American Popular Culture Commons^™

Introduction To Volume Ten: Aiiieeeee! At 45, Tara Fickle, Wei Ming Dariotis

Asian American Literature: Discourses & Pedagogies

The editors of the special issue on Aiiieeeee! locate the seminal anthology within the history of Asian American literature as a scholarly discipline and contextualize contributor's responses to the personal and cumulative effects of Aiiieeeee! on the Asian American literary landscape.

Cypher [How An Anthology Helped A Mixed-Race Filipino American Writer Draft A Novel], Brian Ascalon Roley

Asian American Literature: Discourses & Pedagogies

In this work of creative nonfiction, Brian Ascalon Roley, the author of American Son (W.W. Norton, 2001) recounts the cultural landscape of the late 20^thc. America for Filipino American and mixed-race writers as he recounts some of the events that influenced his novel’s conception and explains how stumbling upon an anthology helped him to revise the draft. It was one of the first novels to feature mixed-race Filipino American characters, and would go on to receive the Association of Asian American Studies Award.

Review: Bury What We Cannot Take By Kirstin Chen, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Review: The Incendiaries By R.O. Kwon, Jessie Fussell

Asian American Literature: Discourses & Pedagogies

A book review of R.O. Kwon's 2018 debut novel, The Incendiaries.

Introduction To Volume Nine: Homecoming, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Integration Of Local Poetic Voices: An Interview With Lawson Fusao Inada, Alma Rosa Alvarez, John Rafael Almaguer

Asian American Literature: Discourses & Pedagogies

An interview with Lawson Fusoa Inada

Mobilizing The Vietnamese Body: Dance Theory, Critical Refugee Studies, And The Aftermaths Of War In Andrew X. Pham’S Catfish And Mandala, Quynh Nhu Le, Ying Zhu

Asian American Literature: Discourses & Pedagogies

Mobilizing the Vietnamese Body: Dance Theory, Critical Refugee Studies, and the Aftermaths of War in Andrew X. Pham’s Catfish and Mandala

Through analysis of Andrew X. Pham’s Catfish and Mandala: A Two-Wheeled Voyage through the Landscape and Memory of Vietnam, this collaboration between a literary scholar and dance scholar joins methodologies from their respective fields to explore the politicized dimensions of the Vietnamese body-in-motion. Published in 1999, Pham's memoir documents his journey, as a Vietnamese refugee living in the U.S., as he travels throughout Vietnam on a bicycle. We argue that through the literal and theoretical mobilization of his …

Viet Thanh Nguyen In Conversation With Andrew Lam

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Cover Of Volume 9, Sung Yu

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Review: A River Of Stars By Vanessa Hua, Olivia Lee

Asian American Literature: Discourses & Pedagogies

A review of Vanessa Hua's 2018 novel, A River of Stars.

Review: Swimming In Hong Kong, Stephanie Chan

Asian American Literature: Discourses & Pedagogies

A review of Swimming in Hong Kong (2016), a short story collection by Stephanie Han.

“‘Relentless Geography’: Los Angeles’ Imagined Cartographies In Karen Tei Yamashita’S Tropic Of Orange,”, Cristina M. Rodriguez

Asian American Literature: Discourses & Pedagogies

What would a map of Los Angeles drawn from the ground up look like? In his groundbreaking work The Production of Space (1974), Henri Lefebvre argues that the conceived space of urban planners is fundamentally distinct from lived space, which cannot be mapped out. In her impressive city-wide narrative, Karen Tei Yamashita’s Tropic of Orange (1997) demonstrates the effects of imposing conceived space upon the lived space of inner city Los Angeles residents, and what happens when the counter-model of space being lived by a city’s inhabitants rebels. Yamashita’s text mirrors this disjuncture between represented and lived space through the …

An Unfinished Conversation: An Interview With Yiyun Li, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

An interview of fiction writer and memoirist Yiyun LI.

Introduction To Volume Eight: Wins And Losses, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Volume 8 Cover, Joanne Lamb

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Walking And Wandering: Reconstructing Diasporic Subjectivity In T. C. Huo's Land Of Smiles And Lê Thi Diem Thúy’S The Gangster We Are All Looking For, Brian G. Chen

Asian American Literature: Discourses & Pedagogies

Diaspora has often been defined as the condition of dispersal and displacement in which its members express minimal connections with their host country and always look to return to their ancestral homelands. However, from the literary representations in T. C. Huo’s Land of Smiles and Lê Thi Diem Thúy’s The Gangster We Are All Looking For, it is clear that members of the Southeast Asian diaspora determine to set root in their host country and refuse to be treated as temporary guests. This determination is warranted by their desire to redefine the contentious idea of home beyond cultural ancestry …

Rotten Bananas, Hip Hop Heads, And The American Individual: Teaching Eddie Huang’S Memoir Fresh Off The Boat And Its Tropes Of Literacy, Wilson C. Chen

Asian American Literature: Discourses & Pedagogies

This essay focuses on Fresh Off the Boat as an eminently teachable coming-of-age story, provides critical contexts and directions for teaching this ideologically suggestive text, and sets forth the interpretive argument that the structures and themes of the memoir are fundamentally shaped by the literacy narrative at its core. As such, the text enters into conversation with other literacy narratives that have become so foundational in the teaching of multiethnic literature in the U.S. Moreover, Huang’s tropes of literacy draw from enduring, mythified Americanist discourses that are suggestive of a masculine individualism that, while not unique, is recognizable, instructive, and …

"It's Oil And Water": Race, Gender, Power, And Trauma In Vu Tran's Dragonfish, Quan-Manh Ha, Chase Greenfield

Asian American Literature: Discourses & Pedagogies

ABSTRACT: This article analyzes in-depth the interplay between race, gender, power, and trauma in Vu Tran’s debut novel, Dragonfish. We argue that Dragonfish focuses on the relationships, desires, and conflicts among its three protagonists—Robert, Suzy, and Sonny—to highlight how their postwar interactions complicate race, gender, trauma, and remembrance. The three protagonists engage in an intense socio-political struggle for dominance and control, which is riddled with irony, heart-wrenching pain, and misleading appearances. They experience hardship and loss, but they rely on each other for recovery from past and present trauma, and to advance their own varying personal priorities and agendas: …

The Author As The Novel Self: Shirley Lim’S Sister Swing, Denise B. Dillon

Asian American Literature: Discourses & Pedagogies

While authorial omniscience is denied the biographer, I argue that Lim as novelist takes this advantage in Sister Swing as a tool through which to explore the development of self-identity through characterizations of three sisters that in combination form the tripartite self as proposed by Freud. Autobiographical memories of familial, social and cultural life experiences are the source from which Lim draws and fleshes out, in her novel, portrayals of family members seeking freedom through different ways and means. As a self-analyst probing deep within the psyche, Lim employs linguistic stylizations to express contrastive and yet complementary points of view …

Movement And Mobility: Representing Trauma Through Graphic Narratives, Stella Oh

Asian American Literature: Discourses & Pedagogies

The formal and stylistic movements found within the comic architecture of From Busan to San Francisco and Mail Order Bride interrogate the ways in which the visual and textual narrative can represent the emotional landscape of trauma and displacement through comics language. Engaging in a visual and textual critique of the global economy that trades in feminine identities, these graphic narratives interrogate the mobility and visibility of those who are trafficked. In these works, transnationalism is artistically embedded in consumptive practices of reading and seeing that reinforce or challenge Orientalist cultural assumptions about the Asian female body. Geographical movements of …

On Such A Full Sea Of Novels: An Interview With Chang-Rae Lee, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

An interview with author Chang-rae Lee.

Volume 7 Cover, David Burnett

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Seven: Confessing Racial Schizophrenia, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

A short meditation on teaching ethnic American literature in 2016, acknowledgments, and a summary of this volume's contents.

Loving The Unlovable Body In Yamanaka's Saturday Night At The Pahala Theatre, Christa Baiada

Asian American Literature: Discourses & Pedagogies

Lois-Ann Yamanaka’s award-winning yet remarkably neglected Saturday Night at the Pahala Theatre (1993) explores female adolescence and coming of age in a rich, polyphonic collection of verse novellas. “Loving the Unlovable Body” focuses on Yamanaka’s treatment of this transition as a fully embodied, fraught, and often painful experience by expicating the uses of several tropes used to express girls’ experiences of their bodies: eating, voice, eyes, fragmentation, and marking/naming. These metaphors contribute to the development of a complex range of possibilities from devastating to hopeful, presented in juxtaposition and interplay, for girls’ relationships to their culturally denigrated bodies and the …

Domestic Violence In Lac Su’S I Love Yous Are For White People: A Sociological Criticism Approach, Quan-Manh Ha

Asian American Literature: Discourses & Pedagogies

This article employs sociological criticism to examine domestic violence, parenting, and communication behavior in Lac Su’s Vietnamese American memoir. The book debunks the seemingly positive myth of Asian Americans as a model minority, substantiates certain negative stereotypes of Asian men, and challenges some of the classic Asian values that apparently have shaped the Asian American identity. I argue that Su’s memoir is a critique of structural inequalities, urban poverty, unemployment, inaccessibility to a support network, and the intersection between class, gender, and race in the contexts of war and its aftermath.

Review Of Pioneer Girl, By Bich Minh Nguyen, Quan-Manh Ha

Asian American Literature: Discourses & Pedagogies

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From Raw To Cooked: Amy Tan’S “Fish Cheeks” Through A Lévi-Straussian Lens, Susan K. Kevra

Asian American Literature: Discourses & Pedagogies

In "Fish Cheeks" a scant 500 words short story, Amy Tan serves up a coming of age story about an Asian American teenage girl. Tan’s setting of Christmas for a traditional Chinese dinner, shared with the American boy on whom the protagonist, Amy, has a crush, emphasizes the girl’s dual identity as an Asian American, a reality she is confronting head on. Forced to see her family traditions through the eyes of a white, Christian boy, she finds those traditions distasteful. Rather than delighting in the dishes her mother has lovingly prepared, she is revolted by them, fixated instead on …

The Illegible Pan: Racial Formation, Hybridity, And Chinatown In Sui Sin Far’S “‘Its Wavering Image’”, Caroline Porter

Asian American Literature: Discourses & Pedagogies

Drawing upon Judith Butler’s theory of performativity, this article offers an interpretation of “‘Its Wavering Image’” that explains the biracial main character, Pan’s, process of racialization. The argument is two fold: first, the paper contends that in this story, Sui Sin Far theorizes that race is performative rather than biological. Race does not come from characters’ bodies, but is rather an incorporated performance of codes. Pan’s race, then, depends not on her parentage or her biology, but on the “codes” she internalizes and embodies, codes that are fleshed out throughout the article through historical contextualization of San Francisco and Chinatown. …

A “Monstress” Undertaking: An Interview With Lysley Tenorio, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Six: An Identity Rebus, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.