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Articles 1291 - 1320 of 4130
Full-Text Articles in Art and Design
Fragmented Relationships, Drew M. Dzurko
Fragmented Relationships, Drew M. Dzurko
Student Projects
Relationships are often viewed through a binary lens. This greatly oversimplifies their intricacy, yet they can be one of the most challenging human experiences to navigate. Drawing on the symbolisms of memories Drew created digital images that embody these memories related to lost relationships. Using a binary image converter Drew created a visually simple image made up of only two colors down to each pixel. He then brought these images into a text editor on a computer which would display the raw code of an image. This revealed long strings of machine learning code that are indecipherable to the human …
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
School of Art Undergraduate Honors Theses
Manuscript and print scholars of the fifteenth and sixteenth centuries have deemed Rouen a ‘poor third’ to the workshops in Paris and Lyon. Lacking the cultural status and political influence of these two major centers of book production, Rouen’s manuscript tradition has been coined an “eclectic” group of illuminators who were limited to a local, discontinuous demand for books and whose regional role hardly even bears examination. However, Between 1419 and 1449, Rouen was an epicenter of political and economic exchange between Normandy and England. The city’s manuscript ateliers experienced a period of unparalleled patronage from an international, elite clientele, …
Death Like Dreaming, Junli Song
Death Like Dreaming, Junli Song
Graduate Theses and Dissertations
This written dissertation accompanies my thesis exhibition, Death Like Dreaming, which took place in Sculpture Gallery in the spring of 2023. This show was the culmination of my MFA at the University of Arkansas and centered around my most recent zhenmushou sculpture. I began making these mythical beings from my mythology in the summer of 2022. This essay will provide theoretical, historical, and personal context to the work, expanding upon my artistic journey and exploration during my degree. I will focus on my conceptual and formal decision making, areas of research, and discuss the world building and personal mythology that …
Personal Equation, Nicholas Hobbs
Personal Equation, Nicholas Hobbs
Graduate Theses and Dissertations
The body of this paper is a formatted version of text which exists natively on the web and is accessible at www.personalequation.art. Its non-linear narrative is meant to accompany and mirror, not describe, the artwork in the exhibition. The following two paragraphs are copied from the exhibition statement accompanying Personal Equation, which is on view in the Reading Room at the Fayetteville Public Library from April 3 to June 30, 2023: A personal equation is one that attempts to account for the inevitable role of subjectivity in scientific observations. The term was coined by astronomers in the 18th century who, …
From An Unlikely Place, Brittany Borcher
From An Unlikely Place, Brittany Borcher
Graduate Theses and Dissertations
From an Unlikely Place, a collection of eight ambitious paintings created while in residence at the University of Arkansas, examines the intersections of landscape painting, gendered gaze, feminine experience and the language of abstraction. One of the challenges I faced while working on this project was finding points of connection between verbal and visual language. As an artist, I consider where vulnerability, sensitivity and generosity intersect my work and am curious about the strange potential an individual's visual language; in my case, a concoction of abstract and figurative forms has to communicate the quality of experience. When placed together on …
Apotheosis, Zekiel Betzer
Apotheosis, Zekiel Betzer
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
Zekiel Dirk Betzer’s oil paintings are a visual representation of transfiguration – the elevation of daily life into myth. He believes that if we defer to monolithic ideologies to narrativize our life, we are prescribed a relationship with the transcendent, rather than discovering it, leading us down the path of ideological possession. He is principally interested in how we, as both artist and audience, invent meaning and how this invention informs the way we engage with reality; especially how objects or memories become sacred.
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
Electronic Theses and Dissertations
These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …
Someone, Stop Her! The Musical (The Gallery Show): The Thesis Document., Hannah Dewitt
Someone, Stop Her! The Musical (The Gallery Show): The Thesis Document., Hannah Dewitt
Electronic Theses and Dissertations
This thesis document accompanies a body of work that is radically vulnerable, personally political, and emotionally complex. Through my work, I challenge myself and my audience to sit with discomfort and create an environment suitable to generate a nuanced appreciation of pain that approaches its acceptance through humor, confessionalism, and the subversion of tropes against themselves as an act of counter-mimicry. This document situates my work within art-historical context with a primary focus on performance art and applies insight from each artwork referenced to further analyze and defend my own work. Additionally, I use texts relating to Camp sensibility, binary …
Autoethnography As Self-Portrait: An Autoethnographic Analysis Of Trauma-Sensemaking Through Art, Kally Werning
Autoethnography As Self-Portrait: An Autoethnographic Analysis Of Trauma-Sensemaking Through Art, Kally Werning
All Theses
This project thesis is centered around coping with early onset childhood trauma through an autoethnography of narrative and art creation. The goal of this project is to understand more deeply how the art making process synthesizes or disrupts trauma sense-making through the introspective lens of the artist as scholar. The project consists of an interactive art exhibit and this written scholarly analysis of the creation and display of this exhibit. This includes an introduction to my life as a trauma survivor and Greek-American woman, informed by communication scholarship and other relevant fields regarding narrative theory, Greek history, religious and trauma …
Refigured: Separations In Portraiture, Caroline Myers
Refigured: Separations In Portraiture, Caroline Myers
All Theses
Utilizing traditional painting techniques embedded with digital syntaxes, Refigured: Separations in Portraiture, serves as a catalog of my experiences with communication in a hyperconnected world. Processing illegible information caused by my hearing loss informs the process of imposing similar boundaries within my paintings. Like a technical glitch, these obstructions create an illegible visual experience, with evidence of my process remaining as a clue for the viewer’s understanding of the image.
Though personal in nature, I expand from my experience with auditory communication to employ pertinent explorations into the sustained unpredictability of today’s ever-expanding medium that is technology. My paintings …
On Autonomy: Personal Agency Under Late Stage Capitalism, Levi Gentry
On Autonomy: Personal Agency Under Late Stage Capitalism, Levi Gentry
Bachelor of Fine Arts Senior Papers
Personal agency is the feeling of control over one’s actions. Capitalism is deeply etched into the fabric of America and the world at large. In this paper, I propose that late stage capitalism has forever altered the means by which personal agency manifests, that it has left no room for alternatives on account of its far-reaching scope. My work, through its subject matter and medium, refers to the lack of autonomy under escape or embrace. Failure and futility are both key ideas, as complacency is intrinsic to our current moment, which is evocative of the ongoing metamodern art movement.
Sad Socks Without Sole Mates, Shaelee Comettant
Sad Socks Without Sole Mates, Shaelee Comettant
Bachelor of Fine Arts Senior Papers
Portrait of A Hundred Heartbreaks is a series that uses the unmatched sock as a symbol to speak about the experience of losing and grieving a relationship. Positioned as a series of memorials, the project facilitates spaces for viewers to bring their own life experiences to the project as well as empathize with those presented in the series. The use of the unmatched sock, an inanimate object, allows for it to be projected onto and melded into the specific and individualized narratives that viewers bring to the works. In its ability to access a level of specificity for each viewer, …
Ritual And Digital Craftsmanship: Imprudent Practices, Mik Patrik Mcdonnell
Ritual And Digital Craftsmanship: Imprudent Practices, Mik Patrik Mcdonnell
Bachelor of Fine Arts Senior Papers
This essay explores the role of traditional and digital craftsmanship in my art practice as it relates to provocative imagery. I tackle the question of how my practice is influenced by my audience. My process and products both aim to agitate the ascetic individual. The argument opens on a poetic, personal note, before defining craft/craftsmanship and its social reception according to scholarship. I outline the intended audience for my work being those akin to my mother: christian, middle-aged, and leaning conservative. Because I employ devotional, virtuosic craftsmanship I argue my work is effective at provoking dialogue with these persons who …
Lars Gustaf Sellstedt: Art In Buffalo And The Buffalo Fine Art Academy, Shannon N. Gilmartin
Lars Gustaf Sellstedt: Art In Buffalo And The Buffalo Fine Art Academy, Shannon N. Gilmartin
History Theses
This Master’s Thesis Project researches the life of a forgotten Buffalo artist, Lars Gustaf Sellstedt. He was born in Sundsvall, Sweden and started his life as a sailor when he became a cabin boy as an early teenager. For most of his young life until his mid-twenties, Sellstedt was a sailor traveling to all corners of the world. He started his journey as an artist while in between sailing jobs. Over many decades he portraits locally and abroad mainly in the Caribbean Islands. Sellstedt was one of the few artists in 19th century Buffalo, sharing the profession with William J. …
Artificial: A Study On The Use Of Artificial Intelligence In Art, Hayden Ernst
Artificial: A Study On The Use Of Artificial Intelligence In Art, Hayden Ernst
Theses/Capstones/Creative Projects
In the past three to five years there have been significant improvements made in AI due to improvements in computing capacity, the collection and use of big data, and an increase in public interest and funding for research. Programs such as ChatGPT, DALL•E, and Midjourney have also gained tremendous popularity in a relatively short amount of time. This led me to this project in which I aimed to gain a deeper understanding of these art generator AI and where they fit into art as a whole. My goal was to give recommendations to museums and exhibits in Omaha on what …
Reading The Room: Memory, Dwelling, And The Everyday, Sara R. Hardin
Reading The Room: Memory, Dwelling, And The Everyday, Sara R. Hardin
LSU New Orleans Theses and Dissertations
In any space, there is a residue that coats the present with a patina of memory. Creating layered imagery in dream-like paintings and prints, I use the domestic realm as a metaphor for the internal world of the mind, memories, and private thoughts, including them in compositions with symbols like the boundaries of windows, doors, and gates. These metaphorical structures also portray outward identities, which guard inner emotions. The conceptual aspects of these compositional elements weave together memories of the past and places of the present into a unified whole.
I began graduate school at the beginning of the COVID-19 …
Ni De Aqui Ni De Alla..., Jc Santistevan
Ni De Aqui Ni De Alla..., Jc Santistevan
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
Ni de aqui ni de alla navigates the complexities of belonging to two cultures-Mexican
and American-while not fully identifying with either. By visualizing liminal spaces,
migratory patterns, and quotidian subject matter the work serves as a metaphor for
the Latinx experience in the United States-an experience defined by conflicts between
conformity and resistance, individuality and community, spirituality and secularism,
alienation and belonging. "Black and white are the colors of photography…..they
symbolize the alternatives of hope and despair," Robert Frank once said, and it is
through a nonlinear installation of black and white imagery that I seek to describe the
push …
Dotphotozine, Issue 12, 2023, Students Of The Csusb Art Department, Francis Almendarez
Dotphotozine, Issue 12, 2023, Students Of The Csusb Art Department, Francis Almendarez
Dotphotozine
No abstract provided.
Rethinking Graphic Design Pedagogy For The Cuny Academic Commons: On Process, Generosity, And Creative Collaboration In Mapping A Foundation Graphic Design Course For Faculty And Instructors, Suzanne Dell'orto
Publications and Research
The creation of an Open Education Resource with the CUNY Academic Commons for a foundation course in graphic communication at Bernard M. Baruch College, City University of New York (CUNY) is a natural extension of the generous visual and written communication that is at the heart of Graphic Design. Graphic designers are inherently collaborative, working through a shared visual and written language to communicate. This Open Educational Resource (OER) serves as a base template to be shared department-wide with all instructors at CUNY and beyond to provide a framework for instruction for this studio course that is taught as a …
When I Grow Up, Maria Trinidad
When I Grow Up, Maria Trinidad
Electronic Theses, Projects, and Dissertations
Ever since I was a kid, I have had this fear that still lingers today: the fear of being an adult. It’s my ongoing fear.
I look back to my childhood. I find comfort. I was happy and stress-free. In my childhood, I was unrestrained and enjoyed my innocence. It was my “happier times”. I did not have the worries of responsibilities and burdens. That mindset changed when I realized my father had two full time jobs. I stopped acting my age and became more independent. I didn't want to trouble my parents with school or personal issues. Now I …
Procedural City Generation With Combined Architectures For Real-Time Visualization, Griffin Poyck
Procedural City Generation With Combined Architectures For Real-Time Visualization, Griffin Poyck
All Theses
The work and research of this paper sought to build upon traditional city generation and simulation in creating a tool that both realistically simulates cities and their prominent features and also creates aesthetic and artistically rich cities using assets that combine several contemporary or near contemporary architectural styles. The major city features simulated are the surrounding terrain, road networks, individual buildings, and building placement. The tools used to both create and integrate these features were created in Houdini with Unreal Engine 5 as the intended final destination. This research was influenced by the city, town, and road networking of Ghost …
Espacio, Edgar Perez Peña, Edgar Perez Peña
Espacio, Edgar Perez Peña, Edgar Perez Peña
Electronic Theses, Projects, and Dissertations
Edgar Perez Peña (He, Him, His) is a Queer, Chicanx contemporary figurative painter, who lives and works in the Los Angeles County. A native of Los Angeles, California, his paintings, and assemblages are a strong combination of process, materials, and content that displays his fascination on how physical/psychological space (from where he resides), reflects on the Queer Brown body and its comfort/discomfort in relation to public and private space.
Peña looks at his artistic practice as an opportunity to explore the human condition from the Queer and Brown perspective as well the beginning of healing through the meditative process of …
Extended Substance, Danielle Brensinger
Extended Substance, Danielle Brensinger
Electronic Theses, Projects, and Dissertations
Artist Statement:
“One of the most successful devices for easily creating uncanny effects is to leave the [viewer] in uncertainty.”
-Sigmeund Freud, “The ‘Uncanny’”
I’m interested in making people uncomfortable. Through the exploration of the uncanny, I exploit the unexpected and the psychological to embrace personal reactions. Like conversations we have with ourselves in the mirror, there’s an uncomfortable nature in looking beyond surface value. Utilizing beauty as a strategy and the laws of attraction, my work intends to entice a visual response only to be met with ambivalence. I try to establish a state of uncertain worlds, partial …
Magic Mirrors, Jamie Ho
Magic Mirrors, Jamie Ho
School of Art, Art History, and Design: Theses and Student Creative Work
When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.[1] Like magic mirrors, the GIFs I create …
Tari Toga Dari Nagari Siguntur Dharmasraya: Eksistensi Dan Pelestarian 1990–2022, Hendra Naldi, Yelda Syafrina, Diana Putri Nengsi, Erniwati Erniwati
Tari Toga Dari Nagari Siguntur Dharmasraya: Eksistensi Dan Pelestarian 1990–2022, Hendra Naldi, Yelda Syafrina, Diana Putri Nengsi, Erniwati Erniwati
Paradigma: Jurnal Kajian Budaya
This article report the study of traditional dance in Siguntur Dharmasraya, West Sumatra. Marhasnida, a cultural activist from Nagari Siguntur, created the toga dance. This article explains how the dance was created, developed, and performed from stage to stage and passed on to the younger generation for preservation. This historical research observed and analyzed the actions of an individual closely related to the development of toga dance. Data were obtained through observation, interviews, and tracing of personal archives pertaining to various aspects of the dance, including its history and movements. This research found (1) that Marhasnida has been involved in …
Geurae Sebagai Pemarkah Wacana Dalam Percakapan Bahasa Korea, Mellyana Murtanu, Usmi Usmi
Geurae Sebagai Pemarkah Wacana Dalam Percakapan Bahasa Korea, Mellyana Murtanu, Usmi Usmi
Paradigma: Jurnal Kajian Budaya
In Korean, the word geurae is positioned as an exclamation in a sentence. Its use in oral communication has diverse meanings and functions. Previous research shows that, apart from conveying its basic meaning, the word geurae is also often used as a discourse marker (DM), especially in a conversation. DMs are words used by speakers to express their feelings and view about the contents of a conversation to a speech partner. The purpose of this study was to analyze the form, meaning, and function of the word geurae as a DM in Korean conversations. This literature study is linguistics description …
Catherine Grant & Kate Random Love. Fandom As Methodology, Widya Citra Nastiti
Catherine Grant & Kate Random Love. Fandom As Methodology, Widya Citra Nastiti
Paradigma: Jurnal Kajian Budaya
No abstract provided.
Volume 14, Ireland Seagle, Dalton C. Whitby, Cassandra Poole, Rachel Cannon, Heidi Parker-Combes, Devon G. Shifflett, Antonio Harvey
Volume 14, Ireland Seagle, Dalton C. Whitby, Cassandra Poole, Rachel Cannon, Heidi Parker-Combes, Devon G. Shifflett, Antonio Harvey
Incite: The Journal of Undergraduate Scholarship
Table of Contents:
- Introduction: Dr. Amorette Barber
- From the Editor: Dr. Larissa "Kat" Tracy
- From the Designers: Rachel English, Rachel Hanson
- Hungry Like the Wolf: The Wolf as Metaphor in Paramount Network’s Yellowstone: Ireland Seagle
- “Floating Cities”: Illustrating the Commercial and Conservation Conflict of Alaskan Cruise Ship Tourism: Dalton C. Whitby
- What Can You Do When Your Genes are the Enemy? Current Applications of Gene Manipulation and the Associated Ethical Considerations: Cassandra Poole
- La doble cara: un tema romántico en las obras de Larra y Hawthorne: Rachel Cannon
- Resolving a Conflict: How to …
Origami Club - A Gateway Into The Art Of Self Expression, Minjae Song, Noah Vincent Rachwitz
Origami Club - A Gateway Into The Art Of Self Expression, Minjae Song, Noah Vincent Rachwitz
Honors Program: Expanded Learning Clubs
The Nebraska Honors Program's Origami Club is an engaging platform for 3rd-5th graders that uses the fascinating Japanese art of origami to create a rich, interactive learning environment. Under the guidance of experienced instructors Minjae Song and Noah Rachwitz, and supplemented with YouTube tutorials, the club facilitates a captivating journey from simple projects to complex designs, skillfully developing each student's creativity, teamwork, and problem-solving capabilities. Each session is planned meticulously to ensure an immersive experience, starting with anticipation-building project reveals and culminating in the production of personal origami masterpieces. As a hands-on club, students are encouraged to question, explore, assist …
Morphology Of Man, Arielle Friedman
Morphology Of Man, Arielle Friedman
be Still
Behind every creation is an artist.
Behind every student is a teacher.
This piece aims to highlight the cyclical, additive nature of generational knowledge, as well as the inherent plasticity involved in generating meaning across collectives.