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Articles 4021 - 4050 of 4130
Full-Text Articles in Art and Design
Committed To Print, Wright State University Art Galleries
Committed To Print, Wright State University Art Galleries
Exhibition and Program Catalogs
A poster depicting several events ending the 1960s. The composition is overlapping and visually striking. Figures within this collage include: Martin Luther King Jr, President Kennedy, an astronaut representing the Apollo 11 mission, a truck with U.S. troops in Vietnam, a singer representing Woodstock, and many other smaller images representing other historical events of the time. The artist is unknown, and there was no name for the collage.
School Of Practical Art Course Catalog (1967-1968), School Of Practical Art
School Of Practical Art Course Catalog (1967-1968), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
Ivy Leaves 6, Ivy Leaves Editorial Staff
Ivy Leaves 6, Ivy Leaves Editorial Staff
Ivy Leaves
The Fall-Winter 1966 edition of the Anderson College journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Byron Danny Collins, Tinka White, Connie Mahaffey, Kathleen Inabinet, Len Farmer, Dick Madden, Hank Roberts, Gayle Holmes, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., Jerome D. Wilson, and Edward P. Vandiver, Jr. Cover art by Dick Madden.
Fall Events Of The Arts 1966, Usm Art Department
Fall Events Of The Arts 1966, Usm Art Department
Exhibition Catalogues
The Portland campus of the University of Maine is proud to announce its concert-lecture series for the fall of 1966.
An Exhibit Of Paintings, Prints And Drawings By Jeana Dale Bearce (1966), Usm Art Department
An Exhibit Of Paintings, Prints And Drawings By Jeana Dale Bearce (1966), Usm Art Department
Exhibition Catalogues
Westbrook Junior College - Portland, Maine
Ivy Leaves 5, Ivy Leaves Editorial Staff
Ivy Leaves 5, Ivy Leaves Editorial Staff
Ivy Leaves
The Spring 1966 edition of the Anderson College journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Jackie Anderson, Mike Hatfield, Frank Peake, Sherril Vaughan, Catharine Davis, Tinka White, Kathleen Inabinet, Dubbie Belcher, Byron Collins, Gayle Holmes, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., and Jerome D. Wilson. Cover art by Kathleen Inabinet.
An Invitation To The Fine Arts Program Of Gorham State Colleg For 1966-1967, Usm Art Department
An Invitation To The Fine Arts Program Of Gorham State Colleg For 1966-1967, Usm Art Department
Exhibition Catalogues
The 1966-67 Concert-Lecture Series -- Events in Performance
School Of Practical Art Course Catalog (1966-1967), School Of Practical Art
School Of Practical Art Course Catalog (1966-1967), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske
The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske
Sheldon Museum of Art: Catalogs and Publications
There are four major techniques for making original prints. A brief descriptlon of each of these -- relief processes, incised processes, planographic processes, and stencil processes -- is found in the following paragraphs.
Most art museums today seek the means of reaching a wider public than is actually counted through the turnstile and, as a result, art objects have come to be a commonplace in public places of all kinds, civic and commercial. Art has even taken to the road in circulating exhibitions, art-mobiles and the like. The present series of exhibitions has been organized as an effort in this …
Performance Notes, R. Carlyon, Bird Park Lake: A Vue Gram, Bang Arts Festival 1966, Richard Carlyon
Performance Notes, R. Carlyon, Bird Park Lake: A Vue Gram, Bang Arts Festival 1966, Richard Carlyon
Bang Arts Festival Documents
A single page of performance notes from Richard Carlyon about the March 22, 1966 performance of "Bird Park Lake: A Vue Gram." Typewritten text with handwritten marginalia. Transcription of handwritten notes: "(From R. Carlyon's Notes), projectionists: Carlton Gunn, Sam West, Robert Barefoot, Carlton Gunn, Sam West, William Livingston were students at RPI, C.A. & D. Dept."
Ivy Leaves 4, Ivy Leaves Editorial Staff
Ivy Leaves 4, Ivy Leaves Editorial Staff
Ivy Leaves
The Fall-Winter 1965 edition of the Anderson College journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Jackie Anderson, Mike Hatfield, Frank Peake, Sherril Vaughan, Catharine Davis, Tinka White, Kathleen Inabinet, Dubbie Belcher, Byron Collins, Gayle Holmes, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., and Jerome D. Wilson. Cover art by Kathleen Inabinet.
Ivy Leaves 3, Ivy Leaves Editorial Staff
Ivy Leaves 3, Ivy Leaves Editorial Staff
Ivy Leaves
The Spring 1965 edition of Anderson College's journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Carol Gibson, Tissie Blessing, Dan Matthews, Randy Chambers, Sandra Kytle, Mike Miller, Faye P. Cowan, R. S. Moore, Marietta McCown, E. C. Simpson, W. F. West, Jr., and Jerome D. Wilson. Cover art by Mike Miller.
1965-1966 Fine Arts Program Gorham State College, Usm Art Department
1965-1966 Fine Arts Program Gorham State College, Usm Art Department
Exhibition Catalogues
The Concert-Lecture Series
Events in Performance
Inscape 1965, Morehead State University
Inscape 1965, Morehead State University
Inscape: Art & Literary Magazine Archive
The 1965 edition of the Inscape: Literary and Art Magazine.
Ivy Leaves 2, Ivy Leaves Editorial Staff
Ivy Leaves 2, Ivy Leaves Editorial Staff
Ivy Leaves
The Fall 1964 edition of the Anderson College journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Carol Gibson, Tissie Blessing, Dan Matthews, Randy Chambers, Sandra Kytle, Mike Miller, Faye P. Cowan, R. S. Moore, Marietta McCown, E. C. Simpson, Elizabeth B. Tisdale, W. F. West, Jr., and Jerome D. Wilson. Cover art by Mike Miller.
Ivy Leaves 1, Ivy Leaves Editorial Staff
Ivy Leaves 1, Ivy Leaves Editorial Staff
Ivy Leaves
The Spring 1964 edition of the Anderson College journal of literature, Ivy leaves. This was the first edition of Ivy Leaves after Footnotes and The Orion; this publication continues into present day.
The names of the known editors for this issue of Ivy Leaves were Billy Hopkins, Carol Gibson, Albert Glenn, Janice B. Capps, R. S. Moore, Marietta McCown, E. C. SImpson, Elizabeth B. Tisdale, and W. F. West, Jr.
Lincoln Memorial, Austin Productions Incorporated
Lincoln Memorial, Austin Productions Incorporated
Morehead State University Art Collection
A miniature 1964 reproduction of the Lincoln Memorial in Washington, D.C. produced by the Austin Productions Incorporated.
Inscape 1964, Morehead State College
Inscape 1964, Morehead State College
Inscape: Art & Literary Magazine Archive
The 1964 edition of the Inscape: Literary and Art Magazine.
William E. Barber, Unknown
William E. Barber, Unknown
Morehead State University Art Collection
A 1964 bust of William E. Barber by an unknown artist.
Nefertiti, Austin Productions, Inc.
Nefertiti, Austin Productions, Inc.
Morehead State University Art Collection
A bust of Egyptian Queen Nefertiti by Austin Productions, Inc.
Inscape 1963, Morehead State College
Inscape 1963, Morehead State College
Inscape: Art & Literary Magazine Archive
The 1963 edition of the Inscape: Literary and Art Magazine.
School Of Practical Art Course Catalog (1963-1964), School Of Practical Art
School Of Practical Art Course Catalog (1963-1964), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
School Of Practical Art Course Catalog (1962-1963), School Of Practical Art
School Of Practical Art Course Catalog (1962-1963), School Of Practical Art
Art Institute of Boston (AIB) Course Catalogs
It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …
Lights And Shadows - 1962, University Of North Alabama
Lights And Shadows - 1962, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Gorham State Teachers College Fine Arts Productions 1961-1962, Usm Art Department
Gorham State Teachers College Fine Arts Productions 1961-1962, Usm Art Department
Exhibition Catalogues
Annual Fine Arts Program
Special Appearances of Choral Group
Moses, Unknown
Moses, Unknown
Morehead State University Art Collection
An undated bust of Moses holding the Ten Commandments by an unknown artist.
Gamin, Leonardo Artwork, Inc.
Gamin, Leonardo Artwork, Inc.
Morehead State University Art Collection
An undated sculpture of a boy with a hat on by Leonardo Artwork, Inc.
Girl With Doll, Leonardo Artworks, Inc.
Girl With Doll, Leonardo Artworks, Inc.
Morehead State University Art Collection
An undated statuette of a young girl holding a doll by Leonardo Artworks Inc.
Dog-Trot Cabin, Unknown
Dog-Trot Cabin, Unknown
Morehead State University Art Collection
A small, undated model of a cabin with the words "Dog Trot Cabin" inscribed on the front side of the base.
Mark Twain, Joseph Konzal
Mark Twain, Joseph Konzal
Morehead State University Art Collection
An undated cast replica of Joseph Konzal's bust of Mark Twain.