American Literature Commons^™

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

Fight Like A Ya Girl: Fourth Wave Feminism, Defense, And Weaponization Through The Lens Of Object Relations, Amanda Blakeman

Honors Theses

This thesis will discuss how the genre of Young Adult (YA) fiction, more specifically Fantasy YA fiction, reflects the major goals and objectives of fourth wave feminism, ultimately arguing for the need for more intersectional representation in heroine characters. YA Fantasy fiction consistently features a strong heroine in both spirit and body, one who uses weapons to take on systems of injustice in their respective worlds, from systematic child murder to modern slavery. What and how, then, are these books teaching the next generation about feminism? I attempt to answer this question with this thesis, looking at three YA female …

A Claiming Of Kin: A Linguistic Analysis Of Southern Appalachian English In Melissa Range's Scriptorium: Poems, Jolee White

Undergraduate Honors Theses

The research studies the Southern Appalachian dialect present in five poems in Melissa Range’s Scriptorium: Poems. The linguistic phenomena characteristic of Southern Appalachian English observed and analyzed in the poems include lexicon, grammatical features, and phonological aspects. The research seeks to bring attention to this Appalachian woman writer as well as to bring understanding of her reasoning behind incorporating the dialect in her poetry. It establishes that the five poems by Range contain the lexicon, grammatical features, and phonological aspects of the SAE dialect. It holds meaning both grammatically and pragmatically within the context of the poem and Appalachia.

Amanda Gorman And Her Way With Poetry, Emma Corbin

Student Writing

Amanda Gorman promotes perseverance and togetherness throughout her poems: “Earthrise,” “The Hill We Climb,” and “The Miracle of Morning” to challenge the narrative of our nation’s history and make the world a better place for the generations to come.

Committed To The Fragment: Feminist Literature And The Promise Of Wellness, Lynne Beckenstein

Dissertations, Theses, and Capstone Projects

“I have never been able to blind myself” to the cruelty of a world that “destroys its own young in passing…out of not noticing or caring about the destruction,” Audre Lorde tells us in her 1980 “mythobiography” Zami: A New Spelling of My Name. This quality, Lorde says, “according to one popular definition of mental health, makes me mentally unhealthy.” In rejecting psychological self-possession as a sign of wellness, this passage also rejects it as one of sovereignty’s conditions. At the time of Lorde’s writing, this version of sovereignty already dominated the landscape of therapeutic culture in the United States, …

Anonymity As A Bridge From Actress To Author: The Case Of Elizabeth Robins, Joanne E. Gates

Presentations, Proceedings & Performances

Any scholar working on the origins of the feminist journey of the actress turned writer Elizabeth Robins ought to be aware of her two earliest short works of fiction she wrote and published in The New Review under nearly perfect anonymity. This paper will profile these two earlier stories, published in 1894 even before her first novel, George Mandeville's Husband, attracted attention when it appeared under her perhaps thinly disguised pseudonym, C. E. Raimond.

Robins saw the potential and, yes, to her mind, the necessity, of establishing herself as a writer so that she could more securely support herself. …

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

Navigating The Labyrinth Of House Of Leaves Through A Postmodern Archetypal Literary Theory, Samuel K. Hval

EWU Masters Thesis Collection

No abstract provided.

Breaking Free: Detectives Let The Guilty Walk, Cassandra Holcombe

All Master's Theses

In a genre like detective fiction, known for affirming social order, the refusal to enforce rule of law seems like an anomaly. The number of famous detectives who have let a perpetrator go suggests that release of suspects is not a break in genre conventions, but is a wider pattern that needs to be acknowledged. This study investigates that pattern by measuring the complexity of thirteen detectives: eleven of whom release perpetrators and two of whom do not, to serve as a control group. The higher the complexity of the character, the more human the character seems to be. The …