Art and Design Commons^™

Artist At Sea: Codes And Cargo, Kelly Thompson

Textile Society of America Symposium Proceedings

The themes of land, labor and the port resonate for me and particularly in recent voyage experiences and digital weaving research, which I will attempt to bring together in this talk. These activities converge in new and evolving artwork, generating more questions than answers on the relationships between digital and analog materiality. Trades routes, and the movement of people and goods through ports, notions of networks, flow, circulation, has parallels and resonance with our contemporary digital systems and also, correlations with political issues, namely power and control. The Container Shipping world is fascinating to drop in on, a world so …

Engineered Ikat Textile Of Gujarat - A Design Intervention, Shohrat S. Saiyed, Reena Bhatia Ph.D.

Textile Society of America Symposium Proceedings

India – the country of rich heritage and culture is pictured through its traditional textiles which are kept alive through generations by the craftsman and his workmanship. Patola of Patan known as a double ikat silk textile, manifests the richness of heritage craft in dazzling colours and admirable motifs, but is a time consuming yarn resist textile. It cannot be duplicated anymore, since the GI recognition is served for its products under the name Patan Patola. The low cost variants of the celebrated Patan Patola have emerged in the Saurashtra region of Gujarat since last four decades as a single …

Kanga Textile Design, Education, And Production In Contemporary Dar Es Salaam, Tanzania, Mackenzie Moon Ryan Phd.

Textile Society of America Symposium Proceedings

While today kanga textiles are commonly thought of as bearers of east African or Swahili culture, this industrially produced textile emerged from a complex history of global trade networks serving local consumer demands. Worn widely throughout the east African region, this textile emerged as a fashionable garment preferred by women along the Swahili Coast of east Africa in the late nineteenth century. Shortly after its introduction in 1886, these inexpensive printed textiles became favored consumer goods throughout the wider region, stretching from present-day southern Somalia, throughout Kenya, Uganda, Rwanda, Burundi, Tanzania, Malawi, and into eastern DRC and northern Mozambique. (Closely …

Non-Specific: Ubiquity, Invisible Labor And The Moving Blanket, Callen Zimmerman

Textile Society of America Symposium Proceedings

“A textile is not simply a binary system of spun, twisted or spliced fibres, but first and foremost a result of complex interactions between resources, technology and society.” Eva Anderson Strand The crash of metal on asphalt as the back of a truck lowers its lift, a grunt of exertion, a buoyant step on the platform, the shuffling of work boots in calculated motion, the crumbled sigh of fabric folding falling on itself. This observed situation is typical to the daily ins and outs of the moving blanket, a complicated dance to aid objects of importance in transit. Even if …

Tradition And Transition: The Changing Fortunes Of Barkcloth In Uganda, Sarah Worden

Textile Society of America Symposium Proceedings

In the late 19th and early 20th centuries Scottish travellers, missionaries and colonial officials were among the first Europeans to visit east and central Africa. The objects they collected whilst living amongst those whose customs and traditions were so unfamiliar, form the backbone of the National Museum of Scotland’s early ethnographic collections. These collections are tied into the complex historical relationships between Scotland and Africa, however, it is often the case that little was documented regarding the collectors particular collecting strategies or acquisition. In these collections is a type of cloth, barkcloth, a material which predates weaving and is probably …

Review Of Designing Identity: The Power Of Textiles In Late Antiquity. Edited By Thelma K. Thomas, Carol Bier

Textile Research Works

Designing Identity: The Power of Textiles in Late Antiquity. Edited by Thelma K. Thomas, with contributions by Jennifer L. Ball, Edward Bleiberg, Kathrin Colburn, Helen C. Evans, Christine Kondoleon, Brandie Ratliff, Thelma K. Thomas, Elizabeth D. Williams. Princeton and Oxford: Princeton University Press and Institute for the Study of the Ancient World at New York University, 2016. 152 p. ISBN: 978-0691169422

This beautifully illustrated book, edited by textile historian Thelma K. Thomas, Associate Professor at NYU’s Institute of Fine Arts, advances scholarship on textiles of Late Antiquity with interpretive essays by curators, conservators, and historians. As a scholarly contribution offering …

Out Of Site, But Not Out Of Mind: The Conservation And Display Of Ancient Roman Floor Mosaics In Situ And In Museums, Erin M. Hoey

Scripps Senior Theses

This thesis explores the display of Roman floor mosaics in museums and in situ. Taking the original mosaic to museums for display and protection, and replacing them on site with replicas, is best for the preservation of the original material and its context.

The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq

Theses and Dissertations

For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation.

This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, and its unique ability to map gestures to different musical parameters, music can be produced using computer algorithms.

The …

Subsurface, Elizabeth J. Huhtala

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

La Conservation Des Manuscrits De L’Afrique Sub-Saharienne.Pdf, Michaelle L. Biddle

Michaelle Biddle