Art and Design Commons^™

Stitch Theory, Brittany Adeline Adama King

Theses and Dissertations

This paper weaves personal history together using “stitched” citational text, supporting the concept that an archive can function as support, as worn; as garment.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

An Archeology Of Looking, Marco G. Dasilva

Theses and Dissertations

Marco DaSilva’s mosaics explore camouflage and syncretism, blending symbols from American culture, Catholic saints, Afro-Brazilian deities and queer spaces. His work examines objects as relics, where identity is hidden and revealed. By integrating simple materials and transforming them into unique compositions, DaSilva creates hybrid objects where all of his worlds intersect, crafting his own mythology.

Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson

Theses and Dissertations

Hemispheres of Faith reattributes a carved ivory rosary bead in the Metropolitan Museum of Art to the Quito School in 18th-century Ecuador. Through examining the trade history of the Manila Galleons, material analysis, and iconographic study, Hemispheres of Faith challenges the bead's European origins and reveals the object as a product of global exchange, devotional practice, and colonial artistic collaboration within the Spanish Empire.

Piecemeal, Max J. Eisenberg

Theses and Dissertations

Exploring the history of photographic manipulation both inside and outside of the camera from the late 19th century until today. My work plucks out cultural and local signifiers from the state of Florida, and the American South as a whole, and disseminates them using a constructed symbolic vernacular in the form of in-camera collaging on large format film.

Geraldo De Barros’S Fotoformas: Towards The Construction Of New Forms Of Legibility, Jay Bravo

Theses and Dissertations

This thesis examines the legibility and reception of Geraldo de Barros’s Fotoformas within Western art institutions, using MoMA’s 2021 Fotoclubismo exhibition as a case study. It argues that the integration of Brazilian modernist photography into canonical narratives often hinges on strategic affinities with Euro-American frameworks. Drawing on institutional critique, postcolonial theory, and the concept of Anthropophagy, the study explores how Fotoformas challenges conventional photographic discourse and reveals broader dynamics of artistic legitimacy and representation.

Araki Hirohiko: Elevating The Craft Of Manga Through Art Nouveau And Art Deco, Andre Polidoro

Undergraduate Research Symposium Posters

Araki Hirohiko is a mangaka for one of the longest running manga in history, Jojo’s Bizarre Adventure (1987–present). Throughout his several decade career, he has drawn over 20,000 pages for his manga by hand.

The art for his manga was inspired by 20ᵗʰ century fashion illustration. Through his rigorous practice he was able to secure many collaborations with high end fashion brands, and even a temporary exhibition in the Louvre.

Through this practice, he has become a contemporary artist of Art Nouveau and Art Deco which he portrays through the illustrations for his manga.

V.1 Spring 2025, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2025 issue has the theme "Take It as a Sign" and features pieces on baby fever, spreadsheets and recording information, aura and technology, a trip to Horseshoe Bend, the new Art and Computation department at RISD, home and belonging, Illustration student projects related to sensitive experiences, red brick architecture in Providence, and technology and the English language, along with interviews of students in their studios, poetry, and other creative writing.

Recollections Of A Tejana Life, Carolina Yáñez

Art Theses and Dissertations

This thesis encompasses the life of a young woman navigating life in Texas through various political and social barriers. My interdisciplinary practice analyzes the historical context of Mexicans in Texas from its Revolutionary period into current injustices. Through fiber, printmaking, and photography I create a visual diary to illustrate what the political has made personal. These works display the beauty of Tejano culture, but also the power struggles that threaten communities I care for, as well as my own existence that persists against far-right wing agendas.

Current politics and government leadership in Texas have inspired me to make artwork calling …

Held On By A Thread, Annie M. Hutchins

Electronic Theses and Dissertations

The artist, Annie Hutchins, discusses her Master of Fine Arts thesis exhibition, Held on by a Thread, which was installed at Tipton Gallery in Johnson City, TN, from March 6, 2025, through March 28, 2025, with a public reception held on March 7, 2025. The exhibition is a collection of textile works containing repurposed material artifacts of the life she shared with her maternal family since childhood. The artwork incorporates found objects from the artist’s home, including domestic textiles, clothing, handmade sewing projects, family photographs, and sewing notions. The artworks are made using the printmaking technique of photo emulsion screen …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

Decolonizing Java: Rethinking Gamelan, Bodies, And Cultural Authenticity, Citra Aryandari

Paradigma: Jurnal Kajian Budaya

This article critically examines the complex interactions between Javanese identity, colonial influence, and karawitan (traditional Javanese music) through an autoethnographic methodology. By introducing the innovative concept of the ‘body as archive,’ the research explores how embodied experiences function as repositories of cultural memory and resistance. It deconstructs colonial interventions in karawitan, uncovering how documentation, standardization, and systematic recording processes altered the transmission and cultural significance of the art form. The research traces the transition from oral traditions to written documentation, highlighting the commodification of Javanese artistic expressions and the emergence of cultural stereotypes. A central focus of this study …

The Social Life Of Plants: Botanical Representations In Moche Art, Breanna Fae Reiss

Art & Art History ETDs

The Moche were semi-autonomous communities who thrived in the ten fertile riverine valleys of Peru’s northern coast between the late fourth and ninth centuries CE. Phase IV (c. 590–700 CE) Southern Moche ceramics feature intricate fine line visual narrative scenes with many multivalent symbols and motifs. This dissertation intends to understand why plants begin to play a more significant role in the Moche iconographic corpus in this period. I explore the interests of elites, the ecological web interweaving image and environment, and species identification. The local flora was affected on one hand by naturally occurring changes in weather and environment …

Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria, Yannis Koukoulas

SANE journal: Sequential Art Narrative in Education

The word parody and its many cognates such as appropriation, adaptation, pastiche, travesty, forgery, homage, tribute, swipe, etc., have often been at the centre of fierce debates within the traditional Artworld and various criteria have been proposed for the critical evaluation of visual and literary works. In particular, parody as a dominant practice in postmodern art is a concept that is subject to misunderstandings as to its content and meaning. In Comics Artworld, however, within which recontextualizing practices are very common, often with humorous content, the attempt to describe artists' works and intentions by the criteria applied to other arts, …

Tile In Time: The Study Of Interiors Through Art, Lauren Nielsen

Student Research Symposium

Lauren is a senior in the Interior Architecture and Design program at Utah State University. Her design philosophy centers around storytelling—she believes that great design not only transforms spaces but also tells meaningful stories. When she graduates, Lauren hopes to work in a historic preservation capacity. This projects draws inspiration from the past as we step into the future.

Removing The Veil: An Audiovisual Exploration Of Medieval Jewish Art, Ray Kaplan

Student Research Symposium

• Purpose: analyze the harmful narratives created by antisemitic art, uplift Jewish Medieval artwork instead
• In-progress URCO, to be done at the end of April
• Ultimate product: video essay
• Project delayed due to evolution of original concept
• Where it's at now

Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart

Journal of Religion & Film

Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …

The Art Of Travel, Colleen Bergmann, Joshua Fackler, Natalie Heiland, Sarah Louise Huebschen, Charlotte Ji, Grace Jurchak, Lizzy Kramer, Mathea Linden, Jake Neff, West Rathbun, Daniela Rodriguez, Alice L. Van Etten, Dalila E. Weismantle, Annie Witham, Yan Sun

Schmucker Art Catalogs

Under the direction of Professor Yan Sun, student curators examine the theme of travel in both Eastern and Western works of art. Exploring topics such as artists’ trips, the imagined landscape, pilgrimages, tourism, and modes of travel, the exhibition features prints, paintings, carvings, photography and material culture.

Titian’S Bacchus And His Two Loves, Fern Luskin

Publications and Research

Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy-satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed pentimenti. Titian was probably the first to embed this homoerotic love story in a painting depicting the Bacchus and Ariadne myth. The textual impetus for Titian's inclusion of the Ampelos myth was Nonnos' Dionysiaca. Guided by Nonnos' text, Titian alludes not only to Bacchus' love for Ampelos, …

“Gli Scheletri Della Dittatura”: Fascist Art, Architecture, And Monuments In Modern Italy, John "Jack" Moore

History & Classics Undergraduate Theses

When Italy reconstituted itself as a republic in 1948, it inherited the art, architecture, and monuments that were constructed under Fascism. Many of these artifacts contained inherent Fascist imagery and were made to exalt the regime, but Italy’s postwar government – known as the First Republic – neglected to systematically confront them. This mirrored the First Republic’s approach to shaping Italy’s memory of Fascism, as the government established an anti-fascist narrative without addressing the country’s support for the regime. During the 1980s, notions of anti-fascism began to fall alongside the political power structure upholding them. This coincided with the rise …

3rd Place Contest Entry: Clement Hurd And The Artistic Integrity Of Illustrated Children's Books, Cassandra Chan

Kevin and Tam Ross Undergraduate Research Prize

This is Cassandra Chan' submission for the 2025 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a sample of their research project on the work of illustrator Clement Hurd.

Cassandra is a fourth-year student at Chapman University, majoring in Art History. Their faculty mentor is Dr. Justin Walsh.

Teaching Art Beyond The Hierarchy: How “Big Ideas” Combat Cultural Appropriation, Carlie Pearson

Institute for the Humanities Master's Papers, Projects, and Capstones

[First paragraph] As an art educator who has worked with children aged 5-18 in the public-school setting, I find myself constantly assessing and reevaluating my practices. When I was in high school and falling in love with the world of visual art, I had a teacher who introduced me to the beautiful and sacred art of mandala making. We learned about how Buddhist Monks create massive works with colorful sand, and I was shocked to hear that the pieces are traditionally swept away upon completion. When I started my first full time teaching position seven years ago at a high …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Under The Veil: Women's Head Coverings In Tudor England, Savannah Toth

Honors Program: Senior Projects (Public)

This thesis seeks to discover and analyze the agency and meaning of the role of women’s head coverings and veils within the context of Tudor Christianity, society, and the fashion world of English culture. By observing the usage of the veil through various lenses, this thesis examines the nuance of the veil as an object and actor in Tudor society that enables yet prohibits personal choice for women. This research uses various sources such as Tudor paintings and portraits, surviving pieces of garments, and written accounts to paint a picture of the impact and significance the veil had in every …

What's The Art In Artificial Intelligence?, Emily Verla Bovino

Open Educational Resources

This workbook learns from Black and Indigenous artists working with Artificial Intelligence to confront issues of ethics and aesthetics in its technologies. It features guided learning activities with links to publicly available video lectures and online articles, and includes options for experiential learning through both a tutorial in Midjourney and a visit to the public art collection at York College in Jamaica, Queens. Featured artists include: American Artist, Rizvana Bradley, Beth Coleman, Denise Ferreira da Silva, Suzanne Kite, Sondra Perry, Mimi Onuoha and Alisha B. Wormsley. Works by Martin Puryear and Maren Hassinger are explored in the Midjourney exercise.

About …

Migdal, Ashqelon: The Glass Finds, Natalya Katsnelson

Qadum: Journal of Excavation Reports from Israel

The salvage excavation at Migdal, Ashqelon, unearthed some 85 glass fragments, including jars, bottles, a bowl, a bowl-shaped oil lamp, bracelets, beads and a windowpane. Most of the glass fragments were found in Ottoman- and British Mandate-period strata (III–I). Several fragments were found in Mamluk-period installations (Stratum IV), and only one fragment could be associated with the Roman–Byzantine period (Stratum V). Given the well-stratified context of the glass fragments, some of the uncovered types allow for more precise dating within the Ottoman period. As our knowledge of Late Islamic and early twentieth-century CE glass from settlements in southern Israel is …

Migdal, Ashqelon: The Ceramic Finds, Anna De Vincenz

Qadum: Journal of Excavation Reports from Israel

The ceramic material presented in this report was recovered from a salvage excavation conducted to the east of the mosque in Migdal, Ashqelon. Although most of the ceramic material was dated to the late Ottoman period, Late Roman–Byzantine ceramics, a few sherds from the Crusader period and a Mamluk-period assemblage were also uncovered. The Mamluk assemblage is characterized by imported glazed bowls and locally made, handmade geometric painted vessels. The Ottoman-period material is varied and comprises ceramics imported from Turkey, Greece and Italy. Black Gaza Ware characterizes the locally produced vessels. Smoking pipes and narghile were common at the site.

Juan Sánchez Cotán’S Still Lifes And Artistic Ingenio In Early Modern Toledo, Carmen Ripollés

Schnitzer School of Art + Art History + Design Faculty Publications and Presentations

This essay brings new light on the creation and early reception of the still lifes of the Toledan painter Juan Sánchez Cotán. It focuses on Cotán’s friendship with and professional relationship to the metalworker Diego de Valdivieso and the manuscript illuminator Juan de Salazar, both of whom are recorded as being among the first owners of his still lifes. An analysis of these artists’ works vis-j-vis Cotán’s still lifes reveals similar technical and conceptual concerns, as well as a shared will to elevate their crafts to demonstrate ingenio. This analysis therefore places Cotán’s still lifes in the context of artistic …

Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon

Masters Theses

How do we engage with artwork that addresses complicated histories

of colonialism and political violence, specifically intangible and

incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote

Bravo, is named after and composed of the soil from a mass grave site

discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known

internationally for the femicide that has continued to haunt its streets and

peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film

Liminal cinematically documents the official exhumation of two mass graves

in the Ayacucho and Huánuco regions of the Andes highlands, where

thousands of …

The Influence Of Japanese Art And Aesthetics On The Paintings Of Théodore Rousseau, Erinn Alexis Stuart

Graduate Research Theses & Dissertations

Landscape paintings of Barbizon painter Théodore Rousseau provide a unique perspective on the impact of Japanese artworks on nineteenth-century French painting. The examination of Eastern influences on Western art has been confined to Western urban popular culture, resulting in a narrative that restricts the understanding of modern art to the context of Western industrialization. This method of exploring cultural influences constructs a narrative of othering, confining the perception of its impact to the superficial and commercial, thus perpetuating an othering subnarrative, not only between the two nations but also between the different genres of Western art. Through an investigation into …