American Popular Culture Commons^™

We Are Here, Susan K. Ito

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Aiiieeeee! And I, Bryan Thao Worra

Asian American Literature: Discourses & Pedagogies

No abstract provided.

The Gift Of Aiiieeeee!, David Mura

Asian American Literature: Discourses & Pedagogies

This article chronicles the influence of the groundbreaking Asian American anthology Aiiieeeee! on the work of Japanese American and Asian American author David Mura.

On The Republication Of Aiiieeeee!, Garrett Hongo

Asian American Literature: Discourses & Pedagogies

A note on republication of AIIIEEEEE!

Desegregation Through Entertainment: Rodgers And Hammerstein’S South Pacific As An Instrument Of Military Policy, Leana Sottile

Voces Novae

In the aftermath of the Second World War, the 1949 Rodgers and Hammerstein musical South Pacific became a staple of mainstream popular culture. However, the musical also served a specific function within the American military where its usage by the United Service Organizations and Department of Defense was widespread. This case study examines how South Pacific arguably served a way to ease the blow of desegregation on the military by other means, in this case, entertainment. This was achieved by combining the show’s progressive views on racial tolerance with the prevalent wartime nostalgia and romanticism in the piece. All of …

¿Dios Bendiga Whose América? Resisting The Ritual Theologizing Of Nation, Carmen M. Nanko-Fernández

Journal of Hispanic / Latino Theology

No abstract provided.

The Life And Death Of Mambo: Culture And Consumption In New York's Salsa Dance Scene, Carmela Muzio Dormani

Dissertations, Theses, and Capstone Projects

In recent decades salsa dancing has become a global phenomenon, spawning a variety of styles and levels. Although formerly passed from person to person through Latinx family and community networks, salsa dance has long been practiced in a more codified way. Today, salsa is largely reproduced in dance studio classes, congresses, and competitions collectively referred to as “the salsa scene”. In New York City, the salsa scene retains vestiges of Nuyorican and Afro-Caribbean identity, though it is practiced by people of all racial and ethnic backgrounds and marketed to a global base. Building on long term participation observation and nearly …

Dear Black Child: A Discussion On The Formation Of Identity For African Diasporic Adolescents In The U.S., Sokhnagade B. Ndiaye

Dissertations, Theses, and Capstone Projects

In this capstone project, I am using art, photography, and music to depict the experiences of African diasporic youth in the United States. I will explore the white supremacist systems that contribute to the anxiety that comes with being a black child in America. In this project, I plan to discuss the ways in which African diasporic adolescents develop their identity and consciousness and the ways in which living in American society helps and/or hinders the development of this identity and consciousness. I argue that living in the United States forces black youth to form double and triple consciousnesses, which …

Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen

Master of Arts in English Plan II Graduate Projects

In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.

Afrosonic Noise: A Transnational Black Feminist Musicological Study Of Global Black Joy In Black North American Rock Music And Afro Argentinian Music Performance., Jerika M Jones

Electronic Theses and Dissertations

I have decided that my academic mission, at this juncture at least, is to find common links between 2 groups of people that have come to know themselves through paralleling but colonially different environments. Perhaps it is wise for me to explore the similarities between Afro Argentine Black Music and African North American Music in closer ethnomusicological detail using feminist praxis—after all both communities are part of the African Diaspora and producing Black music. I do this by reconstructing a very limited genealogy of Black Femme’s and their contribution to their respective musical communities. I draw parallels between the global …

Finding Aid For The Blues Archive Poster Collection (Mum01783)

Archives & Special Collections: Finding Aids (alphabetical)

These blues posters, broadsides, and oversize printings, collected by various individuals and institutions, document the world of blues advertising.

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Alexis Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Night Of The Witch: Alternative Spirituality, Identity And Media, Andreana Tarleton

LSU Master's Theses

This thesis works to understand the relationships witches and conjurors have with the film and television depictions of them. Employing the method of film critique, I argue that the witch stands as a cultural symbol in the US of women and femmes with power, and that their stories serve as lessons to these populations about what it means to be an acceptable woman or femme, while simultaneously creating and perpetuating stereotypes of magic practitioners. Then, using the combination of hashtag ethnography, in-person and video interviewing and internet surveys, I argue that #witchblr and #witchesofcolor, as well as the space of …

Diversifying Representation In Film: An Examination Of Racial And Ethnic Inclusivity In Black Panther And Crazy Rich Asians, Alexandria Hatchett

West Chester University Master’s Theses

Although Hollywood films are distributed globally, they have historically featured white actors and reflected Western life. As Hollywood influences one’s understanding of race in the United States, Black Panther (2018) and Crazy Rich Asian’s (2018) inclusion of racial and ethnic minorities combat racism and xenophobia and reveal alternate ways in which power is manifested in society. This thesis project utilizes critical rhetoric as its method to give a voice to communities of color that have been marginalized due to colonization and persistent structural racism. It employs Critical Race Theory, postcolonialism, and Afrofuturism as its theoretical lenses to explain how race …

Introduction To Volume Ten: Aiiieeeee! At 45, Tara Fickle, Wei Ming Dariotis

Asian American Literature: Discourses & Pedagogies

The editors of the special issue on Aiiieeeee! locate the seminal anthology within the history of Asian American literature as a scholarly discipline and contextualize contributor's responses to the personal and cumulative effects of Aiiieeeee! on the Asian American literary landscape.

Cypher [How An Anthology Helped A Mixed-Race Filipino American Writer Draft A Novel], Brian Ascalon Roley

Asian American Literature: Discourses & Pedagogies

In this work of creative nonfiction, Brian Ascalon Roley, the author of American Son (W.W. Norton, 2001) recounts the cultural landscape of the late 20^thc. America for Filipino American and mixed-race writers as he recounts some of the events that influenced his novel’s conception and explains how stumbling upon an anthology helped him to revise the draft. It was one of the first novels to feature mixed-race Filipino American characters, and would go on to receive the Association of Asian American Studies Award.

Roswell, New Mexico And The Dead Futures Of Latinx Speculative Fictions, Renee Hudson

English Faculty Articles and Research

With the predominance of Chicanxs in Latinx speculative fictions as the impetus behind this cluster, I want to consider how Latinxs are represented in popular culture, especially when the creators of such Latinx characters are not Latinxs themselves. Turning to popular representations, I contend, acts as a litmus test for how Latinx issues are widely perceived as well as how these concerns are perpetuated within popular media. The Roswell reboot, Roswell, New Mexico offers one such instance as both the showrunner, Carina Adly MacKenzie, and Melinda Metz, the author of Roswell High, the show on which the series is …

Imagining The Futures Of Latinx Speculative Fictions, Renee Hudson

English Faculty Articles and Research

"To combat the speculative fictions Trump conjures into reality, we must look to more liberatory forms of speculative fiction, especially ones that imagine a future for Latinxs at a time when such futures seem to be foreclosed by the concentration camps proliferating within the borders of the United States. At the same time, we must interrogate how our speculative imaginaries are, at times, limited by the contradictions of latinidad. Latinidad presumably names a shared, collective identity based on Latin American origins that seem to supersede differences in race, religion, and class (among other identitarian categories). However, a number of scholars …

Why Hip Hop Began In The Bronx- Lecture For C-Span, Mark Naison

Occasional Essays

No abstract provided.

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva

LSU Doctoral Dissertations

The history of colonial and racial oppression made hair stories and testimonials fundamental to understanding hair as a unifying element particular for women of African descent in the post-slavery era. Seen as such, their hair narrations provide the first-person perspective of their life experiences while at the same time inviting a critical investigation of colonial and racial oppression. Contemporary women writers develop these types of narrations into a special language of hair that helps them tell a story that is not apparent or straightforward. This literary device that uses hair to uncover deeper social and political issues is bound up …

“An’ No Place To Lead ‘Em”: The Grapes Of Wrath And The Breakdown Of Myth, Nicholas F. Comeaux

LSU New Orleans Theses and Dissertations

In spite of its common designation as an outmoded classic of sentimental middlebrow literature, John Steinbeck’s The Grapes of Wrath remains relevant as a milestone in an extended liminal stage between the failing cultural myths of the past and the founding of newly relevant shared stories. This stage begins with the Enlightenment and continues to present-day conflicts over identity, labor, migrants, notions of truth itself, the function and responsibilities of government, and our shared ecological destiny. Arriving near the end of the Depression and its concurrent economic and environmental disasters, The Grapes of Wrath reflects a particularly chaotic stage in …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux

Dissertations, Theses, and Capstone Projects

While the practice of white musical variety clowns embodying stereotypes of African, Chinese, and Mexican Americans has been widely documented and theorized in scholarship on US American popular performance, it has been done largely in segregated studies that maintain the idea that racial impersonations in musical variety is a privilege of white performers. For instance, no study exists that focuses on more than one stereotype at a time, and the performer’s body is always either white or of the same “color” as the type being played. In addition, very little has been written about the tours and circuits run by …

Unraveling Ethos: The Commodification Of Ethical Clothing, Oliva Hanson

Cultural Studies Capstone Papers

In the last decade there has been a noticeable attempt to subvert traditional modes of clothing production. The recent emergence of “ethical consumption” in the fashion industry is a case in point. This project argues that these new formations and practices around ethical consumption are mere appropriations of anti-corporate politics and sentiments for consumers in the West. Signification of ethical consumption through language and cultural capital give more value to individual articles of clothing and branded entities. This reformation of the clothing industry towards an ethical attitude is a rebranding tactic that avoids the source-issue altogether. Through advertising and normalization …

Review Of Abject Performances: Aesthetic Strategies In Latino Cultural Production, Renee Hudson

English Faculty Articles and Research

A review of Leticia Alvarado's Abject Performances: Aesthetic Strategies in Latino Cultural Production.

Two Poems: Stop Time Before; Forsaken Ones, Ánh-Hoa Thị Nguyễn

Journal of Southeast Asian American Education and Advancement

This creative work features two poems: Stop Time Before; Forsaken Ones

Reworking The White-Masculine Ideal, Steven H. Gonzalez

Art Theses and Dissertations

This text functions as an exploration of self through artistic practice, a designated space for reflection on contemporary Queer experience. In looking specifically at the permeation of the idealized-white-masculine figure as found within Western visual culture, social media and gay pornography become isolated as sites where these figures are commonly found. This line of inquiry defines how the ideal is reified through these differing digital platforms and the social implications the homogenized male form has on raced individuals. In addition to determining the image of the perfect masculine physique through research, this text expands on how its' imaged representation becomes …

3rd Place Contest Entry: Aesthetic Activism: Protest Art In The Delano Grape Strike, Felicia Viano

Kevin and Tam Ross Undergraduate Research Prize

This is Felicia Viano's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains her essay on using library resources, a three-page sample of her research project on the use of art as a social movement tactic by the United Farm Workers during the Delano Grape Strike, and her works cited list.

Felicia is a senior at Chapman University, majoring in History and Peace Studies. Her faculty mentor is Dr. Robert Slayton.

The Mixed Reception Of The Hamilton Premiere In Puerto Rico, Daniel Pollack-Pelzner

Faculty Publications

In this article originally published in The Atlantic, Daniel Pollack-Pelzner wonders about the challenges of premiering the famed Broadway musical, Hamilton, during a time of political discord in the aftermath of 2017's Hurricane Maria, in Puerto Rico.