American Popular Culture Commons^™

Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer

Dissertations, Theses, and Capstone Projects

This dissertation compares twentieth-century literary journalism from the U.S. and Mexico, with a focus on the nonfiction novel and the Mexican chronicle. The dissertation considers the two genres both historically and theoretically, in order to distinguish the borders between literature and unscrupulous journalism. North American journalism is at the heart of a crisis over the epistemological status of facts and their place in our political discourse. Some have argued that works of literary nonfiction can damage social norms like journalistic objectivity. Others argue that forms like the chronicle and the nonfiction novel can describe experience better than news reports. This …

Embodied Nostalgia: Early Twentieth Century Social Dance And U.S. Musical Theatre, Phoebe Rumsey

Dissertations, Theses, and Capstone Projects

In this dissertation, I claim the collective emotional connections and historical explorations characteristic of musical theatre constitute a nostalgic impulse dramaturgically inherent in the form. In my intervention in the link between nostalgia and musical theatre, I look to an area underrepresented in musical theatre scholarship: social dance. Through case studies that focus specifically on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, I ask what social dance is doing in musical theatre and how the dancing body functions as a catalyst for nostalgic thinking for …

Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux

Dissertations, Theses, and Capstone Projects

While the practice of white musical variety clowns embodying stereotypes of African, Chinese, and Mexican Americans has been widely documented and theorized in scholarship on US American popular performance, it has been done largely in segregated studies that maintain the idea that racial impersonations in musical variety is a privilege of white performers. For instance, no study exists that focuses on more than one stereotype at a time, and the performer’s body is always either white or of the same “color” as the type being played. In addition, very little has been written about the tours and circuits run by …

The Musical World Of Joseph Rumshinsky’S Mamele, D. A. Geller

Dissertations, Theses, and Capstone Projects

“The Musical World of Joseph Rumshinsky’s Mamele” consists of a set of three cases studies that demonstrate the enormous need and potential for further Yiddish theater music scholarship. There exists little Yiddish theater scholarship that addresses music in any meaningful way: scholars like David Lifson, Nahma Sandrow, and Joel Berkowitz tend to view Yiddish theater’s rich musical traditions as a footnote in the larger history of Yiddish theater’s dramatic development. Yet Yiddish theater music developed independently from Yiddish drama, and therefore needs to be studied from a primarily musical perspective. I connect scholarship across the fields of Jewish studies …

Reclaiming The Musical Burlesque: A Reconstruction Of The 1855 Musical Score To John Brougham’S Po-Ca-Hon-Tas: Or, The Gentle Savage, Christopher Drobny

Dissertations, Theses, and Capstone Projects

Most historians begin their musical theatre chronologies with the 1866 premiere of The Black Crook. However, a few respected scholars cite Po-Ca-Hon-Tas: or, The Gentle Savage, John Brougham’s 1855 musical burlesque, as an important development in the art form’s earlier evolution. The neglect of Brougham’s work is often justified for two reasons. First, his practice of creating lyrics to pre-existing melodies reduces his work to second-tier status. Second, because none of Brougham’s musical scores are extant, it is impossible to recreate a performance of his work and access its qualities. I offer two responses. First, as our contemporary musical …

Between The Living And The Dead, Laura Henriksen

Dissertations, Theses, and Capstone Projects

Throughout my studies at the Graduate Center, I have attempted to deepen my understanding of how some people, such as myself and my family, came to be white, and what that means, and how it can be undone. This question of whiteness has pushed me further back ontologically, or deeper down, to include how some people came to be human, and then even further, how some matter came to be living. In my thesis project I attempt to participate in dismantling one of the most fundamental binaries in binary thinking — the strict and uncomplicated division between the living and …

Brrap Brrap Pew Pew: Representations Of Abortion In Adult Animated Television Comedy, Erika A. Byrnison

Dissertations, Theses, and Capstone Projects

This thesis documents and analyzes representation of abortion in American adult animated comedy, charging that it is under-examined and significant because representation on television in other genres has traditionally been absent or misleading. It covers theories on how pop culture communicates social norms, and posits that greater truthful representation of abortion in popular culture may be effective in reducing prevalent abortion stigma in the U.S. amongst the young by normalizing and more accurately representing the procedure. It reviews why our culture should be concerned about reducing abortion stigma in the U.S. It also identifies the “taboo ratings paradox,” wherein television …

Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess

Dissertations, Theses, and Capstone Projects

Resonant Texts: the Politics of Nineteenth-Century African American Music and Print Culture, investigates musical sound as a discursive tool African American writers and activists deployed to contest enslavement before the Civil War and claim citizenship after Emancipation. Traditionally, scholars have debated the degree to which nineteenth-century African American music constituted evidence of black culture and marked a persistent African orality that still abides within African American textual production. While these trends inform this project, my inquiry focuses on the ways that writers placed elements of musical sound—such as rhythm, melody, choral singing, and harmony—at the center of their …

Making It Pay To Be A Fan: The Political Economy Of Digital Sports Fandom And The Sports Media Industry, Andrew Mckinney

Dissertations, Theses, and Capstone Projects

This dissertation is a series of case studies and sociological examinations of the role that the sports media industry and mediated sport fandom plays in the political economy of the Internet. The Internet has structurally changed the way that sport fans access sport and accelerated the processes through which the capitalist actors in the sports media industry have been able to subsume them. The three case studies examined in this dissertation are examples of how digital media technologies have both helped fans become more active producers and consumers of sports and made the sports media industry an integral and vanguard …

African American Performers In Stalin’S Soviet Union: Between Political Promise And Racial Propaganda, Christopher E. Silsby

Dissertations, Theses, and Capstone Projects

In the first half of the twentieth century, a significant number of African Americans left the United States for the promise of racial and economic equality in the supposedly class-less society of a post-Revolution Soviet Union. This dissertation uses a series of interrelated case studies to contextualize the theatrical work of Paul Robeson, jazz dancer Henry Scott, actor Wayland Rudd, and the 1955-56 international tour of Porgy and Bess within the overlapping social, political, and aesthetic landscapes of African American and Soviet performance in Moscow during the rise and height of Stalinism.

Starting with an overview of race in the …

Brother Outsider: Queered Belonging And Kinships In African American Men’S Literature, 1953-1971, Debarati Biswas

Dissertations, Theses, and Capstone Projects

Brother Outsider: Queered Belonging and Kinships in African American Men’s Literature, 1953-1971 builds on the work of women-of-color feminists since the late 1960s and queer-of-color critique in the works of José Esteban Muñoz, Robert Reid-Pharr, Roderic Ferguson, and Nadia Ellis, in order to chronicle the emergence of a queer tradition in mid twentieth century African American men’s literature. Through literary analysis and archival research on marginal figures of African American culture during this period, this dissertation proposes that the black pulp novels of Chester Himes, Robert Deane Pharr, Clarence Cooper Jr., and Iceberg Slim perform a queer critique of and …

Black Business As Activism: Ebony Magazine And The Civil Rights Movement, Seon Britton

Dissertations, Theses, and Capstone Projects

In the fight for justice, equality, and true liberation, African American organizations and institutions have often acted as a voice for the African American community at large focusing on common issues and concerns. With the civil rights movement being broadcast across the world, there was no better time for African American community and civil rights organizations to take a role within the movement in combatting the oppression, racism, and discrimination of white supremacy. Often left out of this history of the civil rights movement is an analysis of black-owned private businesses, also giving shape to the African American community. Black …

The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo

Dissertations, Theses, and Capstone Projects

The Spanish-Cuban-American War, declared by the United States on April 25, 1898, marks a colonial shift in the history of the Caribbean and solidified the expansionist thrust of the United States outside national borders. Theatres in turn-of-the-century New York, which at this point was one of the theatrical centers of the nation, debated for audiences the imperialist character of the U.S. The Cuban struggle and the resulting Spanish-Cuban-American War permeated U.S. drama, thereby portraying a Caribbean in need of salvation by the military intervention of the United States. New York stages of the time became locations where various cultural representations …

Musicking, Discourse, And Identity In Participatory Media Fandom, Aya Esther Hayashi

Dissertations, Theses, and Capstone Projects

In this dissertation, I study three forms of music-making within media fandom and their respective communities: filk, roughly, the folk music of the science fiction and fantasy fandom; wizard rock, a punk/DIY movement inspired by J.K. Rowling’s Harry Potter novels; and the YouTube musicals of Team StarKid and AVbyte. I consider their individual histories and the popular music movements and genres that influenced their respective developments. Even though the practices of these three communities are very different, their participants use similar, if identical, discourses when discussing what they do and why they do it, including but not limited to: openness, …

Sites Of Historical Amusement: Tourism And The Recontextualization Of American History, Brendan Murphy

Dissertations, Theses, and Capstone Projects

Through the analysis of a theatrical event staged in Brooklyn, New York, entitled Black America (1895), this thesis interrogates cultural heritage tourism of the past and present and introduces a new classification of tourist site, “site of historical amusement.” In this current political moment, one during which regional pride and latent racism are bubbling to the surface, this study advocates for the continued interrogation of how the American story is bought and sold.

Sites of historical amusement are historically themed spaces that sell a recontextualized narrative that strips complexity from history, effectively flattening the past in order to create a …

How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal

Dissertations, Theses, and Capstone Projects

Author Stephanie Coontz argues that our most powerful visions of traditional families derive from images that are still delivered to our homes in countless reruns of 1950s television sitcoms. In actuality, the happy, homogenous families that we “remember” from America in the 50s were a result of the media’s denial of diversity. Also, women’s retreat to housewifery after working during WWII was in many cases, not freely chosen. In his study of sitcoms, Saul Austerlitz claims that once television arrived in American cities after the war’s end, its impact was immediate and incontrovertible, and no sitcom caught America’s eye as …

Impressive Failures: Mavericks Of Film Authorship And The Impossibility Of Success In Hollywood, Tom S. Davies

Dissertations, Theses, and Capstone Projects

This dissertation directly challenges the critical and commercial primacy of success attached to Hollywood films and their filmmakers, especially when one argues for or against their quality and/or importance within cinematic history. Through a process of shifting and multiplying perspectives within a broader narrative that is critical of what separates success and failure, certain films and filmmakers that were judged as failures or disappointments under impossible prerequisites of creating a successful film––commercially, aesthetically, or both–– are, instead, reconsidered as constructive counterpoints to the expectations of the Hollywood economic field of production as well as to the inevitable disappointment of the …

Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton

Dissertations, Theses, and Capstone Projects

This dissertation examines developments in the production practices of black popular music in the recording studio from 1970 to 1990. The year 1970 marked a transition in the recording practice of popular music that had a distinct impact on styles marketed as R&B, soul, and funk. Multitracking in the 1950s and 1960s had paved the way for a transformed production process, one initiated by Les Paul’s and Sidney Bechet’s overdubbing experiments in the 1940s. The collective sound of instrumentalists and vocalists heard on records no longer resulted from live-to-tape recordings of group performances, but was increasingly the product of constructed …

Acts Of Provocation: Popular Antiracisms On/Through The Twenty-First Century New York Commercial Stage, Stefanie A. Jones

Dissertations, Theses, and Capstone Projects

This is an abolitionist feminist study of the role of liberalism in the twenty-first century political economy. It takes as its object New York City bourgeois cultural productions (in particular Broadway theatre and the New York Times) from approximately 1984 to 2009. It offers insights into important yet widely-misunderstood features of turn-of-millennium US society: class, art, political practice, and war. In order to understand liberalism’s political and economic agenda, I look at how these objects are pitched in the struggle over racism. Sometimes when we say “liberal” we mean it in the philosophical sense, with particular attention to liberal …

Nervous Salomes: New York Salomania And The Neurological Condition Of Modernité, Margaret K. Araneo

Dissertations, Theses, and Capstone Projects

In January 1907, New York City had its first major encounter with the figure of Salome. Appearing on three large stages in the city simultaneously, the archetype of the dancing girl quickly became an object of controversy. Her appearance at the Metropolitan Opera House in its staging of Strauss’s Salome resulted in public debate and the ultimate closure of the performance by the Met’s Board of Directors. The event brought attention to the Salome archetype’s already contested character. Salome arrived in the United States from Europe where she had been the subject of a quarter century of debates about how …

Black Models Matter: Challenging The Racism Of Aesthetics And The Facade Of Inclusion In The Fashion Industry, Scarlett L. Newman

Dissertations, Theses, and Capstone Projects

The global fashion market is expanding every day, but often, the global fashion runways do not reflect that reality. On average, black models make up for six percent of models used on the runway during the fashion month calendar. This small percentage is also mirrored in advertisements and editorials featured in popular fashion magazines. In the 1970s, black models were met with great opportunities, and that success trickled down into the 1980s and the 1990s. As the 90s came to a close, top designers opted for an aesthetic that ultimately excluded models of color, but black models beared the brunt …

Foreign-Born Artists Making “American” Pictures: The Immigrant Experience And The Art Of The United States, 1819–1893, Whitney Thompson

Dissertations, Theses, and Capstone Projects

Despite the fact that historians centralize immigration as a defining social phenomenon of the nineteenth century, art historians maintain nationalistic parameters that suppress artists’ immigration and assimilation experiences. While scholars have foregrounded the transatlantic migration of artists who entered during the postbellum Great Wave (1881-1920) and the twentieth century, immigration in the first two-thirds of the nineteenth century has been largely neglected, a striking omission given that roughly six million people arrived to the United States between 1820 and 1865. To reconcile this gap, this dissertation examines artists who were part of the major antebellum- and Civil War-era migration streams …

The Fat Female Bodies Of Saturday Night Live: Uncovering The Normative Cultural Power Of A Countercultural Comedy Institution, Katharine Cacace

Dissertations, Theses, and Capstone Projects

Despite its reputation as one of the most countercultural and anti-establishment voices in mainstream television comedy, Saturday Night Live helps produce and reproduces cultural norms. Using weight and gender as a lens, this paper investigates Saturday Night Live’s methods of creating, imitating, and evoking the fat female body in order to limit female agency and police unruly female power. It contends that even the inclusion of nonnormative female bodies—fat bodies, queer bodies, and bodies of color—is merely a reiteration of the techniques of neoliberal multiculturalism for the television audience.

The Fabric Of Manhattan: Art And Industry In The Era Of A.T. Stewart, Patricia Wadsley

Dissertations, Theses, and Capstone Projects

Soft spoken, short of stature, his sleepy blue eyes gazing wistfully upon the world around him, the Irish émigré A. T. Stewart hardly looked like a titan of business. But by 1863, he’d built two architecturally significant department stores, he was one of the leading importers, manufacturers, retailers and wholesalers in this country, and he had begun to collect significant works of art, which today have pride of place in art museums around the world.

Like many wealthy nineteenth century New Yorkers, Stewart amassed his wealth through commerce. However, Stewart was not just a merchant. As a leader in apparel …

Mccarthyism And The Id: "Forbidden Planet" (1956) As A Veiled Criticism Of Mccarthyism In 1950s America, William Lorenzo

Dissertations, Theses, and Capstone Projects

Many American science fiction films of the 1950s served as political allegories commenting on the post-war fears of the nation. One major fear was the fear of communist infiltration: the Red Scare. In films of this era, the enemy walks as one of us. In most of these films, the alien other, the monster from without, takes on a familiar form. But at the height of all these fears comes the fear of the enemy from within, an enemy that winds up destroying us from the inside out, as can be seen in Forbidden Planet (1956). In this film, a …

Media Representation Of Asian Americans And Asian Native New Yorkers’ Hybrid Persona, Min Huh

Dissertations, Theses, and Capstone Projects

Asian Americans, having been degraded in the realm of popular media and neglected in the consumer market, have been unable to obtain a voice or leave a trace in American pop culture. The meager representation that Asian Americans rarely have is highly controlled through a distorted lens, inclined to paint them in a grotesquely exaggerated light for comic relief. The absence of Asian Americans in the media has compelled the Asian American youth to adapt the personas of different cultures in their desires for social and cultural mobility. These factors have given birth to a hybrid persona among Asian Native …

Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan

Dissertations, Theses, and Capstone Projects

Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …

Fashioning Desire At B. Altman & Co.: Ethics And Consumer Culture In Early Department Stores, Tessa Maffucci

Dissertations, Theses, and Capstone Projects

We live in an age of fast fashion. Clothing is produced in greater volumes than ever before and the lifecycle of each garment keeps getting shorter and shorter. Many items are manufactured to be worn only one time and then thrown away—as disposable as a cup of coffee. There is much to be learned about our current fashion ecosystem by looking into the past. Beyond the garments themselves we must understand the larger historical and sociological context in which these articles of clothing were produced. How does the shopping environment shape the buying habits and fashion trends of an era? …

Both Into And Out Of The Cage: New Media, Transgression, And The Remaking Of American Literary Connection, 1975-1999, Casey Henry

Dissertations, Theses, and Capstone Projects

The dissertation addresses an absent history of late twentieth-century postmodern literature. Namely, I trace the shifts between 1980s postmodernism, described by Fredric Jameson as encapsulating a “wan[ed]”“affect,” and the emergence of 1990s post-postmodernism, marked by an exaggeration of affect. My dissertation posits that this reinvention of feeling was due to shifts in communication technologies and new media art during the 1970s and 1980s competing with, and eventually rendering obsolete, avant-garde literary techniques for “connection.” These latter strategies were encapsulated in the postmodern “encyclopedic” novel, a form miming the logic of new media, yet incapable of fully addressing new programmatic shifts, …

Animal Performance In Big-Time Vaudeville, Catherine M. Young

Dissertations, Theses, and Capstone Projects

Animal vaudevillians have been neglected by academic accounts of vaudeville. Drawing on the rapidly proliferating and highly interdisciplinary field of animal studies, this dissertation combines archival research and cultural theory to fill an important gap in our understanding of how animal bodies and images circulated during the vaudeville era. Taking up Nicole Shukin’s notion of animal capital as both animal “signs and substances” circulating in cultures of capital, I argue that vaudeville animal acts theatricalized animal capital for US citizen-consumers and often circulated animalized capital via racist ideologies and performance modes.

Theatre bookers balanced their reliance on animal acts …