Art and Design Commons^™

Perkembangan Musik Dan Budaya Hip-Hop Di Tiongkok: Eksistensi The Rap Of China Di Tengah Ketatnya Sensor, Matsnaa Chumairo, R. Tuty Nur Mutia

Paradigma: Jurnal Kajian Budaya

Hip-hop culture and rap music originated from the African-American community that emerged around the 1970s in New York City. Hip-hop started to enter PRC in the 1990s and continues to grow among the younger generation. A hip-hop talent search show titled The Rap of China, released in 2017, became very popular, bringing hip-hop music and culture to the fore. Unfortunately, it must eventually face PRC government’s intervention in its development. This article discusses the influence of Chinese government's censorship policies on the development of hip-hop music and culture in China. This case study was conducted using the historical approach, …

Karakteristik Aksara Pakpak Berdasarkan Sumber Tertulis Di Dairi Dan Pakpak Bharat, Sumatera Utara, Churmatin Nasoichah, Ninny Soesanti Tedjowasono, Tomson Sibarani, Mehammat Br. Karo Sekali, Wahyu Rizky Andhifani, Lolita Refani Lumban Tobing

Paradigma: Jurnal Kajian Budaya

The Pakpak ethnic group occupy two areas in North Sumatra, namely Dairi and Pakpak Bharat, and speak a language with its own set of characters called the Pakpak script. This study discusses the Pakpak script characteristics and writing materials, and provides a compiled description of the Pakpak community in the past based on written sources. The purpose of this study is to determine the characteristics of the Pakpak script and provide a historical description of the ethnic group based on written sources. This study uses the exploratory inductive reasoning model. Results show that the Pakpak and Batak scripts share similar …

Praktik Teater Postdramatik Di Indonesia, Afrizal H, Sahrul N, Yusril Yusril

Paradigma: Jurnal Kajian Budaya

The article entitled "Practice of Postdramatic Theater in Indonesia", is an examination of the practice of postdramatic theater in Indonesia in the 1990s to 2000s in Jakarta, Bandung, Yogyakarta, and even West Sumatra. This practice spawned generations that continue to grow and develop through aesthetics based on performance texts, outside of the conventional drama texts that we understand so far. Each theater community, regardless of whether it is postdramatic or not, has carried out an in-depth exploration and elaboration of all possible bodies, texts and artistic materials which are used as the main capital of performances. This study uses qualitative …

Perdagangan Perempuan Indonesia Dalam Situs Pengantin Pesanan: Perspektif Feminisme Sosialis, Wabilia Husnah

Paradigma: Jurnal Kajian Budaya

Mail-order bride websites can be easily found in cyberspace. These websites sell Indonesian women to Chinese men as wives. This study aims to explore the phenomenon of women cyber-trafficking in mail-order bride websites, especially the background of mail-order bride websites and their impacts on the victims. This qualitative research used the case study approach and the socialist feminism theory to investigate three mail-order bride websites. This study concludes that the oppression of women on mail-order bride websites is caused by long-standing patriarchy in Indonesia and China reflected in daily practices, cultural manifestations, and literary works in both countries. Capitalism has …

Tradisi Penculikan Pengantin Perempuan Dalam Film Alaa Kachuu: Representasi Ketidaksetaraan Gender Di Kirgizstan, Aprina Luzti Lubis, Mina Elfira

Paradigma: Jurnal Kajian Budaya

This research investigates how two movies, both entitled Ala Kachuu (2018 and 2002), represent ala kachuu, i.e. a tradition of bride kidnapping in Kyrgyzstan. Even though the Kyrgyz government has formally banned this practice since 2016, which is considered as a form of forced marriage, it still exists and is practiced by some Kyrgyz. This research used the qualitative method coupled with the mise-en-scène cinematographic technique. By using Stuart Hall’s representation theory (1997) and Mansour Fakih’s gender inequality theory (2008) as analysis tools, this study concludes that both movies represent ala kachuu as a tradition which promotes gender inequality. …

One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-One. Twenty-One. Twenty-Three. Twenty-Four. Twenty-Five. Twenty-Six., Liza Lacroix

Theses and Dissertations

"One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-one. Twenty-one. Twenty-three.Twenty-four. Twenty-five. Twenty-six." is a biographical fiction of violence toward the protagonist. Comprised of writing, audio, documentation and intervention. This text is the first iteration, and the thesis work is the second iteration of the same.

Hacking The Library Exhibition Pdfs, Sally Brown, Christine Hoffmann, Lois Ann Raimondo, Karen Diaz, Sarah Pahlfrey

Faculty & Staff Scholarship

The hacker ethos in the positive sense is about the ability to deconstruct and reconstruct information systems. Hacking starts with reconceptualizing libraries. L Hacking the Library presents artwork that highlights the intersecting values that shape our libraries through an artistic lens, reflecting on challenges and definitions of libraries past and as we move into the future. To provide personal context, "Community Connections" complement the art from librarians across the nation who responded to the artwork.

Artists included: Jackie Andrews (Maryland, mixed media), Trudy Borenstein- Sugiura (New Jersey, book arts), Sally Jane Brown (West Virginia, drawing), Shan Cawley (West Virginia, painting), …

Women's Work: The Sublime Is Now, Michelle Blackstone

MFA in Visual Arts Theses

What influences the lens through which we view art and the value we ascribe to it? This paper investigates the ways in which the historically gendered philosophy of “The Sublime,” a lack of institutional access, and traditionally gendered materials have acted as impediments for women in the arts. Discussion is given to the ways that masculine rhetoric in terms of “The Sublime” prevented women from attaining what was once considered the highest level of artistic achievement. Further attention is given to obstructions female artists face(d) in terms of gaining intuitional access within the art world. Finally, I examine the ways …

Something Beautiful Is Going To Happen, Eric Neumann

The Echo

No abstract provided.

Each Other's Nerves/Pile Of Flesh/Fuse, Emily Clancey

The Echo

No abstract provided.

After Little Women, To Amy March, Alex Aradas

The Echo

No abstract provided.

Winter Begin-Ter, Kayla Burrell

The Echo

No abstract provided.

My Sister, Caroline Prewitt

The Echo

No abstract provided.

Catch, Gabriella Williams

The Echo

No abstract provided.

Pocket Change, Emily Clancey

The Echo

No abstract provided.

Good Girls, Bad Girls, Macy Petty

The Echo

No abstract provided.

Cloudfall, Gabriella Williams

The Echo

No abstract provided.

Cries From The Tall Grass, Gabriella Williams

The Echo

No abstract provided.

Motherhood, Laura Dame

The Echo

No abstract provided.

For The Girl Who Had A Snake In Her Apartment Last Night, Alice Tyszka

The Echo

No abstract provided.

Setae, Gabriella Williams

The Echo

No abstract provided.

Trees That Burn At Night, Kayla Burrell

The Echo

No abstract provided.

Linear Reflections, Anna Timbes

The Echo

No abstract provided.

Waiting, Ciaran Francis

The Echo

No abstract provided.

When You're Old Enough To Drive, Alice Tyszka

The Echo

No abstract provided.

Making A Picture, Ciaran Francis

The Echo

No abstract provided.

Weeping Willow, Lucy Gamblin

The Echo

No abstract provided.

Didn't See You There, Kayla Burrell

The Echo

No abstract provided.

Swan Lake Sky, Hanna King

The Echo

No abstract provided.

Spider Legs, Macy Petty

The Echo

No abstract provided.