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Articles 1 - 4 of 4
Full-Text Articles in American Literature
On The Verge Of Change: Eudora Welty's Delta Wedding, Mallary Taylor
On The Verge Of Change: Eudora Welty's Delta Wedding, Mallary Taylor
Electronic Theses and Dissertations
This thesis discusses the effects of war on the southern plantation lifestyle depicted in Eudora Welty's Delta Wedding. This thesis focuses on the female characters who adapt to the absence of the husbands during wartime. Wars are the catalyst for societal change in the novel, and the women must adapt to the new social changes that are encroaching upon the plantation. The chapters explore each individual reaction of female characters in the novel. The female characters in Delta Wedding represent varying wars of reacting to shifting social norms brought about by war.
Of This Ground: Land As Refuge In The Works Of Three Kentucky Women Writers, Nicole Marie Drewitz-Crockett
Of This Ground: Land As Refuge In The Works Of Three Kentucky Women Writers, Nicole Marie Drewitz-Crockett
Doctoral Dissertations
This dissertation investigates the memoirs, novels, and short stories of three women writers whose work is heavily invested in a sense of place and privileges women’s relationships to the land: Harriette Simpson Arnow, Bobbie Ann Mason, and Barbara Kingsolver. All of these women spent their formative years in Kentucky, which for the purposes of this project classifies them as “Kentucky writers.” As a group these women offer a one possible solution to modern concerns for women: a relationship to the land as refuge. Engagement with the land as refuge provides a sense of satisfaction, a source of therapy, and a …
"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig
"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig
Legacy Theses & Dissertations (2009 - 2024)
This project is primarily concerned with the difficulty of representing traumatic experience and the problem of seeing violence and exploitation as natural and inevitable functions of social life. It argues that texts attempting to expose exploitive hierarchies and structural injustices often risk having their stories subsumed and commodified by the profuseness and proliferation of countervailing messages about individual choice and personal freedom. This struggle is highlighted through historicizing five contemporary American narratives--Margaret Atwood's Bodily Harm, the films Boys Don't Cry and Monster, Toni Morrison's Beloved, and Linda Hogan's Solar Storms--with and against critical concerns and popular texts. Furthermore, by employing …
The Queen Of The Household: Mothers, Other Mothers, And Female Genealogy On The Plantation In Postslavery Women's Fiction, Correna Catlett Merricks
The Queen Of The Household: Mothers, Other Mothers, And Female Genealogy On The Plantation In Postslavery Women's Fiction, Correna Catlett Merricks
Electronic Theses and Dissertations
In many ways, the plantation defined the U.S. South because it was the primary site of production, and therefore income, for prominent southerners. In addition to being a site of production, the plantation created a complex series of connected relationships that was imagined by the plantocracy to be a large family unit. It functioned according to a specific hierarchical model that was primarily based on a patriarchal understanding of genealogy. Yet Kate Chopin's "Désirée's Baby" and "La Belle Zoraïde," Pauline Hopkins's Contending Forces, Zora Neale Hurston's Their Eyes Were Watching God, Julia Peterkin's Scarlet Sister Mary, Eudora Welty's Delta Wedding, …