Arabic Language and Literature Commons^™

Digital Literature: A Modern Concept Of Contemporary Literature, Dala Jamal

Al Jinan الجنان

Since the earliest eras of his existence on this Earth, man has attempted to document his daily experiences using various available means: from carving on rocks and stones to drawing in caves, then documenting on animal skins after the invention of letters, and later writing on paper. In our modern era, we have reached documentation on computers, which represents a significant shift in the way we document due to its advanced features that surpass human intellect. In this research, I aimed to shed light on a new literary genre that emerged from the computer two decades ago and can only …

From Crypto-Muslim To Muslim Polemicist: The Self-Writing Of Aḥmad Ibn Qāsim Al-Ḥajarī, Paige Gibson

Theses and Dissertations

This thesis examines the self-writing of the Morisco writer Aḥmad ibn Qāsim al-Ḥajarī (b. 1569–1570) who fled his homeland in Spain for the Maghreb where he could live safely as a Muslim. While it may seem that the Moriscos were one static, monocultural group, studying them as individuals reveals the group’s diversity and complexity. Al-Ḥajarī is an excellent example of one Morisco writer who identifies more with the greater Muslim community than with the Iberian Moriscos. His most well-known work, Kitāb Nāṣir al-dīn, combines Arabic literary genres in order to create this self-portrait. Other Moriscos fought for their right to …

Semiotics Of The Mask In Abdullah Thabet’S The Sleeping Face, Hind Al-Yahya

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

This paper, entitled (Semiotics of the Mask in Abdullah Thabet’s The Slpeeing Face), sheds light on an artistic technique and means of expression that the novelist relies on in the weaving of his narrative imagination, which is the mask technique. The paper aims to expose the implications and manifestations of the mask and its asethetic formulation in the text. This creative technique leads to a number of questions: How did the writer use the mask in creating his narrative world? What are the indications and signs that he is suggesting in the text? Then what is the aesthetic and artistic …

المقدس والأدب : أية علاقة؟, عبد العلي الدكالي

Dirassat

The Sacred and Literature: What’s Relationship?

This research deals with the problem of literature and the sacred, the relationship between them from the ideological and epistemic angle, the extent to which the sacred is related to the existence of man, and the consideration of literature as closely related to the sacred through language, especially in the field of poetry.

Reflections Of Arabic Literature On Architectural Representation, Othman El Obeidi, Aya Salamah, Rola Ayoub, Abed El Karim Owaydat

Architecture and Planning Journal (APJ)

Literature and architecture have long been connected where both are forms of art; literature is a verbal form of art whereas architecture takes a social form. Both domains play a major role in heritage inheritance and representation and are immensely linked to each other; each is capable of representing and embodying the other. Gloomily, in light of digital technology, Information Age, and onslaught of globalization, the reflections of the practices of Arabic literature on architectural representations, after being practiced together since ancient periods, have retracted in recent times thus architecture in the Arab cities has started to veer far away …

When Saeed Betrays Fuad: Laughing At The Mechanized Occupation, Ezgi Demirors

Dissertations, Theses, and Capstone Projects

This thesis comparatively explores the emergence of the comic in the novel The Secret Life of Saeed The Pessoptimist by Emile Habibi and the film The Time That Remains directed by Elia Suleiman, by building on Bergson’s theory of mechanization. By tracing Bergson’s idea that comic effect is created through the creeping up of the mechanical on the living, the establishment of the “mechanical occupation” as a source of the comic will be elucidated. The comic will be explored in terms of the ways in which both texts offer a new historicizing operation, being works that focus on the narration …

Mes 160: Classical Islamic Literature & Civilization, Kirsten Beck

Open Educational Resources

This open resource includes a syllabus, class schedule, grading rubrics, and guidelines/examples for digital poetry annotation.

The course website can be found here: http://mes160.social.qwriting.qc.cuny.edu/

In this course, we will take a journey through history, literature, and ideas, traveling through Islamic civilization from 600-1250 CE. We will learn about and contemplate the major events and concerns of Islamic civilization, from the dawn of Islam through the expansions, transformations, and fragmentations of Islamic empires, up until the end of the 13th century. Works of Islamic literature from a variety of genres will fuel our journey. Along the way, we will learn how …

Transitional Portraits: Syrian Immigrants Of The North American Mahjar In 'Abd Al-Masih Haddad's Prose, Benjamin Smith

Arabic Faculty Works

This article argues that the 1921 collection of diasporic short stories Hikayat al-mahjar, written by ‘Abd al-Masih Haddad, makes a unique and notable contribution to mahjar literature by mobilizing formal literary techniques and innovative thematic content to capture a Syrian immigrant community engaged in a transitional moment in America. This paper situates Haddad (best known as the founder of the biweekly Arabic newspaper al-Saʼih, and a founding member of the literary society al-Rābiṭa al-qalamiyya) among his literary peers and provides an analysis of Hikayat al-mahjar that demonstrates the work’s points of convergence and divergence from the literary norms of the …

Le Gallienne’S Paraphrase And The Limits Of Translation, Adam Talib

Faculty Book Chapters

This essay shows that Richard Le Gallienne’s 1897 edition of the Rubáiyát of Omar Khayyám is an original literary text and that it, along with other versions of the Rubáiyát published in the same period, was a response to FitzGerald’s wildly popular translation of a few decades earlier. Le Gallienne’s paraphrased versions of Persian poetry, Khayyam and later Hafez, are linked to his close involvement with the commercial publishing industry while his primary reliance in these paraphrases on academic translations highlights the parallel trend of scholarly reaction, often corrective, to FitzGerald’s edition. By examining how Le Gallienne composed his paraphrase …