American Popular Culture Commons^™

Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar

Theses and Dissertations--English

While some scholars have viewed the Sexual Revolution as a “war” with winners and losers, this project finds that all Americans were subject to the fantasy of liberation. This fantasy takes different forms during the era, including relaxed sexual strictures against pre-marital sex, the availability of birth control, and an increased focus on sexual pleasure. However, the seemingly liberatory quickly becomes conservative, coming into focus through the analysis of court cases and legal mandates that protected the declining structures of marriage and heteronormativity. Beginning with widespread fears about interracial mixing in the early 1950’s, escalated by the end of segregation …

Toward An Ontology Of Exhaustion: On The Affective Structures Of Masculinity In The American Oilfield, John W. Jepsen

Graduate Student Theses, Dissertations, & Professional Papers

What is the significance of the oil encounter in the lives of men living and working in the modern oilfields of the United States? Engaging with both literary examples of the lives of men in the Interior West and the personal experiences and reflections of the author, this essay seeks to examine the connections between ideology and place as it works to shape the identity and affect of men in America's oilfields, ultimately ending in them identifying with the very resources their activities seek to exploit and exhaust. Utilizing Theodore Adorno's Minima Moralia as its moral touchstone, this essay works …

Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey

Theses and Dissertations--English

Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …

The Legends Of Bigfoot: Or How I Regained My Manhood, Blaine Mccarty

Master of Arts in American Studies Capstones

Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly …

"Happily Ever After": The Tragic Queer And Delany's Comic Book Fairy Tale, Ann Matsuuchi

Publications and Research

Discusses the formulations of queer futurity and normativity in Samuel R. Delany’s autobiographical graphic novel Bread & Wine: An Erotic Tale of New York, drawn by artist Mia Wolff. This love story that is depicted via an interplay of text and imagery resists clichéd homonormative recasting of existing familial templates and questions how expectations queer happiness are bounded by a persistent set of social norms (race, class, education, and income) and their intersections. Also suggests how happy endings can function as a renegotiation of the utopian impulse into something more complex and realistic.

Revision In The Multiversity: What Composition Can Learn From The Superhero, David Hyman

SANE journal: Sequential Art Narrative in Education

Constant and ongoing revision is the compositional tactic through which many contemporary superhero narratives negotiate the powerful struggle between reiteration of the genre’s past, and creative expression of its future. Instead of a gradual succession of improved renditions of a text, each one effacing and superseding the imperfections of its predecessors, revision is revealed as the production of multiple versions whose differences and diversities are “capable of being in uncertainties”, as Keats describes the creative attitude which he terms Negative Capability: ontologically equal textual variations that wear their inconsistencies openly, and reject the pressure to resolve their multiplicities into the …

Pim Pedagogy: Toward A Loosely Unified Model For Teaching And Studying Comics And Graphic Novels, James B. Carter

SANE journal: Sequential Art Narrative in Education

The article debuts and explains "PIM" pedagogy, a construct for teaching comics at the secondary- and post-secondary levels and for deep reading/studying comics. The PIM model for considering comics is actually based in major precepts of education studies, namely constructivist foundations of learning, and loosely unifies constructs inherent therein with other available frames and frameworks for studying comics. As such, the article fills a dire need in the scholarly literature on comics pedagogy and paves a way for those who seek to teach comics courses in the future but who need direction and for those who seek to study/read comics …

Culture On The Move: Depression-Era Documentary And Migrant California, Joseph Entin

Criticism

California on the Breadlines: Dorothea Lange, Paul Taylor, and the Making of a New Deal Narrative by Jan Goggans. Berkeley: University of California Press, 2010. Pp. 368. $40.00 cloth.

Fame Gone Wild (2015: An Era Of Self-Invention), Stephanie E. Kang

Graduate School of Art Theses

Entertainment has become one of the fueling fires of society. In today’s world of nonstop broadcasting and streaming, many begrudgingly trudge through their 9 to 5’s only to live for their few post-work hours of leisure, which have been reserved for this week’s latest items on the viewing queue. Netflix and Hulu have become the opium of the masses. Consequently, this obsession with constant entertainment has now morphed into a shared yearning for the people that are watched and followed religiously through the screen – the celebrities. In this cultural moment, the concept of fame has become a vital element …

"I'M Rich Bitch:" Black Class Performance And The New Nouveau Riche, Nykia Hannah

Master of Arts in American Studies Capstones

With its multitude of sub-genres, larger than life personalities, and fifteen minutes of fame offerings, reality television has quickly changed the face and economics of television culture. This research examines the disruption of traditional roles of race and class in reality television. Interdisciplinary in content and methodology, this study uses Real Housewives of Atlanta to identify the ways in which various representations of blackness challenge hegemonic understandings of what it means to be black in the United States. Focusing on the fluidity of identity, "I'm Rich Bitch" highlights the role that popular culture plays in redetermining populist perceptions of blackness.

Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

The work featured in this panel is from students in WS2000, Introduction to Women's Studies. I created an assignment called "Choose Your Own Adventure." These projects include: an examination gender in film, and a revised version of the Bechdel Test, sexism and misogyny in gaming culture expressed through a series of comics, a painting on canvas using a variety of materials and techniques representing the control of women's reproductive rights and the damage done to female bodies by patriarchal language and rhetoric, and an analysis of womanism, scripture and Alice Walker's The Color Purple.

Each student engaged with issues related …

Neglecting The Subjects Of The Drag Performance In White Chicks, Hannah Sylvester

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

As a temporary transvestite film, White Chicks tackles racial issues as well as gender issues and performance. While the statements made on behalf of racial issues are strong, the statements concerning gender are much weaker. The paper will give a summary of the film followed by a description of it as a temporary transvestite film alongside other films within the genre. Issues concerning gender roles--specifically the concept of femininity--are addressed within the film, but are never challenged or changed. Indeed, society's heterosexual hegemony are upheld within this film as they are in similar films in the genre. Homosexual instances in …

Ua12/2/2 2015 Talisman: Resurgence, Wku Student Affairs

WKU Administration Documents

2015 Talisman yearbook.

• Osborne Sam. Into the Woods – Big To-Do Music & Arts Festival
• Spalding, Shelley. The Outliers – Greeks
• Badjie, Haddy. The Right to Live – Racism
• Gibson, Helen. Net Worth – Soccer
• Greer, John. Sustaining Seasons – Sustainability
• Wegert, Sally. Bloom – Eva Ross
• Cislo, Everett. Harvest – Hemp
• Kolb, William. Preserve – John All
• Voorhees, Jessica. Making Strides – Track & Field
• Greer, John. The Science Guy – Bill Nye
• Cole, Tanner. Lip Service – Rocky Horror Picture Show
• Belknap, Abby. Race to the Senate
• Gibson, Helen. Game of Loans – Student Financial Aid
• Belknap, Abby. …

Showtime: Pop Culture's Impact On Society's View Of The Lgbtq Population, Hope Comer, Jaime D. Bower, Narketta Sparkman

Counseling & Human Services Faculty Publications

Popular culture is an influential aspect that shapes society. Popular culture’s impact on society’s view of the LGBTQ population was examined in the context of video media representations. Students at a Mid-Atlantic university (n = 7) were presented with representations of LGBTQ individuals in television media during two focus groups. Participants completed pre-and-post-test qualitative surveys regarding their impact and perceptions. Responses were coded to identify themes of the target populations. Misrepresentations, perpetuated stereotypes, changing perspectives, advocacy, personal connection, differing types of media representation, and lack of representation were themes identified throughout participant responses about the varying popular culture mediums.

Bessie [Film Review], Judith E. Smith

American Studies Faculty Publication Series

Bessie opens with an arresting shot of Queen Latifah as singer Bessie Smith, dressed in the white costume familiarized by a widely reproduced photograph, with blue tones emphasizing both interiority (her eyes are closed, and the music viewers hear is playing in her head), and the blues genre associated with her. When the shift to every day colors returns viewers to the movie’s present (1927), an unsmiling Bessie walks through an adoring backstage crowd, press cameras flashing, into a waiting car. Rachel Portman’s score suggests foreboding; the next long shot shows Bessie framed in a doorway as she calls out …

Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films, Alyson Kilmer

All Master's Theses

Fairy tales, as a reflection of our values and belief systems, are crucial in shaping and maintaining cultural ideologies. In the twenty-first century, cinematic fairy tales have the unique position of representing such values in an expansive and expeditious manner. Audiences must therefore be critically conscious of the messages promoted by these tales. An analysis of the five most popular contemporary fairy tale films, Disney’s Princess and the Frog (2009), Tangled (2010), Universal’s Snow White and the Huntsman (2012), and Disney’s Frozen (2013) and Maleficent (2014), revealed minimal attempts to propitiate critical audiences in regard to changing cultural values, but …

Queer Content In Science Fiction Allegory And Analogue: Is It In Disguise?, Anna C. Marburger

Scripps Senior Theses

This thesis performs a textual analysis of two for-profit science fiction texts in which the authors implanted queer content: Bryan Singer's X-Men films and James Robert's Transformers comic series, "More Than Meets the Eye". The argument incorporates queer (referring to attraction and gender variance) media representation and western identity politics lenses into its critique.

By interrogating reality through the masquerade of an impossible universe, science fiction affects how subversive a text can be. When authors designate the natural and the unnatural in a strange universe, they designate what and who belongs in our society. Whatever they imagine has an effect …

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Faculty Research & Creative Activity

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Faculty Research & Creative Activity

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …

Whovians And Directioners: Challenging The Fangirl Identity, Brianna Vancant

Cultural Studies Capstone Papers

Using notions from fan blogs and fan theory, this project analyzes the inconsistencies surrounding the phenomenon of so-called fangirls in the Doctor Who and One Direction worlds. The term fangirl is usually defined as an irrational adolescent female who is only a fan of very specific types of entertainment because of factors that are perceived by other fans as superficial and irrelevant. In contemporary music and television fandom, these fangirls are often criticized and policed by other fans, many times disregarded as not ‘true’ fans. The project studies this distorted perception and how it leads to misconceptions about the wider …

The Queer Blogger: Interrogating The Commodification Of Identities, Anne Lacy

Cultural Studies Capstone Papers

Using Queer blogs found throughout American blogging networks, while drawing upon Marxism, Michel Foucault’s notions of confession and coming out, and Gramsci’s concept of hegemony, this project is a materialist analysis that unveils how Queer identities are being consumed and commodified. In contemporary American society a phenomenon is occurring online: Queer blogs are acting as a platform where subjectivities are attempting to resist hegemonic notions of identity while they are simultaneously being incorporated into a capitalistic agenda of subject formation. This project ultimately calls upon an act of resistance, as these Queer blogs are in fact a negotiable space for …

When Ana Becomes The Protagonist: Eating Disorder Narratives, The Pursuit Of Thinness And Social Resistance On The Internet, Nadezh Mulholland

Cultural Studies Capstone Papers

There is media concern that books about eating disorders are harmful to young readers. However, there is little research on how readers interpret the content of novels and memoirs featuring characters with eating disorders. This project considers the thinspiration images used as motivation to lose weight on so-called pro-ana and pro-mia social networks for people with eating disorders, and draws parallels between thinspiration and images used on the covers of eating disorder books. This paper uses a Gramscian lens to dismantle media claims by analyzing the interactions between members of eating disorder social networks, showing that website users tum to …

Take Off Your Masc: The Hegemonic Gay Male's Gender Performance On Grindr, Duncan Shuckerow

Cultural Studies Capstone Papers

The hegemonic Grindr clone is a gay male Grindr user who enforces the privileging of traditional masculine gender performance and condemns effeminacy. Through this project’s own field work along with the website “douchebagsofgrindr,” the hegemonic Grindr clone is here within analyzed. Drawing upon the theory ofhegemony articulated by Gramsci, a historical analysis of the 1970s urban gay male clone, and contemporary analysis and research, the project argues that the hegemonic Grindr clones, while only a minority group of Grindr users, rules over the cyberspace as sexual gatekeepers. Hegemonic Grindr clones maintain their privileged status on the application through depicting and …

Book Review: Mediating Moms: Mothers In Popular Culture, Kristi Branham

English Faculty Publications

No abstract provided.

Contesting The Marginalization Of Female Leadership In Sports: The Struggle For Equal Opportunities In Men's Collegiate And Professional Basketball, Caitlain Tinker

Cultural Studies Capstone Papers

This feminist critique interrogates the discourses and practices of gender discrimination in men's professional and collegiate sporting institutions in the United States. This study focuses on delineating and 'naming' the discriminatory ideologies that are (re)produced by dominant social and cultural institutions, revealing in the process how these practices (over)determine gender equality in the professional and collegiate sporting field. To this end, I perform a post-structuralist discourse analysis of what Louis Althusser calls the dominant 'ideological state apparatuses,' namely schools, the media and sporting institutions. I argue that these institutions coalesce to form a network of power that produces, reproduces, and …

As The World Turns...Gay, Not Queer: Privileging Heteronormalized Representations Of Sexuality In American Soap Operas From 1977 - Present, Brett Edward King

Cultural Studies Capstone Papers

This project argues that American daytime soap operas, since the1970s, have adopted prevailing discursive ideas of queerness, re-articulated them, and introduced new discursive understandings of queerness into popular culture. Most often, these re-articulated representations reflect a heteronormalized model,owing to myriad historically-situated discourses related to human sexuality (e.g.,mental health, AIDS, and gender identity). This point is made through a broad examination of these shifting discourses, coupled with a direct analysis of salient queer characters and storylines that appeared concurrently within daytime serials. Building on Feminist and Media theory, this project includes Queer theory to frame a comprehensive historical-discursive understanding of queerness …

Paradox On The Playa: Uncovering The Contradictions Embedded In Burning Man, Shelby Anne Rothman

Cultural Studies Capstone Papers

This project examines the contradictions embedded in the stated goals and organizational structure of Burning Man. Burning Man is something that is portrayed as positive in an alternative community; but in reality has its own hegemony and hierarchical bureaucracy. Through a discourse analysis and participant observation, this project shows that the ideologies of the culture are partially liberatory while most other aspects of Burning Man are hegemonic. The social contradictions of Burning Man are pointed out through employing theories of ideology, hegemony, place and space, heteronormativity, and subculture theory.

The Akron Offering: A Ladies' Literary Magazine, 1849-1850, Jon Miller

University of Akron Press Publications

FREE FULL-TEXT PDF DOWNLOAD

From 1849 to 1850, Calista Cummings edited and published Akron's first literary magazine, The Akron Offering. At the time, Akron was a booming canal town on the verge of even greater prosperity. By turns religious, comic, romantic, and political, this extraordinary collection of early midwestern creative literature expresses a wide range of sometimes contradictory opinions on both the important questions of its day and the important questions of today: historical events such as the California Gold Rush of 1849 and the 1848 revolutions in Europe are considered alongside more timeless contemplations on truth, justice, and …

Damsels And Heroines: The Conundrum Of The Post-Feminist Disney Princess, Cassandra Stover

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This research explores cultural shifts in the popularity of the Disney princess in American culture, especially its postmodern resurgence, as well as the complex relationship between Disney’s recent representations of women in the 1990’s and post-feminist ideology. My project begins by analyzing the historic appearance of the Disney female in relation to the women’s movements. I also examine lingering anti-feminist backlash in representations of what I call “New Wave” Disney heroines. Finally, I examine the implications of post-feminist discourse and advertising for young female viewers.

Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The ubiquity of Disney movies has certainly transformed the American cultural landscape. The Disney zeitgeist manifests itself as generations of children actively seek Prince Charmings, unrealistic fairy tale relationships and the omnipotent, happily-ever-after. One such Disney favorite, Beauty and the Beast (1991), reveals typical Disney themes such as the power of altruism, the transformation of the anthropomorphic, and the catharsis of true love. Yet, under these benevolent-seeming Disney themes lurk more sinister, subliminal messages. Beauty and the Beast promotes female subservience and subjugation in addition to the glorification of abusive relationships. Belle, the female protagonist, embodies these gendered disparities and …