Art and Design Commons^™

Balloon Artista, Angelica Zadak

Digressions: Literary & Art Journal

No abstract provided.

Editorial Staff And Readers

Calliope

No abstract provided.

Table Of Contents

Calliope

No abstract provided.

Acknowledgements

Calliope

No abstract provided.

Full Issue

Calliope

No abstract provided.

Saga Vol.84 / 2020-2021, Megan Hoppe, Sarah Luepkes

SAGA Art & Literary Magazine

No abstract provided.

Spring 2021, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.

The Lantern, 2020-2021, Adam Mlodzinski, Julian Barocas, Liam Worcheck, Sarah Buck, Jenna Lozzi, Samuel Ernst, Aurora Mckee, Jessica Schnur, Griffin Banks, Ryan Savage, Gabby Demelfi, Marie Sykes, Kayla Weil, Benjamin Tobias, Anastasia Dziekan, Emily Bradigan, Nadia El-Mourli, Isabelle Wessman, Mairead Mcdermott, Chandrasekhar Palepu, Robert Fisher, Kelsey Gavin, Kathleen Saddler, Liam Powers, Matthew Schmitz, Shayna Kushner, Yakira M. Serrano Rodriguez, Haley Bestrycki, Anaya Demota, Amy Litofsky, Vanessa Worley, Amanda Webber, Morgan Mason, Christian Ndaye, Leo Cox, Olivia Cross, Amy Smith, Valerie Eicher, Ian Abrahams, Amelia Kunko, Ava Compagnoni, Rimsha Maryam, Aviva Schuch, Cyn Ercole, Colleen Murphy, Sarah Fales, Ella Spencer

The Lantern Literary Magazines, 1933 to Present

One Thousand and One is Never Enough • House on Hazel Ave. • Crooked Men at Crooked Alley • Home • Honeybee • The Witch's Daughter • Traveling to Reyu • December 31st, 2019 • The Dominator Rolls the Dice Again • Red Flowers • Military Ball • Drowning in Color • Early Bird • Introspection • Hot Water • Reaching Into Space • Floating Marigolds Before COVID-19 • Smokestack 4 • Longing • His Fifth Year on Amstel Road • Wonderful Moments • Clean Glass • Betty, the Debutante • Teakettles Have it Easy • Fuimos, Somos y Seramos …

Zephyr: The Twenty-First Issue, Zephyr Faculty Advisor, Luke E. Colomey, Nicholas White, Evelyn M. Belmer Ms., Stephanie Ruff

Zephyr

This is the twenty-first issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Ivy Leaves, Volume 96, Ivy Leaves Editorial Staff

Ivy Leaves

The 2021 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Larisa Crowder, Samantha Windham, Lily McNamara, Samantha Brooks, Kristopher Sutherland, Salvatore Fontana, Gabrielle Morgan, Emma McKay, Carson Long, David Stancil, Hannah Brown, Sara Pepper, Brookelyn Taylor Harrison, Alexis Bussey, Abigail Timms, Dakota Riemer, Taylor Smith, Shelby Parker, Samantha Windham, Morgan Broom, Teresa Jones, and Tim Speaker.

The Messenger

The Messenger

forward

onward so as to make progress; toward a successful conclusion.

“There is a way forward

and yes

it is with a broken

heart

but it is our own way

collectively convened,

pondered,

Shared.”

Alice Walker

Looking While Reading I, Ii, Iii, Sarah Minor

Journal of Creative Writing Studies

This article introduces the term “visual essay” by tracing the genre’s history through the concrete poetry movement and the rise of the lyric essay. In describing the aims of visual essays, Minor distinguishes between “illustrative” and “non-illustrative” shaped texts, and suggests connections between “non-illustrative” examples and the aims of “Intersectional Form,” a term coined by scholar Jen Soriano.

Atlas Planted, Annelise Belmonte

College of Computing and Digital Media Dissertations

In "Atlas Planted," the game world plays as a life theater production where the storyline is influenced by player and other characters in a metaphorical and literal gardening mechanic. The emphasis on selfish vs selfless action in regards to energy and foliage serves as a critique of social responsibility and objectivism, the philosophy developed by Ayn Rand where each person is their own hero. According to that philosophy, if everyone were free to pursue their own greatest desires without directly harming others, the whole world would be better for it. In the case of these characters, how they pursue their …

Selections From Divinatio Diver, Sculptural Antipathia In Atonement Transcendo, And Mechanika Momento: Creatio Forecaster, Antonie Frankie Aquino

Far West Popular Culture Association Annual Conference

It is fated inspiration which penetrates the heart, satisfies the collective soul, and offers its spirit to the vastness of ceremonial vision. Vision becomes sound and sound forms a poetic voice displaced— this displacement radiates a mythologized poetic voice serving as a lyrical object, theogonic lyre, and the genealogical muse. Selected poems from Divinatio Diver, Sculptural Antipathia: In Atonement Transcendo and Mechanika Momento: Creatio Forerunner, the collected poems orchestrate a tryptic voice that dismantles the outward magnitude of the self by subverting the antithetical self through spiritual and organic sensualness.This mythopoeic tripartism simultaneously interconnects with religion, theology, and metaphysics which …

On The Roman Road, Tim Fish

CLAMANTIS: The MALS Journal

No abstract provided.

Southwinds - Fall 2021

Southwinds: The Literary and Arts Magazine of Missouri S&T

Southwinds is a literary and arts magazine published annually in the spring semester to showcase the creative work of Missouri University of Science and Technology students, faculty, staff, and alumni.

Parnassus 2021

Parnassus

The 2021 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

The Mockingbird - 2021, Department Of Art And Design, East Tennessee State University, Etsu Department Of Literature Of Language

The Mockingbird [magazine]

Chris Walonski [Superstition]; translation by Cindy Castle [Superstición]; Leticia Pizzino [Unlocking Hearts]; Amara Bunten [Deep River, Shallow Water]; Holly Todaro [Salvatore Elboro]; translation by Allen C. López [Salvatore Elboro]; Courtney Harvey [A Letter]; Cassie Selleck [Past Time]; translation by Rachel Reid [Pasa Tiempo]; Rhea Norris [Lying in Plain Sight: Deception through an Eating Disorder Lens]; Michelle Bravender [Life Half Lived]; Diane Mallett-Birkitt [I Am That Mom]; Donna Paulson [Barren Voices]; Zach Hicks [Amnion]; Emily Price [beestings]; Mallory Spisak [Annihilations]; Emily Price [ars protestor]; Jessica Dunker [Short Supply]

Inscape 2021, Morehead State University.

Inscape: Art & Literary Magazine Archive

The 2021 edition of the Inscape: Literary and Art Magazine.

Covid-10, Healthcare Interior Design + Provider Experience - How Does Your Space Work For You?, Ruth E.P. Deibler

Graduate Research Posters

The lack of research on healthcare staff experience and interior design of the spaces they work in is evident. A focus on staff perspective is needed, particularly staff who navigated the COVID-19 pandemic. This research seeks to capture those stories to develop further research in order to improve staff experience. The initial phase of this mixed-methods approach is a survey. Hypothetically, by placing providers at the center of qualitative research related to healthcare interior design, we can better understand existing healthcare spaces. Ideally, we can develop additional evidence-based, human-centered solutions to transform interior environments in healthcare.

The 20-year Women’s Health …

The Bridge, Volume 18, 2021, Bridgewater State University

the bridge

Managing Editor:

Adam Blowers

Social Media Manager:

Lauren Pray

Lead Designer:

Katie Sheehan

Designers:

Racquel de Barros

Michelle Landry

Editors:

Elinor Ault

Katherine Ault

Glen Beaulieu

Fletcher Donohoe

Jessica Sweeney

Maya Wyatt

Faculty Advisor:

Professor Evan Dardano

Design Consultant:

Professor Alain Blunt

The Mercury 2021

The Mercury

No abstract provided.

Bully Me: A Graphic Novel; The Return: A Graphic Novel; Comakademix: A Comics Anthology; Leadbetter: A Comic; Laundry: A Minicomic -And- The Erotics Of Comics: An Exegesis, Bruce Roberts Mutard

Theses: Doctorates and Masters

Beholding a comic is ideally, a pleasure. The work informs, entertains and stimulates the mind in some way. There is no gainsaying which works will affect which beholders howsoever it does, yet the expecta­tion of pleasure from a work of comics makes behold­ers seek it. Making the comic is also a pleasure, even if the process can be long-winded, winding and dif­ficult. The maker wants to give others the same plea­sure they drew from beholding comics, but in their way, making their vision of Batman, Lieutenant Blue­berry or, their own story worlds. What this research seeks to explain are many …

Calliope, Georgia Southern University

Calliope Magazine

Volume 38

Leadbetter, Bruce Roberts Mutard

Research outputs 2014 to 2021

A satirical comic about the rogue, right-wing, gun-loving US Senator Leadbetter, who wins the presidency and installs a dictatorship, which solves all social problems with extreme prejudice.

Imagining An Asian American Superhero Of North Korean Origin: A Design Fiction, Seo-Young J. Chu

Publications and Research

My talk, a thought-experimental blend of literary criticism and speculative "design fiction," will introduce you to an Asian American superhero of North Korean origin. In this science-fictional superhero, whom I have tentatively named "구름"/"☁️"/"Ku-reum," Korea's elusive realities coalesce into legible form. More specifically, they become available for narrative experience and relatable to us as an anthropomorphic character, a person with whom we might identify, come face-to-face, sympathize, interact dynamically, and have a conversation. Ku-reum is designed to reflect Korea's complex past and hopes for the future. Existing beyond division systems, Ku-reum uses the non-binary pronouns "one"/"they." Neither "South" nor "North," …

Reed Magazine, Issue 154, Rita Bullwinkel, Alex Gulis, Ashley Burnett, Willow Gelphman, Andrew Mcclure, Ralph Robert Moore, Zach Murphy, Justin Noga, Jihoon Park, Linda Wilgus, Annie Zhu, Suzanne Rico, Joseph Sigurdson, Ashlee Beals, Geraldine Birch, Amelia Joy, Kathleen Mcnamara, Marcia Meier, Josue Montiel, Mackenzie Moore, Magda Romanska, Matthea Harvey, Scott Bade, V. Joshua Adams, Sally Ashton, Ellen Bass, Michelle Bitting, Cassandra Caverhill, Wortley Clutterbuck, Emma Depanise, Paul Dresman, Mary Anna Dunn, Jonathan Endurance, David Groff, Skye Jackson, Danusha Lameris, Megan Merchant, John A. Nieves, Ricardo Pau-Llosa, John Sibley Williams, Turner Wilson, Sarah Nolte, Tvisha Gupta, Erin Salazar, Q'Shaundra James, Alden Hughes, Shelle Barron, Janelle Aina S. Baylosis, Erik Beehn, Mason Brown, Jennifer Carrier, Daquane Cherry, Alex Gulis, Shen Chen Hsieh, Safia Ismail, London Ladd, Hector Ledesma, Jung Min, Gray Passey, Tracy Whiteside, Kenneth Zenz, Timothy Cech, Rachel A. Crawford, Matty Heimgartner, Nick Taylor

Reed Magazine

No abstract provided.

Sweet Fruit, Daa Guy-Vasson

Theses and Dissertations

The writing and images in Sweet Fruit are an exploration of my creative works. In the first section, memory, making, and poetics come together to help the reader feel the nuances of my experience. In the exhibition works section, images allow an extended look at the work. Accompanying text describes the relevance of my childhood and my parent's Caribbean upbringing to my creative practice.

Ghost Stories, Natalie M. Orga

The Mercury

No abstract provided.

Diamond Line - Fall 2020, Autumn Blaylock, Emily Corn, Heather Drouse, Claire Hutchinson, Elise Lusk, Alexis Jamilee Carter, Lauren Dial, Toby James Haymore, Caroline Jennings, Heidi Kirk, Brittaney Mann, Anna Karen Olivo, Hadley West, Tabitha Novotny, Lexie Price

Diamond Line Undergraduate Literary Magazine

In following up the premier issue of The Diamond Line, the fall 2020 editorial staff had big shoes to fill. We took on the challenge of creating something that would uphold the framework of Issue 1 while simultaneously branching out from its margins.

Like the editors before us, we had a vision, but ours took a new form — bright, warm colors. Sunset colors. Moons. Playful lines. Isolation and introspection. A stroll through an art gallery. A coming-of-age story bound between two groovy orange bookends. While Issue 2 does not have an overarching theme, we chose the cover art, “Pandemic …