Art and Design Commons^™

Four Decades Ron Geibert: Emeritus Professor - Works From 1978 - 2017, Ronald R. Geibert, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

A retrospective showing featuring color street photography, installations, Orwellian prints, and electronic kiosks and complemented with a re-showing of a 1986 exhibition, and the 1997 CD-ROM with rare video and audio components, illustrating the role of social and recreational events during the Great Depression and photographic artworks added to the Wright State University permanent collection from the dozen shows curated by Professor Emeritus Ron Geibert from 1986 to 2007

The Paper Zoo: 500 Years Of Animals In Art By Charlotte Sleigh, Gina M. Granter

The Goose

Review of Charlotte Sleigh's The Paper Zoo: 500 Years of Animals in Art.

Contour Line Self Portrait, Thomas A. Thayer Mr

Open Educational Resources

No abstract provided.

Western Bias In Art, Sally A. Struthers

Art and Art History Faculty Publications

Presentation given at the Dayton Art Institute on the Western Bias in Art.

Untitled, Gabriela Short

Art Journal

No abstract provided.

Migiwa Orimo Interview, Jessica Ruiz

Asian American Art Oral History Project

Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.

In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”

She exhibits her work nationally; …

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/

Mitsu Salmon Interview, David Yonamine

Asian American Art Oral History Project

Artist Bio:
Mitsu Salmon creates original performance and visual works, which fuse multiple disciplines. She was born in the melting pot of Los Angeles to a Japanese mother and American father. Her creation in different mediums, the translation of one medium to another, is connected to the translation of differing cultures and languages.

Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater, studying theater and visual arts. She has lived in India, England, Germany, Amsterdam, Japan, and Bali.

She has performed solo …

Nirmal Raja Interview, Dalton Campbell

Asian American Art Oral History Project

Artist Bio: Nirmal Raja is an interdisciplinary artist living and working in Milwaukee, WI. Born in India, she has lived and traveled in several countries. Raja received a Bachelor’s of Arts in English Literature in India, a Bachelor’s of Fine Arts in Painting at the Milwaukee Institute of Art & Design and a Master’s of Fine Arts at the University of Wisconsin, Milwaukee. Her work deals with concepts of displacement, cultural negotiation and memory. http://nirmalraja.com

Tony Moy Interview, Sarah Song

Asian American Art Oral History Project

Artist Bio:
Tony Moy is a mixed media artist who focuses on watercolor and Gouache living in downtown Chicago. He has published art in books from the X-files, Dungeons and Dragons, Tome I & II, Memory Collectors and among others. In addition, Tony has over 10 years of teaching experience and currently teaches illustration and design at the School of the Art Institute. His inspiration comes from studying traditional and classic watercolorists combined with the modern influences of pop culture comics, anime and fantasy. https://www.tonymoy.art/about-me

Jeffrey Augustine Songco Interview, Yara Cruz

Asian American Art Oral History Project

Artist Bio:
Jeffrey Augustine Songco (b. 1983) is a multi-media artist. Born and raised in New Jersey to devout Catholic Filipino immigrants, his artistic identity developed at a young age with training in classical ballet, voice, and musical theater. He holds a BFA from Carnegie Mellon University and an MFA from San Francisco Art Institute. His artwork has been exhibited throughout the USA including the Asian Art Museum in San Francisco and the Urban Institute for Contemporary Arts in Grand Rapids. In 2017, he was featured in the publication Queering Contemporary Asian American Art, and he was the Installation …

Yes We Can Can, Eliseo Angel Casiano

LSU Master's Theses

Yes We Can Can is a compilation of paintings and short stories that depict my placement and role among substantially white rural communities in the South. Through portraiture in painting, I interpret family and biographical events that examine representations of race, family relationships, and my maneuverability through a space of otherness.

Casiano, 2018

Murmur/Murmuro, Paola M. Di Tolla

Theses and Dissertations

By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.

Art In The Age Of Financial Crisis, Conor Mcgarrigle, Marisa Lerer

Articles

This issue addresses the long financial crisis of 2008 and the nature and diversity of artistic responses to it. This financial crisis is understood as a globalized result of late capitalism that nonetheless is experienced differently at local, regional, and national levels. It is multi- faceted in nature, a phenomenon that has historical roots and precedents that inform contemporary responses. Artists are not restricted to engage with the economy through one specific vehicle of inquiry or one type of medium and message. Therefore, the central question that this issue poses is: what is the artist’s role in finance, crisis, and …

Laboratoire DéBerlinisation: Art, Finance, And The Legacies Of Colonialism In Contemporary African Art: An Interview With Mansour Ciss Kanakassy, Conor Mcgarrigle, Marisa Lerer

Articles

Mansour Ciss Kanakassy (b. 1957) is a Berlin-based Senegalese artist whose practice addresses the legacy of colonialism in contemporary Africa, in particular as it is expressed in the financial systems of the former Francophone colonies of West Africa, where the currency, the CFA franc, historically tied to the French franc, is now pegged to the euro. The acronym CFA originally stood for Colonies Françaises d’Afrique – French Colonies of Africa – and now Communauté Financière Africaine – African Financial Community. In 2001, Ciss Kanakassy created the Laboratoire Déberlinisation (Déberlinisation Laboratory), a multifaceted project that traces contemporary African issues to the …

Private Rainbows, Mikey F. Estes

Theses and Dissertations

I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.

A Caprine Carnival: Goats At The Vālaikkāl Vāyil, Madhini Nirmal

Theses and Dissertations

Madhini Nirmal uses Mikhail Bakhtin's concept of the carnival to imagine a goat-led subversion of political and social dogma in the context of the South Indian city of Chennai. She uses the mediums of monotype, painting and collage to create these artworks where the undoing of hierarchies is a result of the natural and bodily.

Mediated: An Investigation Of Print Media's Impact Of Self, Rachel Hertzman

Bachelor of Fine Arts Senior Papers

In the 21^st Century print media is often overlooked for the masses of images available at everyone’s fingertips on the internet. This thesis is an exploration of the ways in which those original forms of mass produced images, specifically fashion/ beauty magazines and newspapers, alter one’s sense of self. The magazines have a proven negative effect on women consumers who internalize the singular thin beauty ideal persisted in this media. A similar internalization happens with the constant viewing of news papers, creating a sense of shared cultural memory. The Artist takes an in depth look at how these ideas …

The Continuous Movement Of Water And Time, Ryan Brandt

Bachelor of Fine Arts Senior Papers

Water has a relationship with every living thing on earth, and represents a force that both gives life and can eliminate it. In my work, I use water, color, and the figure to explore the sublime, death and decay, the passage of time, and overwhelming emotions. I have looked at my work in relation to Marilyn Minter’s photography, Mark Rothko’s color field paintings, Julie Evans’ and Henri Matisse’s cut-out works, Sam Gilliam’s continuously changing canvas installations, and Ekaterina Smirnova’s investigation into the meaning of an individual’s place in the universe. By seeing the different ways in which these artists and …

Invisible Territories, Lydia Seaman

Bachelor of Fine Arts Senior Papers

Layering geography, space and time, my work urges viewers to embrace the equivocal and create a desire for the impossible. To explore this notion, Invisible Territories is an analysis of my practice, examining how I mediate specific references into abstract and universal interpretations. My work employs subjects that document the world by analyzing the layers and simulacra that form our visual information; focusing on the intervals between “things” as the subject matter themselves. Looking to the words of Italo Calvino as a conceptual guide, this paper discusses the practice of mapping through drawing, etching and painting.

Tracing Patterns: Making Sense Of Experience, Isabelle Davis

Bachelor of Fine Arts Senior Papers

In my life, I have developed several practices in attempt to preserve my memories in a way that I can relive them, knowing exactly how I felt at the time. Two of these practices are the practice of frequently journaling, and the practice of keeping objects for their sentimental value. For my thesis, I used journal entries and sentimental objects as a starting point for creating a metaphor for how I process emotions in my life. I created a quilt out of 36 excerpts of journal entries from throughout college to symbolize the way it is comforting to me to …

I'M Sorry For Everything, Hille Sennott

Bachelor of Fine Arts Senior Papers

My work is rooted in the fact that women are practically conditioned to apologize for everything, and tells the intimate story of my life. By recording my apologies for several months and deeply examining my behavior, I noticed themes and made work based on these — work that exposed my private moments. I noticed a disconnect between times I needed to apologize, and this compulsive need to take on the blame for every little thing. I examine the feminine battle of soft and strong, eventually coming to the conclusion that there are occasions calling for both. Women are taught to …

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

The Memorial, Sihyun Max Shin

Bachelor of Fine Arts Senior Papers

When people die from political movements, their deaths are used by other people, often painted and printed on the piquets aggressively held by angry protesters. Being the visible evidence of social suppression, the images of the deceased is capable of easily arousing people’s anger and hatred against the source of malice, which, in many cases, is the government. Indeed, their deaths can be the effective stimulators for public activism. People would justify their exploitation by saying that they are expressing their lamentation for deaths by attacking back what caused the tragedy in the first place.

In the following essay, I …

Beauty Enthroned, Lian Giloth

Bachelor of Fine Arts Senior Papers

For the longest time in Western culture beauty and art were inseparable from one another. However, within the last one hundred years, various cultural movements and phenomena have split Beauty into a series of dichotomies that exist independently from one another. These bifurcations have weakened Beauty’s power and influence and reduced its intellectual rigor. No longer taken seriously as a primary goal or characteristic of art, Beauty has been reduced to mere charm and superficiality. My body of work seeks to reunify Beauty, thereby giving back its agency and legitimacy in art.

Overlapping Entities: Visualizing The Space Between Nature And Culture, Zoie Brown

Bachelor of Fine Arts Senior Papers

In my work I generate forms that occupy the space between our false conceptions of nature and culture. I subvert binaries–both between nature and culture and between women and men–through the physical conflation of microscopic and macroscopic spaces. Nature itself is a cultural concept; the notion that we are separate from nature at all is a fallacy. The body of work discussed uses ideas from Environmental Sociology and my definition of intersectional Ecofeminism to visualize the intersection of these cultural binaries within physical space. The pieces included utilize light responsive technology as a means of mediating our experiences with the …

In The Margins, Savannah Bustillo

Bachelor of Fine Arts Senior Papers

A margin is defined relative to something else. A ruled line. A body of text on a page. The margins are the excess, outside of the value we can qualify or quantify. Our understandings of the habitability of the margins are too often framed as fundamental differences between those that inhabit value and the rest that do not. What would happen if we reframed the margins beyond a simple dichotomy? What could we gain if the margins were a habitable space around and between the things we prioritize in defining? By analyzing a body of my own art, I …

(Fear Of) (An Exploration Of Empathy), Caroline Schmidt

Bachelor of Fine Arts Senior Papers

How much can you understand what another person is feeling? How much can they understand what you feel? This is the territory that my capstone investigates. Utilizing a mixture of informal and formal language and experimental footnotes, I describe the concepts and process behind my most recent body of work, the (Fear Of) series of animations, and its relationship to empathy. I follow this discussion with an explanation of my choice of fears and eyes as vehicles for this project, and end with an appendix featuring a sample of the interview-based monologues and my notes on which the project was …

Body; Broken Things, Seohyung Kay Lee

Bachelor of Fine Arts Senior Papers

Our bodies are the first of everything. They’re the first thing we encounter, and first space that we inhibit. Life ends when we leave the body behind. They’re our only means to reach with the world, with everything. From the beginning of time, we have strived to interpret the body and the its place in the world. However, the female body was never fully appreciated nor acknowledged. It is impossible to understand the body of women without considering the pain and violence they encounter, which is often easily overlooked.

In my body of work that I’ve produced this semester, Body; …