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Full-Text Articles in American Literature
"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug
"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug
Department of English: Dissertations, Theses, and Student Research
This essay is devoted to looking back into the life and fiction of Edythe Squier Draper, a twentieth-century writer in Oswego, Kansas. Many of Draper’s stories are set in southeastern Kansas. Through them, we gain a sense of how she attempted—and at times failed—to perceive, articulate, and adapt to her place on the Great Plains. Draper claimed the identity of a rural woman writer by writing herself into narratives of colonial, agricultural settlement, and she both complicated and perpetuated stereotypes of class and race in her fiction. By examining her and her characters’ perspective on their place in the Great …
Introduction To Willa Cather And Modern Cultures [Cather Studies 9], Melissa J. Homestead
Introduction To Willa Cather And Modern Cultures [Cather Studies 9], Melissa J. Homestead
Department of English: Faculty Publications
To some, linking Willa Cather to "the modern" or more narrowly to literary modernism still seems an eccentric proposition. As Richard Millington has pointed out, "one will look in vain for Cather's name in the index of most accounts, whether new or old, of the nature and history of Anglo-American modernism" (52). Perhaps she fails to feature in these accounts because in her public pronouncements and certain recurring motifs in her fiction, she appeared to turn her back on modernity. Cather was skeptical about many aspects of the culture that took shape around her in the early decades of the …
Willa Cather [From Blackwell Encyclopedia Of Twentieth-Century American Fiction], Melissa J. Homestead
Willa Cather [From Blackwell Encyclopedia Of Twentieth-Century American Fiction], Melissa J. Homestead
Department of English: Faculty Publications
Willa Cather is known primarily for her novels representing the experiences of women immigrants on the Nebraska prairies in the late nineteenth century, but Cather’s 10 novels and scores of short stories’ produced over a career spanning 50 years actually range widely over space and time, from seventeenth-century Quebec to twentieth century New York. A social conservative who proudly identified herself as one of the backward-looking, her experiments with fictional form and her approach to culture nevertheless ally her with modernism. It is, perhaps, the depth and diversity of Cather’s body of work and the impossibility of reducing her achievement …