Art and Design Commons^™

Mixed Media, Scott Rooney

The Messenger

No abstract provided.

Newlywed Game, James Mcnamara

The Messenger

No abstract provided.

Print, Patricia Keaveney

The Messenger

No abstract provided.

Anthony Panzera: The Big Picture, Life-Size Scrolls And Drawings, University Of Richmond Museums

Exhibition Brochures

Anthony Panzera: The Big Picture, Life-Size Scrolls and Drawings

January 28 to March 6, 1998

Marsh Art Gallery, University of Richmond Museums

Introduction

Anthony Panzera's remarkable series of monumental scrolls and drawings of the nude is impressive in its scale and startling in its immediacy. Large and beautiful, the life-size drawings present a contemporary perspective that carries forward a genre of drawing with a long and rich tradition.

The nude figure is an aesthetic theme of endless variation and can be traced to the very beginnings of art. The desire to depict the human form has been the source of …

Lights And Shadows - 1998, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Inscape Fall 1997, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 1997 edition of the Inscape: Literary and Art Magazine.

The Beat Generation, Agnieszka Taborska, Paula Hunter, Steven L. Jobe, James O. Barnhill, Helen Lee, Joshua Waldman, Nishira Fitzgerald, Brendan Meilman, Ismael Lawall, Zach Pitt-Smith, Kevin Walker, Tamara Carroll, Rhon Porter, Maleese Schick, Rhody Azcueta, Kevin Umbricht, Matthew Curry, Jee-Eun Kim, Michelle Lee, Marisa Nealon, Karelle Levi, Hilary Riley, Simon Potter, Antoinette Le Vaillant

Programs

Program for the tenth annual RISD Cabaret held in the Waterman Building, top floor coinciding "with the fiftieth anniversary of the year when Allen Ginsburg, William Burroughs and Jack Kerouac first met and started a movement which changed the face of postwar American and influenced the 1960s as well as the subculture of the '70s and '80s." Program, poster and tickets designed by Antoinette le Vaillant. View the Performance Recording.

Spirits Rising: Heritage And Contemporaneity In Figurative African-American Art, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog for the exhibition Spirits Rising featured works by African American artists Jon Onye Lockard, Valerie Maynard, and Pheoris West. The exhibition was held at the Wright State University Art Galleries from February 18 through March 23, 1997.

The Democratic Print, Kim Vito, Ronald R. Geibert, Craig Martin

Art and Art History Faculty Publications

THE DEMOCRATIC PRINT features contemporary relief printmaking in the United States. One hundred and fifty-five images and biographical information on thirty-one artists. The approaches include wood and linoleum blocks, relief constructions, book illustrations, multi-process combinations, and installations involving printed relief elements. Edited by Kim Vito and Craig Martin. The associated file are samples from The Democratic Print.

Ivy Leaves, 1996-1997, Ivy Leaves Editorial Staff

Ivy Leaves

The 1997 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Shawn Elliott, Misti Fuller, Kelli Holzer, Stephanie Nichols, April Price, Darren Rambo, Sherrell Crawford, Sharon Felder, Jason Manuel, Daryl McCard, John Woodson, Wayne Cox, and Susan Wooten.

Robert Motherwell On Paper: Gesture, Variation, And Continuity, University Of Richmond Museums

Exhibition Brochures

Robert Motherwell on Paper: Gesture, Variation, and Continuity

October 17 to December 13, 1997

Marsh Art Gallery

Introduction

Abstract art is stripped bare of other things in order to intensify its rhythms, spatial intervals, and color structure, a process of emphasis. - Robert Motherwell

The renowned Abstract Expressionist artist Robert Motherwell (1915-1991), best known as a painter, produced a remarkable body of works on paper. His drawings, prints, and collages show an intimate side of his visual sensibility and reveal the very personal "handwriting" of the artist as he responded to the subtleties of paper, both as a medium and …

Lights And Shadows - 1997, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Dayton Collects Ii, Wright State University Art Galleries

Exhibition and Program Catalogs

The collectors represented in this show have a variety of interests and collecting styles. The collections range in size from well over 500 objects to just a handful of works, and they cover the full range of artistic media. Some collectors concentrate in depth on a particular period in art history or in a particular geographic area: there are collection of Winslow Homer and Whistler, collections of contemporary art, works by Dayton artists, works by African and Native American artists.

Inscape Fall 1996, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 1996 edition of the Inscape: Literary and Art Magazine.

Subject/Matter, Gilles J. L. Foisy

Dissertations and Theses

The process of obtaining the Master of Fine Arts degree led me to probe the aims and methods of my artmaking. What emerged and became uppermost was the issue of form and content or perhaps form versus content. While highly concerned with the formal aspects of art, content (subject matter) would not fade from my intentions or cease to occupy my mind. Through much "soul searching" and inquiries into numerous materials both familiar and new to me, I concluded that my intended content was about my experience of being. I further distilled my conclusion and focused on my ontological experience …

Material Origins, Carol E. Minchin

Dissertations and Theses

The intent of this thesis project was to use sculpture as a means of investigation for exploring the structural uses of Masonite, and to understand how those uses affect the nature of my work. The transformation of this material into form becomes the a process that is adjusted and refined until a formal solution is found. The tension, texture, scale, and form of the work contribute to a dialogue that results in sculptures that reference the human body and the growth of plants.

Songs And Stories That Only You Know: Multiplicity, Meaning, & The Metaphorical Bridge, Matthew Haggett

Dissertations and Theses

The thesis report will serve as a companion for the body of work that is the bulk of the thesis project. The theme of the thesis project is "the bridge". "The bridge" is a metaphor for meaning occurring through context. It is present on many levels. It will implicit in much of the discussion. I will include themes such as the play of differing scales, the ambiguous line between part and whole, and the reasons for the book format . Specific imagery that occurs repeatedly in the work, like architecture and knots, will be explained in terms of its sources, …

Skylands, Edwin Havas

Exhibition Catalogs

Catalog for the exhibition Skylands: Paintings from Northwestern New Jersey held at Seton Hall University Walsh Gallery, May 2nd - July 17, 1996. Curated by Edwin Havas. Includes essay and

The Seven Deadly Sins Of Hieronymus Bosch, Sally A. Struthers

Art and Art History Faculty Publications

Some have tried to explain the iconography of Bosch’s works through alchemy, astrology, medicine and the Adamites. Bosch’s work is rich, and seems to come from a number of sources, but he always drew from traditional Christian themes. The sinfulness of mankind is a major theme in Bosch’s oeuvre, and is bound up with the late Medieval theme of the punishments of the damned at the Last Judgment. The theme of the seven deadly sins pervades every surviving painting by Hieronymus Bosch.

Inscape Spring 1996, Morehead State University

Inscape: Art & Literary Magazine Archive

The Spring 1996 edition of the Inscape: Literary and Art Magazine.

Drawing From Perception: A National Juried Drawing Exhibition, Wright State University Art Galleries

Exhibition and Program Catalogs

A program from a juried drawing exhibition held at the Wright State University Art Galleries from March 31 through May 5, 1996. The prize juror was Professor Emeritus at Yale University Art School, Bernard Chaet.

Ubu Roi, Agnieszka Taborska, Sylvie Toux, Joseph Silva, Marisa Nealon, Jeremy Siew, Matt Desmith, Helen Lee, Roslyn Wiria, Janine L. Burt, Matt Moreau, Jessica Guarino, Kathy Leung, Jennifer Norton, Mutsuko Kasai, Raoul Kim, Simon Potter, Jenny Tu, Pei-Ju Chuang

Programs

Program for the nineth annual RISD Cabaret held in the Waterman Building commemorating the 100th anniversary of the premier of Alfred Jarry's 1896 play, "Ubu Roi". Graphic design: Matt DeSmith and Vivian Law.View the Performance Recording.

Roberley Bell The Site Of Memory, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features exhibition of work by Roberley Bell. The Site of Memory was held at the University Art Galleries, Wright State University from January 2 through 28, 1996.

Generations Of Kentucky: An Exhibition Of Folk Art With Photographs By Guy Mendes, Guy Mendes, Julie Ardery, Tom Patterson

Kentucky Folk Art Center Exhibition Catalogs

1996 Kentucky Folk Art Center exhibition catalog of Kentucky folk art and photographs by Guy Mendes.

Ua35/11 Student Honors Research Bulletin, Wku Honors Program

WKU Administration Documents

The WKU Student Honors Research Bulletin is dedicated to scholarly involvement and student research. These papers are representative of work done by students from throughout the university.

• Brooks, Lynnette and Cindy Calisi. The Effect of Selenium Supplementation on the Immune Response of Mice with Experimental Chagas' Disease
• Hildreth, John. Teasing the Muse
• Jenkins, Rhonda. Steinbeck's Portraits of Prostitutes: Progression of an Author's Vision
• Kirkham, Michelle. The Prenatal Use of Crack Cocaine: How It Affects Children and How Schools Can Respond
• Gibson, Jeanette and Juli McCay. Circadian Rhythm of Brain GABA Levels in the Cockroach, Leucophaea Maderae
• Patterson, Dana. Home Schooling …

Ivy Leaves, 1995-1996, Ivy Leaves Editorial Staff

Ivy Leaves

The 1996 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Mary Nell Tysinger, Sharon Feldor, Daryl McCard, Julie Banker, Kim Elmore, Misty Taylor, Armeal Thompson, Wayne Cox, and Susan Wooten. Cover art by Misty Taylor.

The Meaning Of Yoruba Aso Olona Is Far From Water Tight, Lisa Aronson

Textile Society of America: Symposium Proceedings

While researching the ritual meaning of cloth among the Eastern Ijo of the Niger Delta, I examined the contents of a number of family owned trunks in which were stored old and much valued cloths traded from elsewhere in Africa, Europe, and India. One type of cloth which I frequently found in these collections was one made up of three, or sometimes four, woven strips that are sewn along the salvage and decorated with supplemental weft-float design. The Eastern Ijo regard this cloth as a valuable heirloom for its trade value and for the fact that its designs evoke spiritual …

Textiles Of Sacrifice: Aztec Ritual Capes, Patricia Rieff Anawalt

Textile Society of America: Symposium Proceedings

This presentation analyzes three long-gone prehispanic textiles, a feat made possible due to the peculiarities of the Aztec language, Nahuatl, and the sixteenth-century Spaniards' dedication to detailed recordkeeping. From Columbus' first voyage in 1492 to Spain's final expulsion from the Americas in the nineteenth century, the Spaniards were exemplary recorders. Fortunately, this trait was particularly evident in the decades following the 1519–1521 conquest of Mexico, a period that yielded invaluable conquistador eye-witness accounts, administrative records and missionary chronicles. It is to the latter genre that we owe the data presented in this paper.

Of all the newly-discovered peoples in the …

Figuration/Abstraction: Fairfield Porter/Willem De Koonig, Jud Yalkut

Art and Art History Faculty Publications

While the words of figurative art and abstract expressionism may seem to be eons apart for the average viewer, it was the premise of "Figuration/Abstraction: Fairfield Porter/Willem de Kooning" to explore, in the worlds of curator David Leach, "a shared attitude regarding the essentials of image making." In the collision of realism and abstraction which highlighted a long period of East Coast painting characterized by these two major figures. Leach has seen a love of color and "a strong interest in shape" as well as "a love for the fast-moving gestural mark."

Inscape Fall 1995, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 1995 edition of the Inscape: Literary and Art Magazine.