American Material Culture Commons^™

Museum Of Modern-Day Slavery: A Photo Essay, Micah Gamboa

Dignity: A Journal of Analysis of Exploitation and Violence

A photo essay from the Museum of Modern-Day Slavery in Houston, Texas, with photographs of rooms, entrances, and storage spaces in brothels following raids, including artifacts of the trade found at the scenes are documented. Photographs include brothels, bars, and strip clubs where Korean women and Mexican women were exploited. Photographs from the Mexican-American border document the violence the victims are subjected to during their journey.

Acts Of Provocation: Popular Antiracisms On/Through The Twenty-First Century New York Commercial Stage, Stefanie A. Jones

Dissertations, Theses, and Capstone Projects

This is an abolitionist feminist study of the role of liberalism in the twenty-first century political economy. It takes as its object New York City bourgeois cultural productions (in particular Broadway theatre and the New York Times) from approximately 1984 to 2009. It offers insights into important yet widely-misunderstood features of turn-of-millennium US society: class, art, political practice, and war. In order to understand liberalism’s political and economic agenda, I look at how these objects are pitched in the struggle over racism. Sometimes when we say “liberal” we mean it in the philosophical sense, with particular attention to liberal …

Precolumbian Textiles In The Ethnological Museum In Berlin, Lena Bjerregaard, Torben Huss

Zea E-Books Collection

The Ethnological Museum in Berlin, Germany, houses Europe’s largest collection of PreColumbian textiles—around 9000 well-preserved examples. Lena Bjerregaard, editor and compiler of this volume, was the conservator for these materials from 2000 to 2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays about the museum’s holdings – by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. The book’s second part is a 177-page catalogue, arranged by periods and styles, of 273 selected items that represent the collection as fully as possible, …

Relocations Of The 'Outraged Slave': Transatlantic Reform Conversations Through Douglass's Periodical Fiction, Nikki D. Fernandes

Theses and Dissertations

Through their editorial arrangements of African-American, Euro-American and European poetry, fiction and news, Frederick Douglass’s anti-slavery periodicals (The North Star and Frederick Douglass’ Paper) imagine a cosmopolitan discourse that predates the segregated realities of the antebellum United States. In spite of Southern blockades against the infiltration of Northern texts, Douglass’s material space uniquely capitalized on the limited restrictions of his reprinting culture to relocate the voice of the ‘outraged slave’ onto a global stage. From the poems of Phillis Wheatley and William Cowper to Charles Dickens’s Bleak House and Douglass’s own novella “The Heroic Slave,” this project considers how …

Northwest Coast Native American Art: The Relationship Between Museums, Native Americans And Artists, Karrie E. Myers

Museum Studies Theses

Museums today have many responsibilities, including protecting and understanding objects in their care. Many also have relationships with groups of people whose items or artworks are housed within their institutions. This paper explores the relationship between museums and Northwest Coast Native Americans and their artists. Participating museums include those in and out of the Northwest Coast region, such as the Museum of Anthropology at the University of British Columbia, the Burke Museum, the Royal British Columbia Museum, the American Museum of Natural History and the Smithsonian Museum. Museum professionals who conducted research for some of these museums included Franz Boas, …

Apocalypse & Affect: Political Passivity In Film And Television Representations Of Nuclear Holocaust, W W. Rooks

Cultural Studies Capstone Papers

Within the expanding canon of apocalyptic and post-apocalyptic film and television, this project studies the subgenre that makes use of nuclear holocaust as a narrative device or setting in order to understand how, rather than engaging audiences with the dire off-screen politics that inform such films, it imposes a sense of political passivity on its characters. Similarly imparted is an assumption of that same sense for the audience. In this way, the framing of modern apocalyptic narratives meet an “affective limitation,” which is a concept steeped in the examination of media as a potential tool to motivate political action (Massumi …

Chaco Landscapes: Data, Theory And Management, Ruth Van Dyke, Stephen Lekson, Carrie Heitman, Julian Thomas

Department of Anthropology: Faculty Publications

The Colorado Plateau is a land of long horizons punctuated by dramatic buttes, mesas, and mountain ranges. The rich cultural heritage and natural beauty of this region hold meaning for the millions of tourists who visit each year to experience this iconic landscape. Many of these same places on the Plateau are still considered central to indigenous religious practices, histories, and oral traditions of descendent communities in the region. This landscape is also defined by the complex connections and histories of diverse resident communities. Ancient communities of the Plateau are the focus of ongoing major anthropological investigations into such issues …

Ruin Porn And Urban Representation In Photography: The Aesthetic And Politics Of Appropriation In "The Ruins Of Detroit", Elyse Remenapp

Cultural Studies Capstone Papers

This project examines the politics of representation in The Ruins of Detroit, a book of photography by Yves Marchand and Romaine Meffre in order to understand Detroit as a privileged site of ruins photography, critically referred to as ruin porn. Examining the book as a representation of Detroit's decay reveals an implicit power dynamic which neglects Detroit's complex history and the lived experience of its residents. Paying particular attention to the dialectic of race and labor under capitalism, this project traces the urban history of Detroit in order to contextualize and reframe the state of ruin presented in the …

Ua12/2/2 2015 Talisman: Resurgence, Wku Student Affairs

WKU Administration Documents

2015 Talisman yearbook.

• Osborne Sam. Into the Woods – Big To-Do Music & Arts Festival
• Spalding, Shelley. The Outliers – Greeks
• Badjie, Haddy. The Right to Live – Racism
• Gibson, Helen. Net Worth – Soccer
• Greer, John. Sustaining Seasons – Sustainability
• Wegert, Sally. Bloom – Eva Ross
• Cislo, Everett. Harvest – Hemp
• Kolb, William. Preserve – John All
• Voorhees, Jessica. Making Strides – Track & Field
• Greer, John. The Science Guy – Bill Nye
• Cole, Tanner. Lip Service – Rocky Horror Picture Show
• Belknap, Abby. Race to the Senate
• Gibson, Helen. Game of Loans – Student Financial Aid
• Belknap, Abby. …

The Dark Skin I Am In, Zakiya A. Brown

SURGE

“You know, you’re pretty for a dark skinned girl, but I’m sure people tell that all the time”

“Can I honestly tell you, that you are the prettiest dark skinned girl I know?”

Throughout my life I have received comments such as these. I’ve heard them from my mother’s colleagues, strangers, and sometimes my friends. They provoked me to think that somehow I genetically lucked out to be physically attractive even though I was cursed to live within dark skin. [excerpt]

On Popular Visual Culture And Asian American Literature: Interview With Professor Elaine Kim, Karen Chow

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Don’T Bow Down, Andrew B. Gibbs

LSU New Orleans Theses and Dissertations

Perpetuating African ancestral customs, Mardi Gras Indians in New Orleans avoid the African American identity crises illuminated by the poetry of the Harlem Renaissance. The poetry of Langston Hughes, Claude McKay and Waring Cuney incorporate W.E.B. DuBois’ double-consciousness theory to reveal the identity issues and ancestral alienation plaguing African Americans at the turn of the twentieth-century. In comparison, unique political and social circumstances in New Orleans allowed enslaved Africans to practice their ancestral customs weekly. The preservation of this heritage fostered a black community in New Orleans rich in traditions, pride and self-conviction. The development of Mardi Gras Indian culture …

Creating Knowledge, Volume 7, 2014

Creating Knowledge

Dear Students, Faculty Colleagues and Friends, It is my great pleasure to introduce the seventh volume of the College of Liberal Arts and Social Sciences’ Creating Knowledge—our undergraduate student scholarship and research journal. First published in 2008, the journal is the outcome of an initiative to enhance and enrich the academic quality of the student experience within the college. Through this publication, the college seeks to encourage students to become actively engaged in creating scholarship and research and gives them a venue for the publication of their essays.

Beginning with the sixth volume of the journal, we instituted a major …

Gathering, Buying, And Growing Sweetgrass (Muhlenbergia Sericea): Urbanization And Social Networking In The Sweetgrass Basket-Making Industry Of Lowcountry South Carolina, Patrick T. Hurley, Brian Grabbatin, Cari Goetcheus, Angela Halfacre

Environment and Sustainability Faculty Publications

Despite the visibility of natural resource use and access for indigenous and rural peoples elsewhere, less attention is paid to the ways that development patterns interrupt nontimber forest products (NTFPs) and gathering practices by people living in urbanizing landscapes of the United States. Using a case study from Lowcountry South Carolina, we examine how urbanization has altered the political-ecological relationships that characterize gathering practices in greater Mt. Pleasant, a rapidly urbanizing area within the Charleston-North Charleston Metropolitan area. We draw on grounded visualization—an analytical method that integrates qualitative and Geographic Information Systems (GIS) data—to examine the ways that residential and …

Shirley, Latrel, B. 1989 (Fa 543), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text (click on "Additional Files" below) for Folklife Archives Project 543. Paper titled "The Bible Time Capsule" written by Latrel Shirley about Lisa Gail (Morrison) Shirley's Bible and the ephemera stored in it. Includes colored illustrations.

Reed, Ashlee Catara, B. 1986 (Fa 548), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text papers (click on "Additional Files" below) for Folklife Archives Project 548.  Contains three papers:  “Permanent Wave Machine,” “The Hot Comb” about African American hairstyling, and “The Telephone Switchboard,” about an early switchboard on display in Barren County, Kentucky. Includes color illustrations.  This project was a requirement for a folk studies class at Western Kentucky University.

Fur Trade 07: Native Peoples And The Fur Trade, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 7. Shifting Political Alliances and Power, Transformations of Culture, and Religion and Worldview.

Fur Trade 01: Beaver: Mainstay Of The Trade, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 1. Hunting, Hides, and Hats, Environmental Effects, and Why Beaver?

Fur Trade 06: How The Fur Trade Worked, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 6. Government Regulation, From Montreal to the West, and Movement of Goods and Furs.

Fur Trade 09: Fur Trade Society, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 9. Interdependence, Mutual Influences, and Métis and Country Wives.

Fur Trade 02: Birchbark Canoes, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 2. A Joint Effort, Canoes Got Bigger, Why Birchbark?, and a Valuable and Renewable Resource.

Fur Trade 03: Trade Goods 1, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 3. Material Culture of the Fur Trade and Cloth and Clothing.

Fur Trade 04: Trade Goods 2, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 4. Firearms and Metal Goods.

Fur Trade 05: Getting Around In 17th And 18th Century New France, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 5. Routes and Transportation and Travels of a Voyageur.

Fur Trade 08: New France And The Place Of The Fur Trade, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 8. What Was New France?, More than Profits at Stake, and Imperial Rivals.

Fur Trade 10: Fur Trade Myths, Acknowledgements, Rachel B. Juen, Fort St. Joseph Archaeological Project

Fort St. Joseph Archaeological Project

Panel 10. Fur Trade Myths, Fiction vs. Fact.

Acknowledgements: Funding, Contributors, Image Credits, and Special Thanks.

Lani Montreal Interview, Thi Navi Thach

Asian American Art Oral History Project

2010 interview with Filipina teacher, writer, performer Lani T. Montreal by Thi Navi Thach

Tatsu Aoki Interview, Brian Callahan

Asian American Art Oral History Project

2010 interview with musician Tatsu Aoki

Ann Poochareon Interview, Christina Yang

Asian American Art Oral History Project

2010 interview with new media artist Ann Poochareon by Christina Yang

Tina Ramirez Interview, Karina Lopez

Asian American Art Oral History Project

2010 interview with poet Tina Ramirez