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Approaches To Understanding Oriental Carpets, Carol Bier

Textile Research Works

ORIENTAL CARPETS reached a peak in production in the late nineteenth century, when a boom in market demand in Europe and America encouraged increased *24 production in Turkey, Iran and the Caucasus.* Areas east of the Mediterranean Sea at that time were referred to as. the Orient (in contrast to the Occident, which referred to Europe). To study the origins of these carpets and their ancestral heritage is to embark on a journey to Central Asia and the Middle East, to regions of low rainfall and many sheep, to inhospitable lands where animal husbandry and the seeking of good pastures …

Symmetry & Pattern: The Art Of Oriental Carpets, Carol Bier

Textile Research Works

The beauty of oriental carpets is achieved by various means including choice of colors and designs, as well as by the manipulation of designs to form pleasing patterns. Patterns in Oriental carpets are never quite what you expect — a surprise here, a flourish there, a change of color, the flip or rotation of a design where you might not predict it. The more you look, the more variations you will find.

The study of symmetry offers an approach to analyzing patterns in Oriental carpets. Through symmetry analysis we may identify areas of pattern that exhibit expected repetitions, and areas …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 17 (1996), Virginia Gunn, Tracy Barron, Jill Sutton Filo, Cassandra Stancil Gunkel, Elizabeth Hoffman, Susan Price Miller, Pat L. Nickols, Rebecca A. Ries

Uncoverings Journal

Preface by Virginia Gunn

Research Papers

Nancy Riddick's Quilts: Autobiographical Statements by Cassandra Stancil Gunkel

Carlie Sexton and Her Quilt Pattern Business by Susan Price Miller

Ruby Short McKim: The Formative Years by Jill Sutton Filo

Quilting Imagery in the Writings of Rachel Field by Tracy W, Barron

Stitched in Place, Stitched in Time: Relationships of Quilts, Quiltmaking, and Landscape by Rebecca A. Ries

Contributors

In Memoria: Natalie Youngquist and Eva Earle Spruiell Kent (d. April 20, 1996)

Index

A Naturalistic Study Of The History Of Mormon Quilts And Their Influence On Today's Quilters, Helen-Louise Hancey

Theses and Dissertations

This interpretive study investigated the "quilt" and its significance to Latter-day Saint Women. Mormon master quilters were chosen because of their knowledge of fabrics, patterns, and symbolism, their skill levels, and their intense interest in quilting. The researcher conducted interviews with the master quilters from July 1995 to April 1996. Field notes were taken and data concerning both observed actions and verbal comments regarding the importance of the quilt were collected, charted, coded, and analyzed.

Several dominant patterns and themes emerged from analyses of the data, including: quilting is an enjoyable and active art form among Mormon women, pattern selection …

William Kendall - Recent Paintings, William Kendall

Bridgewater Review

No abstract provided.

Blanket Statements, Issue 42, Fall 1995

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 42, Fall 1995

Blanket Statements, Issue 41, Summer 1995

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 41, Summer 1995

Mercedes Nuñez - New Work, Mercedes Nuñez

Bridgewater Review

No abstract provided.

Jatun Molino: A Pottery Village In The Upper Amazon Basin, Joe Molinaro

Art and Design Faculty and Staff Scholarship

Documentation on the pottery making process by the women from the village of Jatun Molino located in the Amazon region of Ecuador.

Public Information: Desire, Disaster, Document, The Anti-Artist

SWITCH

An article about how photographic and electronically created pictures mediate and determine social reality, which is one of the most complicated concerns of our time. Definitions of media, the individual's position and responsibilities in society, and the nature of the photographic picture are all on the table. Gary Garrels, Jim Lewis, Christopher Phillips, Sandra S. Phillips, Abigail Solomon-Godeau, Robert R. Riley, and John Weber analyze the work of fifteen postwar artists working in a variety of media to answer these issues. The article starts with a third person point of view about the subject. As the article progresses, it shifts …

Women's Rites Of Passage: Telling The Story, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features work from an exhibition of female artists Kathleen Browne, Robin Taffler, Gail Rebhan, and more. The Women's Rite of Passage exhibition was held at Wright State University Art Galleries from April 4 through May 14, 1995.

Blanket Statements, Issue 40, Spring 1995

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 40, Spring 1995

Interview: Joel Slayton, Christine Laffer

SWITCH

Interview with Joel Slayton, Professor of Computers in Fine Art at San José State University, and Director of the CADRE Institute. Slayton discusses the history of the Cadre Institute and details his views on the relationship between art and new technology. Slayton describes the role of artists in exploring the possibilities and ethical implications of emerging technologies such as genetic engineering, nano-techology, robotics, and artificial life. He describes installations and in-progress work focused on ubiquitous video surveillance. The interview concludes with a discussion of Slayton’s use of the DoWhatDo model for artistic collaboration and of his piece "Conduits," presented in …

Urban Landscape, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features paintings from artists Yvonne Jacquette, Rackstraw Downes, and John Moore. The exhibition was Wright State University Art Galleries from February 12 through March 19, 1995.

Blanket Statements, Issue 43, Winter 1995

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 43, Winter 1995

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 16 (1995), Virginia Gunn, Kathryn W. Berenson, Ricky Clark, Naida Treadway Patterson, Merikay Waldvogel, Xenia E. Cord, Marlene O'Bryant-Seabrook, Carol Williams Gebel, Judy Elsley

Uncoverings Journal

Preface by Virginia Gunn

Research Papers

Origins and Traditions of Marseilles Needlework by Kathryn W. Berenson

Ruth Finley and the Colonial Revival Era by Ricky Clark

Marion Cheever Whiteside Newton: Designer of Story Book Quilts, 1940-1965 by Naida Treadway Patterson

The Origin of Mountain Mist Patterns by Merikay Waldvogel

Marketing Quilt Kits in the 1920s and 1930s by Xenia E. Cord

Symbiotic Stitches: The Quilts of Maggie McFarland Gillispie and John Gillispie, Jr. by Marlene O'Bryant-Seabrook

Quilts in the Final Rite of Passage: A Multicultural Study by Carol Williams Gebel

Making Critical Connections in Quilt Scholarship by Judy Eisley

Authors …

Portals: Past And Present, Cynthia L. Rodday

College of Graduate Studies: Theses & Dissertations (1964–2006)

No abstract provided.

Blanket Statements, Issue 38, Fall 1994

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 38, Fall 1994

Blanket Statements, Issue 37, Summer 1994

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 37, Summer 1994

Blanket Statements, Issue 36, Spring 1994

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 36, Spring 1994

One Hundred Years Of Street Photography, Ronald R. Geibert, Wright State University Art Galleries

Exhibition and Program Catalogs

A program from an exhibition featuring street photography from a variety of artists including but not limited to Diane Arbus, Alfred Stieglitz, Henri Cartie Bresson, and many more. One Hundred Years of Street Photography ran from February 20 through April 3, 1994. The catalog for this exhibition was originally available via CD-ROM.

Ornament And Islamic Art, Carol Bier

Textile Research Works

Review of: The Mediation of Ornament, by OLEG GRABAR & Problems of Style: Foundations for a History of Ornament, by ALOIS RIEGL.

TWO MAJOR WORKS addressing the nature of art, published in the same year but written a century apart, are each based, in part, upon analyses of Islamic monuments. Both derive from series of lectures on the history of ornament, and each offers a perspective explicitly countering the author's own intellectual milieu in the study of art focused on Western tradition.

Problems of Style is an impressive translation of Stilfragen, a broadly-based and wide-ranging inquiry by Alois …

Preface - Contact, Crossover, Continuity - 1994, Louise W. Mackie, Patricia R. Anawalt

Textile Society of America: Symposium Proceedings

The Fourth Biennial Symposium of the Textile Society of America, Inc., was hosted by the Fowler Museum of Cultural History, University of California, Los Angeles, California, September 22–24, 1994. The papers addressed a broad theme which was chosen in order to accommodate the diverse interests of members. The proceedings contains the thirty papers and two abstracts of papers presented at the symposium, plus a video script, and a list of the two hundred and forty participants.

Contact, Crossover, Continuity highlights the causes and effects of change on textiles around the world. The proceedings provides an opportunity to identify and evaluate …

Table Of Contents - Contact, Crossover, Continuity - 1994

Textile Society of America: Symposium Proceedings

Table of contents from Contact, Crossover, Continuity: Proceedings of the Fourth Biennial Symposium of the Textile Society of America, September 22–24, 1994

What’S In A Name: The Domestication Of Factory Produced Wax Textiles In Cote D’Ivoire, Kathleen E. Bickford

Textile Society of America: Symposium Proceedings

In a frequently evoked passage from Romeo and Juliet, William Shakespeare asks "What's in a name? That which we call a rose by any other name would smell as sweet." Yet, as Romeo and Juliet tragically come to learn, human beings make much of names. Indeed, one's name is a significant part of one's social persona; it can describe who we are, it can join us and separate us from others, and it can link us to the past. In a sense, when we are named we are given an identity. Describing the complexities of naming for the Wamakua …

Continuity Of Culture: A Reenactor’S Goal, Elizabeth Mcclure

Textile Society of America: Symposium Proceedings

This paper examines the maintenance of cultural continuity through historical reenactment. It is the reenactor's goal, in this case, to portray and maintain the culture of Ireland and Scotland. They are holding on to this culture and presenting it to others by maintaining the dress, crafts, and lifestyles of sixteenth-century Scotland and Ireland.

The methods of data collection for this study were ethnographic in nature. Interviews with key informants were conducted. In addition, there was a questionnaire distributed to members of the group This method of data collection provided the insight to see how a member of this group achieved …

Green Labels With Golden Elephants: Western European Printed Cottons For Malaysia And Indonesia, Frieda Sorber

Textile Society of America: Symposium Proceedings

In the second half of the 19th century, several Belgian cotton printing firms were involved in the production of imitations of African and Southeast Asian textiles for markets in West-Africa, the Dutch East Indies, and Malaysia. Extensive records of one firm, the Societe Anonyme Texas, owned by the Voortman family in Ghent, have been preserved in the Ghent public records office and the Vrieselhof Textile Museum (Oelegem, near Antwerp). Frans de Vos and Abraham Voortman started a cotton printing establishment in Ghent in 1790. At that time cotton printing was a relatively new type of enterprise in Flanders. The first …

Bolong-Bolong And Tirtanadi: An Unknown Group Of Balinese Textiles, Marie-Louise Nabholz-Kartaschoff, Monika Palm-Nadolny

Textile Society of America: Symposium Proceedings

On late 19th- and early 20th-century photographs, South and East Balinese people clad in traditional adat wardrobe for rituals, temple ceremonies, and dances often wear transparent, netlike open-work textiles as breastcloth (anteng), shouldercloth (cerik) girdle (selendang), or headcloth (destar, lelunakan). Information given by elderly Balinese concerning the situation before World War II confirm their use as part of their ceremonial wardrobe but also as important items in offerings and rituals. Such textiles could be laid over several fabrics, covering the body of a toothfiling candidate, or serve as curtains (langse …

Micronesian Textiles In Transition: The Woven Tol Of Kosrae, Ann Deegan, Ross Cordy

Textile Society of America: Symposium Proceedings

This paper presents findings on the major steps in the transition of the Kosraen tol from traditional clothing, to tourist souvenir, to the end of tol manufacture. An extensive study of the German, French, and English literature of the 19th and 20th centuries was done to piece together the history of the Kosraen tol.

The island of Kosrae, located in the Pacific (4–10°N latitude, 140–163°E longitude), is part of the Federated States of Micronesia. Since earliest European contact it has seen numerous changes in its traditional culture. One of its most beautiful and complex traditional crafts is the woven …

The "Severed Shroud": Local And Imported Textiles In The Mortuary Rites Of An Indonesian People, Penelope Graham

Textile Society of America: Symposium Proceedings

This paper explores the significance of local and imported textiles as these interact forming complex categories in the mortuary rites of the Lamaholot-speaking people of the traditional district Lewolema in eastern Flores, Indonesia. Within this regional framework, my account draws primarily on field work in the village of Lewotala. There a person's physical demise elicits diverse social and ritual practices, depending on the deceased's achievements during his or her lifetime and the circumstances surrounding the death. As regards the mortuary sequence that commonly occurs, I will argue that various uses of cloth for exchange purposes mark both the severence—consequent on …