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Articles 1 - 30 of 3800
Full-Text Articles in American Material Culture
Ethos: A Computational Framework For Material Culture Research, Chelsea L. Grafe
Ethos: A Computational Framework For Material Culture Research, Chelsea L. Grafe
Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research
Museum catalog records make large collections searchable, but they do not always preserve the reasoning behind the claims they contain. A record may present a quilt's identity as settled while leaving the reasoning behind that claim invisible, making it difficult for later researchers to check, question, or reuse. This project asks whether museum catalog data can be analyzed in a way that keeps each analytical claim connected to the evidence that supports it. To test this question, the project applies a material-first computational framework named Ethos. Ethos formalizes an object-centered inquiry sequence in which material dependencies establish where analysis begins …
Art In An Apocalypse: Aids, Activism, And Abolition In Work Of Essex Hemphill And Alternative Video Production, Sydney E. Guntharp
Art In An Apocalypse: Aids, Activism, And Abolition In Work Of Essex Hemphill And Alternative Video Production, Sydney E. Guntharp
Honors Theses
This thesis is an exploration of Black, POC, feminist, and queer art in the late twentieth century, examining both the AIDS crisis and the increasing privatization of the prison industrial complex as key factors in the development of Essex Hemphill’s poetic, expressive works and the filmmaking activism of various videotape collectives. Through employing the lens of critical prison studies, this work seeks to understand how Black and POC art emerged as a site of political resistance to a carceral state as well as the broader social punishment doctrine that influenced the public health response to AIDS in the United States. …
The Log Cabin | Public Perception And Mediated Reality (1840 – 1980), Aspen M. Regan
The Log Cabin | Public Perception And Mediated Reality (1840 – 1980), Aspen M. Regan
Architecture Undergraduate Honors Theses
This capstone examines the evolution of the log cabin from 1840 to 1980. At its core, the project questions the legacy of the log cabin from its origins as simply being a traditional dwelling typology to its establishment as a cultural icon or rather, an enduring vessel that established the American Dream and ideals of self-reliance, freedom, and individualism deep within the heart of American culture.
Chapter One situates the log cabin historically and architecturally, defining the popular frontier dwelling as being a single-pen horizontal log constructed cabin. It then explores the cabin’s emergence as a cultural image through political …
Integrating Embodied Expertise Into Dress History Academia Through Practice-Led Actualistic Recreations: A New Methodology And Test Thereof, Rowan Paramour
Integrating Embodied Expertise Into Dress History Academia Through Practice-Led Actualistic Recreations: A New Methodology And Test Thereof, Rowan Paramour
Theses
This thesis examines the usage of practice-led methodology for historic dress recreation projects and how to implement and objectively analyze the findings from such research in an academically rigorous fashion. In section one, I examine the distinction between different types of recreation practices, the establishment of embodied practice within historic dress research, address concerns centering practice-led methodology, and develop a methodology for practice-led historic dress recreation projects and rubric for assessment of that methodology. In section two, I fully test the methodology and rubric by utilizing it in my own recreation and present this process using the methodology’s proposed deliverables …
Initial Type Craft, Micah Angelus
Initial Type Craft, Micah Angelus
Theses and Dissertations
What kinds of objects can still think when the self-contained aesthetic object can no longer be taken for granted? The historical ruptures that have placed painting under crisis have also brought into view the fallacy of artistic autonomy, raising questions about how value, contemplation, and meaning persist under conditions of deconstruction.
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Theses and Dissertations
Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.
5010, Clare Hu
5010, Clare Hu
Theses and Dissertations
Working with the structure of a table top, Clare Hu churns through digital image and woven cloth, asking how much each medium can bear.
The Reimagining Of The Harlem Globetrotters Of The 50s And 60s: A Program Shedding Light On Forgotten Stars, Zander Ealy
The Reimagining Of The Harlem Globetrotters Of The 50s And 60s: A Program Shedding Light On Forgotten Stars, Zander Ealy
Special Collections Awards
Harlem Globetrotters vs. College All-Stars. Official Game Program - 1955.
A Reimagined game program of the 1955 College All Stars Vs Harlem Globetrotters from the Lewis A Levey Family Archive in Special Collections at Washu Libraries.
Harriet Hosmer: Femininity And Stone, Savannah V. Parrish
Harriet Hosmer: Femininity And Stone, Savannah V. Parrish
Undergraduate Theses
Harriet Hosmer was an American woman sculptor who studied in Rome, Italy, from 1853 to 1900. Hosmer led her own cohort of women artists and inspired other artists in Rome. Hosmer’s sculptures and the controversies surrounding them exemplify her experiences as a career woman of her time. Hosmer made sculptures of women who defied the will of men, both mythical and historical. Hosmer’s sculptures show how she felt restricted in the world, particularly in the field of sculpture as a woman and how like the figures of her sculptures she found freedom in stone, where she could tell the stories …
Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd
Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd
Res Historica
The 2026 journal of historical research by Anderson University students, Res Historica.
The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.
Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet
Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet
Undergraduate Honors Thesis Projects
This paper is an exploration of former First Lady Frances Folsom Cleveland’s position as an influential figure in women’s fashion during her years in the White House, seeking to fill a gap in historical scholarship regarding her legacy. It proposes the term “fashion archetype” to describe the phenomenon of celebrity that Frances experienced in which her public persona was detached from her individual identity and manipulated by the media to influence American women. Analysis of her early-White House wardrobe and the media attention her style and appearance received reveals the power that clothing held in nineteenth-century American society, as well …
The Ladies' Home Journal: Dormant Seeds Of The Feminine Mystique Pre-Wwii, Isis Santos Villaça
The Ladies' Home Journal: Dormant Seeds Of The Feminine Mystique Pre-Wwii, Isis Santos Villaça
University Honors Theses
At the turn of the 20th century, magazines were becoming increasingly available to the middle class. Throughout the 1890–1930s, the industry put forth an entire new iteration of publications that came to be popular with female readers. One of the most successful publications from this period, The Ladies' Home Journal, distinguished itself through its strong editorial presence on the page. The editors of the Ladies' Home Journal intended to create a "traditional" female identity that reflected domesticity in the journal, which countered the rising notions of the New Woman. Simultaneously, the publication aimed to create an educational product with …
Review Of Scattered And Fugitive Things: How Black Collectors Created Archives And Remade History, Kai H. Uchida
Review Of Scattered And Fugitive Things: How Black Collectors Created Archives And Remade History, Kai H. Uchida
Journal of Contemporary Archival Studies
In Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History, historian and archivist Laura E. Helton tells the story of six individuals – Arturo Schomburg, Alexander Gumby, Virginia Lee, Dorothy Porter, Vivian Harsh, and Lawrence Reddick – whose practices of radical collecting revalued and recast the importance of Black history. Helton combines innovative methodological readings of previously undervalued archival sources with a keen understanding of archival practice to illuminate Black archives as a site of radical collecting, intellectual inquiry, and community empowerment. Compellingly written with insights about the theory of their curation and the story of …
Kajian Arsitektur Lumbung Padi, Lolo Gedang, Kerinci, Romario Lubis
Kajian Arsitektur Lumbung Padi, Lolo Gedang, Kerinci, Romario Lubis
Multikultura
Rice barns are agrarian vernacular architecture that reflects local knowledge, environmental adaptation, and the socio-cultural values of the supporting community. This study aims to examine the architectural characteristics of traditional rice barns in Lolo Gedang Village, Kerinci, through analysis of form, construction techniques, and cultural context. The method used is descriptive qualitative with inductive reasoning based on literature studies and analysis of the architectural elements of the barn as a cultural artifact. The results show that the Lolo Gedang rice barn is designed adaptively to highland climate conditions, especially in maintaining the quality of grain from humidity and pests, through …
Sam Boakye, Mark Naison, Anthony Abd-Al Shafi Rosado
Sam Boakye, Mark Naison, Anthony Abd-Al Shafi Rosado
Oral Histories
At the end of the interview, Boakye explains what he wants for Kwasi Paul in the future, both in the Bronx and in the fashion industry. For the Bronx, he wants it to represent Ghanaian fashion, something Ghanaians in the Bronx can be proud of. He wants the Bronx to be seen as something better, not a “dirty” borough, as stereotypes would have it. For fashion, he wants to be another lens of living with in-between identities, for everyone who falls into these categories of multiple identities, especially for people in New York City.
He encapsulates the Bronx as “The …
Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood
Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
El sitio arqueológico Ciudad del Jaguar-T1, se encuentra ubicado en el noroeste de Honduras. Pertenece al Área Intermedia, considerada zona de frontera y paso entre Mesoamérica y la Zona Andina. Esta ubicación facilitó que, durante la época prehispánica, fuese un sitio de migraciones e interacción constante entre culturas del norte y del sur del continente, que dio origen a una civilización hasta ahora desconocida, que se formó, desarrolló y tuvo una significativa producción artística. En el presente trabajo propongo el estudio y la lectura e interpretación de las imágenes figurativas representadas en los objetos excavados, como también su utilidad y …
El Papel De Tonantzin-Guadalupe En La Conservación Del Pensamiento Nahua Durante La Cristianización De Mesoamérica, Marina Valls I García
El Papel De Tonantzin-Guadalupe En La Conservación Del Pensamiento Nahua Durante La Cristianización De Mesoamérica, Marina Valls I García
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
Dentro de este ciclo de estudios sobre la imagen del poder se aprovecha la ocasión para focalizar en el estudio de la imagen religiosa de la Virgen de Guadalupe y su papel en la conversión del México precolombino. Partiendo de la base antropológica en que el poder siempre es respaldado por la religión de una cultura, profundizamos a entender como este proceso “político” es mimetizado y acompañado no solo por la creación de una imagen de poder religioso sino por diversas luchas de poder entre el pensamiento nahua y el católico, así como entre las distintas órdenes cristianas que participan …
Introducción, Victòria Solanilla, Anabel Villalonga Gordaliza
Introducción, Victòria Solanilla, Anabel Villalonga Gordaliza
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
El presente volumen reúne una selección de contribuciones derivadas del simposio «Migraciones en la imagen prehispánica: transitando territorios», coordinado en el marco del 58º Congreso Internacional de Americanistas (ICA58). Este congreso, celebrado en distintas sedes en Novi Sad, Serbia, del 30 de junio al 4 de julio de 2025, conmemoró los 150 años del ICA y reunió a investigadores de todo el mundo bajo el lema «Nuevos desafíos, Nuevos espacios», incorporando además una valiosa «mirada balcánica» al estudio de las Américas. En ese escenario — un cruce de lenguas, trayectorias y tradiciones académicas — nuestro simposio propuso detenerse ante un …
The Confidence-Man Goes To The Moving Panorama: Herman Melville’S Confidence Narrator And United States Imperialism, Bradley J. Lee
The Confidence-Man Goes To The Moving Panorama: Herman Melville’S Confidence Narrator And United States Imperialism, Bradley J. Lee
Graduate Theses/Dissertations
This thesis argues that Herman Melville fashioned his novel The Confidence-Man; His Masquerade (1857) after the moving panorama, a popular entertainment technology contemporary with the novel. More specifically, the thesis argues that the novel recalls Banvard’s Mississippi Panorama (1846). Using Jay Leyda’s The Melville Log and John Hanners’ record of Banvard’s performances, I establish beyond reasonable doubt the possibility that Melville saw this painting, or, at the very least, was aware of it, its content, and its social position. Tracing the novel’s engagement with this panorama reveals what seems at first to be its imperialist, Manifest Destinarian undertones. The novel’s …
An Investigation Into The Scottsdale Art Week: Cultural Focus, Location, And Sustainability In An Already Saturated Environment, Sophia K. Meshel
An Investigation Into The Scottsdale Art Week: Cultural Focus, Location, And Sustainability In An Already Saturated Environment, Sophia K. Meshel
MA Theses
This thesis examines the role of regional art fairs within the wider American art market and examines how these events contribute to the growth of local cultural artistic ecosystems. While firmly established international art fairs often dominate attention within the global market, lesser known regional fairs play an important role in connecting artists, galleries, collectors, and cultural platforms within specific communities. Through analysis of established regional fairs and consideration of factors such as artist selection, audience engagement, institutional partnerships, and economic impact, this study investigates how art fairs can move beyond temporary commercial events to become meaningful cultural platforms. Particular …
The Politics Of Style: How Black Fashion Redefined Identity In The Civil Rights Movement (1950s-1970s), Ava Saleh
Rushton Journal of Undergraduate Humanities Research
This paper explores how fashion served as a powerful political tool during the Civil Rights Movement of the 1950s-70s, tracing its evolution from the polished Sunday Best to the Afro and militant style of the Black Panther Party. By examining respectability politics, the rise of the Black is Beautiful movement, and the Black Panthers’ visual strategies, this research explores how clothing and style reflected shifting approaches to resistance. It argues that Black Americans used fashion to challenge Eurocentric standards, reclaim heritage, and express pride, leaving a legacy of empowerment that continues to influence social movements.
Billiken As Transcultural Object From American Mascot To Japanese Pop Deity, M.W. Shores
Billiken As Transcultural Object From American Mascot To Japanese Pop Deity, M.W. Shores
Asia Pacific Perspectives
This article examines Billiken’s transcultural journey from American novelty mascot (1908) to cultural icon, illuminating early twentieth-century Pacific exchange networks and patterns of cultural adaptation. Drawing on American and Japanese archives, it demonstrates how this commercial figure, born from Progressive Era optimism and incorporating Japanese (and Orientalist) design elements, was transformed within Japanese religious and cultural frameworks. The study analyzes Billiken’s metamorphosis from “good luck” commodity to quasi-religious icon, particularly in Osaka’s Shinsekai district, where strategic marketing drove his its late twentieth-century revival after decades of obscurity. While largely forgotten in America and elsewhere, Billiken’s endurance in Osaka challenges narratives …
The Boxer Rebellion And Missionaries: A Study Of Historical Context And Ideological Perspectives, Danielle Russano-Simpkins
The Boxer Rebellion And Missionaries: A Study Of Historical Context And Ideological Perspectives, Danielle Russano-Simpkins
Bound Away: The Liberty Journal of History
This paper examines the complex interplay between missionary activity, imperial ambitions, and indigenous resistance in China during the Boxer Rebellion (1899-1901). Analyzing primary sources and revisionist accounts, it is argued that the rebellion exposed the contradictions between missionaries' spiritual goals and their complicity in imperial structures. The study highlights how missionary theology, imperial relationships, and local resistance converged to create one of modern history's most significant anti-foreign uprisings, shaping subsequent Sino-Western relations and Chinese nationalism.
Anishinaabe Nibiing: Anishinaabe Waterscapes And Canoe Building As Traditional Ecological Knowledge, Jeremy Kingsbury
Anishinaabe Nibiing: Anishinaabe Waterscapes And Canoe Building As Traditional Ecological Knowledge, Jeremy Kingsbury
The Cicadian
This paper explores the cultural, ecological, and technological significance of birch bark canoe (wiigwaasi-jiimaan) building among the Anishinaabe people, emphasizing their identity as an inland maritime society. Drawing on historical accounts, oral traditions, and personal experience as a park ranger, the author examines the intricate process of harvesting materials and constructing canoes, highlighting the deep environmental knowledge and gendered labor involved. The canoe served not only as a vital means of transportation and subsistence—facilitating fishing, wild rice harvesting, and seasonal migration—but also as a symbol of familial and spiritual connection. Through detailed descriptions of material selection and craftsmanship, …
Historical Research And Conservation Treatment Of An Oversized 19th-Century Subscription Family Bible, Charlotte Starnes
Historical Research And Conservation Treatment Of An Oversized 19th-Century Subscription Family Bible, Charlotte Starnes
Art Conservation Master's Projects
This paper briefly examines the construction, materials, and conservation challenges of 19th-century subscription Bibles, focusing on the treatment of an 1885 Thomas Kelly Latin Vulgate Family Bible. These large-format, heavily decorated volumes represent the unique intersection of industrialized book production and traditional hand-binding techniques. Through the visual comparison of multiple subscription Bible structures and canvasser’s sample books, historical research, and survey responses from conservators, this project identifies key structural features, including hybrid board attachment methods, varied sewing techniques, and the sculpted two-board coverboard structure. X-radiography, microscopy, and preliminary XRF analysis provide further insights into material choices, such as the use …
On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos
On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos
Criticism
Petrochecmical Fantasies: The Art and Energy of American Comics by Daniel Worden. The Ohio State University Press: Columbus, 2024. Pp. 171. $34.95 cloth.
The Evolution Of Schooling: From Industrial Obedience To Techno-Autonomy, Seb Taylor, Ron Roberts Ii
The Evolution Of Schooling: From Industrial Obedience To Techno-Autonomy, Seb Taylor, Ron Roberts Ii
Digital Laboratory: Publisher of Internet Journal
This paper examines the enduring architecture of the American education system as a mechanism designed for compliance, not creativity. Rooted in 19th-century industrial logic, the structure of schooling, its physical design, time constraints, and assessment methods, has remained largely static despite seismic cultural and technological shifts. Through historical analysis and contemporary critique, this work interrogates the persistence of standardized methods, institutional prestige, and top-down instruction as barriers to meaningful learning and value creation. Drawing from interdisciplinary research and live case studies, including Alpha School’s AI-powered, mastery-based model, the paper advances the concept of techno-education: a student-centered paradigm informed by feedback …
Kimball Hall, 1970: Collective Organizing Through Print Production, Jen Hoyer
Kimball Hall, 1970: Collective Organizing Through Print Production, Jen Hoyer
Publications and Research
This article examines the May 1970 occupation of Kimball Hall, a university administrative building at New York University, and specifically of its basement printshop. The group that came together in this space referred to itself as the Kimball Commune; they used university equipment and resources to print material in support of the strike and related movements, and they invited students, activists, and the general public to come into the printshop and produce material with them. I demonstrate how the Kimball Commune provides a concrete example of how a collaborative radical printing project isn’t just about creating alternative media. It also …
Shaping The Fabric Of Society: Middle Class Women As Imperial Consumers Of Calico In Pre-Revolutionary America, Elsa Cassell Toland
Shaping The Fabric Of Society: Middle Class Women As Imperial Consumers Of Calico In Pre-Revolutionary America, Elsa Cassell Toland
Swarthmore Undergraduate History Journal
Through the Calico Acts of 1700 and 1721, Britain repositioned its Atlantic colonies as distinct imperial consumers of imported calico cloth from India. The resulting expansion of the cotton textile trade had profound impacts for class and society in pre-revolutionary America, as middle class consumers used calico to express their purchasing power, refined taste, and social identity. These patterns of class expression were especially relevant for middle class women. As the primary consumers of imported calico, women directed purchases of luxury textiles for their households in order to shape their families’ identities as members of the middle class. Ultimately, as …
Midwestern Landscapes, Immigrant Hands: Swedish Artists And The Regionalist Movement, Grace Finney
Midwestern Landscapes, Immigrant Hands: Swedish Artists And The Regionalist Movement, Grace Finney
Celebration of Learning
The Regionalist movement in American art attempted to define an authentic national identity through depictions of the American landscape, rural life, and working-class values and communities. From the mid-19th to early 20th century, over a million Swedes immigrated to the United States, many of whom settled in the Midwest, a region frequently depicted by Regionalist artists. Swedish immigrant artists captured the beauty of the same landscapes, portrayed similar rural values, and even created public art, all of which are defining elements of the Regionalist movement. Their artistic expressions align with the themes of Regionalism, yet they remain absent from the …