Art and Design Commons^™

Victory And Whistling, Madison Browne

The Echo

No abstract provided.

They Saw, Emma Zyriek

The Echo

No abstract provided.

Listening For The Conga, Kolade Olaiya

The Echo

No abstract provided.

The Portrait Of Grandmother Lorelei, Meg Gillogly

The Echo

No abstract provided.

The Session, Kendall Driscoll

The Echo

No abstract provided.

Bubble Bath, Ben Gamble

The Echo

No abstract provided.

The Cameo Necklace, Shannon Young

The Echo

No abstract provided.

A Breaking, Margaret Shelton

The Echo

No abstract provided.

Preface & Table Of Contents

The Echo

No abstract provided.

Cover

The Echo

No abstract provided.

Echo 2016 - Complete Issue

The Echo

No abstract provided.

Ivy Leaves, Volume 91, Ivy Leaves Editorial Staff

Ivy Leaves

The 2016 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Angel Hisnanick, Becca Naylor, Allyson Vaughan, Tquavious Johnson, Maris Mabry, Jenni Harris, Jessi Tallman, Tracy Spencer, Caroline Denton, Josie Maszk, Logan Hickey, Meredith Lyons, Jennifer Bowers, Sarah Grace Kivett, Alex Dib, Hollyann Lang, Matt Swank, Micah Peek, Ben Boerma, Tim Speaker, and Teresa Jones.

Una Entrada En La Vida De Las Mujeres Inmigrantes: Una Exposición Visual Para Representar Las Experiencias De Mujeres Inmigrantes De México A Través De Retratos Y Entrevistas, Ashley Ables

World Languages and Cultures

Una entrada en la vida de las mujeres inmigrantes:

Una exposición visual para representar las experiencias de mujeres inmigrantes de México a través de retratos y entrevistas

Ashley Ables

California Polytechnic State University

Intent:

The intent of my project is to research the lives of migrant, farm-working women who have migrated from Mexico and now live and work in California. The other purpose is to present the findings to the Cal Poly and San Luis Obispo communities through interviews and artistic expression.

Methodology:

In order to research and present the lives of these women, I plan to do the following: …

Yung Ladies, Leah Nordman

Bachelor of Fine Arts Senior Papers

Yung Ladies began as an investigation into female representation and has expanded into a brand and even lifestyle. Founded as a space for female solidarity, Yung Ladies works to break down notions of what a young woman should be and simultaneously spreads our ideals and attitudes through our clothing line and social media presence. This paper spans the ideological movements, various forms of artistic media, and artist precedents that have inspired this project.Yung Ladies includes investigations into new media identities and notions fad ideological movements, consumerism and conspicuous consumption, and brand identity as a means of personal representation. These ideas …

Taking In: A Juried Selection Of Undergraduate Photography 2016, Lucad Students

Taking In

Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

Salthouse, Richard Rinehart

Other Faculty Research and Publications

Stephen Althouse was raised on a farm in rural Bucks County, Pennsylvania, where he earned a working familiarity with the land, animals, and the tools of farming. He went on to work in a stone quarry, on the railroad, and in concrete construction and road building. It comes as no surprise that, when he pursued his artistic studies and practice, he focused on sculpture – on objects and the human hands that make them. Rather than fabricate new objects that would embody his own labor, he chose to work with found objects that told the stories of others, and this …

Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley

Student Publications

Niki de Saint Phalle had a fearless approach in her representation of women and her invitation of audience interaction. Born in 1930, she lived through the years of very male dominated areas of art: Abstract Expressionism, Pop Art, and Neo-Dada. Niki de Saint Phalle provided a unique treatment of the female figure through drawing, painting, writing, found object sculpture, large public sculpture, and installation. One of the pieces I will primarily focus on embodies her fascination with audience interaction and the portrayal of the female figure: her controversial and temporary installation of 1966, ‘SHE – a cathedral.' In comparison to …

Volume 08, Meghan Enzinna, Casey Dawn Gailey, Raven Collins, Chiara Enriquez, Amelia Mcconnell, Alexander Morton, Emma Beckett, Leah G. Parr, Briana Adhikusuma, Taylor Embrey, Rowan Davis, Danielle Sisson, Bianca Cherry, Melissa Cacho, Chloe Woodward, Catherine Rollins, Carson Reeher, Landon Cooper, Haley Vasquez, Marlisha Stewart, Eric Whitehead, Sabrina Walker, James Bates

Incite: The Journal of Undergraduate Scholarship

Introduction from Interim Dean Dr. Jennifer Apperson

Indigenous Peoples and the Modern Era by Meghan Enzinna

"Who Says": How Selena Gomez and the Scene Attempt to Subvert the Popular Standards of Beauty by Casey Dawn Gailey

Art by Raven Collins

Meltdown on Social Media: Amy's Baking Company Meets Kitchen Nightmares by Nathena Haddrill

Art by Chiara Enriquez

Design by Amelia Mcconnell

Worth More Than a Thousand Words: A Visual Rhetorical Discussion of Virtual Reality by Examining "Clouds Over Sidra" by Alexander Morton

Design by Emma Beckett

The Sonata: An Analysis of Piano Sonata No. 14 in C Minor, K. …

“I Would Save You, But My Boobs Keep Getting In The Way”: An Examination Of My Art Through The Lens Of The Heroic Myth And Alternative Comics, Barrett Hollingsworth

Bachelor of Fine Arts Senior Papers

My artwork challenges the masculine, violent idea of the hero through utilizing the visual language of comic books, as well as autobiographical themes. In this examination of my work, I explore conceptual and visual precedents and relate them back to my own practice throughout. My essay establishes the idea of the contemporary American heroic myth by looking at Joseph Campbell, as well as more contemporary re-examinations and criticisms of his ideas, relating the modern myth to the superhero comic genre. Next, I explore the history of underground comics, specifically feminist autobiographical comics, and relate the works of artists such as …

A Borrowed Language, Yvonne Osei

Graduate School of Art Theses

Art has the potency of mediation: bridging human differences, questioning voids in historical trajectories, negotiating spaces of relevance, and most importantly, being signifiers that embody the absent. I speak in a borrowed language, a multilingual visual tongue, inspired by a culmination of Western and African Art modes of practices to create charged platforms for multicultural communication.

My art presents visual portals that allow for intercultural and interracial mingling as issues of colorism, present-day colonialism, gender inequality and the politics of dress are foregrounded for collective deliberation. The essence of the work is often activated and brought to its full potential …

Shaurya Kumar Interview, Tejas Patel

Asian American Art Oral History Project

Bio: A native of Delhi, India where he studied printmaking and painting at the College of Art; Shaurya Kumar graduated with his MFA from the University of Tennessee, Knoxville in 2007. Since 2001, Kumar has been involved in numerous prestigious research projects, like “The Paintings of India” (a series of 26 documentary films on the painting tradition of India); "Handmade in India" (an encyclopedia on the handicraft traditions of India); and digital restorations of 6th century Buddhist mural paintings from the caves of Ajanta. Kumar’s research is focused on creating works which appreciate and appropriate new media while highlighting the …

Biotopes And Ecotones: Slippery Images On The Edge Of The French Atlantic, Maura Coughlin

Landscapes: the Journal of the International Centre for Landscape and Language

Looking outside canonical late nineteenth- and early twentieth-century modernist images of the French Atlantic coast, this essay examines usually discrete fields of landscape painting, botanical visual culture and nascent intertidal natural history to articulate an ecological realism of the ecotone. In a survey of peasant gleaning practices, popular natural science of the shore as well as amateur marine botany, the ecological visual literacy of viewers of this era is speculatively assembled. Works by artists such as Elodie La Villete, Charles Cottet, André Dauchez and Mathurin Méheut who lived long term on the coast are put into dialogue with the pressed …

Lara Salmon, Thesis Statement, Lara Salmon

CGU MFA Theses

My art brings together materials and ideas inspired by personal experience that do not usually exist side by side. My body is the primary mechanism with which I make work, incidentally making me the subject matter of the work. I use my physical self as an instrument to coalesce and transform other materiality. Through live performance and photographic installations I create tension and balance between crude biology and bright, polished formalism. This body of work focuses on Millennial Feminism and the Middle East.

Snow Yunxue Fu Interview, Noah Fornear

Asian American Art Oral History Project

Bio: Snow Yunxue Fu (b. 1987) is an artist who lives and works in Chicago. Her work approaches the subject of the Sublime using topographical computer rendered animation installation. She exams and interprets the world around her through virtual reality, where she draws a parallel to the realms of multi-dimensionality, the physical, the virtual, and the metaphysical. Fu has exhibited her work nationally and internationally including Hong Kong Arts Center, Yellow Peril Gallery, Expo Chicago, Digital Culture Center in Mexico City, Zhou B Art Center in Chicago, Chicago Artist Coalition, Chicago Filmmakers, Kunsthalle Detroit Museum of Contemporary Art, MoMA …

Leonard Suryajaya Interview, Megan Casey

Asian American Art Oral History Project

Bio: BFA, 2013, California State University, Fullerton; MFA, 2015, School of the Art Institute of Chicago. Exhibitions: Irvine Fine Arts Center, CA; Expo Chicago, IL; Chicago Artist Coalition, IL; The Center for Fine Arts Photography, CO; Roy G Biv Gallery, OH. Publication: Lenscratch; Chicago Magazine; South Side Weekly. Lectures: Society for Photographic Education 2014 National Conference, MD; Society for Photographic Education 2016 National Conference, NV. Awards: New Artist Society Award; James Weinstein Memorial Fellowship; Claire Rosen and Samuel Edes Prize for Emerging Artist.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Hong Chun Zhang Interview, Emily Dresden

Asian American Art Oral History Project

Artists Bio: Born and raised in China, Hong grew up in an academic environment. Both her parents are retired art professors and her two sisters are also painters. When she was 15, Hong and her twin-sister Bo won the national competition to attend the high school attached to the Central Academy of Fine Arts in Beijing. From there, she began her professional art training. In 1994, Hong received B.F.A. in Chinese Ink Painting from CAFA in Beijing, M.A. from CSU Sacramento in 2002 and M.F.A. from University of California, Davis in 2004. Hong currently lives and works in Lawrence, Kansas. …