Art and Design Commons^™

'Ashley' & 'Palmies', Ashley Fortes, Joie Rahn

.RAW Journal of Art and Design

No abstract provided.

'Growing Up' & 'From The Dining Table', Abigail Gan, Kyra Oh

.RAW Journal of Art and Design

No abstract provided.

'In The Heat Of Perfection' & 'Nowhere 1997.', Sarah Tarquin, Celeste Ibarra

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Claire Hughes

.RAW Journal of Art and Design

No abstract provided.

Opening, Joie Rahn

.RAW Journal of Art and Design

No abstract provided.

Cover, Lillie Turinsky

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Michaela Velleno, Erin Robinson

.RAW Journal of Art and Design

No abstract provided.

The Arch And The Looking Glass: Umbli Cu Cioara Vopsitǎ, Ana Popescu

Masters Theses

The Arch and The Looking Glass: Umbli Cu Cioara Vopsită (You Are Walking Around with a Painted Crow)

A thesis presented in partial fulfillment of the requirements for the Master of Fine Arts in Ceramics in the Department of Ceramics of the Rhode Island School of Design, Providence, Rhode Island.

By Ana Popescu, 2025

Approved by Master’s Examination Committee:

Lesley Baker, Shoji Satake (Chair), Heather Bhandari, Tucker Houlihan

Date: May 17th, 2025

Location: Rhode Island School of Design, Providence, Rhode Island

To be opened for self-reflection in 10 years, on May 17th, 2035:

I’ve been mulling over how to make …

Resonance, Jess D. Skyleson

Masters Theses

Resonance is a digital media installation intended to facilitate a deeper understanding of inter-connection within and between ourselves and others, and to depict how our voices live both within and beyond us. The exhibit is divided into two intertwining halves:

Externally, the piece involves creative communication between people, art mediums, and life experiences. This aspect includes the contributions of thirty patients, doctors, and caregivers who responded to one another’s artwork in a series of workshops led by the artist. Starting with the creative writing of patients, this was provided to a group of unrelated medical providers, who responded with visual …

Hunting, Feiyang Zhuang

Masters Theses

This writing is about fragility and revelation of technological systems. It considers how brokenness, delay, and opacity are not flaws but openings—opportunities to reimagine our relationship to technology as something grounded, sensory, and continuous with the natural and material world.

,, Yujia Gong

Masters Theses

I am still learning how to understand the world.

As I moved through different countries, cultures, and communities, I often found myself unlearning and rebuilding what I thought I knew. At times I felt unanchored, floating without a sense of safety or belonging. So I began to walk.

Walking became my way of reconnecting. With each step, I used my senses to notice the details around me: shadows cast by sunlight; life growing from soil; the presence of buildings and objects as quiet evidence of human existence. These elements — scent, light, sound, size, temperature — shape our perception of …

Breath, Void, Ground, Huichun Yang

Masters Theses

Before the sound, there is breath. Before the explosion, there is a threshold. Before the noise, there is silence.

Inspired by the physicality of balloons, this thesis explores breath as sonic material that carries memory, moves through bodies, and resonates across spaces. The balloon becomes a skin that holds breath: a force inhaling trauma, ritual, and intimacy. When released through mouth and latex, breath conjures alien, untranslatable voices that hiss and hum.

It begins with a balloon and expands with endless breath. The balloon becomes a site where the history, body, and voice disintegrate and reform. The pressure and tension …

Body Choice Of Women-507, Yilin Sun

Masters Theses

This thesis examines the struggle for bodily autonomy through the lens of contemporary art, focusing on 507, a kinetic installation by Yilin (Rebecca) Sun. At the heart of this work lies a powerful meditation on the emotional and political dimensions of reproductive responsibility. In a world where women’s rights over their own bodies are frequently contested, 507 becomes both a vessel of remembrance and a visual act of resistance. It channels the often-silenced experiences of women into a shared space of reflection, mourning, and confrontation.

Rather than offering straightforward answers, 507 presents an enigmatic title and a symbolic language …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

Belonging In Memory, Yilin Li

Masters Theses

This book is a visual and textual exploration of belonging, memory, and the sublime found in the mundane. Through a combination of written reflections and curated artworks, it traces my artistic journey, showcasing how I search for belonging through memory, everyday life, personal witness, family dynamics, and cultural memory.

The first part delves into the intimate connections between everyday life and artistic inspiration, weaving together personal experiences, observations, and memories into imaginative narratives. The second part presents a chronological selection of my artworks, illustrating my artistic evolution. Initially, my work responded to China’s rapid urbanization, exploring fading personal and collective …

Modes Of Seeing, Means Of Telling, Tina Zhou

Masters Theses

In a world increasingly threatened with dis- and misinformation, far-right nationalisms, geopolitical violence and conflicts, I am interested in graphic design as a tool for investigation and interactive storytelling.

To investigate is to track a movement, to untangle a situation, to search for the roots of an incident. In adopting the posture of the researcher, the journalist, or the pedestrian observer, I engage in the work of collecting vantage points: data, records, images, from academic papers to personal anecdotes. I position them in larger sociopolitical contexts, making visible how they might all fit together. Who holds the power of narration? …

Plural Vistas, Brooke Shary

Masters Theses

Plural Vistas introduces an expansive spatial dimension to the practice of graphic design. Through emotive means and embodied experience, each vista engages the potential for design to negotiate the intertwined relationship between the built environment (structured language and hierarchical systems), and the reciprocal demands of the natural world (interdependency and entanglement). This approach offers new ways for design to operate and extend into the world and our communities.

Not bound to one singular path or point of view,

Plural Vistas invites you to think spatially.

Space and time are active—
engaging the body and considering the complex and subjective relationship …

Lingering Loading, Chi Hao Chang

Masters Theses

In a culture that values speed, seamlessness, and instant clarity, Lingering Loading investigates how graphic design can slow down our ways of seeing and knowing. As technology, internet culture, and social media continue to condition us to expect immediate answers, we have become more passive in how we receive meaning. We scroll, absorb, and move on—often without time to ask what we truly think or feel. But in the increasingly rare moments of pause, something undefinable can happen.

To linger is not to delay progress, but to make space for participation—for meaning to emerge from within, not be delivered from …

Chasing The Sacred: A Personal Archive, Yiko Yang

Masters Theses

The relationship between humans and nature is like that of a child to a mother, or consciousness to the unconscious. The former arises from the latter, which always holds and shapes it. As human consciousness evolves, the desire to return to the unconscious remains—we are always looking back, searching for that first glimpse of the world.

Thinking back to my childhood, certain fundamental images—archetypes—come to mind. Rooted in the research of Carl Jung and Erich Neumann, this concept also stems from my family’s cultural heritage and my deep, lasting connection with nature as a child. These archetypes reflect the natural …

Ecospiritual Entanglement, Ali Vedad Yüner

Masters Theses

Land breeds culture. It gives us the resources to thrive, and in that process we establish a relationship with its constituents. With a multitude of beings inhabiting the land, a complex web of relationships develop. Biology describes these relationships as food webs; the mass entanglement of organisms in a manner that each organism nourishes the other. These webs are not just mere scientific structures but rather an interpretation of existential connections that every organism in the world, humans included, are indebted to. Food webs are the first stepping stone in the formation of culture, as they account for the engagement …

Wooorrmmhooolleess, Kimberly Duck

Masters Theses

By now we all know that the internet is an integral part of our existence. One could argue that this online existence holds equal importance to our physical one. While the lines blur even further and Mark Zuckerberg can’t wait to cosplay the rich computer guy from Ready Player One, I choose to refrain from the existential dread that seems to be inescapable when thinking of the future nowadays. While we often associate the internet with portals (after all, we once called websites “Internet Portals”—in German at least), Wormholes more accurately capture the experience. Portals promise instant connection. But what …

Instrument, Elliott M. Romano

Masters Theses

I compose graphic design like I would a piece of music. Using input sources such as sound signals and noise algorithms, I create generative systems that alter or adapt typography and graphic form to output audio-textual compositions in real time. I call these systems graphic instruments.

In this book, I present a methodology for constructing and performing visual instruments as hybridized, real-time feedback systems, tracing a lineage of apparatuses as well as works of art and design that share a similar orientation. Through short-form essays and interviews with artists who operate between designer and performer, this thesis explores the …

Afrography: Scripting Futures Anchored In Culture & Community, Osmond Tshuma

Masters Theses

Latin and Arabic are the most used writing systems in Afrika, not only because of their functionality but because of colonial history. Colonialism established Eurocentrism as the standard, while Afrikan creations were marginalized and demonized. This thesis investigates various ways of reclaiming identity through typography using the concept of Sankofa, which emphasizes retrieving and learning from the past to build the future. By integrating cultural objects into designs and everyday visual language, we can challenge and reverse the demonization imposed on Afrikan symbols by colonial narratives.

The belief of Ubuntu, the philosophy that an individual’s well-being is intrinsically tied to …

Jotographía // Fagtography: On Amor Propio Radical // Radical Self-Love, Jonathan Erick Guzman

Masters Theses

“Jotographía // Fagtography: On Amor Propio Radical // Radical Self-Love” is an interdisciplinary thesis that explores the intersections of queer Chicanx identity, photography, and performance as technologies of survival and self-construction. I construct a speculative archive of Chicanx queer experience through my tripartite personas: Barbí, Luke, and myself—collectively, the Guzman Triplets.

Through these embodied avatars, I embrace rasquachismo, camp, Catholic iconography, and hybrid photographic processes—including Polaroids, AI-manipulated imagery, anthotypes, and installation—to investigate visibility, fragmentation, and ancestral memory. Rooted in Gloria Anzaldúa’s frameworks of la herida abierta and nepantla, José Esteban Muñoz’s concepts of disidentification and queer futurity, and bell …

The Blue Below Still Breathes, Yiyi Wang

Masters Theses

The Blue Below Still Breathes explores disappearance transformation rather than loss—a shift in visibility that reveals the pressures, absences, and structures shaping perception. Across interactive installations and print works, I examine how power operates through omission, fragility, and formal control. At the heart of this practice is printmaking, reimagined as a responsive, impermanent medium that challenges its historical association with fixedness.

The thesis installation features a 5x5 grid of thermochromic screenprints of a concrete wall, where viewer proximity activates a randomized sequence of heating panels. As heat raises the temperature of the surface, a field of blue gradually emerges, breaking …

The Navel Of The Dream, Ella C. Baum

Masters Theses

The images in The Navel of the Dream evoke a state of groundlessness. In this body of work, photographs act as thresholds between what is seen and what is felt, between daydreams and nightmares, and memories and myths. The camera is used as a means to engage with feelings of loss, and reenact the mythos of childhood, as well as the deep waters of the subconscious.

Created in Southern Sweden between 2022 and 2025, these photographs investigate the fallow winter landscape, the liminal space of deep, dark Scandinavian nights and the transformative qualities of ice, snow and …

Silent Veins, Yinghan Zhang

Masters Theses

My art is founded on the scholar stones in my home in China. These are rocks once collected by ancient scholars and poets, who admired their natural forms for their aesthetic beauty and philosophical qualities. These silent creations of nature are at the heart of my creative inspiration. They serve as spiritual vessels, connecting natural philosophy with personal memory. I listen to the whispers of time within the textures of stone and paper through the contemporary expression of traditional techniques such as rubbing and water-based woodcut, allowing otherwise silent materials to speak a language spanning centuries. In this thesis, Silent …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

For The Time Beings, Tori Hong

Masters Theses

For the Time Beings is a socially engaged installation and artist book exploring the material consequences and future possibilities of sociocultural time theories. Time, in the West, is typically associated with Newtonian linearity, while in the East, time theory relies on Buddhist principles. These epistemologies reinforce hierarchical and patriarchal structures. Centered on Indigenous Asian and Asian American perspectives, For the Time Beings challenges dominant ideologies of existing in time and space.

For nearly a year, I’ve burned handwritten prayers on new and full moons. The ashes of these prayers are incorporated into reverential drawings of chosen ancestors, made with charcoal …

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …