Art and Design Commons^™

Impact16 Transdisciplinary Symposium, Pact Zollverein, Essen Germany, Conor Mcgarrigle

Other resources

IMPACT16 is an encounter with HOOD, RYBN.ORG und FORMATIONS, three expert collectives whose diversified forms of cooperation and flexible working practices transcend disciplinary boundaries.

How and where do alternative realities come about both in and between different fields of knowledge? How can we productively uncover contradictory ›rift zones‹ in today’s world? What kind of frameworks for action can we cultivate?

Informed by multiple perspectives and practices in the arts, politics, technology, sociology, economics and science, the contributing collectives’ inquiries and strategies circumvent disciplinary limits and constraints and open up new spaces for thought and action.

The transdisciplinary symposium offers 30 …

A Site Of Change: The Masterplan, Brian Fay

Exhibition Catalogues

Essay on the community based art project The Master Plan curated by Jennie Guy with artists Ella de Burca and John Beattie.

Making It Work: Supporting Contemporary Artists In Ulaanbaatar, Mongolia, Michael Curran

Independent Study Project (ISP) Collection

Following the country’s political transition to democracy in the 1990s, a generation of Mongolian artists constructed an art movement rooted in the issues of the new society: transitional national identity, corrupt political and economic systems, and a growingly complex relationship with nature. The liberalization of the economy, however, hasn’t nurtured sustainable creative resources or helped artists reach domestic or international markets, pressuring them to find alternative ways to create livelihoods out of their craft. This study considers how emerging multidisciplinary artists sustain themselves through both formal and informal means, and the motivations behind their creative lifestyles.

Central to the study …

Methods Of Nature: Landscapes From The Gettysburg College Collection, Molly A. Chason, Leah R. Falk, Shannon N. Gross, Bailey R. Harper, Laura G. Waters, Yan Sun

Schmucker Art Catalogs

Methods of Nature: Landscapes from the Gettysburg College Collection is the third annual exhibition curated by students enrolled in the Art History Methods course. The exhibition is an exciting academic endeavor and incredible opportunity for engaged learning, research, and curatorial experience. The five student curators are Molly Chason ’17, Leah Falk ’18, Shannon Gross ’17, Bailey Harper ’19 and Laura Waters ’19. The selection of artworks in this exhibition includes the depiction of landscape in the nineteenth- and twentieth-century French, American and East Asian cultural traditions in various art forms from traditional media of paintings and prints to utilitarian artifacts …

Symposium Program Outline For Crosscurrents: Land, Labor, And The Port. Textile Society Of America’S 15th Biennial Symposium. Savannah, Ga, October 19-23, 2016.

Textile Society of America: Symposium Proceedings

Conference program: times, locations, speakers, events.

Wednesday, October 19th 2016, through Sunday, October 23rd 2016.

10 pages

[Tsa Web Pages For] Symposium 2016 -- Crosscurrents: Land, Labor, And The Port Textile Society Of America’S 15th Biennial Symposium

Textile Society of America: Symposium Proceedings

The web pages for the 2016 Savannah Symposium (archived in pdf).

The 2016 Textile Society of America Symposium will take place in Savannah, Georgia on the campus of the Savannah College of Art and Design (SCAD) and at the Hyatt Regency Hotel. To maximize scholarly interchange, the Symposium will consist of multiple, concurrent sessions, plenary and keynote speakers, a poster session and curated exhibitions that will intersect with the scholarly program. In addition to the symposium sessions and exhibitions, there will be a series of dynamic pre- and post-conference workshops and study tours to local and regional art institutions and …

The Intercontinental Reflections Of An Eighteenth-Century Mexican Rebozo, Eleanor A. Laughlin

Textile Society of America: Symposium Proceedings

The eighteenth-century Mexican rebozo (scarf) is an excellent example of a garment type that crossed not only ocean currents, but also boundaries of race and class. Initially, the rebozo was associated with indigenous culture in Mexico. Evidence suggests that the rebozo existed during the pre-Columbian period,1 but it has been most commonly remembered as an article of clothing used by the Spaniards to cover the exposed bodies of indigenous women in the church setting. Aspects of the scarf’s decorative elements, such as fringe and dying methods, are thought to have been inspired by Asian styles that arrived in Mexico via …

The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, Rachel Cooksey

Independent Study Project (ISP) Collection

This paper will examine the aesthetic qualities that Raja Ravi Varma helped to introduce to mythological paintings and then to popular devotional prints with the Ravi Varma Press, as well as the influence of the aesthetic to other areas of visual culture in India. Prior to the 1993 retrospective exhibition in New Delhi on Raja Ravi Varma, little was known about his impact on the calendar prints of today. By tracing the rise of academic realism in late 19^th and early 20^th century India and Ravi Varma’s role within it, I gained a clearer understanding of the degree …

Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez

The Kennesaw Journal of Undergraduate Research

The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.

In a …

Dotphotozine Issue 6, September 2016, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.

Art As Display, Frank M. Boardman

Dissertations, Theses, and Capstone Projects

Art is essentially a type of display. As an activity, art is what we do when we display objects with certain intentions. As a set of objects, art is all of those things that are displayed for those purposes. The artworld is the social atmosphere that surrounds this particular activity of display. And a history of art is an evolving narrative of change in the practice of this sort of display.

Specifically, to focus for convenience on art as a set of objects, this is what we can call the “displayed-object thesis”:

x is a work of art iff: (a) …

The Excitement Of Life, Jacob D. Soukup

Celebration of Learning

These recent paintings explore the presence of excitement, energy and adrenaline rush one can capture in a moment. Oil paints have a quality that can make a painting come to life. This lifelike quality is exactly what I strive to capture in a way that allows the viewers to put themselves inside the painting. The inspiration for these paintings came from my own experiences of adventure and risk-taking. The use of foreshortening and distortion helps give the figures a sense of energy and create movement throughout the composition. By portraying the various situations through a warped lens, I believe that …

Digital Photography As Experience Artifact, Ryan V. Brennan

Theses and Dissertations

Through the screen interface, the boundary between personal and collective experience is being redefined both spatially and temporally. Here, memories are given independent mediated existence, taking form in digital photographic artifacts that can be communally shared and manipulated into a synthetic continuum.

On Assemblage And Erasure, Dante Migone-Ojeda

Bachelor of Fine Arts Senior Papers

Through textual and visual research, I assert that the root cause of the injustice that drives my work and the work of the artists within my thesis paper is erasure. I attribute this erasure in large part to the role of neoliberalism upon the world stage, and it’s pervasive global influence. While neoliberalism did not create inequality, it has codified it and through its relentless push for “progress” it has propped up a dynamic of oppressor and oppressed. This in turn leads to simple categorization and ultimately erasure. I posit that my work not only makes this erasure visible, but …

Artificiality And The New Image: The Image Body, Liza H. Butts

Bachelor of Fine Arts Senior Papers

This paper sets up a historical argument for how images exist in the world and how artists relate to these images. The questions of the paper are concerned with defining the “Contemporary Image” and looking at how the digitization of all the images in our world affect the art object and the experience of art in the physical world. The conclusion and answer to these questions is found in a resistance to images that oversaturate our culture. This resistance occurs by looking to the painted image to function as a body in the world; aware of its existence, responsive to …

Exercises On Overcoming Perfectionist Tendencies, Jake Yoo

Bachelor of Fine Arts Senior Papers

In my latest series, I investigate my neurotic perfectionist tendency through repetition of phrases that I understand to be true in my head, but have a problem with accepting it in my heart. This way, I am studying my personal biases and the way I perceive the world in order to break free from unwanted behaviors and process negative emotions. Louise Bourgeois is a historical precedence to my practice as whole, while the series functions similarly to Yayoi Kusama’s dot and net paintings—a psychological portrait achieved through continuous repetition of a few elements.

Changing Human Relationships Through Interactive Art, Daniel Shieh

Bachelor of Fine Arts Senior Papers

In our current society, there is a constant endeavor to reconcile our differences while respecting our individuality. Since the 1990s, a large amount of artworks begin focusing on human relationships. In this essay, I discuss the question: how can interactive artworks create common ground between people while respecting their individual identity? Through creating a sequence of interactive artworks, I determine the three factors that are necessary for connecting people of different backgrounds—mutual vulnerability, anonymity, and the leveling of power dynamics. Mutual vulnerability entails an interaction where two people reveal themselves to each other, and connect through this reciprocal action. Anonymity …

Abstraction As A Form Of Redaction, Alex P. Derosa

Bachelor of Fine Arts Senior Papers

Abstraction as a Form of Redaction acts as an explanation of the personal and conceptual basis of my three bodies of work titled the dimension of intimacy, notations of the mind, and medical signifiers. Examining contemporary art through the lens of the self, I have created work that is present in conversations about intimacy, abstraction, self-portraiture, and feminism. Though my work does not directly address contemporary feminism, I am using this work to reclaim my body, my mind, and my space as an act of agency. The work, when looked at as a compilation, functions as an autobiography. …

Rewriting History: The Press As A Tool For Destruction And Preservation, Emily L. Mogavero

Bachelor of Fine Arts Senior Papers

This statement describes my two bodies of work, Aufheben and Artist-Hero/Squish, in which I use printmaking processes to rewrite history. In Artist-Hero/Squish I mimic canonical paintings of women by modernist male painters and run my quotations of these paintings through the press while the paint is still wet on the canvas. Through this process, I examine, confront, and change the male-dominated history of art. Aufheben currently includes one hundred drypoint prints that catalogue the personal history of my mark. This series represents a process of constant change, with individual prints suggesting stages of my process including moments of growth …

Interspace Encounters: Parkview Gardens, Madeline Marak

Graduate School of Art Theses

The undertaking to render an experience tangible reveals the inadequacy of the techniques and technologies of representation to transcribe the perception of ubiquitous, yet unnoticed, spaces in the urban environment. The work of Madeline Marak contemplates overlooked and forgotten spaces that are unnoticed by busy, preoccupied minds. The work advocates for slowing down… considering… and being present. This thesis refers to writer Rebecca Solnit and her anthologies on the subjects of walking, wandering, and getting lost to advocate for activities that preoccupy the mind and facilitate freethinking. The humanist geographer Yi-Fu Tuan is quoted in argument for a direct engagement …

The Vital Ambiguity Of Surface: Culturally Determined Notions Of Metaphor And Performance In Contemporary Building Material, Christopher T. Campbell

Graduate School of Art Theses

This thesis investigates the systems and information decipherable within a material surface; more specifically, those ideas of value, performance, and function we may infer from the surface of contemporary building materials. When these materials are reduced to their flattened image, the cosmetic facade of a surface has the capacity to inform as well as deceive. Additionally, we may see in materials outward properties, such as color or tactility, the capacity for metaphor and the application of a symbolic personhood. This thesis seeks to comprehend the ways in which these expectations become fodder for complication and paradox, and promote a perceptual …

Zeitgeist: An Artist's Present Perspective, Danielle Leventhal

Bachelor of Fine Arts Senior Papers

This statement is an analysis of my process in creating a zeitgeist collection of painted portraits. The pieces in this collection began with a live, in-person session with each of my subjects, all of whom are my friends: females ages 18-22 at Wash.U. An interest in the brain and mirror neurons, as well as Susan Stewart’s idea that the face is a “text” that must be read in order to exist, is what enabled these portraits to become a psychological examination of the spirit of our time. The material process of collapsing layers of time, emotions, and thoughts on the …

Of Ghosts And Garage Sales: The Painted Realizations Of Reflective Nostalgia, Rachel Ahava Rosenfeld

Graduate School of Art Theses

Painted from the lost snapshot photograph collections of strangers, the Testimonial paintings represent both the mythical potential of earlier times and the maddening reality that no matter what details are revealed, they can only ever be ghosts of the glories and tragedies that preceded our own. In the search for their stories, for their truths, for their absent memories, everything and everyone that we could have known lies dormant. The ghosts, the legion of “selves” arise from the questions asked of the paintings, and through the invented answers that activate the fractured past. In order to do this, I analyze …

Rhetoric: The Art Of Using Language Effectively, Eric Burwell

Graduate School of Art Theses

My thesis is constructed of fifty text modules, each containing 100 words exactly. These modules express my technical interests, my personal history, and artists that influenced my writing and paintings. The module form enables me to concentrate my thoughts about how I approach personal studio methods and constrain personal limitations that direct my writing into poetry. The methods employed in the writing also correlate with my paintings. Many of the modules address methods I use in constructing my paintings; arrays of gestural marks of language and sometimes specifics words. I choose to arrange these letterforms in gestural fields of color. …

Identity Withheld 4, Dylan Bannister

The Anthology

Artwork

No Feet, Kwan Fuller

The Anthology

Artwork

On The Floor: Of The Earth, Nicole Davenport

The Anthology

Artwork

The Lifted Shadow, Xinyi Xie

Bachelor of Fine Arts Senior Papers

The Chinese shadow puppet tradition is one of negotiation: where the local (folktales and traditions) meets the national (“culture”?), and the national (??) meets the international (???). It is a cultural practice in which the "masses" create "entertainment," which is then intellectualized and "refined" by social (and cultural) “elites.”

In a nation that has rejected "feudalism" in the past, the shadow puppet tradition is one of many at risk of being commercialized and exported as national commodity. It offers potential cultural “heritage,” soft power to go hand-in-hand with China's economic and industrial might. When a nation has produced everything and …

Cuba A La Yuma: In, Around, And Millennial Thoughts, Zoe Kline

Bachelor of Fine Arts Senior Papers

The camera phone prompted a new stylistic approach that has created an outlet for inexpensive and democratized photography, seemingly giving anyone the revolutionary ability to be called an artist. It is because of this that photojournalism, as an art practice, is losing its intrinsic ambitions — to employ visual storytelling to, more effectively than written word, foster positive social and political activism. Photographs of war and marginalized people in society have become both exploitative and dehumanizing in their treatment of both photographic style and relationship to subject and have only numbed their viewers to today’s atrocities. I look to find …

To Sleep, Perchance To Dream, Carla G. Steppan

Bachelor of Fine Arts Senior Papers

Focusing on the devaluation of monumentality identified by architects in the mid-twentieth century, this paper examines how the reduction of form throughout the history of architecture and how such reduction affects space framed by such architecture. By applying the malleability of symbolic meaning to a closed set of symbols, the nature of the set is re-made and subsequently manipulated to theoretically set the stage for a romantic narrative. A formal interest in reproduction and repetition serves a conceptual interest in allusion of forms in the creation of the illusion of narrative and romance.