Art and Design Commons^™

So Vain, Sophie Ngo

The Echo

No abstract provided.

兔年 (Year Of The Rabbit), Melina George

The Echo

No abstract provided.

Damp, Emily Clancey

The Echo

No abstract provided.

Vines, Eric Neumann

The Echo

No abstract provided.

Entombed, Grayson Jarrell

The Echo

No abstract provided.

Faltering Creation Self-Actualization, Zoee Lawrence

The Echo

No abstract provided.

Switzerland, Reagan Kennedy

The Echo

No abstract provided.

The Way Up, Ava Shutze

The Echo

No abstract provided.

There's An Itching In My Eye, Kayla Burrell

The Echo

No abstract provided.

There's A Method To His Madness, Sophie Ngo

The Echo

No abstract provided.

The Listener Ii, Grayson Jarrell

The Echo

No abstract provided.

The Listener I, Grayson Jarrell

The Echo

No abstract provided.

Bless Your Heart, Alex Lewis

The Echo

No abstract provided.

Anthropocene, Anna Timbes

The Echo

No abstract provided.

Moving Parts, Ava Shutze

The Echo

No abstract provided.

10" Sun Pot, Jake O'Connor

The Echo

No abstract provided.

Bee And Fern, Noel Duclos

The Echo

No abstract provided.

Baby Giraffe, Kayla Burrell

The Echo

No abstract provided.

A Day At The High, William Nix

The Echo

No abstract provided.

Cover

The Echo

No abstract provided.

Preface & Table Of Contents, Gabriella Williams

The Echo

No abstract provided.

Echo 2024 - Complete Issue

The Echo

No abstract provided.

A Conversation With Joe Horner (Internet Journal, Issue 001, 7-15, 2024), Joe Horner, Seb Taylor

Digital Laboratory: Publisher of Internet Journal

A conversation with Joe Horner, the Artist and Founder of @art_as_chairs on Instagram. The cultural competency of Joe Horner ever-present, with a strong influence from the dialogue between art versus artifact. Horner finds his artwork hiding within the mundane aspects of the contemporary cultural landscape.

Umbrella And Jellyfish, Yanran Bi

Masters Theses

Rainy season arrives as soon as the summer begins in Shanghai. For some reason, I rarely remember to bring an umbrella with me. I have a lot of umbrellas, most of them are transparent ones bought at subway stations. When it suddenly starts pouring rain, umbrella vendors in Shanghai gather at each crowded exit of the subway sta- tions to sell umbrellas to people like me. The cheapest umbrellas they have are always the transparent ones. The whole city is turned upside down by the rain with its reflections on every street. Then a transparent umbrella opens up, then another, …

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

Call And Response : Experiments In Storytelling, Deanne Fernandes

Masters Theses

Being part of RISD's inaugural Masters of Illustration cohort has been an immense honor. This journey has been nothing short of transformative and healing, as it has allowed me to unearth layers of self-discovery through my creative practice.

In my thesis, I introduce a fresh research methodology rooted in the principles of call and response, with adaptability, creativity, and storytelling as its foundational pillars. Through the lenses of visual storytelling, experimental animation, graphic journalism, and fictional world-building, I demonstrate how these techniques can effectively bridge the gap between theory and practice. This dynamic approach fosters meaningful connections among diverse perspectives …

Urban Looms, Recoloring City, Ella Son

Masters Theses

The metropolis has been a dominant and defining aspect of my life. Acutely aware of visual illusions created by the choreographed and unchoreographed movements of people in the streets and the distortions of light and shadow on the glass facades of skyscrapers, I reinterpret the patterns and colors that are in constant interplay into a collection of architectural textiles.

With an emphasis on optical layering, these immersive installations recreate the quality of being spellbound in the city. Scaled to emphasize verticality and activated through transparent overlays and dense color interplay, a rich visual field is activated. In their application, the …

Sircling The Cquare, Latika Balachander

Masters Theses

As we journey into an increasingly virtual and intangible reality, is there an opportunity for our tactile fabrics to journey with, and even reorient us? Can they exist in our future worlds to remind us of the value of current traditional, low-tech practices that we may soon forget?

Referencing the fundamental fabric languages of knitted and woven structures, this collection of garments, that I term “Earthsuits,” embody the stages of metamorphosis as we adjust to a new phase of our perceptive reality. With an emphasis on circling, we loop through virtual squares like screens and pixels, to the circles of …

A Thesis, Or Digressions On Sculptural Practice: In Which, Concepts & Influences Thereof Are Explained, Set Forth, Catalogued, Or Divulged By Way Of Commentaries To A Poem, First Conceived By The Artist, Fed Through Chatg.P.T., And Re-Edited By The Artist, To Which Are Added, Annotated References, Impressions And Ruminations Thereof, Also Including Private Thoughts & Personal Accounts Of The Artist, Jaimie An

Masters Theses

This thesis is an exercise in, perhaps a futile, attempt to trace just some of the ideas, stories, and musings I might meander through in my process. It’s not quite a map, nor is it a neat catalogue; it is a haphazard collection of tickets and receipts from a travel abroad, carelessly tossed in a carry-on, only to be stashed upon returning home. These ideas are derived from much greater thinkers and authors than myself; I am a mere collector or a translator, if that, and not a very good one, for much is lost. I do not claim comprehensive …

I Am Becoming., Dai Asano

Masters Theses

This is a collection of essays documenting my grappling with the idea that time is always in motion. When you say now, it is not now anymore, but we are still in now, a new now. How can I stay in the now without being swept away by the current of time? Describing a film by Ozu Yasujiro, Deleuze writes, “The vase in Late Spring is interposed between the daughter’s half smile and the beginning of her tears. There is becoming, change, passage. But the form of what changes does not itself change does not pass on. This is time, …