American Popular Culture Commons^™

Lost & Found: Samuel Fuller’S Tigrero And Accidental Ethnography, Andrew Howe

Far West Popular Culture Association Annual Conference

In 1954, Darryl Zanuck commissioned Samuel Fuller to journey to the Amazon and shoot footage of the Karaja tribe, around which the director would construct a screenplay based upon the life of Sasha Siemel, a big game hunter of note. Zanuck had optioned Siemel’s best-selling autobiography, Tigrero. Although John Wayne and Ava Gardner were soon attached to the project, executives at Fox would not sanction a shoot in such a dangerous location. The project was set aside and forgotten.

Nearly 40 years after his visit to Brazil, Fuller would return to the Karaja tribe. Out of this experience came …

Oh, The Places You’Ll Go! Rhetorical Criticism, Samantha Schaffer

Far West Popular Culture Association Annual Conference

Oh, the Places You’ll Go! was written in 1990 by Theodore Seuss Geisel, also known as Dr. Seuss, and has continued to be one of Seuss’s most revered books of all time. While many people receive this book at moments of transition, such as college graduation, I primarily approach the book as an opportunity for parents to use it as a communicative tool to introduce young readers to complex emotions as well as symbolically send them off on their journey. In this paper, I argue that Oh, the Places You’ll Go! creates an approachable way for mental health messages to …

Immortal Celebrities: Tourism In Hollywood Cemeteries, Marta Soligo

Far West Popular Culture Association Annual Conference

This research is a critical study of tourism at four cemeteries in the Los Angeles area between 2013 and 2019. We examined these venues through the lens of celebrity tourism, since they are known as “Hollywood memorial parks,” hosting the graves of some of the most famous stars in the world. Through a qualitative study, we aimed to understand how the relationship between these venues and the entertainment industry works as a “pull factor” for tourists. Firstly, we identified the motivations behind the increasing number of tourists who add Los Angeles cemeteries to their must-see list. Although scholars often define …

“Back In The Saddle: Fallout: New Vegas And Real-World Tourism In Goodsprings, Nevada”, David Schwartz

Far West Popular Culture Association Annual Conference

Fallout: New Vegas, a video role-playing game released in 2012, is set in Southern Nevada in the aftermath of a nuclear war. The action begins in Goodsprings, which is in effect the game’s tutorial space, as the player learns how to move, fight, and interact with others, as well as being exposed to the game’s world and the factions that inhabit it. The game’s Goodsprings was modeled on the real-life town of Goodsprings, with several locations directly modeled on real-life buildings. The Prospector Saloon’s real-world analogue, the Pioneer Saloon, has become a tourist site for the game’s devotees. This …

Choose Your Own Adventure: A Comparative Analysis Of Storytelling Elements In Selected Immersive Experience Attractions, John E. Balido

Experience Industry Management

Stories are powerful tools used to both connect and communicate through a multitude of mediums. Movies, marketing campaigns, and experience design in theme parks are modern examples of storytelling, using various practices to bring the narrative to life. The purpose of this study was to analyze the manipulation of storytelling elements to create and build an immersive adventure experience in selected theme park attractions. A comparative analysis was conducted on theIndiana Jones Adventure and the Star Wars: Rise of the Resistance rides at Disneyland using an instrument that analyzed both experience design and storytelling practices. Findings concluded that the practices …

These Are My People: An Ethnography Of Quiltcon, Kristin Barrus

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

This thesis presents the first ethnography of QuiltCon, the annual fan and artist convention for quiltmakers who identify with and participate in a social phenomenon called the Modern Quilt Movement (MQM) within the 21st century quilt world. QuiltCon (QC) is one product of this movement. This study considers the following questions: What kinds of people attend QC, and what types of experiences and encounters do they expect at the convention? What needs are met at QC for this subset of quiltmakers who attend and for the greater community of Modern quiltmakers? What role does QC play in cementing the identity …

The Crow: Gothic Vigilantism And 1990'S Alternative Music, Kelly Stith

Far West Popular Culture Association Annual Conference

No abstract provided.

Book Review: Lori D. Ginzberg. Women And The Work Of Benevolence: Morality, Politics, And Class In The Nineteenth-Century United States. New Haven: Yale University Press, 1990., Merritt A. Morgan

Bound Away: The Liberty Journal of History

Lori D. Ginzberg's 1990 work, Women and the Work of Benevolence: Morality, Politics, and Class in the Nineteenth-Century United States, focuses on the ideas and socially benevolent practices of Protestant women of the prosperous middle and upper-middle-class during the 1820s to the 1880s in the northeast region of the United States. The author analyzes how contemporaries affirmed these values in women's benevolent work, which also promoted their status and brought about significant social changes in American culture.

Sowing The Seeds Of Texas Nationalism, Frances Watson

Bound Away: The Liberty Journal of History

The period of Texas independence (1836-1845) provided rich ground for a strong sense of Texan nationalism to grow, with the seeds sown much earlier. To this day, Texans still exhibit characteristics common with nationalism, due to a long history of coping with life on the frontier, the Scotch-Irish heritage of fighting in defense of individual rights, winning an armed struggle for independence from Mexico, and dominant Southern traditions of Protestant evangelical religion and military pride.

Art After Dark: Economies Of Performance, New York City 1978–1988, Meredith Mowder

Dissertations, Theses, and Capstone Projects

Art After Dark: Economies of Performance, New York City 1978-1988 examines the interwoven social and economic histories of New York City and performance in the late 1970s and 1980s. The dissertation traces the growth and visibility of performance art, moving from the recession of the 1970s and early years of public funding for the arts, to the downtown nightclub scene of the 1980s, the history of the Brooklyn Academy of Music’s Next Wave Festival, and artistic experiments with television in the 1980s.Looking closely at the economic conditions under which performance occurred during the late 1970s and early 1980s, this dissertation …

Dancing Through Time: A Biographical Look On The Evolution Of Tap Dance, Jaimie Cranford

Dissertations, Theses, and Capstone Projects

A uniquely American art form, tap dance has often been misrepresented and under-appreciated when positioned alongside other dance forms. This is largely due to the form’s racialized history, which builds upon contributions from African-American culture. Unlike other dance forms, which stem from white European traditions, tap dance evolved out of a necessity for cultural preservation as enslaved Africans adapted to life in America. As tap dance evolved, its association with slave culture led to it not being taken seriously; if anything, tap dancers were viewed simply as “entertainers” – certainly not as artists. Using a biographical lens, this work looks …

Demanding Empathy Through Depictions Of Crisis: Activist Artists React To The Trump Administration's Family Separation Policies, Maisea Bailey

CLAMANTIS: The MALS Journal

No abstract provided.

Girl In Action: Junior Bazaar, 1945-1948, Rose D. Bishop

Theses and Dissertations

This thesis provides an overview of Junior Bazaar, a short-lived magazine for teenage girls published by Hearst between 1945-1948. Under the supervision of art director Lillian Bassman the magazine featured a variety of aesthetic devices — such as photomontage, asymmetrical layouts, the selective use of color, and playful placement of graphic forms — in efforts to distinguish itself from other publications on the market and construct a visual space specific to its teenage readers. Bassman’s unconventional stewardship of Junior Bazaar made room for an up-and-coming set of photographers, including Richard Avedon, Robert Frank, Diane Arbus, Louis Faurer, and other …

Us, Abundantly: From Africa To The Americas, Karisma Jay

Theses and Dissertations

"Us, AbunDantly," a Live theatrical dance performance and film, delves into the African Diaspora and its influences. An artistic and academic project built upon the amplification of Black excellence and Black pride, this paper contextualizes a work within the oral histories and contemporary dance studies of a powerfully ancestral community.

The Oldest Post-Truth? The Rise Of Antisemitism In The United States And Beyond, Gerald Steinacher

Department of History: Faculty Publications

Antisemitism, the negative stereotyping and hatred of Jews, has overshadowed Western history for 2000 years. In the 20th century, antisemitism led to the Shoah, the systematic state-sponsored murder of 6 million Jews by Nazi Germany and its allies. In recent decades, antisemitism diminished significantly in the Western world, and there was hope that this plague would soon be consigned to the past. On the contrary, the past few years have witnessed a drastic increase of antisemitism in Western societies, often paired with far-right activism, racism, and xenophobia. In 2017 in Charlottesville, there were hundreds of marchers giving Nazi salutes, waving …

Out Of Time: Temporal Performativity And Resistance In Popular American Film, Television, And Theater, Meghan Johnston Aelabouni

Electronic Theses and Dissertations

This dissertation argues that religious world-making in popular culture can reveal and resist hegemonic times. Taking as my primary case study the United States in the 2010s, particularly the shift from the Obama to the Trump era, I analyze cultural constructions of time—as sacred history, destiny, and “the times”—that reflect and shape national identity and belonging in the American imagined community. In this context, such temporal constructions have privileged whiteness and heteronormative masculinity, positioning those who embody or approximate this norm as “of the times,” while also displacing BIPOC, women, and queer people as “out of time.” I posit time …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

From The Trenches To The Writer’S Desk: Establishing A Collection Of Children’S Books Authored By Military Veterans In An Academic Library, Casey D. Hoeve

University of Nebraska-Lincoln Libraries: Faculty Publications

Kansas State University possesses a collection of juvenile literature to aid Education and English Department programs. KState is also the university with the largest military population in the state. It was discovered that several famous children’s authors were military veterans. Building upon this research, over 160 children’s authors who served in the military were identified. K-State Libraries NEH Endowment Committee funded the curation of a military veteran children’s literature collection, the only known academic library to possess such a collection. The collection enabled the libraries to provide outreach through access to the materials, internet resources, and special collections exhibits.

Animal-Human Vocabulary Builder, Domenick Acocella, Rene Cordero

Open Educational Resources

The assignment helps students individually build a usable, expanding vocabulary of terms and concepts, enabling each to further contribute to the ongoing, evolving written, oral, and visual conversations centered on the use of and thought about animals for food, clothing, work, entertainment, experimentation, imagery, and companionship.

The Significance Of The Automobile In 20th C. American Short Fiction, Megan M. Flanery

College of Graduate Studies: Theses & Dissertations

Midcentury American life featured a post-war economy that established a middle class in which disposable income and time for leisure were commonplace. In this socio-economic environment, consumerism flourished, ushering in the Golden Age of the automobile: from 1950 to 1960, Americans spent more time in their automobiles than ever before, and, by the end of the decade, the number of cars on the road had more than doubled. While much critical attention has been given to the role of the automobile in American novels, less has been given to its role in American short stories. The automobile has been featured …

Introduction To Game Design, Development, And Criticism (Game 201t), Kevin Moberly, Richard E. Ferdig (Ed.), Emily Baumgartner (Ed.), Enrico Gandolfi (Ed.)

English Faculty Publications

No abstract provided.

A Fat Imposter: The Embodied Intersection Between Race, Body Type And Fatness In Margaret Cho’S Comedy, Julia Cox

Theses and Dissertations--Linguistics

Margaret Cho is a comedic goddess who, in her mockery, serves flaming hot social commentary about race, body image, and fatness. Within this thesis, I used critical discourse analysis to understand how Margaret Cho embodies Asianness, whiteness, and the body types and images prescribed respectively. While working on data analysis, I came across a common media trope of fat women: the use of indexically Southern (United States), Appalachian, and Working class indexicals in speech and lexical items. I connected the ideologies surrounding Southern and Appalachian language to the inequalities that fat women face. This voicing had not previously been written …

An Arrow Against Profane And Promiscuous Dancing. Drawn Out Of The Quiver Of The Scriptures. [1686], Increase Mather, Paul Royster , Ed.

Zea E-Books Collection

"The unchast Touches and Gesticulations used by Dancers, have a palpable tendency to that which is evil."

When a dancing master arrived in Boston in 1685 and offered lessons and classes for both sexes during times normally reserved for church meetings, the Puritan ministers went to court to suppress the practice. Increase Mather (1639-1723) took the leading part, writing and publishing this tract, which compiles arguments and precedents for the prohibition of “Gynecandrical Dancing, [i.e.] Mixt or Promiscuous Dancing, viz. of Men and Women … together.” These justifications were certainly shared with the court, which found the dancing …

“Beychella:” Beyoncé’S Homecoming To A Futuristic Queer Utopian, Jolie V. Brownell

sprinkle: an undergraduate journal of feminist and queer studies

Beyoncé’s 2018 Coachella performance and 2019 Homecoming film set the stage for a radical Black queer reimagining. Yet, how can Beyoncé—who is straight—be located within a queer critique? In this paper, I argue that through a radical and political expansion of queer, the creative deployment of dis/identification, and the unapologetic expression of the erotic, Beyoncé performs an embodiment of queer of color critique. These creative gestures within “Beychella” invite viewers into a queer futuristic utopian and provide new creative modes to politically inhabit, resist, and reimagine interlocking systems of oppression.

Keywords: Beyoncé, queer, dis/identification, erotic, QoCC, …

Remembering The Experience Of War: A Sensory Study Of The Vietnam War And Collective Memory, Jacob Randolph

Master's Theses or Doctor of Nursing Practice

The Vietnam War is remembered in a variety of ways. It is remembered as a war against communism, yet one that was also against American ideals of freedom. It is remembered as a war of patriotism, yet one that was also against the numerous military members who fought in it. It is remembered as a war for integration and unity among black and white, yet many African-Americans remember the time period as a war being fought abroad and at home. Memory of the war is obviously contradicting, but then again the 1960s and 1970s oftentimes were.

This thesis examines how …

The (Mis) Representation Of Racialized Minorities: Barbie Dolls As Social Problems In India, Namrata Ashvinbhai Bhadania

English Faculty Publications

The relation between commodities and consumers is directly related to the transactional relationship between kids and their interaction with the toys. The paper aims to critique how female representation through Barbie Dolls in popular culture shapes female identity. Production and consumption of Barbie dolls in India became a way of socializing mechanism to educate young Indian girls on the concept of beauty. A notion of beauty is attached to blue eyes, skinny waist, and fair skin giving rise to “American Exceptionalism” (Madsen, 2009, p. 14), where the model nation conceptualizes itself though national identity where perceiver compels to transform themselves …

"To Claim That Greatness For Themselves”: A History Of The Kentucky Horse Park, Emily Elizabeth Libecap

Theses and Dissertations--History

The Kentucky Horse Park describes itself as the world’s only equine theme park. However, the park is not entirely without historical precedent; instead, world’s fairs, amusement parks, and theme parks all form a century-long pedigree chart through which the park can trace its ancestors. The Kentucky Horse Park’s links to these predecessors deepen our understanding of how the park is a reflection of the world around it and the motivations for how and why it was built. From its inception in the late 1960s, to when it opened in 1978, through the present day, the Kentucky Horse Park was and …

Real Rap, Does Authenticity Even Matter In Hip Hop?, Amin Allam

Capstone Showcase

Rap and Hip hop has evolved tremendously since its inception. The collective genre has been catapulted to global influence, where in the United States it represents the largest genre based on market share. After reviewing the history of rap music there is a perceived relationship between hip hop and authenticity. To which the question arose of whether hip hop could maintain authenticity in a commercial sphere. To explore this relationship, after reviewing the literature on authenticity, a model of analysis created by Newman and Smith was used to explore 5years worth of data dealing with the Billboard top 100 list. …

Stuart Hall & Theory Of Representation In The Media: Exploring Get Out And Candyman, Lashanna Bryant

Capstone Showcase

Media representation has aided in creating a toxic manifestation of what it means to be Black in America. More specifically, the exploration of Black characters in horror films has opened many doors to hidden racism, discrimination, and oversimplification of their culture and their value in society. In looking into the films Candyman and Get Out there is a clear progression throughout the early 1990s to the mid 2010s that detail a very rapid change from taking a Black character from a background role to the main character.

“Ain’T My Mama’S Broken Heart”: The Mothers And Daughters Of Hillbilly Feminism, Alyssa Dewees

Journal of Feminist Scholarship

The women of country music have long defied the genre's patriarchal associations and used their music as a platform for subversive social messages about gender inequality, and in the past several decades, the country music establishment has grown more willing to alter its image and accommodate these feminist themes. Because country music is marketed and understood by many of its fans as a representation of a lifestyle, this shift in expectations for women’s social roles and possibilities in the genre has an impact on the women who identify themselves with the particular rural, down-home image country music aims to define. …