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Articles 1 - 9 of 9
Full-Text Articles in Art and Design
Raisin Fingers, Sophia Hatzikos
Raisin Fingers, Sophia Hatzikos
Graduate School of Art Theses
I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.
Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …
[W]Hole: Journey To Fullness, Joni P. Gordon
[W]Hole: Journey To Fullness, Joni P. Gordon
MFA in Visual Art
My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.
My practice began after experiencing racial discrimination for the first time on a US work …
Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish
Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish
Bachelor of Fine Arts Senior Papers
Abjection can whisper. It lies beneath the joke; you will find it there if you spend the time. Look at me. Come closer. Are you willing to discover? If you listen, I will confess, I will air out my dirty laundry, I will show you the inside of my body and its evidence.
My thesis is a consideration of my waste, an analysis of the bodily trail I leave behind. I explore indecency as a persistent feature of my art practice and a tactic I use to stimulate interest. My overarching unladylike sensibility is broken down into three categories – …
How Visual Narrative Can Elevate Immigrant Food, Yiting Chai
How Visual Narrative Can Elevate Immigrant Food, Yiting Chai
MFA in Illustration & Visual Culture
Throughout the history of immigration, visual cultural products have provided channels for them to express their voices in North America, helping audiences understand immigrant culture and situations to promote social equality. Photography and cookbooks, as traditional expressions of food art, provide insight into the vitality of food and the way people treat food.
Graphic memoir and social engagement, as emerging categories, have emerged in the post-pandemic period. These diverse creative forms discuss individuals and food deep connections, such as interactions between people and community or a sense of belonging. For immigrant groups, Food is the quintessence of human existence, which …
Cliffhanger, Micah Mickles
Cliffhanger, Micah Mickles
MFA in Visual Art
I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …
Good Enough, Haley Levin
Good Enough, Haley Levin
Bachelor of Fine Arts Senior Papers
The seven-foot-tall sculptural painting Good Enough explores the cultural significance of trophies in contemporary American society. As an ancient object representing achievement and reward, the irony of trophies’ current junk-status pokes at absurd contradictions embedded in American culture. I offer context on the evolution of “the readymade” from Dada to Pop Art to 90s assemblage, and position Good Enough’s handmade, tender approach as a celebratory twist to that lineage of cultural critique.
Omnipresence And An Outlier, Cheyenne Monk
Omnipresence And An Outlier, Cheyenne Monk
Bachelor of Fine Arts Senior Papers
In this thesis, I explore the possibility of existence outside the confines of labeled identity through the lens of art, drawing inspiration from personal experiences of racial alienation and the desire to transcend societal labels. Through figurations and world-building, I challenge the notion that one's identity must be defined by categories such as race and gender. By removing categorical physicalities and portraying violence as a means to confront bias-motivated aggression, I aim to provoke dialogue on prejudice without further alienation. Through a blend of surrealism, abstraction, and neo-expressionism, I create tense yet playful presentations of bodies to communicate themes of …
Visualizing Philosophy And Depicting The Inner World, Becky Moon
Visualizing Philosophy And Depicting The Inner World, Becky Moon
Bachelor of Fine Arts Senior Papers
I examine my process and significance of visualizing arguments and examples in the philosophy of perception, especially the works of Susanna Siegel through the language of painting. By creating highly detailed figures and narratives, I give tangible form to the invisible inner world. I explore themes of perception, mind, belief, inner/outer world, and text/art. I reference artwork by Adrian Piper, Hito Steryl, Danica Lundy, and David Altjmed.
The Cicadas Are Always Beneath Our Feet, Mary Kate Charles
The Cicadas Are Always Beneath Our Feet, Mary Kate Charles
Bachelor of Fine Arts Senior Papers
In an era of exposure to thousands of images every day with practically unlimited access to the world’s archive of art, this essay explores the legacy of the productions of medieval convents and the women who would encounter only a few art objects each year as documented by historians Chiara Frugoni, Jeffrey Hamburger, and Sharon Strocchia. In this era of visual overconsumption, this essay proposes the body of work, Where the Cicadas Burrow as an archive utilizing alternative printing processes to pull forward the tradition of liturgical arts many religious women would have participated in historically. Operating within a contemporary …