Art and Design Commons^™

Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods), Maria Mossakowska-Gaubert

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Covers

Dedication

Contents

Introduction by Maria Mossakowska-Gaubert

Contributors

Tackling The Technical History Of The Textiles Of El-Deir, Kharga Oasis, The Western Desert Of Egypt, Fleur Letellier-Willemin

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The site of El-Deir is situated north of Kharga in the “Great Oasis” of the Egyptian Western Desert (fig. 1). The site was occupied between the 6th century BC and the 6th century AD. A complex history emerged with the influence of many cultures: Persian, Greek, Roman and early Christian. Archaeological finds in both El-Deir and the oasis itself (the site of Dush and the temple of Darius in Hibis, a city north of Kharga) confirm that the Great Oasis was a wealthy region. This is also substantiated by texts from Ain Manawir and Dakhleh. The presence of an artesian …

What Flaws Can Tell: A Case Study On Weaving Faults In Late Roman And Early Medieval Weft-Faced Compound Fabrics From Egypt, Barbara Köstner

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Silk samites from Late Roman and Early Medieval Egypt are well-known objects in museum collections all over the world. One group of fragments, the so-called Akhmim silks, show a mechanically repeated floral pattern. More than 100 examples with this design are known; the fragments bear striking similarities in design and technique. Were they woven in the same workshop? If all or at least a large number of pieces could be traced back to several batches of production, this would lead to further insights concerning the economics of early silk weaving. A detailed analysis of two exemplary pieces reveals features that …

Ancient Greek Dyeing: A Terminological Approach, Peder Flemestad

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The Oxford English Dictionary defines dyeing as: “to impregnate (any tissue or the like) with a colour, to fix a colour in the substance of, or to change the hue of by a colouring matter”. In ancient Greek this operation is in general expressed by the verb βάπτειν, but the process of dyeing could be designated by a multitude of other terms. The following contribution provides an overview of the extensive ancient Greek terminology for the action of dyeing. The focus therefore lies primarily on the verbs designating the dyeing process itself, while wider dye terminology is only occasionally touched …

Dyeing In Texts And Textiles: Words Expressing Ancient Technology, Ines Bogensperger, Helgo Rösel-Mautendorfer

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The complex chaîne opératoire of ancient textile production in various stages has been frequently discussed by textile scholars. According to documentary papyri, textile manufacturing represented the highest taxed industry after agriculture. This emphasises its importance as a significant sector in the ancient economy. A highly specialised branch within the chaîne opératoire is the dyeing industry. Ancient dyers used natural and animal dyestuffs, as well as different dyeing techniques to achieve their colourful results. They were also aware of the specific properties of the different textile fibres. In ancient times, wool and linen were the characteristic materials for manufacturing textiles, but …

How (Not) To Organise Roman Textile Production. Some Considerations On Merchant-Entrepreneurs In Roman Egypt And The Ἱστωνάρχης, Kerstin Droß-Krüpe

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

For almost the last 100 years, various ancient historians have suggested that organisations comparable to the “putting- out” system existed in the Roman Imperial period. They are most commonly believed to have occurred in textile production. As early as 1913, Theodor Reil assumed that the production of textiles in Roman Egypt was organised through the putting-out system. This idea can subsequently be traced through more than a century to recent publications. However, as this assumption is rarely based on genuine source material, it seems appropriate to get to the bottom of this hypothesis. In this context, special attention will also …

Textile Production In The Papyri: The Case Of Private Request Letters, Aikaterini Koroli

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Throughout the “papyrological millennium”, that is from the 3rd century BC to the 8th century AD, both administrative and private life in Egypt were largely based on letters. Apart from oral communication, letter writing, mostly on papyri and ostraca, was the only available form of communication for the inhabitants of the land of Nile when they needed to get in touch and exchange information with people who did not live in their immediate surroundings. Papyrus letters, written by and sent to private, ordinary people and not to the authorities, composed in the Greek vernacular and intended to fulfill a wide …

Domestic Textile Production In Dakhleh Oasis In The Fourth Century Ad, Jennifer Cromwell

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Ancient Kellis, modern Ismant el-Kharab is located in Dakhleh Oasis in Egypt’s Western Desert. The main occupation of the village was from the early to late Roman period (late 1st century to the beginning of the 5th century AD). Excavated as part of the Dakhleh Oasis Project, the site has revealed textual and archaeological evidence from which a detailed picture of life can be painted. To date, the main publications of the village’s finds have focussed on the textual remains, of literary and documentary texts in Coptic, Greek, and Syriac.1 A comparable publication of the archaeological evidence from the site …

Egyptian Pit-Looms From The Late First Millennium Ad — Attempts In Reconstruction From The Archaeological Evidence, Johanna Sigl

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

In discussions on the development of weaving technology, specifically treadle looms in the Mediterranean area, Egypt is often referred to as one of the earliest countries in which people used foot-powered looms for producing cloth. It is thought to have been in regular use in the production of cloth as early as the second half of the 1st millennium AD. This belief is built on results from excavations undertaken during the early 20th century by the Egypt Exploration Fund at the hill of Sheikh Abd el-Qurna in Luxor, as well as on textile studies. Unfortunately, none of the postulated looms …

Conclusion: Egyptian Textiles And Their Production, Dominique Cardon

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

This book, “Egyptian textiles and their production: ‘word’ and ‘object’ (Hellenistic, Roman and Byzantine periods)” is both very useful and… frustrating. Indeed, all volumes of transactions of a scientific symposium are bound to be so, since research is a never-ending story. However, this is particularly true of textile research, which involves so many different approaches. Most of the relevant scientific domains are represented in this volume. There is a good combination of several reports on new research – recently studied archaeological textiles and iconographic documents on weaving – with attempts at syntheses of available evidence, both archaeological and textual, alongside …

Reconstruction Of A Deconstructed Tunic, Anne Kwaspen

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Tunics of the 1st millennium AD can be classified into two main groups according to the direction of the warp in the finished tunic. The first group of tunics has horizontal warp threads in the finished tunic. This means that the cloth as it is worn is rotated 90° from the weave direction on the loom. In the second group of tunics the warp runs vertically in the finished tunic. Each group of tunics has their typical technological features and finishing methods, with additional distinctions between wool and linen tunics. This article focuses on the study of a tunic belonging …

Flax Growing In Late Antique Egypt: Evidence From The Aphrodito Papyri, Isabelle Marthot-Santaniello

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

While flax culture was a major economic sector in Egypt throughout antiquity and the medieval period, one can only agree with John R. Rea, the editor of P. Coll.Youtie II 68, when he says: “it has not escaped notice that surprisingly little information about [flax and linen] has been recovered from the Greek papyri”. By way of example, the specific word for the flax plant, linokalamē, appears in Greek papyri only in around 60 of more than 60,000 published texts. More specifically, the agricultural conditions set to produce flax are seldom visible in the texts: little more than twenty documents …

Downing, Joseph Dudley "Joe," 1925-2007 - Relating To (Mss 686), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 686. Correspondence, news clippings, and excerpts from magazines and other print sources related to Kentucky native and artist Joseph Dudley Downing and exhibitions of his art at the Kentucky Museum, Western Kentucky University and other venues worldwide.

Reggie Mccleroy,, "Living Legacies Of Lincoln Parish", University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Drawings by area artist of local NAACP leaders in Lincoln Parish, Louisiana: Clara Carr, E.D. Smith, C.C. McClain, Thalia Williams, J.K. Haynes

Salvatdre Dali. La Conquette Du Cosmos, Ii, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

This boxed set of numbered chromolithographs is apparently the work of the famed Spanish artist Salvador Dali (1904-1988) although we have been unable to identify this title within his total work and the accessions record is lacking

Textiles From A Late Roman/Byzantine Ecclesiastical Centre At Abu Sha’Ar, Egypt, Lise Bender Jørgensen

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Around AD 400 a group of Christians were looking for a new home. An abandoned Roman military fort at what is now called Abu Sha’ar, c. 20 km north of Hurghada on the Egyptian Red Sea coast, became the answer to their prayers. Steven Sidebotham of the University of Delaware excavated the site in 1987-1993. The fort had been established in AD 309-311 to house a mounted unit, the Ala Nova Maximiana, guarding the Via Nova Hadriana. The military phase was however short-lived: the soldiers abandoned the fort before AD 400. The new settlers turned the former military headquarters into …

A Tale Of Triumph Amidst Tragedy: C-Section In Furini's The Birth Of Benjamin And The Death Of Rachel, Alexandra Carlile

AWE (A Woman’s Experience)

No abstract provided.

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …

Indigenous Woman., Annabelle R. Broeffle

Senior Art Portfolios

Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture and installation art. The series is focused on indigenous social issues.

Lost & Found: New Harvest, Owen Gottlieb, Ian Schreiber

Presentations and other scholarship

Lost & Found is a strategy card-to-mobile game series that teaches medieval religious legal systems with attention to period accuracy and cultural and historical context.

Set in Fustat (Old Cairo) in the 12th century, a great crossroads of Islam, Judaism, and Christianity. The Lost & Found games project seeks to expand the discourse around religious legal systems, to enrich public conversations in a variety of communities, and to promote greater understanding of the religious traditions that build the fabric of the United States. Comparative religious literacy can build bridges between and within communities and prepare learners to be responsible citizens …

I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche

Theses and Dissertations

I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.

Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury

Fasciculus Temporum

Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.

The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.

News - Augusta-Richmond County Public Library System, Wallace Branch Library, Leah E. Holloway

Georgia Library Quarterly

No abstract provided.

El Paso Women’S History Coloring Book Volume Ii / Historia De Las Mujeres De El Paso: Cuaderno De Colorear Volumen Ii, El Paso Women’S History Coloring Book Committee

Books

The year 2020 marks the 100th anniversary of women’s suffrage in the United States. The El Paso Women’s History Coloring Book Volume II celebrates this anniversary and women’s achievements, while also acknowledging that much work still remains to be done regarding women’s and voting rights.

This new bilingual (Spanish and English) coloring book builds upon the El Paso Women’s History Coloring Book, published in March 1991. The original coloring book was created by Eva Ross, a retired teacher and former Equity Program Specialist of the Ysleta Independent School District. This second volume was developed as a free educational resource. …

The Modern Formulation Of Chinese Art History And The Building Of A Nation In Early Twentieth-Century China, Chennie Huang

Dissertations and Theses

At the dawn of the twentieth century, the Chinese formulation of art history underwent dramatic changes. It moved away from the traditional narratives that did not follow a strict chronology to adopt the Western linear model which emphasizes progress and national identity. Based on the premodern tradition, the modern formulations of Chinese art history began as a political strategy for nation building amid the political upheavals, including military attacks on China that led to the end of Qing imperial rule and the beginning of the Republican era (1912-1949).

In the early 1900s, while exiled in Japan, Liang Qichao 梁啟超 (1873-1929), …

Acts Of Meaning, Resource Diagrams, And Essential Learning Behaviors: The Design Evolution Of Lost & Found, Owen Gottlieb, Ian Schreiber

Articles

Lost & Found is a tabletop-to-mobile game series designed for teaching medieval religious legal systems. The long-term goals of the project are to change the discourse around religious laws, such as foregrounding the prosocial aspects of religious law such as collaboration, cooperation, and communal sustainability. This design case focuses on the evolution of the design of the mechanics and core systems in the first two tabletop games in the series, informed by over three and a half years’ worth of design notes, playable prototypes, outside design consultations, internal design reviews, playtests, and interviews.

Kasus Ujaran Kebencian Dalam Berita Surat Kabar Di Hindia Belanda, Fajar Muhammad Nugraha, Reynaldo De Archellie, Cresentia Carra Nethania Clement

Paradigma: Jurnal Kajian Budaya

This article is a preliminary study that explores past events of the Dutch East Indies colonial government, specifically describing criminal cases of hate speech or haatzaai depicted in newspaper news between 1879 and 1942. The Dutch East Indies colonial government controlled freedom of thought, expression, and politics of the native population by using the legal instruments Wetboek van Strafrecht voor Nederlandsch Indie, especially articles 154, 155, 156, and 157. These four articles are known as haatzaai artikelen. This regulation was published and enforced in the Dutch East Indies in 1918. This article uses twenty-eight newspaper news articles published in ten …

Decolonizing Gender Identities In Indonesia: A Study Of Bissu ‘The Trans-Religious Leader’ In Bugis People, Petsy Jessy Ismoyo

Paradigma: Jurnal Kajian Budaya

Bhinneka Tunggal Ika is one of the pillars of Indonesia that has placed our nation and nationess to a diversity of identity, from genders, tribes, religions, to cultures. Indonesia has a long history of gender diversity that recognized various gender identities as part of the culture. Henceforth, In Indonesia, gender is not perceived in a binary way between male or female, masculine and feminine, without giving the ‘third space’ to other genders and sexuality. For example, Bugis people recognize five genders: oroané, makkunrai, calabai, calalai, and bissu, which will be examined further in this paper. In reality, a lively debate …

Eksistensi Dan Pewarisan Budaya Tuku Dalam Masyarakat Pulau Ndao (Orang Ndao) Kabupaten Rote Ndao Ntt, Daud Saleh Luji

Paradigma: Jurnal Kajian Budaya

On Ndao Island, Ndao Nuse Subdistrict, Rote Ndao Regency, the people have two prominent skills and have become the livelihoods of the people on the island, namely weaving skills (manènnu) and craftsmen or silversmiths (tuku). The two skills of the above Ndao island community are passed on by parents with informal and non-formal education patterns, but the two cultures experience different developments. Manènnu culture is still developing today among women while tuku culture is almost extinct. To find out the existence and cause of near extinction of Tuku’s skills, this research was carried out with the formulation of the problem …

Melacak Akar Kreativitas Di Kota Bandung Masa Kolonial, Achmad Sunjayadi

Paradigma: Jurnal Kajian Budaya

In 2007 Bandung was designated as a pilot project for the creative cities of Asia Pacific, and in 2015 Bandung was included in the UNESCO Creative Cities Network. It is related to the development of the city of Bandung and the creativity of the population. Its creativity is formed through a process. This article traces the roots of this creativity since the beginning of its formation in the early 19th century to become the city of Bandung in the early 20th century. The method used is the historical method supported by creative cities’ and voluntary organization’s concepts. Primary sources were …