American Popular Culture Commons^™

Winter/Spring 2003, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

The American Community Band: History And Development, Jason Michael Hartz

Theses, Dissertations and Capstones

Contemporary band scholars believe that the American community band experienced a revival at the end of the twentieth century. Examining the community band’s unique history from its earliest forms during the Revolutionary period through the Golden Age of Bands identifies the traditions that supported this revival. The twentieth century, however, is ripe with developments largely independent from previous eras, including the vast expansion of the music education system in the United States and the education of amateur musicians, the Great Depression, and the gradual acceptance of the band as an artistic medium. Through this study, the current revival of the …

The Origin Of Armstrong's Hot Fives And Hot Sevens, Gene H. Anderson

Music Faculty Publications

It has been almost fifty years since Louis Armstrong's Hot Five and Hot Seven recordings of 1925-1928 were first recognized in print as a watershed of jazz history and the means by which the trumpeter emerged as the style's first transcendent figure. Since then these views have only intensified. The Hot Fives and Hot Sevens have come to be regarded as harbingers of all jazz since, with Armstrong's status as the “single most creative and innovative force in jazz history” and an “American genius” now well beyond dispute. This study does not question these claims but seeks, rather, to determine …

Fall/Winter 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Spring 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 2001, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe

English Faculty Publications

This study consists of a cultural reading of the cover photograph of the June-July 1999 issue of Vibe magazine. It explores the relationship between Mase, an African-American male rap star, and the three anonymous African-American female models that surround him. The study interprets the cover through the long, straightened hair of the models, locating the models' hair in a historically-informed context of black hair theory and practice. The study argues that the models' presence on the cover, particularly their "bone straight and long" hair, "enhances" Mase in much the same way breast-augmented "trophy women" "enhance" their mates. Ultimately, the study …

Winter/Spring 2001, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

Summer 2000, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Winter/Spring 2000, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall/Winter 2000, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Fall/Winter 2000

Includes notes from Program Director, information on shows and events, and schedule.

Does "Gangsta Rap" Music Cross Good Judgment Lines And Decency Values?, Ajay Kumar Ojha

Masters Theses

There has been much controversy associated with "gangsta rap" music over the 1990's decade. This manuscript takes a closer look at "gangsta rap" music through a descriptive analysis, exploring these topics: social construction of reality, sexism, violence, community actions, and their possible negative influences on societal values. The positive and negative implications involving "gangsta rap" music are compared using lyrics from artists whose music has been in question in the past. Using a semantic differential survey and focus group interviews, "gangsta rap" music is analyzed, examining its exposure to people, possible promotion and communication of negative societal values. The study …

Summer 1999, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Winter/Spring 1999, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

On The Jazz Musician's Love/Hate Relationship With The Audience, Bertram D. Ashe

English Faculty Publications

An assistant professor of English at the College of the Holy Cross, Bertram D. Ashe discusses how the intersection of an African American cool style with a black vernacular tradition and multi-racial audiences complicates audience-performer relations. In the vernacular tradition, performers play not "to" but "with" an audience, drawing on the call-response patterns that characterize the black aesthetic. Ashe notes that the vernacular tradition is not racial but cultural, and class can be as important a marker as race in determining audience expectations. Differing cultural backgrounds create, in Ashe's words, "competing realities," distinct sets of expectations that can shape a …

Cummings Guest House Register Pages 097 And 098, Usm African American Collection

We Exist Series 4: Cummings Guest House Register Excerpts

This is a detail from the Cummings Guest House Register. You can see a digital version of the full text HERE.

Cummings Guest House Register Pages 099 And 100, Usm African American Collection

We Exist Series 4: Cummings Guest House Register Excerpts

This is a detail from the Cummings Guest House Register. You can see a digital version of the full text HERE.

Spring 1998, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Spring 1998

Includes notes from Program Director, information on shows and events, and schedule.

Fall 1998, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Fall 1997, Wmpg 90.9

WMPG Program Guides

WMPG program guide for Fall 1997

Includes notes from Program Director, information on shows and events, and schedule.

Winter/Spring 1997, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 1997, 90.9 Wmpg Fm

WMPG Program Guides

"WMOG Bares it All! Live Broadcasts in Public"

"Permit Me Then Good Friends To Sing": Reflections, Reactions, And Manipulations In Civil War Songs, Joanne Thomas

Masters Theses

Musicologists, folklorists and historians agree that the music of the Civil War was a significant means of communication for Americans in all regions and classes. The popularity of music soared during the war, with songs about the war holding center stage. This study moves beyond the acknowledgment that these songs were an important means of communication to seeing what messages were being communicated by both professional and amateur songwriters. These lyricists criticized and praised behaviors, often pointing out the social acceptance or exclusion that could result from individual behaviors, made assumptions about and passed moral judgements on female, male, and …

Winter 1996, 90.9 Wmpg Fm

WMPG Program Guides

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Summer 1996, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall 1996, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Interview With Joe Hickerson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of an interview with Joe Hickerson at the Library of Congress regarding Sarah Gertrude Knott and the National Folk Festival. Also includes discussions about folk music, folk musicians, and the National Council for the Traditional Arts.

Spring 1995, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Fall 1995, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.