Arabic Language and Literature Commons^™

The Politics Of Self-Representation In Abdelmajid Benjelloun’S Novel In Childhood : An Ambivalent And Displaced Morrocan « Self », Azize Kour

Dirassat

This article examines the politics of Moroccan cultural self- representation from a novelistic perspective. It attempts to foreground the ambivalent standpoint that many Moroccan novelists evince in imag (in) ing Moroccan cultural identity. A hybrid approach to the Self/ Other dialectic comes into play in this endeavour at self-definition. Importantly, this article tries to outline Moroccan self-representation from gendered, spatial and national perspectives. It, therefore, seeks to answer the following questions: How does Abdelmajid Benjelloun's autobiographical novel In Childhood represent Moroccan identity and culture? Is its portrayal of Moroccaness supportive or critical of the Orientalist lenses that Morocco has been …

Le Portrait Du Poète En Barbare Dans L’Œuvre D’Henri Michaux, Taoufiq Moueddene

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The article highlights the imprint and poetic requirement of Henri Michaux in his work on the portrait of the poet in barbarian. The author returns, from a complex game, to the question of the plural being. Michaux diverts from the recognition and republic of letters, to make of it to be, not only the barbarian and the pariah of French literature but also his «Mlecha». Michaux’s work and life are part of a reflection on literature in its relation to being as a machine to be and to think.

Often called experimental thinking, Michaux is a discreet poet, painter painterand …

Aménagement Sociolinguistique De L'Espace Urbain Au Maroc, Amina Saoussany

Dirassat

The sociolinguistic configuration of Morocco reveals that Morocco is a multi-lingual country. Many languages coexist in it. They are of unequal importance, though, the language-field prevailing in Morocco is characterized by the prevalence of an array of languages and dialects (cf Abbassi, 1977; Boukous, 1979; Gravel, 1979; Bentahila, 1983; Ennaji, 1991...). This field remains highly distinct from the multi-racial mosaic finding form in some countries like(...) Cameroon or Tanzania (El Gherbi 1993:13). It produces an area where the confrontation of historical and language factors results into the coexistence of certain dialects. It also contributes to the evolution of some languages …

نظرية التلقي وقراءة التراث العربي: تطبيقات على النقد الأدبي في العهد المريني, عبد الجليل شوقي

Dirassat

This article reflects the patterns of critical reception in Maranian critics. It shows that Moroccan literature does not allow for literary criticism due to the abundance of their western thoughts in their works. It also points out that such rejection or disappointment in readings intended to conflict with old critics in the study of monetary issues. This pattern of reception distinguished the reading of a Marinian critic who sought to develop Arab thought in general and the critical sense in particular. Arab thought is constantly evolving and the application of many ideas varies depending on the context. Therefore, the literary …

Le Théâtre Arabe À L’Épreuve De L’Adaptation Exemple De La Pièce De Salah Eddin Al-Ayyoubi De Najib Al-Haddad, Omar Fertat

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The beginning of arabic theatre was by adapting foreign plays ,najib al haddad was one of the most performing writer ,famous of his master peace “sallah eddin elayoubi” a drama adapted from the eccoses historical story of walter scoth “le talisman” .

This adaptation is not the arabisation of the play but it is adaptation mixed with crativity of the lebanon writer al haddad who tried to create new characters and new eventes differents from the origin text to satisfy his arabic public bye enlighting the value of saladin “salah edin el ayoubi” and his brave role in the reconquest …

نقد النقد: الموضوع والأهداف والمنهج, اسليمان بحاري

Dirassat

Title : Criticism of Criticism : Themes, Objectives and Method

During the twentieth century, literary criticism experienced incredible development and fruitful openness onto humanities. Literary theory scholars recovered most of its neglected facets and shortcomings. Concomitantly, literary criticism witnessed a period of turmoil and retreat. Thus, Criticism shift focus onto scrutinizing literature to understand the mechanisms of critical discourse. Ancient Arab criticism was limited to descriptive discourse, which generates questions about texts to deconstruct them. By far, criticism remains a conscious art, which adopts scientific methodology. Thus, criticism of criticism is interdisciplinary, and seeks to formulate new theoretical and methodological …

ظاهرة الإدغام في معلقة امرئ القيس وأثرها في موسيقاها الشعرية, عبد الرؤوف خريوش, زهير إبراهيم

Dirassat

Title : the effects of Assimilation in Moallaca of Imroulcays on its poetic music

Long poems have always fascinated researchers because they are considered as the backbone of the Arab Diwan. These long poems are classified as Moallacat; that is to say, they stick to the mind and memory of readers for their poetics, musicality and metric . Several collectors such as Hammad labled them “Essamout”; as a result , many scholars such as IBn Alkalbi and Ibn Abd Rabbo extensively analyzed and studied these long poems. It is worth mentioning that these long poems still raise controversy as to …

السخرية الأدبية / بحث في الأشكال والحدود, نوال بن صالح

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Title : Literary satire/research into forms and boundaries

Artistic production is not exempt from competition. Arts compete with each other to attract more spectators and audiences. Cynicism generates controversy in the Arab-Islamic culture and in the rest of the world as it plays a role in scandalizing oppression. It commonly employs caricature to convey messages in a comic style that appeals to people. Parody which uses exaggerated imitation of characters to effectively persuade onlookers from all walks of life to adopt an attitude or hold another.

الأسس الخلافية لتأويل مشكل شعر المعري بين البطليوسي وابن العربي, البشير التهالي

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Title : The controversial foundations for interpreting the problem of al-Maari's poetry between Batalyawsi and Ibn al-Arabi

The poetry of Abu Al-Alaa Al-Maari is distinguished for its interactive and argumentative context. In addition, it is rich in interpretative capabilities. In addition, Al-Maari’s poetry has a brilliant interpretive potential that establishes the literary rule. Accordingly, it aims at analyzing the foundations of dispute between Abd Allāh Ibn Muḥammad al-Baṭalyawsī and Abu Bakr Ibn al-Arabi who were famous for interpreting poetic discourse. As far as Abu Al-'Ala al-Ma'ari is concerned; the reality of his poetry resides in an …

إشكالية تشغيل المنهج في النقد العربي المعاصر, فؤاد زرواق

Dirassat

Title : The problematic of the implementing methodology in contemporary Arab criticism

Methodology was originally devised to evaluate and study literary work, it is indeed a tool which the critic approaches the literary text. Arab critics are fascinated by everything that has come to with the same logic. Consequently, the text is merely a means to apply methodology and not the opposite.Arab critics were entitled to search for methods to analyze and evaluate their artistic productions but it was in vain. Therefore; they adopted western critical methodology that ultimate fails to capture the beauty and creativity of the Arab creative …

مقاربةٌ أسلوبيّةٌ لِمعلّقة عنترة بن شدّاد آلْعَبْسِيّ, محمد العز جعفورة

Dirassat

Title : A stylistic approach to the Moallaca of Antarah ibn Shaddad al-Absi

Stylistics is said to be dead in the year sixty-nine nine hundred despite the attempts keep it alive. However, its openness to multiple disciplines such as psychology and phonetics enabled it to trespass the boundaries. Our selection of the Moaallaca of Antarah ibn Shaddad was deliberate so as to show the the ability of the poet to grab the reader's attention and And introduce him into a unique and wonderful world. One of the most important features of this Moaallaca is displaying the rhetorical, linguistic and cultural …