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Articles 511 - 540 of 2780
Full-Text Articles in Art and Design
“Floating Incidents”: The Ethics Of The Essay As A Life-Writing Form In “A Sketch Of The Past”, Julia Dallaway
“Floating Incidents”: The Ethics Of The Essay As A Life-Writing Form In “A Sketch Of The Past”, Julia Dallaway
Virginia Woolf: Selected Papers
No abstract provided.
The Ethics Of Wonder(Ing) In To The Lighthouse, Eret Talviste
The Ethics Of Wonder(Ing) In To The Lighthouse, Eret Talviste
Virginia Woolf: Selected Papers
No abstract provided.
The Ethics Of The Ending In Virginia Woolf’S Mrs. Dalloway, Anna Lindhé
The Ethics Of The Ending In Virginia Woolf’S Mrs. Dalloway, Anna Lindhé
Virginia Woolf: Selected Papers
No abstract provided.
Woolfian Ethics, Heterotopias, And Nonviolence, Jeanette Mcvicker
Woolfian Ethics, Heterotopias, And Nonviolence, Jeanette Mcvicker
Virginia Woolf: Selected Papers
No abstract provided.
Unsolicited/Unrepresentative: The Ethics Of Virginia Woolf’S Portrayal Of The Transgender In Orlando, As Compared To Lili Ilse Elvenes’S Man Into Woman, Gwen Rose
Virginia Woolf: Selected Papers
No abstract provided.
On The Ethics Of Teaching: Virginia Woolf’S Essays, Beth Rigel Daugherty
On The Ethics Of Teaching: Virginia Woolf’S Essays, Beth Rigel Daugherty
Virginia Woolf: Selected Papers
No abstract provided.
“The World Is A Work Of Art”: The Weaving Of Fact And Fiction In Between The Acts, Lucas Leite Borba
“The World Is A Work Of Art”: The Weaving Of Fact And Fiction In Between The Acts, Lucas Leite Borba
Virginia Woolf: Selected Papers
No abstract provided.
“As If She Wished That He Could Talk—As If She Expected Him Too To Feel What She Felt”: Cross-Species Translation In Virginia Woolf’S Flush, Oliver Case
Virginia Woolf: Selected Papers
No abstract provided.
Shakespeare’S Legacy In Virginia Woolf: A Feminist Revision, Maria Aparecida De Oliveira
Shakespeare’S Legacy In Virginia Woolf: A Feminist Revision, Maria Aparecida De Oliveira
Virginia Woolf: Selected Papers
No abstract provided.
The Ethics Of Representation: Woolf Writing Working Women, Aili Pettersson Peeker
The Ethics Of Representation: Woolf Writing Working Women, Aili Pettersson Peeker
Virginia Woolf: Selected Papers
No abstract provided.
Translation As Reading: Jacob’S Room, Maria Rita Drumond Viana
Translation As Reading: Jacob’S Room, Maria Rita Drumond Viana
Virginia Woolf: Selected Papers
No abstract provided.
The Ethics Of Woolf-Centric Biofiction: Diverging Perspectives, Monica Latham
The Ethics Of Woolf-Centric Biofiction: Diverging Perspectives, Monica Latham
Virginia Woolf: Selected Papers
No abstract provided.
How The World Turns: Two Case Studies: The Dreadnought Hoax And Julian Bell, Peter Stansky
How The World Turns: Two Case Studies: The Dreadnought Hoax And Julian Bell, Peter Stansky
Virginia Woolf: Selected Papers
No abstract provided.
“Same World,” “Different Eyes”: Photography And Visual Narrative In Three Guineas, M. Giulia Laddago
“Same World,” “Different Eyes”: Photography And Visual Narrative In Three Guineas, M. Giulia Laddago
Virginia Woolf: Selected Papers
No abstract provided.
Finding Shakespeare’S “Mind Of Winter”: Roses And Mulberries In Virginia Woolf’S Attitude Toward The Bard Of Avon, Elisa Kay Sparks
Finding Shakespeare’S “Mind Of Winter”: Roses And Mulberries In Virginia Woolf’S Attitude Toward The Bard Of Avon, Elisa Kay Sparks
Virginia Woolf: Selected Papers
No abstract provided.
“‘Daddy’S Girl’: Fathers, Daughters, And Female Resistance In Virginia Woolf’S Three Guineas And Valerie Solanas’S Scum Manifesto”, Kimberly Coates
“‘Daddy’S Girl’: Fathers, Daughters, And Female Resistance In Virginia Woolf’S Three Guineas And Valerie Solanas’S Scum Manifesto”, Kimberly Coates
Virginia Woolf: Selected Papers
No abstract provided.
Working With Virginia Woolf’S Ethics: Reparative Psychoanalytic Literary Criticism, Marie Allègre
Working With Virginia Woolf’S Ethics: Reparative Psychoanalytic Literary Criticism, Marie Allègre
Virginia Woolf: Selected Papers
No abstract provided.
“The World Of The Infinitely Small”: Microbic Networks In Mrs. Dalloway, Caylee Weintraub
“The World Of The Infinitely Small”: Microbic Networks In Mrs. Dalloway, Caylee Weintraub
Virginia Woolf: Selected Papers
No abstract provided.
“Thinking Peace Into Existence”: Teaching The World War Ii–Era Work Of Virginia Woolf, Jessica Dismorr, And Elizabeth Bowen, Emily M. Hinnov
“Thinking Peace Into Existence”: Teaching The World War Ii–Era Work Of Virginia Woolf, Jessica Dismorr, And Elizabeth Bowen, Emily M. Hinnov
Virginia Woolf: Selected Papers
No abstract provided.
Introduction, Amy C. Smith
La Cultura Que No Cambia, Karina Arreola-Gutierrez
La Cultura Que No Cambia, Karina Arreola-Gutierrez
MFA in Visual Art
In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …
Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman
Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman
Theses and Dissertations
Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
MFA in Illustration & Visual Culture
This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …
The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith
The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith
MFA in Visual Art
Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …
Taylor, Carrie (Burnam), 1855-1917 (Sc 3639), Manuscripts & Folklife Archives
Taylor, Carrie (Burnam), 1855-1917 (Sc 3639), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3639. Postcard advertising the spring opening, 10 February 1915, of the Mrs. A. H. Taylor Company, Bowling Green, Kentucky, inviting patrons to inspect fabrics and designs and offering samples by mail.
Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York
Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York
DU Undergraduate Research Journal Archive
Abstracts from the DU Undergraduate Showcase.
Isocrates's Place In Postmodern Advertising, Christopher Barkley
Isocrates's Place In Postmodern Advertising, Christopher Barkley
Electronic Theses and Dissertations
This study in communication and rhetoric seeks to ascertain constructive applications for distinct advertising practices by examining Isocrates’s work and place in postmodern advertising. The focus uses 5 principles known to Isocrates which are: 1) commonwealths of households, 2) integration of reputation, elegance, substance and style, 3) education and public discourse, 4) phronesis and praxis, and 5) truth and verisimilitude. These 5 principles can form a constructive and practical advertising approach. This study is important. It examines Isocrates through the lens of advertising and extends the research done about him by leading Isocrates scholars who have looked primarily at his …
Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont
Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont
MFA in Visual Art
This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …
A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera
A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera
Theses and Dissertations
This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.