Art and Design Commons^™

Sha’Atnez – The Biblical Prohibition Against Wearing Mixed Wool And Linen Together And The Observance And Enforcement Of The Command In The Orthodox Jewish Communities Today, Orit Shamir

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Jewish law forbids Sha’atnez – wearing mixed wool and linen together was forbidden for the Jewish population. The article will first explain the meaning and acronym of sha’atnez, and then review the sha’atnez textiles which were found in the Land of Israel. The possible reasons for the prohibition of sha’atnez will be presented and remarks on observance and enforcement of the law in Orthodox Jewish communities today will be made according to ethnographic investigation.²

The concept of sha’atnez: Jewish law forbids sha’atnez – wearing garments of mixed wool and linen. This is mentioned twice in the Hebrew Bible: …

Beschaffung Und Handel Mit Farbstoffen, Peter Herz

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Farbstoffe sind alles andere als ein leicht zu behandelndes Thema, denn von wenigen Ausnahmen abgesehen, die die mineralischen Farben betreffen, geht die archäologische Nachweisbarkeit in der Regel fast gegen Null, was gerade für die Textilfarben sehr bedauerlich ist. Die frühesten Nachweise auf einen internationalen Handel mit Farbstoffen stammen aus dem Ägypten der 4. Dynastie. In vielen Gräbern dieser Epoche finden wir Wandgemälde aus einem ganz speziellen Blau, dem sogenannten Ägyptischen Blau. Einer der Grundstoffe war Lapislazuli oder Blaustein, ein Mineral, das noch heute in den östlichen Teilen von Afghanistan abgebaut wird. Von dort aus wurde das Rohprodukt mit Eselskarawanen bis …

Remarks On The Interpretation Of Some Ambiguous Greek Textile Terms, Stella Spantidaki

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The study of written sources of the Classical period (5th and 4th centuries BC) reveals the existence of a very rich vocabulary related to textile production. There are terms referring to materials, tools, manufacture and decoration techniques, colours, people and places related to textile manufacture. Many terms are quite clearly defined, while others present major difficulties in their interpretation. Usually these concern terms for tools, such as κερκίς (pin beater or shuttle) and ἡλακάτη (distaff or spindle) or terms describing fabrics with some kind of decoration. Among the decorative terms, some refer to specific decorative techniques, such as κατάστικτος (embroidered) …

Armenian Textile Terminology, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The part of the Armenian vocabulary that is inherited from the Indo-European protolanguage is notoriously limited, variously estimated to include between 450 and 700 stems. Otherwise, the lexicon is dominated by etymologically obscure elements and an impressive amount of Middle Iranian loanwords, reflecting the centuries of Iranian political dominance. In particular the Parthian loans, introduced during the Arsacid dynasty (247 BC-224 AD), have left their mark on the Classical Armenian language, attested from the early 5th century, to a similar extent as Old French on English or Low German on Danish, so that linguists until the late 19th century still …

Sabellic Textile Terminology, Peder Flemestad, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Despite numerous recent studies of Italic textiles and textile production etc., no systematic study has so far been attempted regarding the textile terminology of Italic languages besides Latin. The present study seeks to remedy this, making a first step into the textile terminology of Sabellic languages, predominantly Oscan and Umbrian. There are two types of sources for Sabellic textile terminology: inscriptions and glosses in Greek and Latin literature. Both are, however, fraught with uncertainties. The glosses, as for example seen in the case of Etruscan, may have been misunderstood or misinterpreted and should be treated with due caution, and there …

Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The principal element of the fashion in clothing introduced in Egypt with the arrival of the Romans was a tunic made of two rectangular pieces of fabric sewn together. Such a tunic either would leave the arms naked, or cover the arms to the elbow (fig. 1). This fashion changed with the turn of the 2nd and 3rd century AD. At this time, in addition to the tunics without sleeves, the inhabitants of Egypt started to wear tunics with ‘true’ sleeves – long or short, wide or tight – inspired by the Eastern fashion: the manner of making the tunics …

Ars Polymita, Ars Plumaria: The Weaving Terminology Of Taqueté And Tapestry, John Peter Wild, Kerstin Droß-Krüpe

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In Roman Egypt papyrologists and archaeologists sometimes seem to inhabit two different, if parallel, worlds, each apparently unaware of the treasures to be found in the other. This paper, however, is a co-operative venture between an ancient historian with papyrological interests – Kerstin Droß-Krüpe – and an archaeologist – John Peter Wild. In the research field of textiles we overlap, and we want to offer you insights from each of our worlds. At some point in the later 2nd century AD an unnamed magnate in the territory of the Lingones in central Gaul dictated a will in which he stipulated …

Χιτών – Δαλματική – Μαφόρτης – Σύνθεσις: Common And Uncommon Garment Terms In Dowry Arrangements From Roman Egypt, Kerstin Droß-Krüpe

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

With regard to ancient textile terms, dictionaries could potentially generate a false sense of security. Their formal accuracy might let us think that we are, without doubt, provided with the term that corresponds perfectly with a particular expression from an ancient Greek and/or Latin document. However, translations in dictionaries are almost exclusively based on reading and interpreting ancient literary sources and tend to neglect documentary evidence. But documentary sources, such as papyri, are a valuable and unique resource for research, referring to manifold aspects of social and economic history. Above all, they offer an insight into the minutae of individual …

Zur Bekleidung Der Krieger Im Avesta: Rüstung Und Magischer Schmuck, Götz König

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Während die in Altavestisch komponierten Lieder des Avesta (die Gāϑās und das Yasna Haptaŋhāiti) einen rituellen Dichtungsstil pflegen, der sich in eigentümlicher Weise gegen die Dinge der Welt weitgehend verschließt, d.h. Wörter, die auf Materiales – auf in Raum und Zeit Identifizierbares – sich beziehen, vermeidet, stellen die in Jungavestisch abgefaßten metrischen wie prosaischen Texte des Avesta eine weitaus ergiebigere Quelle zur Rekonstruktion der materiellen avestischen Kultur dar. Richten dabei diejenigen Texte, welche die tägliche bzw. zu bestimmten Anlässen zu feiernde, um die altavestischen Texte herum komponierte Priesterzeremonie bilden (Yasna bzw. Yasna mit Vīsparad), ihre Aufmerksamkeit auf …

Xie, A Technical Term For Resist Dye In China: Analysis Based On The Burial Inventory From Tomb 26, Bijiashan, Huahai, Gansu, Le Wang, Feng Zhao

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In May 2002, a burial site was found in Bijiatan, Huahai, in the Gansu province. During the following two months, the Gansu Institute of Archaeology excavated the graveyard and 55 tombs were excavated in total. A female corpse wrapped in several layers of silk garments was found in tomb 26 together with a burial inventory.

The Burial Inventory from Tomb 26: A burial inventory is a list of buried items that would accompany the deceased to the afterlife. It was commonly found in the tombs in northwest China during the 4th to 7th centuries AD.The inventory of Tomb 26 is …

Weaving A Song. Convergences In Greek Poetic Imagery Between Textile And Musical Terminology. An Overview On Archaic And Classical Literature, Giovanni Fanfani

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In an analysis of the household-management (οἰκο- νομία) in the first book of the Politics, Aristotle discusses the nature and use of tools (ὄργανα), both inanimate (τὰ ἄψυχα) and animate (τὰ ἔμψυχα). While such a distinction is functional, in Aristotle’s argument, to illustrate the priority of the latter group (represented by the assistant, ὁ ὑπηρετής, and the slave, ὁ δοῦλος) over the first, what interests us here lies mainly within the realm of inanimate tools. As commentators to the passage have not failed to notice, a first literary frame of reference for Aristotle’s exemplum fictum is to be found …

Der Text Als Gewebe: Lexikalische Studien Im Sinnbezirk Von Webstuhl Und Kleid, Oswald Panagl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Thematik des folgenden Beitrags ist gleichsam doppelt gepolt. Sie ist zunächst im terminologischen Feld der Prozesse, Instrumente und Produkte der Sachbereiche von Weben und Flechten verankert. Zugleich ist sie auch in den metaphorischen Verwendungsweisen der zugehörigen Sinnbezirke bzw. Wortfelder, also im weitgespannten Horizont der Herstellung von Stoffen, Tüchern und Gewändern verortet. „Vom Textil zum Text“ ließe sich die Intention des Artikels bündig zusammenfassen: Dabei verläuft also die Richtung der Bedeutungsentwicklung des Produkts in ihrer Tendenz gegen den Vorgang der zugehörigen morphologischen Ableitung. Ich möchte mich meinem Vorhaben zunächst mit einem Blick auf die bekannten beiden konversen Zugänge zur Semantik …

Hayashi Yasuo And Yagi Kazuo In Postwar Japanese Ceramics: The Effects Of Intramural Politics And Rivalry For Rank On A Ceramic Artist’S Career, Marilyn Rose Swan

Theses and Dissertations--Art and Visual Studies

The use and firing of clay to make art instead of vessels was a revolutionary concept in Japan when it first was introduced by Hayashi Yasuo in 1948 with Cloud, and expanded upon by Yagi Kazuo in 1954 with Mr. Samsa’s Walk. Although both avant-garde artists were major forces in the advancement of abstract, nonfunctional ceramics, Yagi is usually given sole credit and occupies a prominent place in the literature, while Hayashi’s name can scarcely be found, despite his numerous international awards, large body of work and career spanning seven decades. This thesis seeks to identify the factors …

A Cosmopolitan Landscape: Development Of A Body Of Paintings That Explore And Expand Upon The Shared Tropes Of Figuration In The Work Of Giovanni Bellini And Shen Zhou, Harrison See

Theses : Honours

This creative honours project is a practice-led investigation into the painted figural landscape, particularly with the aim of identifying and exploring mutuality within the enduring artistic traditions of Chinese and Western painting. Informing this cross-cultural analysis is a deep engagement with the ‘figure in the landscape’ artworks of Giovanni Bellini and Shen Zhou; both painters chosen to represent their respective artistic traditions’. To support this search for mutuality this project was equipped with a Stoic Cosmopolitan perspective designed to facilitate cross-cultural understanding. Using this theoretical perspective and an informed understanding of these two artists practices’, a series of painted studies …

Spreading Seeds: Ai Weiwei's Sunflower Seeds And His Performative Personality Received In The West, Wei Wu

Scripps Senior Theses

In 2010, Ai Weiwei's Sunflower Seeds made its debut in Tate Modern, which promoted Ai to be one of the most famous and respected contemporary Chinese artists. This Conceptual art work has multiple layers of meanings, which all corresponds to the Western expectations for a successful contemporary Chinese artist. In fact, the Western art world has long held bias and stereotypes towards international artists. Ai chose to perform his personality to conform to the expectations and Western ideologies, which brought him international fame. On the other hand, other Chinese artists, including Cai Guo-Qiang and Zhou Chunya, don't totally agree with …

V.1 2017-2018, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2017-2018 issue contains articles on the Nature Lab, food and design, the role of writing in architecture, and an interview with the Chilean artist Alfredo Jaar along with the comic "Printer Prosthetics" at NYABF by Elaine Lopez.

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.

The Nature Of God: Perceptions Of God With Exposure To Nature And Natural Events, Holly Ann Kolberg

All-Inclusive List of Electronic Theses and Dissertations

Research studies have shown that the sense of awe evoked by natural settings may be associated with transcendental thinking about God. Similarly, other researchers have suggested that people attribute events to God when they cannot develop a sufficient naturalistic explanation for a phenomenon. People appear to prefer attributing events to a benevolent God but will modify their beliefs to assume that God is punitive if event outcomes do not appear to favor their well-being or religious attributions do not accommodate a situation. In the current study, the goal was to evaluate how exposure to photographs of different environments influenced beliefs …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea

The Transdisciplinary STEAM+ Journal

Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process …

Transformations, Brian Metzger

Curating Contemporary Art: Documents & Writings

Sotheby's Institute of Art is pleased to present TRANSFORMATIONS, a group exhibition curated by Brian Metzger, Master of Art Business candidate class of 2016. The exhibit is on view from November 29 to December 5, 2016.

Mural Arts: Giving A Voice To The Voiceless, Olivia Bates

Faculty Curated Undergraduate Works

The history of mural arts cites the use of public images in visualizing global and local challenges and triumphs. From the prehistoric cave art in Lascaux Grotttoes, France to the magnificent works of Italian Renaissance artists, murals have transformed the art world by visually conveying social values, events, and transitions of historical times. Throughout the world, artists highlight inequality, invoke change, and give a voice to the voiceless through their images. In order to determine the value and meaning of public art in global and local communities, I researched and documented murals through online and in-person visits; compiling my visual …

Future Oriented Sustainable Design. Design Purpose: What Is Design And Who Is It For? [Please Note: This Is A Large File And May Be Slow To Download.], Barry Sheehan

Academic Articles

In November 2016 I was asked to make a presentation at the Future Oriented Sustainable Design International Conference in Wuhan in the People's Republic of China. My topic was Design Purpose: What is Design? And who is it for?

The presentation examines the wider aspects of design and its categories and asks who were are actually designing for.

I made a powerpoint presentation that I narrated in English whilst it was simultaneously translated into Chinese for the attendees at the conference. On my return to Ireland I created a soundtrack to accompany the presentation slides for people to watch the …

Rainbow Effect

SIGNED: The Magazine of The Hong Kong Design Institute

Bold and bright hues are an integral part of the Asian landscape. In November the HKDI will host an exhibition called Colours of Asia which, as Lisa Li reports, will offer new insights into the way that colour shapes every aspect of our lives.

Images Of Public Places: Extending The Copyright Exemption For Pictorial Representations Of Architectural Works To Other Copyrighted Works, Andrew Inesi

Journal of Intellectual Property Law

No abstract provided.

A Site Of Change: The Masterplan, Brian Fay

Exhibition Catalogues

Essay on the community based art project The Master Plan curated by Jennie Guy with artists Ella de Burca and John Beattie.

Methods Of Nature: Landscapes From The Gettysburg College Collection, Molly A. Chason, Leah R. Falk, Shannon N. Gross, Bailey R. Harper, Laura G. Waters, Yan Sun

Schmucker Art Catalogs

Methods of Nature: Landscapes from the Gettysburg College Collection is the third annual exhibition curated by students enrolled in the Art History Methods course. The exhibition is an exciting academic endeavor and incredible opportunity for engaged learning, research, and curatorial experience. The five student curators are Molly Chason ’17, Leah Falk ’18, Shannon Gross ’17, Bailey Harper ’19 and Laura Waters ’19. The selection of artworks in this exhibition includes the depiction of landscape in the nineteenth- and twentieth-century French, American and East Asian cultural traditions in various art forms from traditional media of paintings and prints to utilitarian artifacts …

Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin

Schmucker Art Catalogs

The exhibition Bodies in Conflict: From Gettysburg to Iraq not only conveys an ambitious geographic and historical range, but also reflects the sensitivity, ambition, and thoughtfulness of its curator, Laura Bergin ’17. In examining how the human figure is represented in prints and photographs of modern war and political conflict, Laura considers how journalistic photographs, artistic interpretations, and other visual documentation of conflict and its aftermath compare between wars and across historical periods. Specific objects include a print and photographs from the Civil War, propaganda posters from World Wars I and II, photographs and a protest poster from the Vietnam …

It Could Have Been Great: An Examination Of Kandinsky's Bauhaus Paintings And The Great Synthesis Of The Arts, Deanna Brooks

Institute for the Humanities Theses

When Nazism descended upon the German art world in the late 1920s and throughout the 1930s, artists were treated as an expendable group of "political undesirables." Among them was Russian painter Wassily Kandinsky (1866-1944), who experienced firsthand the political pressure placed on his career, as he attempted to visualize a weltanschauung or "world view," that involved the marriage of different types of art, media, and practices. For Kandinsky the "Great Synthesis of the Arts" revealed the collective historical narrative, to which all artists contributed, and he strove to actualize this lifelong goal over the course of his teaching career at …

The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, Rachel Cooksey

Independent Study Project (ISP) Collection

This paper will examine the aesthetic qualities that Raja Ravi Varma helped to introduce to mythological paintings and then to popular devotional prints with the Ravi Varma Press, as well as the influence of the aesthetic to other areas of visual culture in India. Prior to the 1993 retrospective exhibition in New Delhi on Raja Ravi Varma, little was known about his impact on the calendar prints of today. By tracing the rise of academic realism in late 19^th and early 20^th century India and Ravi Varma’s role within it, I gained a clearer understanding of the degree …