American Literature Commons^™

“I Know What Nothing Means”: Nostalgia, Hope, And The Postmodern Search For The Sublime, Kathryn L. Donati

Theses and Dissertations

Amid simultaneous crises of self, nation, digital citizenship, global health, climate change, and socio-political polarization, to name but a few of the catastrophes that seem to define life in the global West in the twenty-first century, where do we find hope? Do we find it at all? Is there any hope to be found? These are the questions that serve as the genesis for this undertaking in which I locate the origin of these crises far before the events of the 2016 and 2020 elections, far before even the panic of Y2K. I begin my examination of hope in contemporary …

The Death And Rebirth Of The Feminine Muse: Edgar Allan Poe And Sylvia Plath, Noha Ibrahim

Theses and Dissertations

While drawing on mythology and a literary history that associated women with death as well as creativity, Edgar Allan Poe and Sylvia Plath experimented with binary oppositions such as masculine/feminine, composition/decomposition, and death/(re)birth. They gained inspiration from the same source, the dead muse, but how do they transform traditions that derive from classical and medieval literary precedent, perhaps in ways that are inherently critical of patriarchal modes of gender dynamics? Why is Poe fixated on a feminine dead muse while Plath is inspired by what she calls her “father-sea-god muse”? How do both authors represent the female body, and how …

Palestine Without Borders: A Study Of Arab And Western Voices In Theater, Bassem Mohsen Ahmed El-Sayed Ahmed Ibrahim

Theses and Dissertations

Theater has always been perceived as a way to link different cultures together and bring them under one large domain. Regardless, the genre does not give the needed attention to works written in certain regions that may otherwise fall outside the consensus. One good example is Palestine and any works that deal with it as a setting. The first thing that comes to mind whenever the word “Palestine” is brought up is almost always of a political nature, having to do with the Palestinians’ national conflict with Israel. This thesis undertakes to amend this by probing into plays written by …

The Impact Of Family Environment And Religion In Purple Hibiscus And Beloved, Thoa Phan

Theses and Dissertations

This study explores the repercussions of slavery-induced dehumanization and trauma depicted in Toni Morrison’s Beloved, and explores Kambili’s stifling home life characterized by her father’s rigid Catholicism in Purple Hibiscus by Chimamanda Ngozi Adichie. Morrison’s Beloved emphasizes the importance of personal engagement with the history of slavery so as to fully comprehend its horrors and overcome them. In Purple Hibiscus, the paper investigates the role religion plays in causing trauma, as Eugene’s strict adherence to Catholicism and dismissal of traditional rituals inflict both physical and psychological pain on his family. The complex and multifaceted depiction of religion in these novels …

Printed And Bound: The Publishers' Case Binding And 19th-Century Women's Critique Of Marriage, Carolyn Suneja

Theses and Dissertations

This dissertation investigates the coevolution of industrial book formats in the 19th century and women’s critique of marriage in fiction, arguing that the highly decorated case binding both reflected and shaped broader cultural anxieties engendered by the accessibility of new literary forms to mass audiences and the impact of that literature on the cultural logics by which women understood their roles and options. Given the reciprocal relationship between the mechanisms of industrial print and women’s writing, the material conditions of book production are important considerations for the literary scholar. The four novels examined in this dissertation—Fanny Fern’s Rose Clark, Harriet …

Bildung And Flânerie: Aesthetics, Genre, And Modes Of Development In The Moviegoer, Sean P. Phillips

Theses and Dissertations

My thesis frames Walker Percy's The Moviegoer (1961) as a novel that pits the fading tradition of the Bildungsroman, aligned with what its protagonist calls the "vertical" throughout the text, against the supposed alternative of "the search", aligned with horizontal wandering. As the vast changes of modernity, namely technology and industrialization, transformed Western society throughout the nineteenth and twentieth century, many novelists began to see the Bildungsideal as incompatible with their new world. Walker Percy's novel begins with a similar conclusion, and I track how The Moviegoer engages with the Bildungsideal and its supposed failure to sustain itself into the …

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

Hungry For More: American Food Writing And Globalization, Andrew Kleinke

Theses and Dissertations

My dissertation, Hungry for More: American Food Writing and Globalization, investigates several food-focused texts including novels, travelogues, culinary memoirs, and TV shows. I take an interdisciplinary approach by incorporating literary theory into the field of food studies to argue that food texts from the United States reveal a growing anxiety towards what, how, and where we eat. As I show, food writing plays a prominent role in shaping many Americans' interactions with the world. More specifically, I argue that globalization has changed, and continues to transform, access and attachments to food. In the first chapter of my dissertation, I examine …

Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson

Theses and Dissertations

This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them …

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

From The Corner Of One's Soul: The Methods Of Negotiating Tension In Cormac Mccarthy's Blood Meridian Or The Evening Redness In The West, Julian Pena

Theses and Dissertations

This thesis provides a practical and meaningful reading of Cormac McCarthy’s Blood Meridian or the Evening Redness in the West, one that is rooted in the claim that both Judge Holden and the Kid reflect two different methods for negotiating a tension impinged upon them by their external circumstances. Using a theoretical framework that is inspired by the social psychological Theory of Cognitive Dissonance, this thesis provides an extensive analysis of the novel’s fictional universe, Judge Holden, and the Kid. Such an analysis elucidates the violent nature of Blood Meridian’s universe and further reveals the character of Judge Holden …

Diy Feminisms In The Third Space: Female Rhetorical Techniques Performed In Multi-Generational Alternative Media, Cristen M. Fitzpatrick

Theses and Dissertations

This dissertation looks at the creation of both a literal and figurative clubhouse created by women, for women, through alternative publishing endeavors, including pamphlets, zines, and blogs, as women patchworked a “do-it-yourself” (DIY) feminism from the mid-20th century through today. I discuss alternative media utilized by marginalized, radical feminist groups and the application of newly-discovered feminist rhetoric throughout. I begin with an overview of feminist literacy and rhetoric, leading to a discussion of the pamphlets of the Women’s Movement in the 1960s. This sets the stage for the zines of the next generation, the 1980s and 1990s, in which women …

Mental Illness And Femininity In Late Nineteenth-Early Twentieth Century Anglo-American Literature, Bianca Cristina Basone

Theses and Dissertations

This thesis attempts to prove that the diagnosing and treatment of mental illness in Victorian Anglo-American literature was heavily gendered and therefore misogynistic. To do so, four characters will be studied: Lady Audley in Mary Elizabeth Braddon’s Lady Audley’s Secret, the unnamed female narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper, Edna Pontellier in Kate Chopin’s The Awakening, and Septimus Warren Smith in Virginia Woolf’s Mrs. Dalloway. Using the first three characters I intend to show that women during the nineteenth century were diagnosed as mentally ill because they did not partake in social gender norms, deviating by doing something …

Historical Dissidence: The Temporalities And Radical Possibilities Of American Comics, Jeremy M. Carnes

Theses and Dissertations

Formal criticism of comics has often focused on the importance of sequence and the filling of gutters with causative logics. Practitioner-theorists like Will Eisner and Scott McCloud have focused on “sequentiality” and “closure” to conceive of how readers connect the disparate panels of a given comic. More contemporary scholars of the form have followed Eisner and McCloud, foregrounding the causative logics that create narrative progression in the comics form. Yet, these approaches implicitly rely on dominant, western logics of temporality in the construction of narrative in comics.

This project considers how comics form actually relies on various temporalities and thus …

The Time Is Now: Embodiments Of The Hyper-Present In Contemporary American Literature, Robert Bruss

Theses and Dissertations

For many years, writers have argued the predominant temporality of contemporary experience is an intensified present. David Harvey and Fredric Jameson argued that such an intense emphasis on the present was one of postmodernism’s principle features. Harvey argued that new communication technologies resulted in a "time-space compression” that created the sense that “the present is all there is.” Similarly, Jameson argued that postmodernism reflected the logic of late capitalism, resulting in a society that “has begun to live in a perpetual present” that obliterates one’s awareness of the past or future. Although many consider we have moved beyond postmodernism, our …

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

The Jeremiad In American Science Fiction Literature, 1890-1970, Matthew Schneider

Theses and Dissertations

Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. But most interlocutors still work with the jeremiad primarily in American studies or in terms of national discourse. Rooted in the legacy of Puritan rhetoric, the …

The Prodigal Daughter: An Edition Of An Anonymous Text, Paige Deans

Theses and Dissertations

The Prodigal Daughter (1736) is a poem that, on the surface, appears to be an approachable text that was likely geared towards a children’s audience during New England’s first Great Awakening, within the approachable format of a chapbook. However, when explored further, The Prodigal Daughter reveals a complicated textual history during a time of theological and social revival in New England. This thesis considers the historical context of The Prodigal Daughter’s narrative, as well as the poem’s publication history. The text’s transmission is carefully examined and encapsulated in this edition—giving the reader a transcription that is the result of …

Always Already Imprisoned: The Panoptic Power Of Capitalism In American Literature, 1900-1940, Andrew Spencer

Theses and Dissertations

Abstract

ALWAYS ALREADY IMPRISONED: THE PANOPTIC POWER OF CAPITALISM IN AMERICAN LITERATURE, 1900-1940

By Andrew Blair Spencer, Ph.D.

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University.

Virginia Commonwealth University, 2019

Director: Dr. Richard Fine, Professor, Department of English

By applying the theories of control that Michel Foucault outlines in Discipline and Punish to the capitalist system, I argue that capitalism functions in much the same was as Jeremy Bentham’s Panopticon in that it perpetually imprisons individuals who live under its purview. As I see it, capitalism works on …

From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin

Theses and Dissertations

This thesis studies three texts by three U.S. Latina authors from the Hispanic Caribbean through the lens of Chicana feminist border theory. The works analyzed are How the García Girls Lost Their Accents (1991) by Dominican author Julia Alvarez, Dreaming in Cuban (1992) by Cuban-American novelist Cristina García, and the memoir Almost a Woman (1998) by Puerto Rican author Esmeralda Santiago. The theoretical framework used is Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza. The objective is to show how these texts manifest the formation of a hybrid, diasporic, in-between identity that corresponds with Anzaldúa’s definition of mestiza consciousness or la …

Tailoring Landscapes: Multivalent Terrain And The Politics Of Black Geography In Nineteenth-Century African American Literature, Cara Fitzgerald

Theses and Dissertations

This thesis foregrounds the import of national geography in nineteenth-century African American literature. Authors like Elizabeth Keckley and Martin Delany confront problems of national geography by interrogating illusion, rewriting geographic space, and constructing themselves within both the physical and conceptual geography of the nation. In so doing, they challenge the fallacy of a uniform national geography and attend to the myriad historical conditions that exist within geographic spaces.

I Am An Author: Performing Authorship In Literary Culture, Justin R. Greene

Theses and Dissertations

Authorship is not merely an act of putting pen to paper or fingers to keyboard; it is a social identity performance that includes the use of multiple media. Authors must be hyper- visible to cut through the dearth of information, entertainment options, and personae vying for attention in our supersaturated media environment. As they enter the literary world, writers consciously create characters and narratives around themselves, and through the consistent and believable enactment of these features, authors are born. In this dissertation, I analyze the performance of authorship in U.S. literary culture through an interdisciplinary framework. My work pulls from …

Good Game, Greyory Blake

Theses and Dissertations

This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of these concepts are contextualized within the exponential growth of new technologies. That is to say, all of these semiotic …

Black Lives Examined: Black Nonfiction And The Praxis Of Survival In The Post-Civil Rights Era, Ariel D. Lawrence

Theses and Dissertations

The subject of my thesis project is black nonfiction, namely the essay, memoir, and autobiography, written by black authors about and during the Post-Civil Rights Era. The central goals of this work are to briefly investigate the role of genre analysis within the various subsets of nonfiction and also to exemplify the ways that black writers have taken key genre models and evolved them. Secondly, I aim to understand the historical, political, and cultural contributions of the Post-Civil Rights Era, which I mark as hitting its stride in 1968. It is not my desire to create a definitive historical framework …

Work/Death, Of Each In Their Own, Micah H. Weber

Theses and Dissertations

Writings in support of my visual thesis, including some background, and bibliographic information: Oregon/Death/Animation/Vocation and the artist as an agent of potential.

Exorcising Power, John Jarzemsky

Theses and Dissertations

This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …

Harriet Jacobs And Toni Morrison: A Tradition Of Narrative Resistance, Allyson L. Molloy

Theses and Dissertations

This article considers historical constructions of power and the narrative as a mode of resistance. Working in different centuries, under extremely disparate circumstances, Harriet Jacobs in Incidents in the Life of a Slave Girl and Toni Morrison in her novel The Bluest Eye, utilize specific narrative strategies to challenge and question institutionalized power which is evidenced through their deliberate employment of narrative strategies not only to challenge the institution of slavery or the hegemonic ideal, but also to question the racial and gender oppression systemic to those institutions of power.

Commuters, Wanderers, And 'International Mongrels': Resistance And Possibility In Post-Immigrant Literature, Leslie Singel

Theses and Dissertations

The recognizable motifs of the immigrant tale have been upended, as the traditional

narrative has been adapted to capture the multitude of directions, individuals, nations, and paths

of the twenty-first century migrant. In four chapters, I examine selected works from the authors

Colum McCann, Junot Díaz, Jhumpa Lahiri, and Chimamanda Ngozi Adichie to argue for a new

designation, “post-immigrant literature.” Post-immigrant literature treats critically the themes of

loss, regret, and forced assimilation from perspectives shaped by post-colonial, post-modern and

post-identity politics thinking. Rather than narratives stressing the limitations imposed by

deterministic social forces, post-immigrant texts posit more agency, and anxiety, …

( Re ) Claiming History And Visibility Through Rhetorical Sovereignty: The Power Of Diné Rhetorics In The Works Of Laura Tohe, Jessica Marie Safran Hoover

Theses and Dissertations

This dissertation investigates the intricate intersections of code switching, trickster discourse and rhetorical sovereignty in the scholarship of Diné author Laura Tohe, as Tohe operationalizes survivance and alliance in complex ways, ways that “actuate a presence” in the face of ongoing attempts to render American Indian peoples absent from American rhetorical, literary, and geographic landscapes. Existing research in American Indian literatures and rhetorics often focus on the need for reclaiming rhetorical sovereignty. Yet, little work has been done to emphasize connections between the use of code switching, translation, and trickster discourse in order to give visibility to past and contemporary …