American Literature Commons^™

Eng 155: Introduction To Literary Studies, Joseph Donica

Open Educational Resources

An OER syllabus covering the ways humans have read and continue to read literature from a variety of critical and theoretical perspectives. An emphasis is placed on the application of critical thought to writing expository essays and responding to readings.

Sherwood Anderson And The Industrial Corruption Of Midwestern Individualism, Hudson Rice

Senior Honors Theses

Sherwood Anderson’s literary Midwest reflects many of the idealistic characteristics resulting from the region’s frontier, agrarian origin. The most prominent of these characteristics is the region’s emphasis on and appreciation of human particularity. His novels Winesburg, Ohio and Poor White document the region’s unique relationship with individual particularity and how this particularity clashed with a new industrial lifestyle. The two novels reflect the Midwest’s unique understanding of individuality and offer an explanation for why the region’s response to an industrial cultural overhaul was so damaging for the Midwest’s identity, as the traditional identity was supplanted by an industrial one.

The Word According To Flannery O'Connor, Eamon Maher

Articles

In her relatively short life (1925-1964), one that was greatly curtailed as a result of being diagnosed with lupus (a disease from which her father also died in 1952), Flannery O’Connor managed to leave behind a literary legacy that continues to fascinate scholars and general readers alike. This is all the more surprising when one considers that the work consists of just two novels, Wise Blood (1952) and The Violent Bear It Away (1960), along with 31 short stories.

'Tomboy' Is Anachronistic. But The Concept Still Has Something To Teach Us, Lynne Stahl

Faculty & Staff Scholarship

This article explores the tomboy trope in film and literature and the "taming" that characterizes it, framing both in relation to contemporary debates about gender and sexual identity as well as cultural anxieties around queer, trans, and nonbinary identity. Examining texts from Louisa May Alcott's Little Women to the 1980 film Little Darlings, the article argues that even while the term tomboy may be obsolete, tomboy narratives document processes of rebellion that hold continuing value.

‘Some Foods Are Considered Aphrodisiac Because They Resemble Sexual Organs’: On Isabel Allende’S Aphrodite, Anke Klitzing

Articles

At the age of 56, well into her second marriage and a grandmother herself, novelist Isabel Allende decided to find out whether aphrodisiacs are all they are made out to be. She wrote Aphrodite: The Love of Food and Food of Love after extensive research into erotic literature across some centuries and continents, and this foundation of age-old wisdom also means that the book, while published in 1998, remains a timeless source of inspiration and enjoyment.

Cosmic Consciousness And Rawlings’S The Sojourner, Ashley Q. Lear

Publications

The epigraph for Rawlings’s The Sojourner quotes I Chronicles 29:15, “For we are strangers before thee, and sojourners, as were our fathers: our days on the earth are as a shadow, and there is none abiding.” This opening image is one of many hints to the cosmic consciousness that Rawlings writes into her narratives.

The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley

Publications and Research

This essay reads Carlene Hatcher Polite's little-known experimental novel Sister X and the Victims of Foul Play and situates it within Black Aesthetics and black feminist theory to argue that experimental forms is crucial to black feminist praxis. The form also exposes critical violences that not only diminish and obscure black feminist writing, but also black women writers.

Lewis In The Rye: An Approach To Controversial Literature, Abigail Griffiths

Senior Honors Theses

This thesis aims to coalesce literary criticism with Christian theology to provide a guideline for how Christians, who uphold a certain moral logic, should interact with literature that sparks controversy among readers. An analysis of J.D. Salinger’s novel Catcher in the Rye (1951) will be considered through the lens of C.S. Lewis’ commentary on good reading, good critique, and good art. Catcher in the Rye, an American novel, contains elements of derogatory language, promiscuous scenes, and insinuations of nihilism. How would C.S. Lewis, a British novelist and a prominent figure in Christian thought, read Salinger’s work: would he find …

Science Fiction, Lisa Yaszek, Jason W. Ellis

Publications and Research

Literary and cultural critics call science fiction the premiere story form of modernity because it relates the adventures of educated men and women who use science and technology to reshape the material world and build new, hopefully better societies. As such, it is no surprise that many authors working in this popular genre explore how educated men and women might use science and technology to reshape the physical body and build new, hopefully better versions of humanity itself. Yet, lingering even in the most optimistic imaginings of a posthuman future is the doubt that these transformations will be evenly distributed …

Aging Ragefully: A Look At Aging Women In Four Contemporary American Dramas, Rachel Thomas

Masters Theses & Specialist Projects

Despite the growing feminist discourse in America, ageism continues to be a problem, partially due to stereotypical representations of aging women in the media and in literature. This thesis examines the portrayals of aging women in four American dramas: Zona Gale’s Miss Lulu Bett, Edward Albee’s The American Dream and The Sandbox, and Tracey Letts’ August: Osage County. Each of the aging matriarchs in these dramas plays a different role within her family structure; however, all employ others’ perceptions of them as a means of gaining or keeping control over their own situation. Chapter 1 examines Mrs. Bett from Zona …

The Divided Reception Of The Help, Suzanne W. Jones

English Faculty Publications

The reception of Kathryn Stockett’s The Help (2009) calls to mind the reception of two other novels about race relations by southern white writers: Margaret Mitchell’s Gone With the Wind (1936) and William Styron’s The Confessions of Nat Turner (1967). Like Gone With the Wind, The Help has been a pop culture phenomenon— prominent in bookstores and box offices, and the “darling of book clubs everywhere.” In January 2012 when I asked students in my Women in Modern Literature class what was the best book they had recently read by a woman, most named either The Help or The Hunger …

“As Wide As The World”: Examining And Overcoming American Neo-Imperialism In Three Novels, Lindsey A. Becker

Antonian Scholars Honors Program

This paper demonstrates the connection between multi-cultural literature and international relations through the analysis of three late twenty-first century novels and their interaction with global politics, specifically following World War II. Within the context of the Cold War, the United States pursued control over foreign nations in order to contain communism, a desire that pushed the US to become a global superpower and a neo-imperialist state. I assert that Leslie Marmon Silko’s Ceremony (1977), Paul Theroux’s The Mosquito Coast (1981), and Barbara Kingsolver’s The Poisonwood Bible (1998) discuss and critique American neo-imperialism. Kingsolver’s key contribution to our understanding of neo-imperialism …

The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones

English Faculty Publications

In her first novel, Sugar Cage (1992), Connie May Fowler, a white Floridian with Cherokee ancestry and an early exposure to Voodoo, employs some of the narrative conventions of magical realism as a way around the impasse of Southern race relations in Florida in the 1960s. Her otherwise modernist narrative technique of nine first-person narrators emphasizes the isolation of her characters at the same time that the variety of viewpoints encourages readers to see both the interracial and international connections that elude or confuse her characters. The cultural and transnational complexities she explores, especially as regards the importation of African …

Mormon Contributions To Young Adult Literature, Toni Pilcher

Student Works

Mormon authors are making big splashes in the world of young adult (YA) literature, a relatively young genre that is targeted at readers from age 12 to age 18. Since 1967, when the American Library Association officially recognized YA literature as separate from children's books, writers and publishers have been trying to define the genre. It is, in a sense, coming of age. Generally, to be considered YA, a book has to have a teenage protagonist in situations with which a teenage reader can identify. Like literature for adults, there are a few limitations to subject and theme, but unlike …

Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert

English Faculty Publications

Surprisingly for a novel evidently invested in representations of contemporary Choctaw traditionalism as a viable alternative to settler society, LeAnne Howe’s 2001 Shell Shaker gives unrelenting play to the gruesomeness, horror even, of the traditional rituals it depicts, at the risk of reinforcing stereotypes of Indian savagery. And yet, these depictions of the repugnant, that is, of ancient practices now prohibited by law or found reprehensible by a public sense of ethics, allow Howe to escape the integrative thrust of contemporary multiculturalism by pre-emptying identification through difference, an interpretive logic according to which we are all the same because we …

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Kindness: Two Stories, Art Middleton

Honors Projects

Presents two stories that, while differing in style, share themes of identity and loss and explore grotesque characters at critical points of change and acceptance in their lives. "I Go There Too" is a bildungsroman piece; "Did I Live" is a work of historical fiction, set in 1865 at the scene of the burning of the Barnum Museum and featuring Anna Swan, the giantess of Nova Scotia.

You Gotta Move: Three Short Stories, Lori Freshwater

Honors Projects

A collection of three short stories -- My Daddy Could Have Been Mac Davis, Petrichor, Going to See the Blues -- set in the South. Though thematically tied through the symbolic importance of food and the senses, the stories feature characters of different ages and from very different backgrounds. Nonetheless, all three characters are faced with a point in their lives when they must choose to break free in a search for identity or to remain where they are.

Y = Mx + B(Eauty), Chris Dollard

Honors Projects

A collection of twenty poems that are thematically concerned with family dynamics and history, childhood, relationships, addiction and rehabilitation, wanderlust, mortality, and the concepts of ugliness and beauty. These motifs and themes are framed by a speaker who is coming of age in contemporary America. While largely informed by the free verse narrative, this collection attempts to form a synthesis of contemporary American poetic styles.

Car Trouble And Other Stories, Adam R. Charpentier

Honors Projects

A collection of four short stories which examine the connection between awareness and emotional, psychological, and geographical identity. "Car Trouble" is a first person narrative of a hit & run accident and the events that follow. "Ten More Minutes" follows the recollections of a narrator detailing his admittance into and release from a mental hospital. The protagonist of "Islander" recounts his investigations of his lodgings on Tinian, an island far removed from his past life. "Little Black Dress" chronicles the impact the protagonist's lifestyle choices make on his marriage.

True Crime, Laura Browder

English Faculty Publications

Whether or not Capote invented something called the “nonfiction novel,” he ushered in the serious, extensive, non-fiction treatment of murder. In the years since In Cold Blood appeared, the genre of true crime regularly appears on the bestseller list. It is related to crime fiction, certainly – but it might equally well be grouped with documentary or read alongside romance fiction. And while its readers have a deep engagement with the genre that is very different from the engagement of readers of crime fiction, its writers are often forced to occupy a position – in relation to victims, criminals and …

Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones

English Faculty Publications

Novelist Bebe Moore Campbell was only five when Emmett Till was murdered on August 28, 1955. But in Your Blues Ain't Like Mine (1992) she seeks to answer the question that black teenagers in Mississippi, and indeed many people from all over the United States, asked after seeing the photograph of Till's mutilated and bloated body: "How could they do that to him? He's only a boy" (Dittmer 58). Campbell embraces the view that Lillian Smith expressed in Killers of the Dream (1949): "The warped, distorted frame we have put around every Negro child from birth is around every white …

The French Faulkner: Vision, Instrumentality, And Sanctuary's 'Lake Of Ink', Peter Lurie

English Faculty Publications

Like Edgar Allan Poe and the American film noir, William Faulkner enjoyed a critical reception in France that anticipated his American audience by several years. While not the first critics to admire Faulkner’s writing, readers like Maurice Coindreau, Andre Malraux, and Jean-Paul Sartre were among the earliest readers to recognize a particular quality to his fiction, one that, especially in the case of certain novels, evaded Faulkner’s contemporary American readers. As certain examples of this cross-cultural acceptance demonstrate, such as Baudelair’s translation of Poe in the nineteenth century and his exalting of Poe as a poetic genius, or Raymond …

Who Is A Southern Writer?, Suzanne W. Jones

English Faculty Publications

Richard Ford’s response to a questioner at the University of Mississippi symposium—that he is a “southerner” but not a “southern writer”—makes him only the latest in a long line of distinguished writers who grew up in the South, but have refused to be corralled into a regional stall. Other contemporary writers from the South, feeling “left out” of a potentially profitable niche market, have sought to broaden the definition of “southern literature.” Instead of worrying about who qualifies as a “southern writer” or rigidly delimiting “southern literature,” we might more fruitfully ask questions about who is writing about the U.S. …

Sabbatical Report, Neil Archer

Sabbaticals

In the fall of 2002, I was awarded a sabbatical leave for the spring of 2004 to study early American history and literature. I chose this topic out of personal interest, but also to prepare myself to teach my department’s early American literature course, an area of study in which I had little previous experience.

My project proposal consisted of two main parts. One was simply to read a selection of historical and literary works that are ordinarily taught in or used as background for that literature course. The other was to pursue original research into a family legend—my family—and …

"The Future Good And Great Of Our Land": Republican Mothers, Female Authors, And Domesticated Literacy In Antebellum New England, Sarah Robbins

Faculty and Research Publications

In an 1830s review of Lydia Maria Child's Good Wives published in Sarah Hale's Ladies' Magazine, the enthusiastic commentator quoted above sets Child's latest book within a thriving literary culture that values didactic literature. Acknowledging the importance of a genre I call the domestic literacy narrative, the reviewer confidently asserts that "the prevalent rage for reading" promises to promote not only familial but national well-being-promises, that is, if more books like Child's are regularly published to help train women to direct their family's reading and extract from it principles and behaviors consonant with their country's "future good."

Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine

Classical Studies Faculty Publications

As the recently published epistolary collection reveals, Ralph Ellison was an unabashed Americanist, for better and for worse. Ellison's faith in American identity and the democratic process, which is evident at the end of Invisible Man in the protagonist's determination to "affirm the principle on which the country was built [and not the men who did the violence]" (574), is again manifest in the posthumous novel, Juneteenth. According to John F. Callahan, Ellison's litearary executor, the novel celebrates "the indivisibility of the American experience" (Juneteeth xvi). James Alan McPherson (the African-American writer to whom Ellison showed a portion …

New Narratives Of Southern Manhood: Race, Masculinity, And Closure In Ernest Gaines's Fiction, Suzanne W. Jones

English Faculty Publications

In his fiction Ernest Gaines is interested not only in deconstructing stereotypes but also in presenting new models of southern manhood, for both black and white men. While Gaines has employed traditional definitions of manhood in his fiction, the vision he presents in his most recent novel, A Lesson Before Dying, is similar to that of Cooper Thompson and other contemporary theorists of masculinity, who believe that young men must learn 'traditional masculinity is life threatening' and that being men in a modern world means accepting their vulnerability, expressing a range of emotions, asking for help and support, learning non-violent …

The Constitution As Literature, James Boyd White

Book Chapters

Although presumably no one would say that the Constitution offers its readers an experience that cannot be distinguished from reading a poem or a novel, there is nonetheless a sense in which it is a kind of highly imaginative literature in its own right (indeed its nature as law requires that this be so), the reading of which may be informed by our experience of other literary forms. But to say this may be controversial, and the first step toward understanding how such a claim can be made may be to ask what it is we think characterizes imaginative literature …