American Material Culture Commons^™

Art In An Apocalypse: Aids, Activism, And Abolition In Work Of Essex Hemphill And Alternative Video Production, Sydney E. Guntharp

Honors Theses

This thesis is an exploration of Black, POC, feminist, and queer art in the late twentieth century, examining both the AIDS crisis and the increasing privatization of the prison industrial complex as key factors in the development of Essex Hemphill’s poetic, expressive works and the filmmaking activism of various videotape collectives. Through employing the lens of critical prison studies, this work seeks to understand how Black and POC art emerged as a site of political resistance to a carceral state as well as the broader social punishment doctrine that influenced the public health response to AIDS in the United States. …

Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa

Theses and Dissertations

Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.

Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Review Of Scattered And Fugitive Things: How Black Collectors Created Archives And Remade History, Kai H. Uchida

Journal of Contemporary Archival Studies

In Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History, historian and archivist Laura E. Helton tells the story of six individuals – Arturo Schomburg, Alexander Gumby, Virginia Lee, Dorothy Porter, Vivian Harsh, and Lawrence Reddick – whose practices of radical collecting revalued and recast the importance of Black history. Helton combines innovative methodological readings of previously undervalued archival sources with a keen understanding of archival practice to illuminate Black archives as a site of radical collecting, intellectual inquiry, and community empowerment. Compellingly written with insights about the theory of their curation and the story of …

Sam Boakye, Mark Naison, Anthony Abd-Al Shafi Rosado

Oral Histories

At the end of the interview, Boakye explains what he wants for Kwasi Paul in the future, both in the Bronx and in the fashion industry. For the Bronx, he wants it to represent Ghanaian fashion, something Ghanaians in the Bronx can be proud of. He wants the Bronx to be seen as something better, not a “dirty” borough, as stereotypes would have it. For fashion, he wants to be another lens of living with in-between identities, for everyone who falls into these categories of multiple identities, especially for people in New York City.

He encapsulates the Bronx as “The …

Introducción, Victòria Solanilla, Anabel Villalonga Gordaliza

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El presente volumen reúne una selección de contribuciones derivadas del simposio «Migraciones en la imagen prehispánica: transitando territorios», coordinado en el marco del 58º Congreso Internacional de Americanistas (ICA58). Este congreso, celebrado en distintas sedes en Novi Sad, Serbia, del 30 de junio al 4 de julio de 2025, conmemoró los 150 años del ICA y reunió a investigadores de todo el mundo bajo el lema «Nuevos desafíos, Nuevos espacios», incorporando además una valiosa «mirada balcánica» al estudio de las Américas. En ese escenario — un cruce de lenguas, trayectorias y tradiciones académicas — nuestro simposio propuso detenerse ante un …

Anishinaabe Nibiing: Anishinaabe Waterscapes And Canoe Building As Traditional Ecological Knowledge, Jeremy Kingsbury

The Cicadian

This paper explores the cultural, ecological, and technological significance of birch bark canoe (wiigwaasi-jiimaan) building among the Anishinaabe people, emphasizing their identity as an inland maritime society. Drawing on historical accounts, oral traditions, and personal experience as a park ranger, the author examines the intricate process of harvesting materials and constructing canoes, highlighting the deep environmental knowledge and gendered labor involved. The canoe served not only as a vital means of transportation and subsistence—facilitating fishing, wild rice harvesting, and seasonal migration—but also as a symbol of familial and spiritual connection. Through detailed descriptions of material selection and craftsmanship, …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

"Troublesome Medicine Man": Representations Of The Sword Bearer Incident In Newspaper Coverage, Cara Sue Swaim

History Undergraduate Honors Theses

Newspaper coverage of Native Americans during the nineteenth century had an “artistic bias,” or a tendency to emphasize action, danger, and treachery as a part of the “Indian formula.” This meant that vast amounts of journalistic zeal was spent on instances of conflict and tension between tribes, within tribes, between tribes and white settlers, or between tribes and the U.S. military, while times of peace and instances of cooperation received miniscule amounts of attention. This was largely motivated by a desire to justify American western expansion and the need to “civilize” Native groups. This “Indian formula” was also applied in …

Down The Bay Oral History Project Newsletter - Winter 2025, Center For Archaeological Studies, Mccall Library

Down the Bay Oral History Project Newsletter

Public newsletter sharing information about progress and discoveries during the Down The Bay Project.

Digital Zines As Mental And Sexual Health Communication Tools For Latina Teens: Format And Content Acceptability And Initial Findings, Jenn M. Lilly, D'Andrah Almanzar, Susan R. Pace, Dante D. Bryant

Social Service Faculty Publications

Recognizing the potential of digital zines (defined as selfpublished,

online publications combining artwork and

text) as culturally tailored health communication tools,

this article examines the acceptability and impacts of two

digital zines about mental and sexual health created by

Latina young people for Latina teens as a health communication

strategy. We conducted an anonymous online

survey completed by Latina teens who read the zines (32

for sexual health and 33 for mental health). Data analysis

aimed to explore, summarize, and interpret the collected

data using an artificial intelligence (AI)-enhanced

approach. Survey participants found the zine format and

content acceptable and …

Blackness And Nineteenth-Century Art In The Atlantic World, Rachel Hooper

Curatorial Publications

No abstract provided.

Myth And Monument In Old Town Albuquerque: Southwest Pietà And The War Of Presiding Histories, Eric Castillo

Regeneración: A Xicanacimiento Studies Journal

Luis Jiménez’s Southwest Pietà (1984) intended to combat cultural amnesia that obscured Native Americans’ and Mexicans’ contributions to the state. Jiménez’s Pietà sought to counter the iconography that shaped New Mexico’s colonialist heritage. But Old Town Albuquerque shrouds Native American and Mexican contributions to the region. Albuquerque’s public art has often been deployed as a wedge to write and rewrite narratives about land inhabitants, but the city’s public art tells a powerful story about race and place in New Mexico. This essay explores the socio-historical battle of land memorialization in Old Town Albuquerque and provides a geo-racial perspective about the …

Gladys Mitchell House Collection, Dan Bonenberger, Jaclyn Panter, Katherine St. Amand, Ian Tomashik, Kate Zorn

Digital Heritage Preservation Collection

This collection explores the life of Gladys Mitchell and the home she shared with her family on Detroit's Eastside. Gladys and her husband, Ossian Sweet, lived with her parents Benjamin and Rosella in a residence on 9322-24 Cairney Street from 1922 to 1925 before moving to the now-historic bungalow at 2905 Garland Street, located about a mile southeast. In 1925, when the Sweets moved into an all-white neighborhood, their experience led to a landmark Supreme Court case that affirmed African Americans' rights to homeownership, including the right to defend their private property.

Benjamin Mitchell and his wife, Rosella, rented the …

Building Black Manhattan: Architecture, Art, And The Politics Of Respectability, 1857–1914, Jessica Larson

Dissertations, Theses, and Capstone Projects

“Building Black Manhattan” is the first study to examine the architectural contributions of Black women reformers to the urban development of New York City between the Civil War and the Great Migration. Through the construction of charitable and reform institutions throughout Manhattan, they articulated a strategy of racial uplift through deliberate spatial construction.

As reform work was one of the very few arenas in the nineteenth and early twentieth centuries in which women had a significant public voice, the buildings constructed to facilitate reformers’ work encoded the social, racial, and gendered demands of women into their designs. These institutions included …

Remade Radical: Design Artifacts Of A Third World Future, Yasmine Hassan

Masters Theses

Remade Radical draws inspiration from the existing practices of informal making and reuse prevalent in Black and brown immigrant and working-class communities in order to reimagine maker culture and the field of industrial design as a whole. These improvisational practices–known by a number of different names across the globe, including jua kali (Kenya), gambiarra (Brazil), jugaad (India), and even hood engineering (United States)–are oftentimes viewed as inevitable byproducts of waste and artifacts of besiegement from the world’s wealthiest nations. Yet within these practices lies a tangible counterpoint to the material excess and rampant consumption made possible through the continued exploitation …

The Black Press And Late Imperial Russia, Benjamin Pierce

History Undergraduate Honors Theses

For centuries, western observers had looked to Russia and seen a place fundamentally different from their home countries. In their accounts, Russia was distinctly oppressive, a state characterized by tyranny, barbarism, and Mongolian influence. But these accounts were faulty. They were written by merchants, diplomats, and explorers, wealthy white men who had never experienced the kind of repression they witnessed in Russia. When Black Americans looked to Russia, however, they saw a place fundamentally similar to the United States. Both countries were large, multiethnic empires driven by territorial acquisition and fueled by forced labor. By tracing the coverage of Russia …

Ix Jornadas Internacionales De Textiles Precolombinos Y Amerindianos / 9th International Conference On Pre-Columbian And Amerindian Textiles [Volumen Completo / Complete Volume]

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Comité Científico – Scientific Committee : Lena Bjerregaard, Arabel Fernández, Carolina Orsini, Ann Peters, Victòria Solanilla / Secretaría Científica – Scientific Secretary : Federica Villa

Milan, 19-22 octubre de 2022: Textiles arqueológicos de los Andes centrales – Archaeological textiles from the Central Andes / Textiles arqueológicos de los Andes sur - Archaeological textiles from the Southern Andes / Iconografía y simbolismo - Iconography and Symbolism / Estudios de colecciones - Collection Studies/ Conservación – Conservation / Textiles etnográficos - Ethnographic Textiles

Marina Pugliese / Carolina Orsini / Federica Villa / Daniela Biermann / Amy Oakland / Lizbeth Pariona, Carlos Rengifo …

A Tribe Laud West 1 : Hip-Hop And Its Influence On Tribal Gear And A New Chicano Generation, Monique Charles

Sociology Faculty Books and Book Chapters

"

It should be noted that despite the general counterculture of SoCal in the late 1980s, at the time of Tribal's birth, the laid-back attitude of generation X (1965–80),4 which included apathy and disillusion with the political and 92 economic climate (that “grungy” college educated/tech savvy white American generation Xers experienced under Reagan's neo-liberalism and neo-conservatism), was vastly different to Black and Brown youth in major cities across the United States. Black and Brown people were marginalized on grounds of race, which was exacerbated by police brutality, neighborhoods flooded with drugs (Love, 2016) and weapons, horizontal violence (see Fanon, 2001) …

Túnicas Masculinas A Fines Del Horizonte Medio En La Costa Sur Central Del Perú, No Uno Sino Varios Estilos, Rommel Angeles Falcón

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Las excavaciones arqueológicas en Huaca Malena (valle bajo de Asia), en la costa sur central del Perú, han permitido recuperar una importante cantidad de textiles procedentes de tumbas y de contextos secundarios de fines del período Horizonte Medio (Siglos VIII-XI d.C.). Destaca la variedad de túnicas o uncus que permiten visualizar la vestimenta masculina de la época y conocer aspectos de su tecnología, iconografía y de las relaciones inter-regionales que se dieron durante el estado wari.

Archaeological excavations at Huaca Malena (lower Asia valley), on the south central coast of Peru, have allowed the recovery of a significant amount of …

Moche-Wari Textiles From Huaca Del Sol, Moche Influence In The Middle Horizon, Amy Oakland

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This paper analyzes a selection of textiles excavated in 2013 in the destroyed late Middle Horizon (AD 800-1000) cemetery on Huaca del Sol, Huacas de Moche in the Moche Valley of northern Peru. The Huaca Sol textile group was woven with local, Moche style S-spun cotton yarns between AD 888-1050, calibrated radiocarbon dates along with a small number of Wari textiles, late Moche and Wari ceramics and ceramics in Casma and Cajamarca styles. Textile structure and design provide the basis for reconstruction into complete garment types known to other Middle Horizon collections on the central and southern coast where Moche …

An Examination Of An Inka(?) Aksu In The Collections Of The Textile Museum, Shelley Burian

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This paper presents the preliminary results and conclusions from an examination of an exceedingly rare example of a weft-face and tapestry-woven aksu in the collections of The Textile Museum. Patterned with figurative butterflies, the garment closely resembles those depicted by Felipe Guaman Poma de Ayala in several of his illustrations of ceremonies and elite women. Its features present challenges for determining its dates and the level of social status it represents or confers. The similarity between the aksu’s butterflies and those in a checkerboard unku in the Field Museum provides suggestive evidence for its use in an official state setting. …

Inka Khipus, Thread Wrappings And Subject Markers, Lucrezia Milillo

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

This work aims to contribute to our current understanding of how information was organized in khipus, Andean colourful knotted cords used as writing. If the idea that khipu signs could work as a flow chart was common in the last two decades, it is not until the notion of kayte as subject marker was elaborated by Sabine Hyland on the basis of Julio C. Tello's notes that the theory could be discussed on more empirical grounds. So far, the term “kayte” applied to needlework bundles, pompons or tufts attached to the beginning of the primary cord. In this work, the …

Evidencias De Tecnología Textil En Un Basural Del Santuario De Pachacamac, Rommel Angeles Falcón, Susana Abad, Janet Oshiro

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Recientes excavaciones arqueológicas en el santuario arqueológico de Pachacamac, valle de Lurín, Costa Central del Perú, permitieron identificar un denso basural del período Inca (Siglos XV-XVI) que contenía una importante cantidad de elementos relacionados a la actividad textil: husos, piruros, ovillos, espadas, estacas y peines, entre otros que permiten visualizar la cadena operativa que se realizaba en el santuario de Pachacamac.

Recent archaeological investigations in the archeological site of Pachacamac (Lurin Valley, Central Coast of Peru) allowed us to identify a dense Inca garbage dump (XV-XVI centuries) that contained an important amount of textile artifacts: spindles, piruros, balls, swords, stakes …

Equivalencias Entre La Indumentaria De Mesoamérica Y De La Zona Andina, Victòria Solanilla Demestre

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Al igual que en Jornadas anteriores presenté signos comunes en los textiles, mi interés sigue siendo buscar paralelismos y/o significados parecidos o iguales entre las dos principales zonas culturales de América precolombina: Mesoamérica y la Zona Andina, ya que creo firmemente que hubo contactos entre ellas. En esta ocasión trataré el tema de las equivalencias en las indumentarias, que creo necesitará igualmente diferenciarlas fuentes de información, como hice en anteriores ocasiones. En Mesoamérica, es preceptiva la consulta de las fuentes escritas; y en este caso las dibujadas, pues serán las principales. Además, recurriremos al estudio de las figurillas de arcilla …

Entre Lo Simbólico Y Lo Material. Textiles Moche Para La Eternidad, Arabel Fernández López

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Una revisión de distintas evidencias materiales provenientes principalmente de contextos funerarios de personajes de la élite gobernante mochica, así como de las imágenes plasmadas en la cerámica, metales y arte mural policromo, dejan entrever aspectos poco conocidos sobre el rol que cumplió la textilería en esta sociedad (100 – 850 d. C.), revelando una serie de temas simbólicos vinculados a los mitos y ritos que formaron parte de la cosmovisión andina mochica que, además, se fundieron con la propuesta ideológica impuesta por la clase gobernante. Las evidencias y contextos registrados durante las excavaciones arqueológicas permiten sostener que, en los distintos …

Behind The Scenes In Museum Collecting: The Destinies Of Henry Wellcome’S Pre-Hispanic Textiles, Penelope Dransart

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

In this article, I explore the sale of pre-Hispanic textiles from Andean countries, especially Peru, demonstrating networks between collectors, auction houses and researchers. Sir Henry S. Wellcome (1856-1936) was a North American pharmaceutical entrepreneur. After transferring his commercial interests to London in 1880, he bought textiles and other antiquities at auctions. I outline the activities of Wellcome staff in registering the textiles in Wellcome’s store at Willesden, London. Textiles which preserve Wellcome labels now in the Museum of Archaeology and Anthropology, University of Cambridge, and the National Museums of Liverpool are described. I examine the case of a distinctive Wari …

Las Warakas (Hondas) De Arena Blanca, Cerro Colorado Y Wari Kayan En La Península De Paracas: Nuevos Datos E Interpretaciones, Jessica Lévy Contreras, Ann H. Peters

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on PreColumbian and Amerindian Textiles, Museo delle Culture, Milan, 2022

Las hondas o warakas halladas en la Península de Paracas, contextos mortuorios que datan del final del Formativo Tardío a inicios del Periodo Intermedio Temprano, 400 a.C. – 250 d.C., ofrecen datos inéditos para entender mejor su confección, uso y función simbólica. A partir del estudio de los registros gráficos y fotográficos de las excavaciones de la tumba T.27 en Arena Blanca, realizadas por Engel y Bischof en 1959, hemos desarrollado un nuevo estudio de sus materiales, tanto para la recuperación de los datos como para su puesta en valor, teniendo en cuenta las problemáticas arqueológicas actuales. Hemos comparado los …