American Material Culture Commons^™

The Log Cabin | Public Perception And Mediated Reality (1840 – 1980), Aspen M. Regan

Architecture Undergraduate Honors Theses

This capstone examines the evolution of the log cabin from 1840 to 1980. At its core, the project questions the legacy of the log cabin from its origins as simply being a traditional dwelling typology to its establishment as a cultural icon or rather, an enduring vessel that established the American Dream and ideals of self-reliance, freedom, and individualism deep within the heart of American culture.

Chapter One situates the log cabin historically and architecturally, defining the popular frontier dwelling as being a single-pen horizontal log constructed cabin. It then explores the cabin’s emergence as a cultural image through political …

Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet

Undergraduate Honors Thesis Projects

This paper is an exploration of former First Lady Frances Folsom Cleveland’s position as an influential figure in women’s fashion during her years in the White House, seeking to fill a gap in historical scholarship regarding her legacy. It proposes the term “fashion archetype” to describe the phenomenon of celebrity that Frances experienced in which her public persona was detached from her individual identity and manipulated by the media to influence American women. Analysis of her early-White House wardrobe and the media attention her style and appearance received reveals the power that clothing held in nineteenth-century American society, as well …

The Ladies' Home Journal: Dormant Seeds Of The Feminine Mystique Pre-Wwii, Isis Santos Villaça

University Honors Theses

At the turn of the 20th century, magazines were becoming increasingly available to the middle class. Throughout the 1890–1930s, the industry put forth an entire new iteration of publications that came to be popular with female readers. One of the most successful publications from this period, The Ladies' Home Journal, distinguished itself through its strong editorial presence on the page. The editors of the Ladies' Home Journal intended to create a "traditional" female identity that reflected domesticity in the journal, which countered the rising notions of the New Woman. Simultaneously, the publication aimed to create an educational product with …

Review Of Scattered And Fugitive Things: How Black Collectors Created Archives And Remade History, Kai H. Uchida

Journal of Contemporary Archival Studies

In Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History, historian and archivist Laura E. Helton tells the story of six individuals – Arturo Schomburg, Alexander Gumby, Virginia Lee, Dorothy Porter, Vivian Harsh, and Lawrence Reddick – whose practices of radical collecting revalued and recast the importance of Black history. Helton combines innovative methodological readings of previously undervalued archival sources with a keen understanding of archival practice to illuminate Black archives as a site of radical collecting, intellectual inquiry, and community empowerment. Compellingly written with insights about the theory of their curation and the story of …

Sam Boakye, Mark Naison, Anthony Abd-Al Shafi Rosado

Oral Histories

At the end of the interview, Boakye explains what he wants for Kwasi Paul in the future, both in the Bronx and in the fashion industry. For the Bronx, he wants it to represent Ghanaian fashion, something Ghanaians in the Bronx can be proud of. He wants the Bronx to be seen as something better, not a “dirty” borough, as stereotypes would have it. For fashion, he wants to be another lens of living with in-between identities, for everyone who falls into these categories of multiple identities, especially for people in New York City.

He encapsulates the Bronx as “The …

Billiken As Transcultural Object From American Mascot To Japanese Pop Deity, M.W. Shores

Asia Pacific Perspectives

This article examines Billiken’s transcultural journey from American novelty mascot (1908) to cultural icon, illuminating early twentieth-century Pacific exchange networks and patterns of cultural adaptation. Drawing on American and Japanese archives, it demonstrates how this commercial figure, born from Progressive Era optimism and incorporating Japanese (and Orientalist) design elements, was transformed within Japanese religious and cultural frameworks. The study analyzes Billiken’s metamorphosis from “good luck” commodity to quasi-religious icon, particularly in Osaka’s Shinsekai district, where strategic marketing drove his its late twentieth-century revival after decades of obscurity. While largely forgotten in America and elsewhere, Billiken’s endurance in Osaka challenges narratives …

The Boxer Rebellion And Missionaries: A Study Of Historical Context And Ideological Perspectives, Danielle Russano-Simpkins

Bound Away: The Liberty Journal of History

This paper examines the complex interplay between missionary activity, imperial ambitions, and indigenous resistance in China during the Boxer Rebellion (1899-1901). Analyzing primary sources and revisionist accounts, it is argued that the rebellion exposed the contradictions between missionaries' spiritual goals and their complicity in imperial structures. The study highlights how missionary theology, imperial relationships, and local resistance converged to create one of modern history's most significant anti-foreign uprisings, shaping subsequent Sino-Western relations and Chinese nationalism.

Anishinaabe Nibiing: Anishinaabe Waterscapes And Canoe Building As Traditional Ecological Knowledge, Jeremy Kingsbury

The Cicadian

This paper explores the cultural, ecological, and technological significance of birch bark canoe (wiigwaasi-jiimaan) building among the Anishinaabe people, emphasizing their identity as an inland maritime society. Drawing on historical accounts, oral traditions, and personal experience as a park ranger, the author examines the intricate process of harvesting materials and constructing canoes, highlighting the deep environmental knowledge and gendered labor involved. The canoe served not only as a vital means of transportation and subsistence—facilitating fishing, wild rice harvesting, and seasonal migration—but also as a symbol of familial and spiritual connection. Through detailed descriptions of material selection and craftsmanship, …

Historical Research And Conservation Treatment Of An Oversized 19th-Century Subscription Family Bible, Charlotte Starnes

Art Conservation Master's Projects

This paper briefly examines the construction, materials, and conservation challenges of 19th-century subscription Bibles, focusing on the treatment of an 1885 Thomas Kelly Latin Vulgate Family Bible. These large-format, heavily decorated volumes represent the unique intersection of industrialized book production and traditional hand-binding techniques. Through the visual comparison of multiple subscription Bible structures and canvasser’s sample books, historical research, and survey responses from conservators, this project identifies key structural features, including hybrid board attachment methods, varied sewing techniques, and the sculpted two-board coverboard structure. X-radiography, microscopy, and preliminary XRF analysis provide further insights into material choices, such as the use …

On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos

Criticism

Petrochecmical Fantasies: The Art and Energy of American Comics by Daniel Worden. The Ohio State University Press: Columbus, 2024. Pp. 171. $34.95 cloth.

The Evolution Of Schooling: From Industrial Obedience To Techno-Autonomy, Seb Taylor, Ron Roberts Ii

Digital Laboratory: Publisher of Internet Journal

This paper examines the enduring architecture of the American education system as a mechanism designed for compliance, not creativity. Rooted in 19th-century industrial logic, the structure of schooling, its physical design, time constraints, and assessment methods, has remained largely static despite seismic cultural and technological shifts. Through historical analysis and contemporary critique, this work interrogates the persistence of standardized methods, institutional prestige, and top-down instruction as barriers to meaningful learning and value creation. Drawing from interdisciplinary research and live case studies, including Alpha School’s AI-powered, mastery-based model, the paper advances the concept of techno-education: a student-centered paradigm informed by feedback …

Kimball Hall, 1970: Collective Organizing Through Print Production, Jen Hoyer

Publications and Research

This article examines the May 1970 occupation of Kimball Hall, a university administrative building at New York University, and specifically of its basement printshop. The group that came together in this space referred to itself as the Kimball Commune; they used university equipment and resources to print material in support of the strike and related movements, and they invited students, activists, and the general public to come into the printshop and produce material with them. I demonstrate how the Kimball Commune provides a concrete example of how a collaborative radical printing project isn’t just about creating alternative media. It also …

Shaping The Fabric Of Society: Middle Class Women As Imperial Consumers Of Calico In Pre-Revolutionary America, Elsa Cassell Toland

Swarthmore Undergraduate History Journal

Through the Calico Acts of 1700 and 1721, Britain repositioned its Atlantic colonies as distinct imperial consumers of imported calico cloth from India. The resulting expansion of the cotton textile trade had profound impacts for class and society in pre-revolutionary America, as middle class consumers used calico to express their purchasing power, refined taste, and social identity. These patterns of class expression were especially relevant for middle class women. As the primary consumers of imported calico, women directed purchases of luxury textiles for their households in order to shape their families’ identities as members of the middle class. Ultimately, as …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

"Troublesome Medicine Man": Representations Of The Sword Bearer Incident In Newspaper Coverage, Cara Sue Swaim

History Undergraduate Honors Theses

Newspaper coverage of Native Americans during the nineteenth century had an “artistic bias,” or a tendency to emphasize action, danger, and treachery as a part of the “Indian formula.” This meant that vast amounts of journalistic zeal was spent on instances of conflict and tension between tribes, within tribes, between tribes and white settlers, or between tribes and the U.S. military, while times of peace and instances of cooperation received miniscule amounts of attention. This was largely motivated by a desire to justify American western expansion and the need to “civilize” Native groups. This “Indian formula” was also applied in …

"Taking" Photographs: Settler Aesthetics In 20th Century Hawaiian Postcards, Elena Lee, Rebecca Koerselman

Celebration of Research

Due to colonization, Hawaii’s economic, political, and societal structure were changed to fit the white American standard. Colonization also caused a shift in their aesthetics, including the exclusion from participation in the creation of art, and poor visual representations of Hawaiian culture in settler art, which is known as “settler aesthetics.” Settler Aesthetics is a term and theory that seeks to define how a culture’s art and beauty has been influenced by settler colonialism. Many historians have analyzed this theory in Hawaiian literature, music, and visual art, but have left untouched the field of deltiology; the study of postcards. Though …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

A Pragmatic Legacy: Charles Wilson’S Politics And The Battle For His Archival Heritage, Jordan Coleman

Electronic Theses and Dissertations

Congressman Charlie Wilson served Texas and the United States with distinction throughout his political career, leaving a profound impact on East Texas and the global stage. Known for his progressive policies in the Texas Legislature and his influential role in U.S. foreign policy during his tenure in Congress, Wilson’s pragmatic political career and legacy is preserved in the Charlie Wilson Congressional Papers collection at the East Texas Research Center (ETRC). Despite its historical significance, the collection faced decades of delayed processing, disorganization, and neglect of archival best practices. This public history thesis confronts these challenges by detailing the efforts to …

Down The Bay Oral History Project Newsletter - Winter 2025, Center For Archaeological Studies, Mccall Library

Down the Bay Oral History Project Newsletter

Public newsletter sharing information about progress and discoveries during the Down The Bay Project.

Blackness And Nineteenth-Century Art In The Atlantic World, Rachel Hooper

Curatorial Publications

No abstract provided.

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

Rifles And Riflemen: Material Culture, Violence, And Early American Identity, 1720 -- 1820, John Bradstreet Weaver

Graduate Theses, Dissertations, and Problem Reports (ETD)

The rifle was one of many material objects which colonists of British North America brought with them from Europe. Starting in the early eighteenth century, German-speaking settlers in Pennsylvania began to manufacture rifles from locally made and imported parts. These rifles became associated with other material objects – namely a system of dress, which included wearing a whitetail deer’s tail in the hat, the hunting shirt, and forms of Native American dress – which became emblematic of some British colonists who used rifles in hunting and war. Rifles became militarily important in the Seven Years’ War, where Native American warriors, …

Reclaiming Revolutionary Relics: How Nineteenth-Century Americans Used George Washington’S Objects To Understand The Civil War, Abbi E. Smithmyer

Graduate Theses, Dissertations, and Problem Reports (ETD)

By combining cultural, memory, and material culture studies, this dissertation examines the ways objects associated with George Washington became instruments within the proxy war over whether the United States or the Confederacy best represented the American Revolutionary era’s principal values of liberty and equality. Exploring monuments, statues, historic homes, relics, and mementoes, as well as antebellum speeches and schoolbooks, letters, diaries, military orders, newspapers, and memoirs, this work demonstrates how the relics linked to Washington and the nation’s founding shaped how the Civil War generation thought about America’s past.

The 250th anniversary of the founding of the United States has …

Myth And Monument In Old Town Albuquerque: Southwest Pietà And The War Of Presiding Histories, Eric Castillo

Regeneración: A Xicanacimiento Studies Journal

Luis Jiménez’s Southwest Pietà (1984) intended to combat cultural amnesia that obscured Native Americans’ and Mexicans’ contributions to the state. Jiménez’s Pietà sought to counter the iconography that shaped New Mexico’s colonialist heritage. But Old Town Albuquerque shrouds Native American and Mexican contributions to the region. Albuquerque’s public art has often been deployed as a wedge to write and rewrite narratives about land inhabitants, but the city’s public art tells a powerful story about race and place in New Mexico. This essay explores the socio-historical battle of land memorialization in Old Town Albuquerque and provides a geo-racial perspective about the …

Gladys Mitchell House Collection, Dan Bonenberger, Jaclyn Panter, Katherine St. Amand, Ian Tomashik, Kate Zorn

Digital Heritage Preservation Collection

This collection explores the life of Gladys Mitchell and the home she shared with her family on Detroit's Eastside. Gladys and her husband, Ossian Sweet, lived with her parents Benjamin and Rosella in a residence on 9322-24 Cairney Street from 1922 to 1925 before moving to the now-historic bungalow at 2905 Garland Street, located about a mile southeast. In 1925, when the Sweets moved into an all-white neighborhood, their experience led to a landmark Supreme Court case that affirmed African Americans' rights to homeownership, including the right to defend their private property.

Benjamin Mitchell and his wife, Rosella, rented the …

The Memory-Keeping Daughter: Exploring Object Stories And Family Legacies From America's Modern Wars, Susan R. Grayzel

History Faculty Publications

This essay demonstrates how wartime objects can have a special resonance in families as keepers of memory, and it especially explores the role of daughters of military participants in preserving the artifacts of their veteran fathers. Using several case studies from a recent public history project collecting objects and object stories in the American southwest, it argues that a focus on daughters as caretakers of family military history offers a new way to engage with descendants' histories by showing how the work of such women can contribute to our understanding of modern war and its legacies.

Transatlantic Connections: Reconsidering The Outcomes Of The Arts And Crafts Movement Through The Women's Experience, Britain And The United States, 1860-1920, Tiffany B. Beasley

Graduate Theses and Dissertations (2019 - present)

The British Arts and Crafts movement (1860-1914) was a call for the return to artisan craftsmanship as a response to mass-production driven by the Industrial Revolution (1760-1830). Historically, the movement has been viewed as a socialist concept developed by men. However, in 1979, a feminist intervention in women's history challenged this masculinist perspective. As the movement spread to the United States (1870-1920), first to New England and then to the South in New Orleans, it also expanded into concepts that moved beyond craftsmanship and into women's issues, such as education, suffrage, and professional work opportunities. It is now evident that …

Come As You Are: The Rise And Fall Of The Grunge Movement And Its Implications On The Identity Of Seattle, Colin J. Wood

Montview Journal of Research & Scholarship

This paper evaluates the rise of the Grunge movement through Nirvana’s Nevermind album as a unique burst of culture through the city of Seattle. Culturally, in the late 20th century, Seattle found its identity in the area around it, though other American cities overshadowed its significance. Through music, figures such as Jack Endino and the iconic Kurt Cobain gave Seattle an unfathomable uplift within global culture. This paper argues that grunge culture emerged as a distinct facet of Seattleite identity, with elements like flannel clothing and thrifting playing pivotal roles in shaping the city's recognizable and esteemed cultural landscape. It …