Art and Design Commons^™

Body As Instrument: Crafting A Spatial Representational Language For The Dancer's Body, Avery Boland

Architecture Undergraduate Honors Theses

This project explored the intersection of dance and architecture using choreography, photography, and architectural principles through the development and application of a graphic notation system. Focused on the works of modern dance pioneer Martha Graham and photographer Barbara Morgan, the study tested the representation of the body in space through the use of Graham's choreography as captured by Morgan.

The results of the study demonstrated the effectiveness of the representational language in capturing the spatial dynamics of the human body in Martha Graham's choreography through the notation of “frame” and “plane”. Through a comparative analysis of the selected dances, the …

Architectural And Curatorial Extensions Of Extraction At The Royal Ontario Museum, Camille-Mary Sharp

Visual Arts Publications

No abstract provided.

The Cumulate Project: Creating Art That Builds Pathways Between Poetry And Accessibility In Public Spaces., Jenny Haddon

Posters, Proceedings, and Presentations: CTR Library

The University of Nebraska at Kearney( UNK) is completing an extensive renovation to the Calvin T. Ryan Library. Nebraska’s 1% for Art Law requires that 1% of all state-funded projects be set aside for a public art commission. The Nebraska Arts Council spearheaded UNK’s search and out of over 100 submissions the successful applicant was Leslie Iwai, an accomplished artist with a history of creating thought-provoking pieces in public spaces, galleries and museums. Together with Nebraska’s State Poet Matt Mason, serving as cumulate’s Poetry Curator, she designed and created an interdisciplinary art project aimed at sparking curiosity and interaction …

The Provenance Of A Pali- And Thai-Language Manuscript At The Rollins College Library: A Buddhist Book Of Merit And Its Long Journey From Southeast Asia To America, Wenxian Zhang

Faculty Publications

Through researching the provenance of a Buddhist manuscript written in the Pali and Thai languages currently held at Rollins, this article seeks to answer the question of how a religious document created in Thailand ended up in a liberal arts college library in America. Regarded as an act of devotion by many Buddhist followers in Southeast Asia, the use of folding manuscripts (samut khoi) has been observed for centuries. The folding manuscripts served as handbooks and chanting manuals for Buddhist monks, who often recited in religious ceremonies while paying tributes to the deceased, with the hope of reincarnation in a …

A Portrait Of The Artist, 1525–1825: Prints From The Collection Of The Sarah Campbell Blaffer Foundation, Cyndy Basil, Isobel Debenham, Sarah Kate Gillespie, Felicia M. Else

Schmucker Art Catalogs

Consisting of fifty-one prints on loan from the Sarah Campbell Blaffer Foundation, Museum of Fine Arts, Houston, this exhibition examines how artists depicted themselves and their profession from the sixteenth to the nineteenth centuries. The show includes artists such as Rembrandt van Rijn, Salvator Rosa, William Hogarth, Claude Lorrian, and Francisco Goya, among others. Created during a period when the social status of artists was in flux, the prints represent both artists’ lives and work, and the roles that both artists and the arts held in society. Full of allegory and rich in satire, the works include self-portraits, representations of …

Uncommon Elegance: Black Women And The Abolitionist Print Market In The U.S. Civil War Era, Rachel Hooper

Curatorial Publications

No abstract provided.

V.1 Fall 2024, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2024 issue contains articles on RISD Alumni Graciela Batista's Commencement speech on friendship and community, Britain's Royal Festival Hall, birds crashing into glass buildings, an Ojibwe student's reflecting on his native identity, RISD student interviews, an abandoned Bed Bath and Beyond store, Ai Weiwei's Kui Hua Zi, life in Banaras, a student's Yankee Swap experience, the 2024 RISD Grad Show, and indentations, along with student creative writing and a feature on images students saw out …

The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, Camille Ferrer

Art Conservation Master's Projects

A severely damaged 19th-century oil painting depicting a portrait of a woman was treated at Patricia H. and E. Garman Art Conservation Department. A typed letter provided by the owner mentioned that it has been previously restored yet returned with unsatisfactory results. After further examination, the painting appeared to have been previously treated multiple times by different people. There was overpaint distinctly present on the face and later discovered to be present overall. The full state of condition of the painting was initially unknown due to the sum of the surface being overpainted. However, there were evidence of paint loss …

Christ Child Bearing The Instruments Of The Passion Technical Study And Treatment Of A Painting On Copper From The Viceroyalty Of Peru, Daniela González-Pruitt

Art Conservation Master's Projects

Christ Child Bearing the Instruments of the Passion (acc.# 228017) is a 17^th century Peruvian Viceregal painting on copper belonging to the Carl & Marilynn Thoma Art Foundation. The painting depicts the Christ Child on a flower laid path as he carries the instruments of the passion also known as the Arma Christi Paintings executed on copper convey new and challenging preservation issues based on their materials and techniques.. The work had been heavily restored and exhibited several condition issues, including significant overpaint and broad losses. The painting was photographed using multimodal imaging techniques as well as reflectance …

The Conservation Treatment And Technical Study Of Two Marisol Sculptures, Ruthie Rolfsmeyer

Art Conservation Master's Projects

ABCDEFG & Hi (1961-62) and Father Damien (1966-67) are both painted wooden sculptures created by Marisol during the height of her fame. Although Marisol is a well-known artist, whose fame has been rekindling since her death in 2016, there have been few technical studies of her works. Multimodal imaging and scientific analysis of these two sculptures provide insight into their structure and materials. Techniques include x-ray radiography, reflectance transformation imaging, x-ray fluorescence spectroscopy, Fourier transform infrared spectroscopy, and pyrolysis-gas chromatography-mass spectrometry. Key findings include the identification of toolmarks, nitrocellulose, alkyd, and acrylic paints, and a genuine diamond and pearl in …

Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren

Art Conservation Master's Projects

A potential 17^th century Anglo-Dutch military portrait painting from the Memorial Art Gallery at the University of Rochester in Rochester, New York arrived at the Garman Art Conservation Department at Buffalo State University for conservation research and treatment in 2022. The painting’s title, date, and artist were unknown and the subject was initially referred to as a “17^th Century Dutch Cavalier.” Little information existed on the provenance and history of the artwork. The painting was in a state of structural instability and aesthetic disfigurement and showed evidence of a past restoration campaign. This master’s project attempted to broadly …

Technical Study And Conservation Treatment Of A Victorian-Era Taxidermy Bird Group, Daisy Greenwell

Art Conservation Master's Projects

During the Victorian era, taxidermy objects played the roles of educational tools, decoration, and personal adornment. The object at the center of this paper falls into the second category: decoration. It is a taxidermy bird life group, made up of six bird specimens, papier mâché rockwork, and dried plant material mounted on and around a faux tree armature. Owned by the Buffalo Museum of Science, it came to the Garman Art Conservation Department at Buffalo State University with no provenance record or attributions to a known maker. Two goals were developed at the onset of this project: to flesh out …

Raisin Fingers, Sophia Hatzikos

Graduate School of Art Theses

I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.

Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …

Transatlantic Connections: Reconsidering The Outcomes Of The Arts And Crafts Movement Through The Women's Experience, Britain And The United States, 1860-1920, Tiffany B. Beasley

Graduate Theses and Dissertations (2019 - present)

The British Arts and Crafts movement (1860-1914) was a call for the return to artisan craftsmanship as a response to mass-production driven by the Industrial Revolution (1760-1830). Historically, the movement has been viewed as a socialist concept developed by men. However, in 1979, a feminist intervention in women's history challenged this masculinist perspective. As the movement spread to the United States (1870-1920), first to New England and then to the South in New Orleans, it also expanded into concepts that moved beyond craftsmanship and into women's issues, such as education, suffrage, and professional work opportunities. It is now evident that …

Information About The School Of Art And Design At Wvu

Clio: WVU Art History Research Journal

No abstract provided.

The Art Of Carmen Herrera: Understanding Cuban-American Art Through The Lens Of Modern Art Theory, Riley Red Klug

Clio: WVU Art History Research Journal

No abstract provided.

A Tradition Of Turbulence: Personal And Political Chaos In Francisco Goya’S Two Old Ones Eating Soup, Amelia Blevins

Clio: WVU Art History Research Journal

No abstract provided.

Prolific Phalluses - Male Figural Art Of The Colima: An Examination Of The Presence And Meaning Behind The Representation Of The Phallus In Colima Art, Griffin Nordstrom

Clio: WVU Art History Research Journal

No abstract provided.

Hellenistic Greek Conventions In William Etty’S Allegory (The Combat) - A Visual, Kelsey Clodfelter

Clio: WVU Art History Research Journal

No abstract provided.

Art In Death: Exploring The Role Of Thanatos In Ancient Greek Art And Culture, Henry Dunn

Clio: WVU Art History Research Journal

No abstract provided.

Report On The Conservation Of Ceramic From Parco Di Collosseo, Bethanny Prascik

Clio: WVU Art History Research Journal

No abstract provided.

Hairs - An Ekphrastic Poem, Virginia Affemann

Clio: WVU Art History Research Journal

No abstract provided.

American Bison – An Ekphrastic Poem, Henry Dunn

Clio: WVU Art History Research Journal

No abstract provided.

Artist Statement, Payton Brown

Clio: WVU Art History Research Journal

No abstract provided.

Forward, Rebekah Gooding

Clio: WVU Art History Research Journal

No abstract provided.

Publication Information

Clio: WVU Art History Research Journal

No abstract provided.

Title Page

Clio: WVU Art History Research Journal

No abstract provided.

Full Issue

Clio: WVU Art History Research Journal

No abstract provided.

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

Threading With Hair // Intertwined Stories, Cloris Ding

Masters Theses

“Threading with Hair // Intertwined Stories” is a poignant exploration that navigates the nuanced landscape of women's growth and identity recognition amidst biased societal influences, tracing the trajectory from the artist’s mother's generation to her own. Through a deeply personal lens, the thesis transcends individual narratives to articulate some shared female experiences. Employing reflective works in the form of jewelry, objects and writings, the study delves into female-centric topics, including the fluidity of identity, the transformative journey through various life stages, and the profound impact of societal expectations and family heritage. At the heart of this exploration is the metaphorical …