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American Literature Commons

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English Faculty Publications

Race, Ethnicity and Post-Colonial Studies

Folklore

Articles 1 - 3 of 3

Full-Text Articles in American Literature

"I Put The Tale Back Where I Found It": Feeling The Past Through "The Warmth Of The Human Voice", Daryl Cumber Dance Jan 2007

"I Put The Tale Back Where I Found It": Feeling The Past Through "The Warmth Of The Human Voice", Daryl Cumber Dance

English Faculty Publications

In this article, I examine my revelations and growth related to folk culture and literature connected to the African American community. I borrow from and play on the Sudanese formulaic ending for the folktale; it seemed to me appropriate - even obligatory- that "I put the tale back where I found it." This maxim is symbolic, reflecting what I find one of the most characteristic elements of Black folklore - that is, the focus on the group, the community, in terms of the source of the historical situation of the tale; the moral lesson; the content, style, and delivery; and …


The World Would Do Better To Ask Why Is Frimbo Sherlock Holmes?: Investigating Liminality In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin Jan 1998

The World Would Do Better To Ask Why Is Frimbo Sherlock Holmes?: Investigating Liminality In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin

English Faculty Publications

No abstract provided.


Various Black Virginians As Told To Daryl Cumber Dance, Daryl Cumber Dance Jan 1994

Various Black Virginians As Told To Daryl Cumber Dance, Daryl Cumber Dance

English Faculty Publications

Shuckin' and Jivin': Folklore from Contemporary Black Americans, published in 1978, derived from fieldwork done far a doctoral dissertation at Virginia Commonwealth University by Daryl Cumber Dance (the only woman named Daryl I have heard of aside from Daryl Hannah). She gathered stories and verses from black Virginians in colleges, senior citizens' centers, and a penitentiary. Though she doesn't bring to the party an editorial touch as enlivening as Zora Neale Hurston's, she has an ear and-unlike far, far too many assiduous collectors of folktales - knows how to capture vocal rhythms on a page.