Raisin Fingers, Sophia Hatzikos

Graduate School of Art Theses

I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.

Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …

[W]Hole: Journey To Fullness, Joni P. Gordon

MFA in Visual Art

My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.

My practice began after experiencing racial discrimination for the first time on a US work …

Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish

Bachelor of Fine Arts Senior Papers

Abjection can whisper. It lies beneath the joke; you will find it there if you spend the time. Look at me. Come closer. Are you willing to discover? If you listen, I will confess, I will air out my dirty laundry, I will show you the inside of my body and its evidence.

My thesis is a consideration of my waste, an analysis of the bodily trail I leave behind. I explore indecency as a persistent feature of my art practice and a tactic I use to stimulate interest. My overarching unladylike sensibility is broken down into three categories – …

How Visual Narrative Can Elevate Immigrant Food, Yiting Chai

MFA in Illustration & Visual Culture

Throughout the history of immigration, visual cultural products have provided channels for them to express their voices in North America, helping audiences understand immigrant culture and situations to promote social equality. Photography and cookbooks, as traditional expressions of food art, provide insight into the vitality of food and the way people treat food.

Graphic memoir and social engagement, as emerging categories, have emerged in the post-pandemic period. These diverse creative forms discuss individuals and food deep connections, such as interactions between people and community or a sense of belonging. For immigrant groups, Food is the quintessence of human existence, which …

Cliffhanger, Micah Mickles

MFA in Visual Art

I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …

Good Enough, Haley Levin

Bachelor of Fine Arts Senior Papers

The seven-foot-tall sculptural painting Good Enough explores the cultural significance of trophies in contemporary American society. As an ancient object representing achievement and reward, the irony of trophies’ current junk-status pokes at absurd contradictions embedded in American culture. I offer context on the evolution of “the readymade” from Dada to Pop Art to 90s assemblage, and position Good Enough’s handmade, tender approach as a celebratory twist to that lineage of cultural critique.

Omnipresence And An Outlier, Cheyenne Monk

Bachelor of Fine Arts Senior Papers

In this thesis, I explore the possibility of existence outside the confines of labeled identity through the lens of art, drawing inspiration from personal experiences of racial alienation and the desire to transcend societal labels. Through figurations and world-building, I challenge the notion that one's identity must be defined by categories such as race and gender. By removing categorical physicalities and portraying violence as a means to confront bias-motivated aggression, I aim to provoke dialogue on prejudice without further alienation. Through a blend of surrealism, abstraction, and neo-expressionism, I create tense yet playful presentations of bodies to communicate themes of …

Visualizing Philosophy And Depicting The Inner World, Becky Moon

Bachelor of Fine Arts Senior Papers

I examine my process and significance of visualizing arguments and examples in the philosophy of perception, especially the works of Susanna Siegel through the language of painting. By creating highly detailed figures and narratives, I give tangible form to the invisible inner world. I explore themes of perception, mind, belief, inner/outer world, and text/art. I reference artwork by Adrian Piper, Hito Steryl, Danica Lundy, and David Altjmed.

The Cicadas Are Always Beneath Our Feet, Mary Kate Charles

Bachelor of Fine Arts Senior Papers

In an era of exposure to thousands of images every day with practically unlimited access to the world’s archive of art, this essay explores the legacy of the productions of medieval convents and the women who would encounter only a few art objects each year as documented by historians Chiara Frugoni, Jeffrey Hamburger, and Sharon Strocchia. In this era of visual overconsumption, this essay proposes the body of work, Where the Cicadas Burrow as an archive utilizing alternative printing processes to pull forward the tradition of liturgical arts many religious women would have participated in historically. Operating within a contemporary …

Looking To Entangle, Alex Mclaughlin

Bachelor of Fine Arts Senior Papers

What kinds of images stick with you? Are they the ones that are readable, understandable right from the get-go? Surely not. Likely, they’re the ones that challenge you, frustrate you, and entangle you in the process of trying to understand them. This thesis argues that the semantics of looking, and the way in which the art-object is experienced through the process of looking, creates the opportunity for the unique engagement of the viewer as more than a bystander. By frustrating them with a lack of information, or rewarding them for looking harder, the artist can make the viewer aware of …

On The Six-Cornered Snowflake, Jackson Hescock

Bachelor of Fine Arts Senior Papers

On the Six-Cornered Snowflake, named after Johannes Kepler’s 1611 essay on geometrically covering surfaces, is both the title of both my final thesis work and essay. Beginning with an inquiry into the nature of hand-made object as intrinsically valuable, my earlier sculptural work surrounding quilting is broken down and considered as a form of reverence for the American object. This is partly achieved through a comparison to traditional Japanese packing techniques and how my own assembly mirrors and converses with the graceful and sensitive packing of Japanese hand-made goods. Early 20^th-century flight experiments are also hand-made objects of …

A Peeling Art, Terry Rim

Bachelor of Fine Arts Senior Papers

Action is greater than words, interaction is greater than viewing, and experience is greater than theory. So I came up with a way to make my art into an act of criticism toward consumerism. My art resembles colorful Pop Art on the surface but follows the defiant spirit of Dadaism at the core. It reveals the content full of dark humor and cynicism once the viewer “peels off” the appealing surface by interacting with it. The four artworks analyzed in the paper — Hole, The Twelephone and Alarming Alarm, Self-Destructive Ashtray, and Heavenly Cow — are designed …

To Dig A Hole And Fill It Back Up, Jackson Whetstone

Bachelor of Fine Arts Senior Papers

Abstract:

The socioeconomical philosophy of the United States is still very much related to the Marxist Labor Theory of Value which states that “the economic value of a good or service is determined by the amount of socially necessary labor required to produce it” (Das Kapital, Marx 1.) This philosophy has penetrated the way that we think about art and object, and in turn positions art as a means of transaction, thus limiting art to a form of glorified currency. This Essay will chronicle my art practice, that have led up to two thesis pieces, Trench and Dig …

Melting, Dripping, Becoming: The Operations Of Memory From The Perspective Of Wax, Naomi Yu

Bachelor of Fine Arts Senior Papers

In my thesis, I explore how different compositional and material techniques are used to re-create a memory. Looking at artists such as Kiki Smith, Guadalupe Maravilla, and Anselm Keifer, I investigate the ways in which they utilize 2D and 3D materials to re-create feelings of memory.

I argue that the art object can conserve and portray memory through metaphorical acts of preservation. I will be specifically studying the acts of encasing and layering as a means to simulate the feelings of memory. I argue that these metaphorical actions create an artificial sense of time that imbues these objects with created …

A Loud Volume Landscape, Grace Buyers

Bachelor of Fine Arts Senior Papers

It feels more like sounding it out than constructing it. Choosing and adapting images, concentrating on the auxiliary fragments (out-of-focus elements, the corner of the table, the reflection in the window, the highway median) and the backgrounds (the sky and its clouds, the gravel ground, the movement of the water, the horizons where these meet), I then breathe them together. The final products are primarily collages, and though they are originally constructed from printed media and found objects, their final forms are scanned and rematerialized. The content of these works focuses on the relationships between the chosen fragments and how …

Drawing As Process: Expansiveness Through Constraint, Ciel Miao

Bachelor of Fine Arts Senior Papers

This paper explores the concept of drawing as a time-based practice, where the process is the core of the artwork rather than the finished product. I divide my artistic concerns into four chapters, each advancing on the previous one, to discuss my drawing practice, which allows for exploration of time and space across a wide array of media and styles of representation. I embrace impulse and intuition in the mark-making process, letting go of control while prioritizing the form of depicted figures over their image. This paper highlights the importance of my inner contradiction and how the process reflects my …

A Meditation On Loneliness And The Mind's Limits: Combining Buddhism And Art To Better Understand Our Relationship To The Unknown, William Masters

Bachelor of Fine Arts Senior Papers

In this essay, I explain how my art practice instigates inquiry into uncomfortable subjects such as loneliness and how our limits of perception and cognition prevent us from understanding and connecting fully with our environments. I begin by illustrating how I make such subjects more approachable by exploiting the inherent capacity of art to be both pleasurable and painful: a work's pleasing aesthetic can make one more receptive to its disquieting content. I then describe how eastern philosophy and western art have influenced my practice. I highlight how Buddhist insights into the relationship between calmness, security and clarity have informed …

This Is A Present From A Small, Distant World, Samantha Slone

MFA in Visual Art

I make toxic pastoral paintings in the style of the Dutch and Old Masters, and media installations which depict natural landscapes as distanced, deconstructed forms. What I explore most in my practice is our damaged relationship with land and nature, and our capitalist and media ecologies as artificial landscapes which suspend us from the natural. In a dissection of the dualisms of man and nature, and progress and sustainability, I create microcosms of our detached condition.

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

Elsewhere: In Defense Of Daydreaming, Alex Braden

MFA in Visual Art

Much like music, organic life is an absurd, improbable, and serendipitous instance. I set circular, electric, acoustic, and magnetic forces in motion and allow them to coalesce freely in the hopes of synthesizing unexpected moments of beauty, connection, and harmony.

On Autonomy: Personal Agency Under Late Stage Capitalism, Levi Gentry

Bachelor of Fine Arts Senior Papers

Personal agency is the feeling of control over one’s actions. Capitalism is deeply etched into the fabric of America and the world at large. In this paper, I propose that late stage capitalism has forever altered the means by which personal agency manifests, that it has left no room for alternatives on account of its far-reaching scope. My work, through its subject matter and medium, refers to the lack of autonomy under escape or embrace. Failure and futility are both key ideas, as complacency is intrinsic to our current moment, which is evocative of the ongoing metamodern art movement.

Ritual And Digital Craftsmanship: Imprudent Practices, Mik Patrik Mcdonnell

Bachelor of Fine Arts Senior Papers

This essay explores the role of traditional and digital craftsmanship in my art practice as it relates to provocative imagery. I tackle the question of how my practice is influenced by my audience. My process and products both aim to agitate the ascetic individual. The argument opens on a poetic, personal note, before defining craft/craftsmanship and its social reception according to scholarship. I outline the intended audience for my work being those akin to my mother: christian, middle-aged, and leaning conservative. Because I employ devotional, virtuosic craftsmanship I argue my work is effective at provoking dialogue with these persons who …

Sad Socks Without Sole Mates, Shaelee Comettant

Bachelor of Fine Arts Senior Papers

Portrait of A Hundred Heartbreaks is a series that uses the unmatched sock as a symbol to speak about the experience of losing and grieving a relationship. Positioned as a series of memorials, the project facilitates spaces for viewers to bring their own life experiences to the project as well as empathize with those presented in the series. The use of the unmatched sock, an inanimate object, allows for it to be projected onto and melded into the specific and individualized narratives that viewers bring to the works. In its ability to access a level of specificity for each viewer, …

La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …

Untethering The “Other”: Creating Spaces For Black Autonomy And Community, Kaylyn Webster

Bachelor of Fine Arts Senior Papers

By complicating viewers’ relationships to my painted figures through the application of the gaze, my work analyzes how America’s colonial past affects our current landscape to find ways to break the cycle, and to make space for Black autonomy. Blackness should be free to exist without being tethered in a position of inferiority to Whiteness. Radical defiance, resiliency, and expressions of agency have been used by Black people for centuries, and their employment must continue to combat systems of oppression. Our history has been one of division, but mutual respect and cooperation are needed for our communities to stand against …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont

MFA in Visual Art

This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …

Infinite Instruments, Betsy Ellison

Bachelor of Fine Arts Senior Papers

Last login: Fri May 6 17:00:00 on console

>_

>run BZE.exe

Whether building websites from scratch, generating abstract video portraits with recursive machine-learning AI, mounting steel plate carvings with fishing hooks, or painting portraits of schoolgirls on skinned and tanned bunny hides, I seek to infiltrate the strange spaces where rationality and empiricist philosophy collapse into delirium and drift.

Machines and animals are both organized bodies. All knowledge can be broken down to constituent parts: cells, atoms, grids and codes. All constellations of these fundamental parts are fictions. Fragmentation and re-organization are frontiers for new knowledge.

By treating the objective …

Pero...Maybe, Adrian Gonzalez

Graduate School of Art Theses

Through collage, assemblage, and object making, I fit unlikely fragments that I call manchitas—stains—together. In my paintings and mixed media assemblages I incorporate references to Spanglish as un acto of making. To me, it’s like the visual work that I make: thinking in one language and speaking another, words start with English but end in Spanish. They sound like English but are Spanish or vice versa. The words look misspelled but are used in everyday conversation. Spanglish is idiosyncratic and is what I build my practice on. I collect materials around me, some I find and some I make. …

Art And Empathy: Self Discovery In A Dark Forest, Younser Lee

Graduate School of Art Theses

According to the National Institute of Mental Health, 40 million people report feelings of depression, anxiety, and stress as the world moves at an increasingly rapid pace and faces unprecedented challenges. However, many ignore these negative thoughts and fail to acknowledge them as a serious issue. My art, which shares my own experiences, creates safe, cathartic places for viewers to think about their own emotional experiences. Crucial to this process is my use of daily objects and the creation of individualized, participatory, and multisensory experiences.

My art relates to daily life and the negative emotions that we experience daily. I …