American Literature Commons^™

Comic Literature And Graphic Novel Uses In History, Literature, Math, And Science, James O. Barbre Iii, Justin Carroll, Joshua Tolbert

SANE journal: Sequential Art Narrative in Education

Graphic novels and comics have a rich history and have long served as a medium for both education and entertainment. Although we live in an increasingly technology-rich era which offers abundant visual stimulation to compete with comics, graphic literature is arguably a more immediate and robust resource than ever before. The following paper highlights specific applications of graphic literature to pedagogical purposes, including implications for the use of comics in teaching history, world languages, English as a new language, science, and mathematics. Across these areas, a wide degree of application exists for teachers, in both K-12 and post-secondary settings. In …

"Hunger Is The Best Sauce": Frontier Food Ways In Laura Ingalls Wilder's Little House Books, Erin E. Pedigo

Department of History: Dissertations, Theses, and Student Research

This thesis examines Laura Ingalls Wilder's Little House book series for the frontier food ways described in it. Studying the series for its food ways edifies a 19th century American frontier of subsistence/companionate families practicing both old and new ways of obtaining food. The character Laura in Wilder's books is an engaging narrator who moves through childhood and adolescence, assuming the role of housewife. An overview of the century's norms about food in America, the strength of domesticity as an ideal, food and race relations, and the frontier as a physical place round out this unexplored area of Little House …

From Periodical To Book In Her Early Career: E. D. E. N. Southworth’S Letters To Abraham Hart, Melissa J. Homestead

Department of English: Faculty Publications

E.D.E.N. Southworth's correspondence with Henry Peterson of the Saturday Evening Post and Robert Bonner of the New York Ledger, both of whom serialized her novels in their weekly story papers, is sometimes dramatic and emotional. In September 1849 Peterson chided Southworth for a “capital literary error” in an installment of her novel The Deserted Wife, in which the Reverend Withers uses his patriarchal authority to maneuver the young, unwilling Sophie Churchill into marriage. The incident would make readers “thro[w] down the tale in disgust,” he warns, and he omitted it from the serialization. In December 1854 he raised …

Introduction To E. D. E. N. Southworth: Recovering A Nineteenth-Century Popular Novelist, Melissa J. Homestead, Pamela T. Washington

Department of English: Faculty Publications

In early 1901, Willa Cather visited Prospect Cottage in the Georgetown neighborhood of Washington, D.C., the longtime home of the recently deceased novelist Emma Dorothy Eliza Nevirte (E. D. E. N.) Southworth. Born in Washington, D.C., in 1819 to southern parents (her father from Virginia, her mother from Maryland), Southworth lived in Washington with her family until she married Frederick Hamilton Southworth and moved with him to Wisconsin in 1841. When he deserted her and their two children,' she returned to Washington and taught school to support herself, running to writing to supplement her income from teaching. Within a few …

A Chronological Bibliography Of E. D. E. N. Southworth's Works Privileging Periodical Publication, Melissa J. Homestead, Vicki L. Martin

Department of English: Faculty Publications

Previous attempts at a comprehensive bibliography of E. D. E. N. Southworth's fiction have organized her works alphabetically by book title or chronologically by book publication date. Serialization information--if included at all--is subordinated to book entries or listed separately. These bibliographic conventions better suit authors who published fewer novels than Southworth did and/or did \ not routinely serialize their works. As a result, earlier bibliographies have caused confusion about the size and chronology of Southworth's body of work. Adding to the confusion, her book publisher T. B. Peterson arbitrarily broke many of her novels that appeared in serial form under …

Willa Cather [From Blackwell Encyclopedia Of Twentieth-Century American Fiction], Melissa J. Homestead

Department of English: Faculty Publications

Willa Cather is known primarily for her novels representing the experiences of women immigrants on the Nebraska prairies in the late nineteenth century, but Cather’s 10 novels and scores of short stories’ produced over a career spanning 50 years actually range widely over space and time, from seventeenth-century Quebec to twentieth century New York. A social conservative who proudly identified herself as one of the backward-looking, her experiments with fictional form and her approach to culture nevertheless ally her with modernism. It is, perhaps, the depth and diversity of Cather’s body of work and the impossibility of reducing her achievement …

Did A Woman Write “The Great American Novel”? Judging Women’S Fiction In The Nineteenth Century And Today, Melissa J. Homestead

Department of English: Faculty Publications

In the fall of 2009, as I was preparing to teach a senior capstone course for English majors on the nineteenth-century American novel and questions of literary value and the canon, I went trolling for suggestions of recent secondary readings about canonicity. The response came back loud and clear: “The canon wars are over. We all teach whatever we want to teach, and everything is fine.” My experiences with students suggest that, at least in American literary studies before 1900, the canon wars are not over, or, perhaps, they have entered a new stage. Most of my students had heard …

Edith Lewis As Editor, Every Week Magazine, And The Contexts Of Cather's Fiction, Melissa J. Homestead

Department of English: Faculty Publications

On 26 August 1915 the New York Times reported the spectacle of two "Women Editors" who became "Lost in Colorado Canon" as a "Result of Trip with Inexperienced Guide." "Miss Willa Sibert Cather, a former editor of McClure's Magazine, and Miss Edith Lewis, assistant editor at Every Week, had a nerve-racking experience in the Mesa Verde wilds," they reported, giving Lewis and Cather roughly equivalent status as magazine professionals and comic fodder ("Lost"). The war in Europe was still far away for most Americans that August, although the sinking of the Lusitania in May had inched the conflict closer. In …

Susanna Rowson’S Transatlantic Career, Melissa J. Homestead, Camryn Hansen

Department of English: Faculty Publications

The contention that Charlotte is best understood as part of Rowson’s career, a career that spanned a period of years and the Atlantic Ocean, is central to our analysis and to the recovery of Rowson’s authorial agency. In Women and Authorship in Revolutionary America, Angela Vietto argues for the importance of the “literary career” as a category of analysis for women, of “examinin[g] the course writers followed in their pursuit of writing as a vocation—their progress in a variety of kinds of projects, both in their texts and in their performances as authors” (91). Although we leave the work …

Review Of Kate Field: The Many Lives Of A Nineteenth-Century American Journalist And Maria Mitchell And The Sexing Of Science: An Astronomer Among The American Romantics, Melissa J. Homestead

Department of English: Faculty Publications

Literary historians writing biographies have increasingly shifted from critical biography (the author’s life as a means to interpret his or her literary works) to cultural biography (an author’s life and works in various cultural contexts). As literary historians whose biographical subjects (both nineteenth-century American women) are not primarily literary figures, Bergland and Scharnhorst represent a further step away from critical biography.

As a journalist (and popular lecturer, advocate of reform, playwright, and actress), Kate Field is a more literary figure than astronomer Maria Mitchell, but Scharnhorst has produced neither a critical nor a cultural biography. Instead, he presents a chronological …

Review Of Axes: Willa Cather And William Faulkner And Violence, The Arts, And Willa Cather, Melissa J. Homestead

Department of English: Faculty Publications

Willa Cather and William Faulkner represent an intriguing and potentially productive pairing for comparative study. Their works and careers are located at the rich intersection between regional ism and modernism, and both early 20th-century writers often looked back to the 19th century in their fiction. Even in the absence of influence or intertextual reference, these commonalities would give a literary historian much to say. However, in her study of these two authors, Merrill Maguire Skaggs exhaustively catalogs similarities and differences as proof of a decades-long competition between the authors at the expense of depth and subtlety in her analysis of …

Review Of Women And Authorship In Revolutionary America And Learning To Stand And Speak: Women, Education, And Public Life In America’S Republic, Melissa J. Homestead

Department of English: Faculty Publications

Two books published in the 1980s had a deep influence on the study of American women novelists of the early republic and the antebellum era. Mary Kelley’s Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America (1984) presented twelve popular women novelists as deeply conflicted about their role as public producers of culture. The chapters in Cathy Davidson’s Revolution and the Word: The Rise of the Novel in America (1986) that treat women novelists and their readers as worthy of serious analysis significantly altered the course of scholarship on the early American novel. Angela Vietto clearly frames Women and Authorship …

Review Of Reclaiming Authorship: Literary Women In America, 1850-1900, Melissa J. Homestead

Department of English: Faculty Publications

Like Naomi Z. Sofer's Making the America of Art (2005) and Anne E. Boyd's Writing for Immorality (2004), Susan Williams Reclaiming Authorship seeks to recreate and analyze how American women authors in the second half of the nineteenth century understood their own authorship. All three include Louisa May Alcott, Elizabeth Stuart Phelps, and Constance Fenimore Woolson as subjects, but Williams includes authors who did not conceive of their authorship in a high cultural mode (Maria Cummins, Elizabeth Keckley, Mary Abigail Dodge), and she traverses the careers of Alcott and Phelps so as to emphasize their movements in and out of …

Willa Cather [From The Oxford Encyclopedia Of Women In World History], Melissa J. Homestead

Department of English: Faculty Publications

American novelist, Born in Virginia, Cather moved with her family to Nebraska in 1883 and is best known as a novelist of the American prairie. However, her life history and literary output belie this characterization. As a student at the University of Nebraska she published short stories and poems and worked as a journalist. This experience earned her a position at the Home Monthly magazine in Pittsburgh, Pennsylvania. When the magazine failed, she stayed in Pittsburgh, first returning to newspaper journalism and then teaching high school. For several years she lived in the family home of Isabelle McClung, a young …

Louisa May Alcott [From Oxford Encyclopedia Of Women In World History], Melissa J. Homestead

Department of English: Faculty Publications

American fiction writer best known as the author of the girls’ novel Little Women (1868-1869). Alcott was born in Germantown, Pennsylvania, to Abigail May Alcott and the progressive educator Bronson Alcott. The March family of Little Women was an idealized version of her own family, which was far less stable and more mobile. Alcott’s father’s idealistic education, and reform ventures regularly failed, necessitating the family’s frequent moves, and she and her mother increasingly provided the family’s economic support. Her childhood and adolescence were split primarily between Concord and Boston, Massachusetts, where she was deeply influenced by members of her father’s …

Chronological Bibliography Of The Works Of Catharine Maria Sedgwick, Lucinda Damon-Bach, Allison Roepsch, Melissa J. Homestead

Department of English: Faculty Publications

This two-part bibliography has been built by consulting the Bibliography of American Literature (BAL) and the bibliographies compiled by Sister Mary Michael Welsh ("Catharine Maria Sedgwick: Her Position in the Literature and Thought of Her Time up to 1860," Ph.D. diss., Catholic University of America, 1937) and Richard Ranus Gidez ("A Study of the Works of Catharine Maria Sedgwick," Ph.D. diss., Ohio State University, 1958); library cataloging records; and the personal records of Lucinda Damon-Bach and Melissa J. Homestead. In most cases, entries have been confirmed through books, periodicals, photocopies, or microfilm received through interlibrary loan. We were not able …

Increase Mather: The Foremost American Puritan, Kenneth B. Murdock

Zea E-Books in American Studies

The classic biography of preeminent colonial Massachusetts minister and President of Harvard College, Increase Mather (1639-1723). This is the work that re-started Puritan studies in America.

“A book which will be indispensable to students of early American history.” —Times Literary Supplement

“It is a book to welcome and appreciate.” —American Historical Review

“The available sources have been used carefully, and the story is told with great literary skill.” —The Sewanee Review

“[Murdock’s book] opened the sluice gates to powerful streams of scholarship that in the next two decades revised our understanding of American Puritanism.” —Philip F. Gura, in A Concise …

Old Mens Tears For Their Own Declensions, Mixed With Fears Of Their And Posterities Further Falling Off From New-England’S Primitive Constitution, Joshua Scottow

Zea E-Books in American Studies

This is an online edition of Scottow’s popular tract, published in Boston in 1691, based on the first edition. Later editions were published in Boston in 1715, 1733, and 1749, and in New London in 1769. It is a searchable PDF document. The characteristics of Scottow’s original text (spelling, punctuation, capitalization, italics, etc.) have been retained. Obvious typographical errors have been corrected, and a list of emendations is included at the end. Its typographic design is based on that of the original. The work decries the falling off of New England from the purity and purpose of its original founding, …

An Arrow Against Profane And Promiscuous Dancing Drawn Out Of The Quiver Of The Scriptures, Increase Mather

Electronic Texts in American Studies

When a dancing master arrived in Boston in 1685 and offered lessons and classes for both sexes during times normally reserved for church meetings, the Puritan ministers went to court to suppress the practice. Increase Mather (1639-1723) took the leading part, writing and publishing this tract, which compiles arguments and precedents for the prohibition of “Gynecandrical Dancing, [i.e.] Mixt or Promiscuous Dancing, viz. of Men and Women … together.” These justifications were certainly shared with the court, which found the dancing master guilty, fined him £100, and allowed him to skip town.

Mather’s tract on dancing is an overwhelming compendium …

Gods Promise To His Plantation, John Cotton

Zea E-Books in American Studies

The work reprinted here, in an online electronic text edition, is Cotton’s famous farewell sermon preached at the departure of the Winthrop fleet in Southampton in 1630. Gods Promise to His Plantation (1630)—courtesy of the American Antiquarian Society—is an ideological justification for engaging in such a risky venture, a promotional tract to encourage emigration, and a typological argument for possessing the wilderness. Like Winthrop’s famous A Model of Christian Charity (1630), John Cotton’s sermon is central to the Puritan experiment in the New World.

New-England Or A Briefe Enarration Of The Ayre, Earth, Water, Fish And Fowles Of That Country. With A Description Of The Natures, Orders, Habits, And Religion Of The Natives; In Latine And English Verse, William Morrell, Andrew Gaudio , Editor

Electronic Texts in American Studies

This text, a Latin poem in dactylic hexameter with an accompanying English translation in heroic verse stands as the earliest surviving work of poetry about New England and the second oldest poem whose origins can be traced directly to the British American colonies. Only two copies of the original 1625 edition are known to survive; one is held at the Huntington Library in San Marino, California, and the other is housed at the British Museum. The Latin portion comprises 309 lines and praises the geographic features, flora and fauna of New England, and spends a majority of its verses describing …