Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Campus news (22)
- Entertainment (22)
- Humor magazine (22)
- Pine Needle (22)
- Student publications (22)
-
- Henry James (2)
- New Woman (2)
- Student Research (2)
- Western Kentucky University (2)
- Affect (1)
- American Culture (1)
- Andy Warhol (1)
- Anonymous Forces (1)
- Book History (1)
- Children's Literature (1)
- Chronotope (1)
- Communication (1)
- Cultural Displacement (1)
- Duckworth (1)
- Edgar Allen Poe (1)
- Elizabeth Jordan (1)
- Farmer's Wife (1)
- Female journalists (1)
- Feminism (1)
- Flickerbridge (1)
- Gertrude Stein (1)
- Handwriting and Penmanship (1)
- Hip hop (1)
- John Bunyan (1)
- Journal (1)
- Publication Year
Articles 1 - 30 of 33
Full-Text Articles in American Literature
The Demorest Contest: Prohibition Leader In Conversation With Wctu And Martha Mcmillan, Grace E. Kohler
The Demorest Contest: Prohibition Leader In Conversation With Wctu And Martha Mcmillan, Grace E. Kohler
Martha McMillan Research Papers
This essay explains the history of the Demorest Contest and connects it to Martha McMillan and her journals. The Demorest Contest was a temperance advocacy event run by William Jennings Demorest and the Women's Christian Temperance Union that encouraged youths to pledge to Prohibition.
The Intermedial Politics Of Handwritten Newspapers In The 19th-Century U.S., Mark A. Mattes
The Intermedial Politics Of Handwritten Newspapers In The 19th-Century U.S., Mark A. Mattes
Faculty Scholarship
Handwritten newspapers appeared in a variety of social contexts in the 19th-century U.S.1 The largest extant portion of 19th-century handwritten newspapers emerged from home and school settings. More far-flung examples include those written aboard ships during exploratory and military voyages. Others were produced within institutions such as hospitals and asylums. Such works were written during times of privation, including life in an army regiment or a prisoner-of-war camp during the Civil War. At other times, handwritten newspapers accompanied efforts at westward settlement and transcontinental railway journeys. Impromptu papers could follow in the wake of natural disasters that knocked out print-based …
Societal Rebirth: The Importance Of Spirituality, Lauren Rothstein
Societal Rebirth: The Importance Of Spirituality, Lauren Rothstein
English Department: Traveling American Modernism (ENG 366, Fall 2018)
This article offers an exploration of what the social consequences are when modernity strips away religious-human relationships to the land. The two texts Black Elk Speaks and Grapes of Wrath both include moments of anonymous forces imposing systematic modernization on society. Particularly, I try to understand the controversial subject of societal rebirths, traditionally defined through employment and steady food source availability. This paper proposes an approach to societal rebirths that emphasizes the importance of spiritual connection to the land through a critical analysis of Bakhtin's theory of Chronotope and Leopold's theory of Land Ethic. On the issue of spiritual connection …
A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer
A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer
Department of English: Dissertations, Theses, and Student Research
This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. In 1898, Jordan, a journalist and editor herself, published Tales of the City Room, a collection of interconnected short stories that depict a close and supportive community of female journalists. It is, overall, a positive portrayal of female journalists by a female journalist. James, on the other hand, uses the female journalists in The Portrait of a Lady, “Flickerbridge,” and “The Papers” to show his discomfort toward New Journalism and the New Woman of the late-nineteenth and early-twentieth centuries. These …
Promise That You Will Sing About Me: Kendrick Lamar In Posterity, Brandon Apol
Promise That You Will Sing About Me: Kendrick Lamar In Posterity, Brandon Apol
Music and Worship Student Presentations
Sometimes it would seem that the quietest moments turn out to have the loudest repercussions. This would seem to be a consistent case for twenty eight-year old Kendrick Lamar, whose career has been defined by surprise and unannounced publications of music that shortly afterward are spun into respected works of art. With an album that no one anticipated going to the 2013 Grammy awards, another album that leaked a week ahead of schedule (and brought Kendrick 5 Grammys), and an album that was released with almost no warning whatsoever, Kendrick Lamar Duckworth makes headlines with his art; of this there …
"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal
"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal
Department of English: Dissertations, Theses, and Student Research
This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …
Transferential Poetics, From Poe To Warhol, Adam Frank
Transferential Poetics, From Poe To Warhol, Adam Frank
Literature
Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience— their transferential poetics. The book’s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. …
Operating The Silencer: Muted Group Theory In The Great Gatsby, Sarah Funderbruke
Operating The Silencer: Muted Group Theory In The Great Gatsby, Sarah Funderbruke
Masters Theses
This master's thesis examines gender and social roles seen in dialogue in the American classic novel, The Great Gatsby, by F. Scott Fitzgerald. The researcher conducted a coding and rhetorical analysis to determine if elements of muted group theory were in the novel. Muted group theory was developed by Edwin and Shirley Ardener after their research indicated that a culture's values and social structure were voiced through rhetoric. The theory states that dominance in certain groups mutes, or silences, others from communicating effectively. Five passages from The Great Gatsby were selected for this analysis. These passages highlighted dialogue between the …
Pilgrim’S Progress Progress: How A Novel Can Affect An Entire Culture’S Communication, Bruce Kuiper
Pilgrim’S Progress Progress: How A Novel Can Affect An Entire Culture’S Communication, Bruce Kuiper
Faculty Work Comprehensive List
In this discussion of The Pilgrim’s Progress, three main areas will be explored as ways to show why this book is so worthy of communication study and why it has endured for so long. The first area will be a deeper exploration of the book’s historical background and contemporary role at the end of the 17th century. For the second point, the cultural, social, literary, and communication effects will be examined, reinforcing the concept that the book’s impact was especially substantial in American history. Finally is an argument listing the reasons why a communication scholar should study The Pilgrim’s …
Ua35/11 Student Honors Research Bulletin, Wku Honors Program
Ua35/11 Student Honors Research Bulletin, Wku Honors Program
WKU Archives Records
The WKU Student Honors Research Bulletin is dedicated to scholarly involvement and student research. These papers are representative of work done by students from throughout the university.
- Bachert, Sara. Rational Portrayal of the Irrationational in The Pit and the Pendulum
- Bell, Suzanne. Early Secret Involvement of the United States Military in Cambodia
- Brock, Beth. The Informal Caregiving System: The Frail Elderlys' Avenue of Choice
- Daniel, Janice. Child Sexual Abuse
- Johnson, Linda. International Telecommunications Trade with Japan
- Jones, LaMont. Ernie Pyle: Journalist Without Peer
- Kesserling, Marcia. Attitudes Toward the Need for Computer Literacy
- Lewis, Gloria. John Donne's Attitude Toward Love
- Majdi, …
Ua35/11 Student Honors Research Bulletin, Wku Honors Program
Ua35/11 Student Honors Research Bulletin, Wku Honors Program
WKU Archives Records
The WKU Student Honors Research Bulletin is dedicated to scholarly involvement and student research. These papers are representative of work done by students from throughout the university.
- Albin, Bettye. Hawthorne's Narrator in the Blithedale Romance: A New Cover for an Old Friend
- Allen, Christopher. With Just Pride: The Naval History of the Warships USS Enterprise
- Barrett, Shelly. Structuralism
- Bolton, Joe. Wallace Stevens and Twentieth Century Aesthetics
- Bush, Paul. The Acceptance of Grace in Flannery O'Connor's Short Stories
- Gasparello-Moore, Nina. A Comparison of a Naïve and Simple Regression Forecasting Model for the Dow Jones Industrial Average
- Henry, Lynn. The Bureaucratic and …
The Pine Needle, Vol 5, No 3 (Aka Scare), Pine Needle Publications, George Liakakos, Ted Gross, Ann Dutille, Martha Barron, Doug Kneeland, Sally Brackley, Ted Lawson, Stan Ferguson, Robert Philips, Martha Barron
The Pine Needle, Vol 5, No 3 (Aka Scare), Pine Needle Publications, George Liakakos, Ted Gross, Ann Dutille, Martha Barron, Doug Kneeland, Sally Brackley, Ted Lawson, Stan Ferguson, Robert Philips, Martha Barron
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
Unlike past UMaine student publications, The Needle celebrated the sexualization of co-eds and the use …
The Pine Needle, Vol 5, No 4, Pine Needle Publications, Ted Gross, Jim Barrows, Barbara Mason, Lois Welton, Phyllis Webster, Kinley Roby, Mase Johnsfield
The Pine Needle, Vol 5, No 4, Pine Needle Publications, Ted Gross, Jim Barrows, Barbara Mason, Lois Welton, Phyllis Webster, Kinley Roby, Mase Johnsfield
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
Unlike past UMaine student publications, The Needle celebrated the sexualization of co-eds and the use of …
The Pine Needle, Vol 5, No 2, Pine Needle Publications, Douglass Kneeland, Rupert Amann
The Pine Needle, Vol 5, No 2, Pine Needle Publications, Douglass Kneeland, Rupert Amann
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student periodical that began publication in the fall of 1946, the first post-World War II semester that saw GI's returning to campus.
Unlike past UMaine student publications, The Needle celebrated the sexualization of co-eds and the use …
The Pine Needle, Vol 5, No 1, Pine Needle Publications, Charles Lewis, Al Mersky, Sid Folsom, Nat Tarr, Joyce Mcgouldrick, Doug Kneeland
The Pine Needle, Vol 5, No 1, Pine Needle Publications, Charles Lewis, Al Mersky, Sid Folsom, Nat Tarr, Joyce Mcgouldrick, Doug Kneeland
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student periodical that began publication in the fall of 1946, the first post-World War II semester that saw GI's returning to campus.
Unlike past UMaine student publications, The Needle celebrated the sexualization of co-eds and the use …
The Pine Needle, Vol. 4, No. 4, Pine Needle Publications, Steve Hopkinson, Sid Folsom, Joyce Mcgouldrick, Nat Tarr, Jim Barrows
The Pine Needle, Vol. 4, No. 4, Pine Needle Publications, Steve Hopkinson, Sid Folsom, Joyce Mcgouldrick, Nat Tarr, Jim Barrows
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student periodical that began publication in the fall of 1946, the first post-World War II semester that saw GI's returning to campus.
Unlike past UMaine student publications, The Needle celebrated the sexualization of co-eds and the use …
The Pine Needle, Vol. 4, No. 3, Pine Needle Publications, Katie Snow, Fred Gross, Ginny Stickney, Nat Tarr, Stan Winslow, Dick Sprague
The Pine Needle, Vol. 4, No. 3, Pine Needle Publications, Katie Snow, Fred Gross, Ginny Stickney, Nat Tarr, Stan Winslow, Dick Sprague
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student periodical that began publication in the fall of 1946, the first post-World War II semester that saw GI's return to campus.
Unlike past UMaine student publications, The Needle celebrated the sexualization of co-eds and the use …
The Pine Needle, Vol. 4, No. 2, Pine Needle Publications, Al Mersky, Ginny Stickney, Woody Bigelow, Bill Loubier, Steve Riley, Joe Zabriskie, Jim Barrows
The Pine Needle, Vol. 4, No. 2, Pine Needle Publications, Al Mersky, Ginny Stickney, Woody Bigelow, Bill Loubier, Steve Riley, Joe Zabriskie, Jim Barrows
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student periodical that began publication in the fall of 1946, the first post-World War II semester that saw GI's return to campus.
Unlike past UMaine student publications, The Needle celebrated the sexualization of co-eds and the use …
The Pine Needle, November 1949, Pine Needle Publications, John Bache-Wiig, Joe Zabriskie, Steve Riley, Kinley E. Roby
The Pine Needle, November 1949, Pine Needle Publications, John Bache-Wiig, Joe Zabriskie, Steve Riley, Kinley E. Roby
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While …
The Pine Needle, Spring 1949, Pine Needle Publications, Bob Lord, Sash Weight
The Pine Needle, Spring 1949, Pine Needle Publications, Bob Lord, Sash Weight
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs return to campus.
The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While …
The Pine Needle, Easter 1949, Pine Needle Publications, Priscilla Nason, Vera Edfors
The Pine Needle, Easter 1949, Pine Needle Publications, Priscilla Nason, Vera Edfors
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs return to campus.
The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While …
The Pine Needle, Fall 1948, Pine Needle Publications, Clair Chamberlain, Sid Folsom, Carroll Page, Bill Brennan, Larry Pinkham, Bob Slosser, Kenneth Zwicker, Russ Meade, Jarry Tabor, Ray Cudahy
The Pine Needle, Fall 1948, Pine Needle Publications, Clair Chamberlain, Sid Folsom, Carroll Page, Bill Brennan, Larry Pinkham, Bob Slosser, Kenneth Zwicker, Russ Meade, Jarry Tabor, Ray Cudahy
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While …
The Pine Needle, Vol. 2, No. 4, Pine Needle Publications, Rip Haskell, Clair Chamberlain, Kay Bennett, Jane Libby, Frank O. Stephens, Oscar Davis, Dick Sprague, Russ Meade
The Pine Needle, Vol. 2, No. 4, Pine Needle Publications, Rip Haskell, Clair Chamberlain, Kay Bennett, Jane Libby, Frank O. Stephens, Oscar Davis, Dick Sprague, Russ Meade
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs return to campus.
By the late 1940s, The Needle continued emphasizing alcohol and tobacco use as well as …
The Pine Needle, Vol. 2, No. 3, Pine Needle Publications, Ray Cudahy, Tad Wieman, Lloyd Shapleigh, Fisher Flint, Rip Haskell, Judy Coffin
The Pine Needle, Vol. 2, No. 3, Pine Needle Publications, Ray Cudahy, Tad Wieman, Lloyd Shapleigh, Fisher Flint, Rip Haskell, Judy Coffin
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
In the late 1940s, The Needle continued emphasizing alcohol and tobacco use as well as …
The Pine Needle, Winter 1948, Pine Needle Publications, Biff Shalek, Jane Libby, Kay Bennett, Clair H. Chamberlain, Sid Folsom
The Pine Needle, Winter 1948, Pine Needle Publications, Biff Shalek, Jane Libby, Kay Bennett, Clair H. Chamberlain, Sid Folsom
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While …
The Pine Needle, December 1947, Pine Needle Publications, Ted Gridley, Frank O. Stevens, Oscar Davis, Monty Higgins, D. S. Thomas, Rip Haskell, Clair Chamberlain, Pat Woodward
The Pine Needle, December 1947, Pine Needle Publications, Ted Gridley, Frank O. Stevens, Oscar Davis, Monty Higgins, D. S. Thomas, Rip Haskell, Clair Chamberlain, Pat Woodward
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs return to campus.
The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While …
The Pine Needle, Vol. 2, No. 1, Pine Needle Publications, Jean Miller, Judy Coffin, Dick Sprague, Kenneth F. Zwicker, F. Stevens, Oscar Davis, Ted Gridley, Clair H. Chamberlain, Cliff Whitten, Monty Higgins
The Pine Needle, Vol. 2, No. 1, Pine Needle Publications, Jean Miller, Judy Coffin, Dick Sprague, Kenneth F. Zwicker, F. Stevens, Oscar Davis, Ted Gridley, Clair H. Chamberlain, Cliff Whitten, Monty Higgins
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
In the late 1940s, The Needle continued emphasizing alcohol and tobacco use as well as …
The Pine Needle, May 1947, Pine Needle Publications, Clair H. Chamberlain, Samuel E. Jones, Kenny Zwicker, Bonnie Andrews, Pauline Marcous, Don Gross, D. S. Thomas
The Pine Needle, May 1947, Pine Needle Publications, Clair H. Chamberlain, Samuel E. Jones, Kenny Zwicker, Bonnie Andrews, Pauline Marcous, Don Gross, D. S. Thomas
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
The Needle reflected an edginess and rebellion not found in previous student publications. While past …
The Pine Needle, April 1947, Pine Needle Publications, Clair H. Chamberlain, Scoop Rieker, Hank Mckee, Charles E. St. Thomas, Rip Haskell, Ike Webber, Barbie Patten, Kenny Zwicker, Elaine Mcmanus, Richard Cutts
The Pine Needle, April 1947, Pine Needle Publications, Clair H. Chamberlain, Scoop Rieker, Hank Mckee, Charles E. St. Thomas, Rip Haskell, Ike Webber, Barbie Patten, Kenny Zwicker, Elaine Mcmanus, Richard Cutts
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returni to campus.
The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While …
The Pine Needle, March 1947, Pine Needle Publications, Kenny Zwicker, Tony Hillerman, Sol Wett, Robert G. Nesbit, Ike Webber, Biff Shalek, Denny Evans, Shirley Crane, Barbie Patten, Don Gross
The Pine Needle, March 1947, Pine Needle Publications, Kenny Zwicker, Tony Hillerman, Sol Wett, Robert G. Nesbit, Ike Webber, Biff Shalek, Denny Evans, Shirley Crane, Barbie Patten, Don Gross
General University of Maine Publications
Libraries and archives collect materials from different cultures and time periods to preserve and make available the historical record. As a result, materials such as those presented here may reflect sexist, misogynistic, abusive, racist, or discriminatory attitudes or actions that some may find disturbing, harmful, or difficult to view.
Both a humor and literary magazine, The Pine Needle was a University of Maine student-produced periodical that began publication in the fall of 1946, the first post-World War II semester that saw GIs returning to campus.
The Needle reflected an edginess and rebellion not found in previous UMaine student publications. While …