Arabic Language and Literature Commons^™

Pronunciación, Repetición E Identificación De Los Sonidos Del Español Por Aprendices Qataríes De E/Le En Su Primer Semestre, Ramsés Ortín, Javier Sánchez-Mesas

Writing and Language Studies Faculty Publications

Este estudio explora las dificultades en pronunciación y percepción de sonidos del español por un grupo de estudiantes qataríes en su primer semestre. Las participantes completaron tres actividades (lectura, repetición de palabras, identificación de palabras) que requieren diferentes tipos de conocimiento (producción de sonidos con y sin presencia de ortografíae identificación de sonidos) al inicio y final de su primer curso. Los resultados revelan que esta población presenta dificultades con los contrastes de vocales medias y altas, la nasal palatal, las consonantes oclusivas bilabiales y las vibrantes. Estas dificultades no aparecen de igual manera en actividades con y sin presencia …

Chapter 3. Moroccan Arabic-Spanish Bilinguals’ Linguistic Profile And Their Perspectives And Experiences On Learning Standard Arabic, Ramsés Ortín, Pilar Garrido

Writing and Language Studies Faculty Publications

We surveyed a group of Moroccan Arabic-Spanish speakers in the Region of Murcia, Spain, to examine their linguistic profiles, their attitudes towards their native Arabic dialect, their motivations to learn Standard Arabic and their learning experience with Standard Arabic. We found varying degrees of dominance in this group along with fluctuating patterns of dominance, proficiency and language use according to age and onset of acquisition of Spanish. This group displayed generally positive attitudes towards their own dialect and their motivation to learn Arabic was related to their religious and cultural connections. Most of them indicated that they had engaged in …

An Arabesque Tango: Dancing Letters. From Two Continents And One Ocean Far Away My Memories!, Fulden Sara

Theses and Dissertations - UTB/UTPA

An Arabesque Tango is an exhibition that brings together many different sensibilities from my mixed heritage, Central European and Ottoman-Byzantium, Seljuk and Middle Eastern influences. I attempt to capture in my pieces the magical spirituality of the Sufi mystics and the elegant grace of Islamic Art.

Prior to deciding to pursue an advanced degree in Fine Arts I paid little attention to Islamic Art. Having grown up in the European quarter of Istanbul my political, cultural and professional focus was westward. As I searched for vehicles that would give visual form to my desire to create a personal art form …