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American Popular Culture Commons™

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Articles 61 - 75 of 75

Full-Text Articles in American Popular Culture

Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow Mar 2013

Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The ubiquity of Disney movies has certainly transformed the American cultural landscape. The Disney zeitgeist manifests itself as generations of children actively seek Prince Charmings, unrealistic fairy tale relationships and the omnipotent, happily-ever-after. One such Disney favorite, Beauty and the Beast (1991), reveals typical Disney themes such as the power of altruism, the transformation of the anthropomorphic, and the catharsis of true love. Yet, under these benevolent-seeming Disney themes lurk more sinister, subliminal messages. Beauty and the Beast promotes female subservience and subjugation in addition to the glorification of abusive relationships. Belle, the female protagonist, embodies these gendered disparities and …


Punk And Punk-Related Subcultures: Striving For Change And Always Changing, Elliot Chi Wang Fong Jan 2013

Punk And Punk-Related Subcultures: Striving For Change And Always Changing, Elliot Chi Wang Fong

Theses Digitization Project

This study will explore academic constructions of punk subculture which overlook the complexities of punk discourses. "Academic punkism" perpetuates an idea of a monolithic and totalizing construction of punk subculture that derives from particular eras of mainstream punk culture.


Some Kind Of Monstrosity: What Youth Ministry Can Learn From Heavy Metal, Jason Lief Jan 2013

Some Kind Of Monstrosity: What Youth Ministry Can Learn From Heavy Metal, Jason Lief

Faculty Work Comprehensive List

This article brings Slovoj Zizek’s articulation of Pauline Christianity into conversation with Norwegian Black Metal (Gorgoroth) in order to demonstrate the subversive role of popular culture as it challenges the panoptic ideological power of the status quo. Through dialogue with elements of popular culture, like Black Metal, youth ministry is reminded of its prophetic function to challenge the powers of this age as it proclaims the monstrosity of the crucified and resurrected Christ.


Hal Lindsey's The Late, Great Planet Earth And The Rise Of Popular Premillennialism In The 1970s, Cortney S. Basham Aug 2012

Hal Lindsey's The Late, Great Planet Earth And The Rise Of Popular Premillennialism In The 1970s, Cortney S. Basham

Masters Theses & Specialist Projects

How people think about the end of the world greatly affects how they live in the present. This thesis examines how popular American thought about “the end of the world” has been greatly affected by Hal Lindsey’s 1970 popular prophecy book The Late, Great Planet Earth. LGPE sold more copies than any other non-fiction book in the 1970s and greatly aided the mainstreaming of “end-times” ideas like the Antichrist, nuclear holocaust, the Rapture, and various other concepts connected with popular end-times thought. These ideas stem from a specific strain of late-nineteenth century Biblical interpretation known as dispensational premillennialism, which …


Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins Jan 2012

Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins

Publications and Research

Archie Bunker, the central character and patriarch of Norman Lear’s “All in the Family,” (1971-1979) has been referred to as an “everyman” and an “angry-man prototype” with “hard had prejudice.” The name Archie Bunker itself has become synonymous with a blue-collar, racially chauvinistic mentality. The title of the show’s pilot and theme song, “Those Were the Days,” emphasized Archie’s dream of a simpler (though idealized) time, a world that he could understand and upon which he could exert some control. In 1970s America, Archie seemed to feel that the world was against him – economically, socially, politically and culturally – …


How Does The Fictional Tv Marriage Influence A Young Adult's Own Perceptions About Marriage?, Gina A. Svedsen Jul 2011

How Does The Fictional Tv Marriage Influence A Young Adult's Own Perceptions About Marriage?, Gina A. Svedsen

Student Work

This study explored the relationship between television influence and the young adult‘s perception of marriage. The participants were 178, college-aged males and females (median age 20) from a large Midwestern university. How much television participants watched and the types of programs they watched were examined. Participants were asked where they got their information about marriage and how they thought marriage was displayed on TV. Two hypotheses were tested -- H1: Female students are more likely than male students to use TV programs for ideas on what marriage is really like; H2: Television has a greater influence over female students than …


Metalepsis In Fan Vids And Fan Fiction, Tisha Turk Jan 2011

Metalepsis In Fan Vids And Fan Fiction, Tisha Turk

English Publications

No abstract provided.


Solace In St. Louis: A Case Study In Heroic Cultural Nostalgia, Amanda J. Pinney May 2010

Solace In St. Louis: A Case Study In Heroic Cultural Nostalgia, Amanda J. Pinney

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines the response of American popular culture to the terrorist attacks of September 11, 2001. By utilizing the September 17, 2001 pre-game ceremony, held at Busch Stadium as a case study example, larger generalizations are made about the role popular culture played in the days following the tragedy. In order to analyze this example, I have developed heroic cultural nostalgia, a framework that combines elements of myth, nostalgia and national identity. Heroic cultural nostalgia provides an explanation of how popular culture plays a role in crisis response. The framework highlights the role of individuals with heroic characteristics in …


"Your Own Imagination": Vidding And Vidwatching As Collaborative Interpretation, Tisha Turk Jan 2010

"Your Own Imagination": Vidding And Vidwatching As Collaborative Interpretation, Tisha Turk

English Publications

No abstract provided.


From Pulp Hero To Superhero: Culture, Race, And Identity In American Popular Culture, 1900-1940, Julian C. Chambliss, William L. Svitavsky Oct 2008

From Pulp Hero To Superhero: Culture, Race, And Identity In American Popular Culture, 1900-1940, Julian C. Chambliss, William L. Svitavsky

Faculty Publications

Adventure characters in the pulp magazines and comic books of the early twentieth century reflected development in the ongoing American fascination with heroic figures. As established figures such as the cowboy became disconnected from everyday experiences of Americans, new popular fantasies emerged, providing readers with essentialist action heroes whose adventures stylized the struggle of the American everyman with a modern, industrialized, heterogeneous world. Popular characters such as Tarzan, Conan, the Shadow, and Doc Savage perpetuated the individualistic archetype Americans associated with the frontier cowboy and the struggles of manifest destiny while offering the fantastic adventure, exoticism, and escapism that modernity …


Mtv: Sounds Of A Generation, Amanda Evens May 2005

Mtv: Sounds Of A Generation, Amanda Evens

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.


Hillbilly: A Cultural History Of An American Icon, Anthony Harkins Jan 2005

Hillbilly: A Cultural History Of An American Icon, Anthony Harkins

History Faculty Book Gallery

In this pioneering work of cultural history, historian Anthony Harkins argues that the hillbilly-in his various guises of "briar hopper," "brush ape," "ridge runner," and "white trash"-has been viewed by mainstream Americans simultaneously as a violent degenerate who threatens the modern order and as a keeper of traditional values of family, home, and physical production, and thus symbolic of a nostalgic past free of the problems of contemporary life. "Hillbilly" signifies both rugged individualism and stubborn backwardness, strong family and kin networks but also inbreeding and bloody feuds. Spanning film, literature, and the entire expanse of American popular culture, from …


The Tourist Experience In Boston, 1848-1910: American History, Middle-Class Leisure And The Development Of Urban Tourism, Hillary Corbett May 2003

The Tourist Experience In Boston, 1848-1910: American History, Middle-Class Leisure And The Development Of Urban Tourism, Hillary Corbett

American Studies Graduate Final Projects

This project analyzes a selection of representative guidebooks produced between 1848 and 1910, to illustrate the development of a tourist industry in Boston and to indicate how the changing nature of the city influenced a similar change in the tourist experience. It also provides the necessary context in which to place this narrative. Part I introduces two key elements essential to understanding the relevance of urban tourism in Boston: the city’s experiences with the national phenomena of electrification and urban planning in the mid- to late-nineteenth century, and Boston’s distinctive role in nineteenth-century America’s developing national identity and history. In …


Holy Fools, Secular Saints, And Illiterate Saviors In American Literature And Popular Culture, Dana Heller Jan 2003

Holy Fools, Secular Saints, And Illiterate Saviors In American Literature And Popular Culture, Dana Heller

English Faculty Publications

In her article, "Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture," Dana Heller identifies and analyzes characteristics of the holy fool figure in American literature and culture. Heller defines the holy fool, or divine idiot, as a figure central to U.S. myths of nation. One encounters such figures in American literature as well as in American folklore, popular culture, and mass media. In American culture, the Divine Idiot is a hybrid form which grows out of the crossings of numerous literary and historical currents, both secular and non-secular. This unwieldy hybridity -- the fact that …


Smith On Jenkins, 'Textual Poachers: Television Fans And Participatory Culture', Anne Collins Smith Aug 1997

Smith On Jenkins, 'Textual Poachers: Television Fans And Participatory Culture', Anne Collins Smith

Faculty Publications

Textual Poachers: Television Fans and Participatory Culture by Henry Jenkins. New York: Routledge, 1992. viii + 343 pp. $95.00 (cloth), ISBN 978-0-415-90571-8; $38.95 (paper), ISBN 978-0-415-90572-5.

In Textual Poachers, Henry Jenkins examines the underground world of the media fandom, people who create fiction, artwork, and other forms of expression based on television shows. Drawing on a rich theoretical background with sources ranging from feminist literary criticism to cultural anthropology, Jenkins applies and adapts Michel de Certeau's model of "poaching," in which an audience appropriates a text for itself. Taking a stand against the stereotypical portrayal of fans as obsessive …