American Literature Commons^™

Artistic Liberty And Slave Imagery: "Mark Twain's Illustrator," E. W. Kemble, Turns To Harriet Beecher Stowe, Adam Sonstegard

English Faculty Publications

No abstract provided.

The Genesis Of The Chicago Renaissance: Theodore Dreiser, Langston, Cara E. Erdheim

English Faculty Publications

Book review by Cara Erdheim.

Hricko, Mary. The Genesis of the Chicago Renaissance: Theodore Dreiser, Langston Hughes, Richard Wright, and James T. Farrell. London & New York: Routledge, 2009.

Using The Novel To Teach Multiculturalism, Michelle Loris

English Faculty Publications

Description of a fourteen week course taught by Michelle Loris, professor of English at Sacred Heart University. The course, titled Recent Ethnic American Fictions, introduced students to several concepts from contemporary literary theory. The theories included New Criticism, Deconstruction, Cultural Studies, New Historicism, and Feminist Theory. The assumption was that these concepts would give students the tools to become critical readers, which would then provide them with a deeper understanding of these multicultural novels and their particular cultural contexts.

For a semester, reading and thinking about these multicultural novels engaged and challenged the students' assumptions about themselves and the …

At Home In The City: Urban Domesticity In American Literature And Culture, 1850-1930, By Betsy Klimasmith, Cara Erdheim

English Faculty Publications

Book review by Cara Erdheim.

Klimasmith, Betsy. At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930. Durham, New Hampshire: University of New Hampshire Press, 2005.

Holy Fools, Secular Saints, And Illiterate Saviors In American Literature And Popular Culture, Dana Heller

English Faculty Publications

In her article, "Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture," Dana Heller identifies and analyzes characteristics of the holy fool figure in American literature and culture. Heller defines the holy fool, or divine idiot, as a figure central to U.S. myths of nation. One encounters such figures in American literature as well as in American folklore, popular culture, and mass media. In American culture, the Divine Idiot is a hybrid form which grows out of the crossings of numerous literary and historical currents, both secular and non-secular. This unwieldy hybridity -- the fact that …

The Psychology Of Uncertainty: (Re)Inscribing Indeterminacy In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin

English Faculty Publications

No abstract provided.

Various Black Virginians As Told To Daryl Cumber Dance, Daryl Cumber Dance

English Faculty Publications

Shuckin' and Jivin': Folklore from Contemporary Black Americans, published in 1978, derived from fieldwork done far a doctoral dissertation at Virginia Commonwealth University by Daryl Cumber Dance (the only woman named Daryl I have heard of aside from Daryl Hannah). She gathered stories and verses from black Virginians in colleges, senior citizens' centers, and a penitentiary. Though she doesn't bring to the party an editorial touch as enlivening as Zora Neale Hurston's, she has an ear and-unlike far, far too many assiduous collectors of folktales - knows how to capture vocal rhythms on a page.

The Rhetorical Effectiveness Of Black Like Me, Hugh Rank

English Faculty Publications

In 1959, John Howard Griffin, a white Southern novelist, disguised himself as a Negro and traveled through the South to experience "what it is like to be a Negro in a land where we keep the Negro down." The brief narrative account of this experience is recorded in Black Like Me, a book which wom the Saturday Review's Anisfield-Wolf award in 1962 for its contribution toward race relations. In brief, why is Black Like Me rhetorically effective?