American Popular Culture Commons^™

On Justine Larbalestier’S The Battle Of The Sexes In Science Fiction, Joe Bisz

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Science Fiction, writes author Justine Larbalestier, has always told the tale of the battle between the sexes. The battle can be witnessed from afar, as in the grainy 1930’s letter columns in old sci-fi magazines like Astounding where quarrels over innate sexual differences were published and debated, or from up close in today’s literature. Larbalestier declares that the goal of her book is to illustrate how necessary and important this former, pre-70’s period of science fiction (1926 to 1973) is to contemporary feminist science fiction. The pre-70’s time period has been consistently ignored by critics, who fixate on …

On Lillian Robinson’S Wonder Women: Feminisms And Superheroes, Carlos Hernandez

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Sure, we all know that one of the primary functions of comic books is to titillate the proto-patriarchal penises of 12-year-old boys. But might this all-American art form have more to offer women than wedgie-prone bikini bottoms and cleavage from the Planet of the Fembots? According to Lillian Robinson’s Wonder Women, the answer is “Yes, but ....” The “Yes” part comes primarily, and foundationally, through the original Wonder Woman comics of the 40s, which told a story that to this day remains almost unheard-of in comic books: the story of a fully-realized female protagonist. For Robinson, the …

Contesting Identities: Sports In American Film [Book Review], Marc Ouellette

English Faculty Publications

Aaron Baker's Contesting Identities: Sports in American Film is an indictment of the key American myth that anyone can succeed through self-reliance. Baker finds that sports films, in general, comprise a site in which the myth is represented and reproduced. Baker's focus, though presented from multiple analytical perspectives, is singular in its purpose. That said, Baker does concentrate on what he considers the four core American sports: football, baseball, basketball and boxing. Approximately ninety movies, from the silent era to the present day, provide the content of the analysis, but several are exemplary and are cited repeatedly in the book's …

Reel Baseball: Essays And Interviews On The National Pastime, Hollywood And American Culture, Marc Ouellette

English Faculty Publications

The editors of Reel Baseball begin by acknowledging the roots of their collection, which explores the intersection between movies and baseball. Since 1989 the National Baseball Hall of Fame has hosted the Cooperstown Symposium on Baseball and American Culture. Since 1997, McFarland has published all papers presented at the symposium. Reel Baseball, then, functions both as a document and as an artifact of the "integral" place of baseball movies in American culture. Indeed, the book not only includes essays presented at the symposium, it has two foreword sections: one written by Hall of Fame President Dale Petroskey and the …

The Night Gwen Stacy Died:' The End Of Innocence And The Birth Of The Bronze Age, Arnold T. Blumberg

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The time was 1973, and superheroes had some growing up to do.

The signs were already there as the genre eased into its fifth decade as the dominant force in American comic books. 1968 had seen the introduction of Robert Crumb's Zap Comics [1], an underground comic more concerned with counterculture trends and bucking the establishment than chronicling the exploits of spandex-wearing conservatives. The medium was testing its boundaries, finding flexibility where once there had been rigidity, and soon superheroes began to look like a timelost collection of crusaders who spoke to a generation long since past.

The End Of Science Fiction: When Technological Extrapolation Hits A Wall Across The Future, James John Bell

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Science fiction, as a genre of popular fiction, can trace its roots as far back as the 2nd century AD, where fantastical worlds were conjured up in order to comment on current beliefs. The Ultimate Encyclopedia of Science Fiction (1996) outlines a very specific ancestry:

[Science Fiction] is a descendant of the type of prose fiction sometimes referred to as Lucianic Satire (after Lucian of Samosata, a Greek writer of the 2nd century AD). Lucianic Satire -- also commonly known as Menippean Satire after an earlier writer, Menippus, whose works are now lost -- is a kind of …

Innovating Superheroes, Alvise Mattozzi

Reconstruction: Studies in Contemporary Culture

[Introduction]

Superhero comics have changed. They have passed through a Golden Age and Silver Age, they have been transformed, cancelled, revived, killed, deconstructed, reconstructed, revisited, etc. My aim is to account for part of these changes and show how superhero comics have been innovated. In order to track these changes I chose to compare different versions of a few DC Comics series, such as Doom Patrol, Swamp Thing, Shade, that had been cancelled and then revived and are known to have introduced relevant changes between the earliest and the subsequent versions.

Before tackling the series mentioned, I …

Holy Fools, Secular Saints, And Illiterate Saviors In American Literature And Popular Culture, Dana Heller

English Faculty Publications

In her article, "Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture," Dana Heller identifies and analyzes characteristics of the holy fool figure in American literature and culture. Heller defines the holy fool, or divine idiot, as a figure central to U.S. myths of nation. One encounters such figures in American literature as well as in American folklore, popular culture, and mass media. In American culture, the Divine Idiot is a hybrid form which grows out of the crossings of numerous literary and historical currents, both secular and non-secular. This unwieldy hybridity -- the fact that …

Activist Desire, Cultural Criticism, And The Situationist International, David Banash

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In the world of Anglo-American criticism, Situationism was once the province of hip theorists, progressive art historians, and a few scattered Marxists. No more, for the nineties saw Situationism come from obscure movement to the defiant avant of our cultural-critical-garde. Not only has the past decade seen the publication of a dozen books, countless articles, dissertations, and both academic and activist web-sites, the Situationists have moved right into the main line of pop-culture. Situationist graffiti turns up as the epigraph for gen-xer Elizabeth Wurtzel's Bitch: In Praise of Difficult Women (1988), and, with Rolling Stone darling Greil Marcus's …

The Development Of A Youth Consumer Culture In The United States In The 1950s, Phillip D. Mccaskey

History Theses & Dissertations

The 1950s witnessed the development of an important cultural phenomenon in the United States, the result of the demographic increase known as the baby boom. To an unprecedented degree in American history, various facets of the American economy focused towards infants and adolescents due to their swelling numbers and subsequent economic influence. Youths themselves sought to exert their economic power resulting in the formation of a dynamic youth culture manifesting itself most prominently in the entertainment media.

This study examines the origins and scope of the American baby boom. Cultural trends directly related to the baby boom are also analyzed. …