American Popular Culture Commons^™

Shakespeare And Black Masculinity In Antebellum America: Slave Revolts And Construction Of Revolutionary Blackness, Elisabeth Mayer

Scripps Senior Theses

This thesis explores how Shakespeare was used by Antebellum American writers to frame slave revolts as either criminal or revolutionary. By specifically addressing The Confessions of Nat Turner by Thomas R. Gray and "The Heroic Slave" by Frederick Douglass, this paper looks at the way invocations of Shakespeare framed depictions of black violence. At a moment when what it means to be American was questioned, American writers like Gray and Douglass turned to Shakespeare and the British roots of the English language in order to structure their respective arguments. In doing so, these texts illuminate how transatlantic identity still permeated …

"It's Oil And Water": Race, Gender, Power, And Trauma In Vu Tran's Dragonfish, Quan-Manh Ha, Chase Greenfield

Asian American Literature: Discourses & Pedagogies

ABSTRACT: This article analyzes in-depth the interplay between race, gender, power, and trauma in Vu Tran’s debut novel, Dragonfish. We argue that Dragonfish focuses on the relationships, desires, and conflicts among its three protagonists—Robert, Suzy, and Sonny—to highlight how their postwar interactions complicate race, gender, trauma, and remembrance. The three protagonists engage in an intense socio-political struggle for dominance and control, which is riddled with irony, heart-wrenching pain, and misleading appearances. They experience hardship and loss, but they rely on each other for recovery from past and present trauma, and to advance their own varying personal priorities and agendas: …

The Impact Of Burroughs's Naked Lunch On Chester's The Exquisite Corpse, Jaap Van Der Bent

CLCWeb: Comparative Literature and Culture

In his article "The Impact of Burroughs's Naked Lunch on Chester's The Exquisite Corpse" Jaap van der Bent posits that although Alfred Chester was critical of most Beat writing, in Tangier in the early 1960s he associated not only with Paul Bowles, but also with William S. Burroughs. Van der Bent argues that The Exquisite Corpse, the experimental novel Chester wrote in Tangier, shows the influence of the city's geography and especially the content and form of Burroughs's Naked Lunch.

Abdurraqib, Samaa, Iris Sangiovanni, Samar Ahmed

Querying the Past: LGBTQ Maine Oral History Project Collection

Samaa Abdurraqib is a Black, queer, Muslim woman living in Portland, Maine. Abdurraqib was raised in Columbus, Ohio. She attend the University of Ohio, and later the University of Wisconsin-Madison, where she received a PhD in English Literature. After graduating she worked as a visiting professor at Bowdoin College in Brunswick, Maine. Next she went on to work the American Civil Liberties Union in Maine as a reproductive rights organizer. She now works for the Maine Coalition to End Domestic Violence. Her advocacy and organizing work has included places such as Sexual Assault Response Services of Southern Maine, …

Book Review - Porch Lights, Jennifer Putnam Davis

Georgia Library Quarterly

No abstract provided.

The Author As The Novel Self: Shirley Lim’S Sister Swing, Denise B. Dillon

Asian American Literature: Discourses & Pedagogies

While authorial omniscience is denied the biographer, I argue that Lim as novelist takes this advantage in Sister Swing as a tool through which to explore the development of self-identity through characterizations of three sisters that in combination form the tripartite self as proposed by Freud. Autobiographical memories of familial, social and cultural life experiences are the source from which Lim draws and fleshes out, in her novel, portrayals of family members seeking freedom through different ways and means. As a self-analyst probing deep within the psyche, Lim employs linguistic stylizations to express contrastive and yet complementary points of view …

Movement And Mobility: Representing Trauma Through Graphic Narratives, Stella Oh

Asian American Literature: Discourses & Pedagogies

The formal and stylistic movements found within the comic architecture of From Busan to San Francisco and Mail Order Bride interrogate the ways in which the visual and textual narrative can represent the emotional landscape of trauma and displacement through comics language. Engaging in a visual and textual critique of the global economy that trades in feminine identities, these graphic narratives interrogate the mobility and visibility of those who are trafficked. In these works, transnationalism is artistically embedded in consumptive practices of reading and seeing that reinforce or challenge Orientalist cultural assumptions about the Asian female body. Geographical movements of …

On Such A Full Sea Of Novels: An Interview With Chang-Rae Lee, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

An interview with author Chang-rae Lee.

Volume 7 Cover, David Burnett

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Seven: Confessing Racial Schizophrenia, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

A short meditation on teaching ethnic American literature in 2016, acknowledgments, and a summary of this volume's contents.

Loving The Unlovable Body In Yamanaka's Saturday Night At The Pahala Theatre, Christa Baiada

Asian American Literature: Discourses & Pedagogies

Lois-Ann Yamanaka’s award-winning yet remarkably neglected Saturday Night at the Pahala Theatre (1993) explores female adolescence and coming of age in a rich, polyphonic collection of verse novellas. “Loving the Unlovable Body” focuses on Yamanaka’s treatment of this transition as a fully embodied, fraught, and often painful experience by expicating the uses of several tropes used to express girls’ experiences of their bodies: eating, voice, eyes, fragmentation, and marking/naming. These metaphors contribute to the development of a complex range of possibilities from devastating to hopeful, presented in juxtaposition and interplay, for girls’ relationships to their culturally denigrated bodies and the …

Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan

Dissertations, Theses, and Capstone Projects

Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …

Both Into And Out Of The Cage: New Media, Transgression, And The Remaking Of American Literary Connection, 1975-1999, Casey Henry

Dissertations, Theses, and Capstone Projects

The dissertation addresses an absent history of late twentieth-century postmodern literature. Namely, I trace the shifts between 1980s postmodernism, described by Fredric Jameson as encapsulating a “wan[ed]”“affect,” and the emergence of 1990s post-postmodernism, marked by an exaggeration of affect. My dissertation posits that this reinvention of feeling was due to shifts in communication technologies and new media art during the 1970s and 1980s competing with, and eventually rendering obsolete, avant-garde literary techniques for “connection.” These latter strategies were encapsulated in the postmodern “encyclopedic” novel, a form miming the logic of new media, yet incapable of fully addressing new programmatic shifts, …

"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal

Department of English: Dissertations, Theses, and Student Research

This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

Ideal Objects: The Dehumanization And Consumption Of Racial Minorities In Joyce Carol Oates's Zombie, April D. Pitts

Bearing Witness: Joyce Carol Oates Studies

This essay explores the relationship between race and ideal democratic citizenship in Joyce Carol Oates's novel, Zombie (1995). It argues that in Zombie, white social status is depicted as dependent upon the dehumanization and consumption of racial minorities.

Science Fiction, Lisa Yaszek, Jason W. Ellis

Publications and Research

Literary and cultural critics call science fiction the premiere story form of modernity because it relates the adventures of educated men and women who use science and technology to reshape the material world and build new, hopefully better societies. As such, it is no surprise that many authors working in this popular genre explore how educated men and women might use science and technology to reshape the physical body and build new, hopefully better versions of humanity itself. Yet, lingering even in the most optimistic imaginings of a posthuman future is the doubt that these transformations will be evenly distributed …

Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar

Theses and Dissertations--English

While some scholars have viewed the Sexual Revolution as a “war” with winners and losers, this project finds that all Americans were subject to the fantasy of liberation. This fantasy takes different forms during the era, including relaxed sexual strictures against pre-marital sex, the availability of birth control, and an increased focus on sexual pleasure. However, the seemingly liberatory quickly becomes conservative, coming into focus through the analysis of court cases and legal mandates that protected the declining structures of marriage and heteronormativity. Beginning with widespread fears about interracial mixing in the early 1950’s, escalated by the end of segregation …

Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey

Theses and Dissertations--English

Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …

Toward An Ontology Of Exhaustion: On The Affective Structures Of Masculinity In The American Oilfield, John W. Jepsen

Graduate Student Theses, Dissertations, & Professional Papers

What is the significance of the oil encounter in the lives of men living and working in the modern oilfields of the United States? Engaging with both literary examples of the lives of men in the Interior West and the personal experiences and reflections of the author, this essay seeks to examine the connections between ideology and place as it works to shape the identity and affect of men in America's oilfields, ultimately ending in them identifying with the very resources their activities seek to exploit and exhaust. Utilizing Theodore Adorno's Minima Moralia as its moral touchstone, this essay works …

The White Screen, Casey L. Trattner

SURGE

There was laughter all around me, and I couldn’t help but join in.

I was at the orphanage, playing ball with a bunch of kids in Addis Ababa, Ethiopia. Despite being a little homesick and barely knowing the language, I was having few problems living here. I loved this place, with its ancient roots and friendly people. I loved hearing the morning’s call to prayer when I woke up. [excerpt]

Revision In The Multiversity: What Composition Can Learn From The Superhero, David Hyman

SANE journal: Sequential Art Narrative in Education

Constant and ongoing revision is the compositional tactic through which many contemporary superhero narratives negotiate the powerful struggle between reiteration of the genre’s past, and creative expression of its future. Instead of a gradual succession of improved renditions of a text, each one effacing and superseding the imperfections of its predecessors, revision is revealed as the production of multiple versions whose differences and diversities are “capable of being in uncertainties”, as Keats describes the creative attitude which he terms Negative Capability: ontologically equal textual variations that wear their inconsistencies openly, and reject the pressure to resolve their multiplicities into the …

Pim Pedagogy: Toward A Loosely Unified Model For Teaching And Studying Comics And Graphic Novels, James B. Carter

SANE journal: Sequential Art Narrative in Education

The article debuts and explains "PIM" pedagogy, a construct for teaching comics at the secondary- and post-secondary levels and for deep reading/studying comics. The PIM model for considering comics is actually based in major precepts of education studies, namely constructivist foundations of learning, and loosely unifies constructs inherent therein with other available frames and frameworks for studying comics. As such, the article fills a dire need in the scholarly literature on comics pedagogy and paves a way for those who seek to teach comics courses in the future but who need direction and for those who seek to study/read comics …

Mapping Memory In Tran’S Vietnamerica, Mary A. Goodwin

CLCWeb: Comparative Literature and Culture

In her article "Mapping Memory in Tran's Vietnamerica" Mary Goodwin explores the use of maps, landscape paintings, and other topographic images in Gia-Bao Tran's graphic memoir chronicling the "postmemory" of the US-American son of wartime refugees. Tran's family immigrated to the United States in 1975 following the fall of Saigon. Tran knew nothing of his parents' hardships and struggle to escape Vietnam until he returned for relatives' funerals in his 20s. Similar to Spiegelman's Maus, Vietnamerica is a mixed-media memoir containing photographs, maps, and comics in various styles. Following Hirsch's lead in demonstrating the special historical value of photographs …

Review Of Pioneer Girl, By Bich Minh Nguyen, Quan-Manh Ha

Asian American Literature: Discourses & Pedagogies

DNA

From Raw To Cooked: Amy Tan’S “Fish Cheeks” Through A Lévi-Straussian Lens, Susan K. Kevra

Asian American Literature: Discourses & Pedagogies

In "Fish Cheeks" a scant 500 words short story, Amy Tan serves up a coming of age story about an Asian American teenage girl. Tan’s setting of Christmas for a traditional Chinese dinner, shared with the American boy on whom the protagonist, Amy, has a crush, emphasizes the girl’s dual identity as an Asian American, a reality she is confronting head on. Forced to see her family traditions through the eyes of a white, Christian boy, she finds those traditions distasteful. Rather than delighting in the dishes her mother has lovingly prepared, she is revolted by them, fixated instead on …

The Illegible Pan: Racial Formation, Hybridity, And Chinatown In Sui Sin Far’S “‘Its Wavering Image’”, Caroline Porter

Asian American Literature: Discourses & Pedagogies

Drawing upon Judith Butler’s theory of performativity, this article offers an interpretation of “‘Its Wavering Image’” that explains the biracial main character, Pan’s, process of racialization. The argument is two fold: first, the paper contends that in this story, Sui Sin Far theorizes that race is performative rather than biological. Race does not come from characters’ bodies, but is rather an incorporated performance of codes. Pan’s race, then, depends not on her parentage or her biology, but on the “codes” she internalizes and embodies, codes that are fleshed out throughout the article through historical contextualization of San Francisco and Chinatown. …

A “Monstress” Undertaking: An Interview With Lysley Tenorio, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Six: An Identity Rebus, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Volume 6 Cover, Mark P. Brada

Asian American Literature: Discourses & Pedagogies

No abstract provided.