American Popular Culture Commons^™

Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger

Theses and Dissertations--Music

This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the …

"And Nothing She Needs": Victoria's Secret And The Gaze Of "Post-Feminism", Marc Ouellette

English Faculty Publications

A study of the Victoria’s Secret catalogues, which frames the period 1996-2006, reveals that the models’ poses and postures manipulate the formulaic gaze of objectification with seemingly empowering themes. Instead of the indeterminate, averted looks that Berger (1972) and Mulvey (1989) considered in their analyses, the more recent versions of Victoria’s Secret photographs confront viewers with pouts, glares, and stares of defiance. In this essay, I contribute to current conversations regarding mixed messages that concern post-feminism and third-wave feminism (Duffy, Hancock, & Tyler, 2017; Glapka, 2017; McAllister & DeCarvalho, 2014; McRobbie, 2009). In this regard, the Victoria’s Secret catalogues constitute …

Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin

Scripps Senior Theses

One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and intentions, …

The Evolution Of Sunset Magazine's Cooking Department: The Accommodation Of Men's And Women's Cooking In The 1930s, Jennifer Hoolhorst Pagano

University of the Pacific Theses and Dissertations

The Western regional magazine Sunset has been published under a series of owners and publishers since 1898. In 1928, Sunset was purchased by Lawrence Lane, a Midwestern magazine executive who transformed it from a failing turn-of-the-century, general interest publication about the West, into a successful magazine about living in the West for the Western middle-class. Sunset had always been a magazine for men and women, and one that appealed to both male and female intellectuals at the time Lane purchased it. Lane and his editors attempted to interject more rigid middle-class ideals into a magazine that had espoused ideas that …

Batman's Animated Brain(S), Lisa Kort-Butler

Department of Sociology: Presentations

Much of the analysis of Batman’s brain – whether by scholars, writers, or other comic characters – focuses on his psychological make‐up. That is, what makes Bruce Wayne psychologically motivated to be The Batman? His childhood trauma is often poised as the answer, the tireless pursuit of “justice” in an attempt to regain control from the trauma of his parents’ murders (Sanna 2015). The same could be said for his nemeses. Madness, psychopathy, and insanity are centered in the corrupted minds of Gotham’s ghastliest, some of whom have also had psychological or physical traumas (Langley 2012; Lytle 2008). A psychological …

"Must Be Heavyset": Casting Women, Fat Stigma, And Broadway Bodies, Ryan Donovan

Publications and Research

This article surveys how contemporary Broadway musicals cast fat women and focuses on Hairspray. The use of fat suits and contractual weight clauses figure into the discussion of fat stigma and casting practices. Seemingly body-positive musicals both celebrate and undermine the identities staged in them.

Laughing Out Loud: American Indian Comedy As A Force For Social Change, Jacob M. Ward

College of Graduate Studies: Theses & Dissertations

Activism entails not only individuals overtly campaigning for changes in public spheres, but in other ways and strategies as well. One of these other avenues is the use of political satire and humor. Comedy publicizes frustrations of American issues, just as sit-ins, walk-outs, or marches do. For the most part, scholars fail to address the importance of humor. This work researches not only the comedic works of Charlie Hill, the 1491s, and other American Indian comedians, but also how their craft possibly alters stances and opinions. These comedians have a voice, and, therefore, deserve examination. This work shows the influence …

Violence In Popular Culture: American And Global Perspectives, Rob Tench

Libraries Faculty & Staff Publications

No abstract provided.

The Mountains At The End Of The World: Subcultural Appropriations Of Appalachia And The Hillbilly Image, 1990-2010, Paul L. Robertson

Theses and Dissertations

There is an aversion within the field of Appalachian Studies to addressing the cultural formulations of the Appalachian/hillbilly/mountaineer as an icon of aggressive resistance. The aversion is understandable, as for far too long images of the irrationally and savagely violent mountaineer were integral to the most gross popular culture stereotypes of Appalachia. Media consumers often take pleasure or comfort in these images, which usually occur in a reactionary context with the hillbilly as either a type of nationally necessary savage OR as an unregenerate barbarian against whom a national civilization will triumph and benefit by the struggle.

I bookend my …

Nigga Is Historical: This Is Not An Invitation For White People To Say Nigga, Sandy Williams Iv

Theses and Dissertations

Over the past several years I have been on a quest to locate a world beyond the one I’ve been presented. I am interested in the history of atomic particles - like everything that radiates off of a monument (both literally and those things that are metaphorically reified) - invisible things, and the ways in which these things insect beyond our knowledge systems. This inquiry takes many forms. Mine is a conceptually based practice linked to record keeping and time, and the ways in which these concepts find plurality within our culture; or more pointedly, the importance that we attach …

Web Archives At The Nexus Of Good Fakes And Flawed Originals, Michael L. Nelson

Computer Science Faculty Publications

[Summary] The authenticity, integrity, and provenance of resources we encounter on the web are increasingly in question. While many people are inured to the possibility of altered images, the easy accessibility of powerful software tools that synthesize audio and video will unleash a torrent of convincing “deepfakes” into our social discourse. Archives will no longer be monopolized by a countable number of institutions such as governments and publishers, but will become a competitive space filled with social engineers, propagandists, conspiracy theorists, and aspiring Hollywood directors. While the historical record has never been singular nor unmalleable, current technologies empower an unprecedented …

The Mockery Of Things: Material Culture And Domestic Ideology In The Detective Fiction Of Anna Katharine Green, Claire Meldrum

Theses and Dissertations (Comprehensive)

The Mockery of Things: Material Culture and Domestic Ideology in the Detective Fiction of Anna Katharine Green examines how a popular genre author like Anna Katharine Green (1846-1935) uses objects to articulate middle-class identity and social constructions in late-nineteenth-century and early twentieth-century America. During that era, the home as both a physical space and an ideological signifier was a central tenet in American middle-class identity. Focusing on domestically situated objects – clothing, household furnishings and domestic architecture – this dissertation considers how such items, which have tended to be read in support of domestic identity, instead function within the context …