Bhutan, and Nepal, these murals represent a unique blend of religious art and cultural identity. According to Jackson, mural art was a longterm tradition in these areas, starting from the eleventh Century and being influenced by different schools of Buddhism throughout history. Jing further posits that the tradition of art reflects an active interaction between religious concepts and local art styles, influenced by socio-political transformations and cultural contacts between the …

Jurgen Comics Contest Newspaper And Artwork - Fall 2023, Julia Martinez

Jurgen Banned Art Comics Contest

Digital edition of the Jurgen Comics Contest broadsheet newspaper celebrating the Fall 2023 Contest winners. The newspaper design and supplemental artwork were created by contest student editor Julia Martinez. Supplemental promotional materials include a poster for an online information session.

The Fall 2023 Jurgen Comics Contest invited VCU students to explore a specific historical incident of censorship or suppression of visual art, books, music, film or performance.

Currere As Contemporary Art: Weaving Creative Research, Purposeful Vulnerability, And Poetic Expression To Nurture Teacher Self-Knowledge, Kimberley D'Adamo

Kimberley D'Adamo: Art, Curriculum, Publications, and Other Scholarly Works

Statement, first paragraph:

Pinar’s currere process offers educators supports for engaging in honest self-reflection to develop liberatory practices and tools to facilitate purposeful vulnerability. Currere scaffolds a transformative journey, enabling educators to explore their educational past, interpret it in their current context, and use those personal and pedagogical insights to envision alternative educational futures. In many ways, currere is about identifying and developing one’s own authentic voice, which appeals to me as both an educator and artist.

The Regenarrative: How To Change The Story In Order To Change The Future, S. Rose Bigheart O'Leary

Dartmouth College Master’s Theses

Abstract

In the era of Climate Change, many are concerned that the end of the Anthropocene, or the end of the era of human life on Earth, is upon us. Western European colonialism and its subsequent systems (settler-colonialism, colonial-capitalism, and globalization - sometimes termed “neocolonialism”) have all been implicated in contributing to unsustainable behaviors linked to accelerating climate change. In searching for possible solutions, some have called for listening to Indigenous Peoples, citing ethics of sustainability found among many Indigenous cultures. However, the cultural products of settler-colonialism are still dominant in ways that do not allow for Indigenous worldviews to …

V.1 Winter 2024, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Winter 2024 issue is formatted as a calendar featuring images of current RISD students recreating scenes from historical photos taken at RISD.

The Interplay Of Hollywood's Golden Age And The Evolution Of The Jewelry Industry: A Historical And Cultural Analysis, Man Luo

MA Theses

This thesis delves into the intricate interplay between Hollywood's Golden Age and the evolution of the jewelry industry, examining the dynamic relationship from three distinct angles. It first traces the historical lineage of the jewelry industry, spotlighting the American naturalization of European jewelry houses such as Mauboussin. Their involvement in Hollywood was enabled by the technological advancements within the film industry, and the creation of on-screen icons like Marlene Dietrich, collectively orchestrated the course of jewelry trends. This dynamic interplay significantly influenced the cultural and aesthetic zeitgeist during Hollywood's Golden Age. In the following section, the study delves into the …

Sense Make Before Book, Bradley Sinanan

Theses and Dissertations

“Sense Make Before Book” is an Indo-Caribbean turn of phrase which refers to common sense being more important than book smarts. My sister sent me a post the other day on Instagram of an Trinidadian woman using this phrase, saying it was one of Indo-Caribbean origin. I was interested and asked my mom about it. My mom says that when she was younger my grandpa said it often around their house in Princes Town, Trinidad and Tobago. This adage feels charged thinking about the history of indenture and its effects on the Indo-Caribbean diaspora.

The written word of archival history …

Politics Of Being A Lover: In Art, (Space) And Kink, Rabeeha Adnan

Theses and Dissertations

Politics of being a lover: in art, (space) and kink explores my relationship with my practice through observations and stories that draw parallels with romance and kink. Narrated as love affairs turned into complex commitment, it shuffles through logics of structural power, control, and communication in the context of praxis and art institutions.

Double Jointed: Gendered Flexibility And The Overextended Self, Grace A. Bromley

Theses and Dissertations

This thesis explores compulsory domesticity and the impulse to overextend oneself, both pressures often associated with the construct of femininity. Through diving into my personal history, which includes growing up in a three-generational home of women, I explore mimesis as it functions in both the replication of identity and in terms of pictorial representation; specifically I address its relationship to gender, manifestation within the body, and the search for subjectivity through the process of making and thinking. In various forms of material explorations, I play with ideas of malleability, mimicry and “embedded” behaviors that are passed down and embodied in …

Deep Roots, New Shoots: Modern And Contemporary African Art From The Kam Collection, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for the exhibition: Deep Roots New Shoots: Modern and Contemporary African Art from the KAM Collection. Exhibition dates: January 12 – May 18, 2024. Charles Mason, author. Andie Near, photographer, designer.

Kruizenga Art Museum Online Collection - Exhibition Gallery

Object Lessons: Selected Gifts From The Kamansky-Wheaton Collection, 2014-2024, Charles Mason, Andie Near, Alexandra Lewis

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for the exhibition: Object Lessons: Selected Gifts from the Kamansky-Wheaton Collection, 2014-2024. Exhibition dates: June 4 – August 3, 2024. Text by Charles Mason. Photography by Andie Near and Alexandra Lewis. Design by Andie Near.

Kruizenga Art Museum Online Collection - Exhibition Gallery

Art Inquries Vol Xviii No 4 2023 Front Matter, Mysoon Rizk

Art Inquiries

No abstract provided.

Images Of Maps And Connotative Tendencies In Early Republican America, Kerr Houston

Art Inquiries

No abstract provided.

Medieval Bologna: Art For A University City, Ashley Elston

Art Inquiries

No abstract provided.

An Interview With Brianna Harlan, Mysoon Rizk, Brianna Harlan

Art Inquiries

No abstract provided.