Art and Design Commons^™

Tenacity, Order & Disorder, Lucy Manalo

CGU MFA Theses

My work is about empowerment. The idea of using metal comes from my past experience as a welder/machinist in the Air Force. Metal is a tough medium and I believe it conveys the themes of strength and tenacity through it’s materiality.

The Object Memory Palace, Amra Causevic

Theses and Dissertations

I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.

It's The Funerals I Missed Which Haunt Me The Most, Arno Goetz

Bachelor of Fine Arts Senior Papers

What makes a photograph great? This is the central question which guides my research, and I answer this question in two parts. The first element is the structure of the photograph, which Robert Adams addresses in his collection of essays, Beauty in Photography: Essays in Defense of Traditional Values. With the guiding principle that structure can provide harmony in an image, I develop a collection of guidelines for composing images and name them the “Rules of Clarity.” The purpose of these rules is to help photographers create harmonious compositions, free from distractions. When a photograph has few distractions, it …

Twisted Truths In Memories, Jiyoon Kang

Bachelor of Fine Arts Senior Papers

Memory— fragments of minds that are stored to remember the past and information— plays a huge role in human development. Humans interact with each other based on past experiences. These memories are part of our personalities. Flashbulb memory, a highly detailed snapshot of a moment, can even be life changing, because that memory becomes an essential part of “you.” In Twisted Truths in Memories, my body of work aspires to explore the question: what happens to memory when strong emotions are involved? How does that relate to a photograph, especially when photographs are intended to demonstrate the truth? The body …

Unraveling Memory Through Childhood Relics, Franchesca Rousseas

Bachelor of Fine Arts Senior Papers

The formation of memory is a universal experience that occurs at an individual level. Memory is intangible and abstract, but it can be tied to physical objects such as photographs. These objects may remain the same throughout the course of our lives, but our memories are subject to change. Information is inevitably lost or altered over time, as our minds are more pliable than they are rigid. These alterations result in the desire to reconstruct and reinterpret past events given the information that is still accessible. Focusing on objects of domesticity that trigger childhood memories, I reveal how the act …

Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, Sarah Knight

Graduate School of Art Theses

In this thesis, I compile a series of fragments consisting an analysis of my artwork in the gendered contexts of landscape, self-identity, mythology, and philosophy. I develop my concept of a “queer mark” in my art that serves as a form of queering, a disruption of visual and conceptual cohesion. I form a picture of how our contemporary selves are influenced by our gendered understanding of the landscape through the analysis of philosophical, artistic, and mythological concepts of creation. I see my sculptures as an atlas to an alternative means of understanding identity, a queering of these historical and exclusionary …

To Participate In The Image: Reification & Reproduction, Justine Xi

Bachelor of Fine Arts Senior Papers

Spanning sculpture, video, and installation, I develop my work through techniques of collage and (re)appropriation to investigate and criticize Western hegemonic perceptions and representations of the (Asian) Other. I investigate perceptions of Asianness in the Western imagination from Orientalism to Techno-Orientalism, demonization and fetishization, focusing on the circulation of imagery in art, media, and popular culture. Further, I draw attention to the internalization of these standards and what it means to participate in the construction and distribution of the image, its implications and perceptions.

Big Girl | Little Girl, Emily Mueller

Graduate School of Art Theses

In my thesis document, I unpack the relationship of my photographs to space, bodies, language, and childhood through a feminist lens. The interaction with these various aspects alludes to larger societal structures that inform identity. I am interested in the negotiation between gender and the way it informs the occupation of space, both photographic and physical. The intersection between subjects and objects is dissected using the definitions of these terms set forth by Judith Butler. Becoming a subject does not indicate that one is free from the power that creates it. The figure in my photographs wonders if attempting to …

Pleasure Is All Mine, Lola Ogbara

Graduate School of Art Theses

One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to further progressions …

Alternative Methods, Hunter Stabler

LSU Master's Theses

ABSTRACT

In the realm of precognitive artmaking, the artist’s role is that of an antenna. One must be receptive to the subtle, invisible flow of creative novelty in order to participate in the involuntary channeling of new ideas, new processes, and alternative methods of creative production. Carving out new territory within the realm of static art is a primary objective for my artistic process. By utilizing digital fabrication tools, paired with my affinity for intricate craft and optical metagrobolization, I have created a body of work that invents alternative processes and unique aesthetic languages.

Digital imaging, digital modeling and digital …

Chemistry In Art: The Science Of Dye, Madeleine Gray Burland

Honors Projects

Fabric arts, and the practice of dyeing fabric using various resist techniques, is a tradition that goes back centuries, and is unique among art mediums in its relation to science, as the innovations in dye production have directly affected the art form. The development of synthetic dyes in the 1800’s greatly affected the way fabric is dyed, and subsequently the way clothes were made and consumed. As opposed to dyes made of natural materials, synthetic dyes cam in more colors, were brighter, easier to make in large quantities, and lasted longer since they didn’t fade with repeated washings. The practice …

The Life And Struggles Of Red Cockaded Woodpeckers, Michaela Gay

Honors Theses

This series of paintings focuses on red cockaded woodpeckers, an endangered species of bird and the longleaf pines forests which they live in and are reliant upon. I drew my inspiration mostly from personal experience with my family’s own efforts to restore one of these forests as well as my longstanding belief in the importance of protecting the environment. However, the point of these paintings is not to preach to people, but rather to show them the beauty of these trees and birds, so they can perhaps begin to care about them themselves instead of just being told that they …

Tracing The Past, Drawing The Present, Sixue Yang

Graduate School of Art Theses

The group of work, Rising Water, Floating Islands is inspired by traditional Chinese scroll landscape paintings. Such landscape paintings combine meticulous technique, compositional complexity, and tension between representation and abstraction to reveal an alternative universe that waits discovery amid our mundane existence. In “Rising Water, Floating Islands,” I explore the political and social ramifications of the ongoing cultural conflict between traditional and emergent contemporary values. By combining traditional Chinese elements and techniques with my own markings and gestural adaptation in my painting, I give the audience the opportunity to contemplate the implications of our present digital condition through traditional esthetic …

Cat & Mouse, Leah Flook

Art Theses and Dissertations

An early and pervasive paranormal experience cements my interest in the invisible link between predator, prey, and bait. My sculptural installations and drawings create spaces to evade, lure, misdirect, and trap my elusive phantom. I divide my research into three sections; The Stadium, The Players, and The Game. The Stadium is a separate world, one that holds different laws and physics. Here, I explore the correlation between Slapstick Comedy and Horror genres and their ability to bend reality in order to create a story arch. The Players references tropes played out within these genres, Ophelia and the Final Girl, and …

Exploring A Qualitative Approach To Arts Advocacy And Evaluation, Lycette C. Belisle

Undergraduate Theses

The quantitative impact of the arts has become an increasingly important factor in determining the overall value of a project, and is often used to determine acceptance of submissions, public recognition and funding disbursement. This project evaluates current understandings of how the arts function within society, popular methods for determining the value of the arts and explores how qualitative reasoning can be utilized to communicate the value of supporting artistic endeavors. While placing a numerical value on the arts based on data collection can be important, this project will aim to evaluate the implications of relying so heavily on facts …

Guilt Free Homecoming, Ruby Elliott Zuckerman

Art and Art History Honors Projects

No abstract provided.

I Hear You Now, I See You Then, Quinn Hunter

Art + Design Masters Theses

In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …

Paper Making: Finding The Scaffold, Tino Ward

Art Theses and Dissertations

Paper making combines my proclivity towards using found materials and the need to produce my own painting supports. This first part of this thesis chronicles the reasons I arrived at paper as my chosen medium, the objects I began to produce, and the projects that stemmed from those early experiments. The second half outlines my final work, a 1:4 scale model in paper of the 1966 exhibition 10, held in New York at the Dwan Gallery, which showcased the early minimal works of Carl Andre, Jo Baer, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, Robert Morris, Ad Reinhardt, …

Virtual Yearning, Isa Sabraw

Bachelor of Fine Arts Senior Papers

Do you feel who you are? The answer to the question is pursued but not captured.

The pursuit consists of a rowdy but skilled team of investigatory video works. The videos possess research, evidence, beauty, wit, and a healthy dose of humor.

The research is made up of books, films, and archives. The evidence is pilfered from the internet. The beauty is much the same. The wit is something you are born with. The humor is hiding something: sincerity.

Patterning A Home, Zoë Finkelstein

Bachelor of Fine Arts Senior Papers

The question driving my constant impulse to create is this: how do the places in which we spend our time transform the four walls around us into this larger entity we call “home?” I begin to answer this question with an investigation into the use of repetition, time spent, and memory in my own body of work. In order for a space to become a home, one must build up a collection of experiences in that space over time. To show this, I explore the relationship in my work between repetitive mark making, pattern, intense labor, memory, comfort, and my …

Reclaiming Images Of Black Women: An Investigation Of Black Womanhood In Visual Communication, Taylor Simone Thomas

College of Arts & Sciences Senior Theses

This thesis investigates how Black womanhood has been visually represented in hopes to either recognize Black women as full, nuanced, and legitimate participants of society or to reinforce monolithic representations built from the constructs of social, political, and economic oppression. It also gives an analysis of Black feminism and how Black feminist thought can be applied to the creative process in hopes of challenging visual misrepresentations of Black womanhood. The aim of this thesis is to show that artists and visual communicators do have a responsibility to be conscious of the messages conveyed in their work. In addition, they must …

Alfred Hitchcock As A Cinematic Architect Of Suspense, Hannah Both

Architecture Undergraduate Honors Theses

Film has the ability to evoke powerful emotional reactions from its audience through the emotional atmosphere it creates. This almost intangible quality is difficult to quantitatively describe. Architecture, to the learned few, has a similar ability to evoke emotional reactions to the spatial atmosphere it creates. Broadly, the goal of this research is to investigate the emotional influence of suspense in cinematic space and how it might quantitatively be described through a series of definable principals or space making strategies evident through an analysis of Rear Window. The medium of film allows space to be released from the physical …

A Lesson In Art: Understanding And Questioning Distraction, Play, And Human Nature, Joshua L. Newbend

Theses and Dissertations

In making artwork using stuffed animals and video performance, I have been able to construct visual means of questioning society and its focus on interaction in nature and adolescence and adulthood. The videos in the body of artwork seek for the viewer to question the repetitive, distracting, and anxiety-inducing notions within the artwork. From Dadaism to artists like Bruce Nauman and Mike Kelley, the art world has changed and grown from times of crisis and absurdity. This set of artworks not only fits within this area of the art world, but also seeks to expand it into a contemporary light …

Nancy Friedemann-Sánchez: The Casta Paintings, Jonathan Orozco

Student Work

Colombian-born Lincoln-based artist Nancy Friedemann-Sánchez has grounded her recent art production within a wide art historical and Pan-American discourse. This interdisciplinary and interethnic practice is particularly exemplified in Chapter 6: Casta Paintings, a series of work within her “visual novel”, started after a significant move from New York City to Lincoln. This paper intends to describe and analyze her casta painting works in detail, from their intellectual inception to the minutiae of the work’s creation, providing a context in which a reader can understand the historical and artistic significance of her works within two methodological approaches; critical-race theory and postcolonialism. …

Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson

War, Diplomacy, and Society (MA) Theses

The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …

Dunidedcudigunadie, Lawrence Reid

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts exhibit, titled DUNIDEDCUDIGUNADIE. The exhibit is to be held at the Tipton Gallery in downtown Johnson City, TN, from April 2nd to April 10th, 2020. A live reception will be held the evening of April 3rd, featuring a performance with the work, titled Look at You!

The following thesis explores the artist’s formative years – investigating how childhood experiences combine with artistic and theoretical influences to inform his art-making process.

Dotophotozine Issue 9, 2020, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.

Modeling Disability: Softly Making The Invisible Visible, Libby Evan

Bachelor of Fine Arts Senior Papers

“I am not asking for pity. I am telling you about my disability.” -Eli Clare

In the following Bachelor of Fine Arts thesis statement, you will not find someone overcoming their disability. You will not find a tale of inspiration. You will not find a cure for ableism. You simply will find an individual's experience of disability— my experience of disability.

My invisible disability puts the medical model and social model of disability in constant tension as I navigate everyday life living with Chronic Fatigue Syndrome and severe arthritis. Both models seek to find blame for disability, whether in searching …

Hysteria, Fear, And/Or Delight, Alessandra Ferrari-Wong

Bachelor of Fine Arts Senior Papers

My Bachelor of Fine Arts thesis statement, Hysteria, Fear, and/or Delight, establishes the forms and concepts of my art practice as it stands as of May, 2020: performance-based and interdisciplinary. My practice implies narrative while acknowledging the audience. Physical language, in both dance and gesture, can be a means of communication or subversion. Pieces exist as ephemeral, often private, performances and then separately in archival forms ranging from video, to photography, to installation. The body of the statement details my thesis project, a remaking of Giselle, a 19th century Romantic-era ballet, into a performance series and video trilogy. …

Presence Through Process: Cultivating Embodied Understanding, Zoë Morris

Bachelor of Fine Arts Senior Papers

In Presence Through Process: Cultivating Embodied Understanding, I set out to re-conceptualize how art can function, situating it within a framework of the idea of importance. I suggest an understanding of importance as a figment of conscious experience, locating various personal notions of importance within a working model. Within the model, I accredit the “cosmic self” to be responsible for the impulses behind my art practice. I identify the art process as a means towards presence, going further to explore what kind of embodied understanding can be garnered through it. Invoking my work in performance and etching, I demonstrate how …