American Film Studies Commons^™

Narratives In, On, And Around Contemporary Queer Film: A Study Of Adam And Its Paratexts, Jeremy Stoller

Dissertations, Theses, and Capstone Projects

Film’s ability to present and inspire desire, and to realize alternate worlds, render it a uniquely potent medium for expressing queerness. Because of this potency, and because films are among the most prominent ways that LGBTQ+ people are represented in society, queer film can feel both deeply personal and highly political for LGBTQ+ identifying audiences. But movies do not merely offer statements about political systems, they are also made within and reflective of those systems.

Scholars have thoroughly investigated films and our relationships to them for productive ways of seeing gender, sexuality, desire, and oppression. But the conversations about how …

Women's Interracial Friendships: Cultivating Coalitional Possibilities Across Difference Through Dialogue, Akie Fukushige Wenk

LSU Doctoral Dissertations

In my dissertation, I thread through the macro-structure as well as micro-operations of hegemonic ideologies, namely white-supremacist capitalist cis-hetero patriarchy (hooks, 1995, Valdes, 1996), that has historically plagued the United States, eventually gaining a global reach over time. I center interracial friendship between Black and White cis-women, where I locate coalitional possibilities that begin at the grassroots level. I situate this interracial relationship within the socio-ecological system where the personal meets the social (including racialized backgrounds). I use a series of analogies to equate these ideologies as toxins in the air, water, and soil. Soil is where we can work …

Cinematic Camouflage, Jared Valdez

English Language and Literature ETDs

There is a war for recognition happening on the Hollywood battlefield. Traditionally, in every war there is an enemy and an alley; in this study, the enemy is systemic racism, and the alley is Black culture. That is, this dissertation seeks to detail the past, present, and future implications of this battle for truth, inclusion, and recognition in American pop culture. This discussion examines how various multi-media forms like literature, film, television, and comic books work as tools to combat racism in American society. More importantly, the theories presented in this text are all linked to actual tactics of military …

The Well-Tempered Android: Philosophical Posthumanism In Science Fiction Cinema., Cody Gault

Electronic Theses and Dissertations

This dissertation examines philosophical posthumanism as a means for critical analysis of the interaction between humans and nonhuman androids in select science fiction cinematic universes. The interaction is analyzed through several facets, notably the interactions between humans and nonhuman androids, particularly as interactions between the human and nonhuman are often sites of violence. Chapter one is an introduction. Chapter two describes the development of philosophical posthumanism from humanism, also including an analysis of philosophical posthumanism, and how it can be used as a critical lens. Chapter three begins an analysis of science fiction cinema by examining the Blade Runner films …

Me, Myself, And My Muppets, Sara Jones

Emerging Writers

In this personal narrative, the author explores her relationship and upbringing in relation to Jim Henson’s Muppets. She illustrates her experience at puppet camps, on long Muppet-filled road trips, and the special connection her mother and her share with the Muppets. Find out how the Muppets have shaped the author’s life, morals, and aspirations, as well as how Jim Henson’s creations have influenced and brought joy to past generations and future generations to come.

Conceive And Control: Cultural-Legal Narratives Of American Privacy And Reproductive Politics, Emily Naser-Hall

Theses and Dissertations--English

Law and literature share a foundation in narrative. The literary turn in legal scholarship recognizes that the law itself is a form of narrative, one that simultaneously reflects socio-cultural norms and creates social and political regulations with a complex matrix of power. Cultural narratives from the 1950s to the mid-1970s pertaining to reproductive politics, domesticity, and national identity both produce and are productive of legal rulings that govern and restrict private acts of sexuality and speech. The Supreme Court used cases concerning sex and reproduction to enumerate, explicate, and complicate the right to privacy, which appears nowhere in the U.S. …

Constance After Dark, Connor Vanmaele

Williams Honors College, Honors Research Projects

Constance After Dark is an episodic screenplay, outlining the beginning, middle and end of a television comedy pilot. Set in Ohio, the story follows Brooks Riegler in his first semester at the fictional “Constance College” as he navigates the ups and downs of university life at the lowest ranked school in the state. Due to a class taught by the eccentric and nefarious Dr. Mars, Brooks learns to open up to hyperactive athletes, obsessive overachievers, and even strange, mysterious men urinating on the side of the road. Brooks, Cassidy, Jenny and Guy form a tight-knit and unlikely bond in a …

Bibliography, Kristi Branham

Faculty/Staff Personal Papers

Bibliography of publications by Kristi Branham.

Scarico: It’S Only A Movie, Most Of The Time, Thomas Nelson

Graduate Theses and Dissertations

Exploitation cinema is a domain of motion picture content catering to a viewership interested in imagery that is more provocative than what mainstream audiences desire to see. These types of films are typically considered lowbrow entertainment and have been made in every era, albeit in a limited capacity proportional to the niche audience demand for them. Some time periods see a rise in exploitation film productions in response to a growing demand for such content from a larger share of the broader cinematic audience. This relationship indicates that period-specific cultural factors can cause mainstream audience members to seek out more …

Masculinity In American Movie-Musical Films, Christopher Sparks

Fall Showcase for Research and Creative Inquiry

My presentation explores the relation between American masculinity and film musicals. I demonstrate how the dominance of the musical at the box office in the middle of the 20^th century reflects historical events and technological change. Drawing on both scholarly and popular criticism, I show how the images of masculinity that Americans once encountered on the silver screen have transformed as musicals became marginal to popular culture in the United States. My research considers both classic 20^th century musicals, such as Wizard of Oz (1939) and 42^nd Street (1933), and more recent experiments with the genre, including …

Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun

Swarthmore Undergraduate History Journal

This paper explores the complex desegregation process of movie theatres in the southern United States. Building off of historiography that investigates regulations of postwar teenage sexuality and recent scholarly work that acknowledges the link between sexuality and civil rights, I argue that movie theatres had a uniquely delayed desegregation process due to perceived sexual intrigue of the dark, private theatre space. Through analysis of drive-in and hardtop theatres, censorship of on-screen content, and youth involvement in desegregation, I contend that anxieties of interracial intimacy and unsupervised teenage sexuality produced this especially prolonged integration process.

John Wick: Keanu Reeves’S Epic Adventure, Ann C. Hall

Heroism Science

Three films create the John Wick universe and franchise: John Wick (2014), John Wick: Chapter 2 (2017), and John Wick: Chapter 3, Parabellum (2019). A fourth film is scheduled to be released in March 2023. All are wildly popular, and all are criticized for violence, particularly gun violence. I argue, however, that by examining the visual references that appear in all the films, it becomes clear that the films are defending themselves from such attacks through their allusions to ancient and classical epics from around the world. As Wick battles his way through museums and beautiful cities, the film reminds …

How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney

Dissertations, Theses, and Capstone Projects

Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …

'The Street Scene Prologue': Holocaust Survivors, The American Nazi Party, And Exodus, Jason Van

LSU New Orleans Theses and Dissertations

During the early 1960s when the American Civil Rights movement was beginning to gain momentum, another movement across the world was taking place to solidify the newly formed country of Israel as a sovereign state. To commemorate the foundation of Israel, American director Otto Preminger created the film Exodus, adapted from a book of the same name by Leon Uris. George Lincoln Rockwell, leader of the American Nazi Party, decided to take action by traveling throughout the country with his closest members to protest the film. Rockwell and his group of Nazis were outraged by the pro-Zionist depictions and the …

Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright

Journal of Religion & Film

Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart

Journal of Religion & Film

Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Escaping Modesto: George Lucas, Film Auteur, And The Alteration Of Movie History, Krister Persson

Undergraduate Honors Theses

This video essay analyzes the early filmography of George Lucas as a critique of auteur theory. Dissecting THX 1138 (1971), American Graffiti (1973), and Star Wars (1977) based on their autobiographic qualities, this short documentary investigates the advantages and disadvantages of viewing a complicated cinematic work through the lens of an individual author. Analysis focuses on Lucasfilm founder George Lucas and his reputation for controversially altering his works through special edition re-releases, calling into question the sanctity of theatrical releases and the confines of a film auteur. Does a filmmaker, particularly one whose films are drawn from personal experience, have …

Exploring Chinese Audience’S Responses Toward American Film Representations Of Chinese Culture And People, Yue Yu

Theses and Dissertations

This qualitative study focuses on the Chinese audience responses to Chinese media representations in American films. The goal of this project is to create a white paper that can be present to American film producers or potential movie investors who want to earn a bigger market share in China. Semi-structured focus groups were conducted among college students, addressing four research questions. Findings revealed that the participants in the focus group were able to identify and acknowledge the Chinese media representation and stereotypes in American feature films. Furthermore, most of the participants were positive towards Chinese elements incorporations and were capable …

The Reflective Age: Nostalgia At The End Of History, Zachary Griffith

Theses and Dissertations--English

This project investigates the ways in which nostalgic American media of the last decade reflects the sociopolitical conditions of the end of history. It begins with the assertion that the end of history represents a confounded, contradictory moment in which large-scale political change is relatively scarce, and belief in a progressive future has largely been abandoned, while cultural change has also accelerated at a pace never before seen––spurred on, in particular, by the constant return of dead styles and dormant IP. In other words, it seems as if nothing is changing and everything is changing simultaneously. The recent boom in …

Afroam: A Virtual Film Production Group, Bill Taylor Jr.

Antioch University Dissertations & Theses

Because of the gatekeeping practices of the Hollywood film industry, and the high cost of both filmmaking and distribution in general, Afro-American filmmakers have struggled to produce films with “global reach.” This study visits the possibility of Afro-American filmmakers using alternative technologies and infrastructures to produce high-quality films, thereby bypassing the high cost and exclusionary practices of Hollywood studios. Using new 21st-century digital technology, this study involved the creation of a small geographically dispersed virtual film production team. The study’s foundational framework was a constructivist qualitative research paradigm, using Action Research, and supported by 24 months of triangulated data from …

Hail, Caesar!, Kel R. Karpinski

Publications and Research

This piece looks at queer characters in the Coen Brothers’ film Hail, Caesar! (2016). The film takes place during the heyday of the Hollywood film studio set in 1951 and draws on many films during that time period of the 1930s, 40s and 50s.

Movies That Sell: A Rhetorical Analysis Of Product Placements In Marvel Movies, Andrew Nii Okai Okai

Electronic Theses and Dissertations

The advancement of digital entertainment media has given audiences the ability to skip ads that do not interest them. Consequently, brands face the challenge of creating ads that can compel audiences and finding media outlets that can effectively reach target audiences. Brands today use product placements to promote their products because movie audiences are generally attentive to ads when they are incorporated in a movie’s narrative. Marvel Cinematic Universe is a globally recognized entertainment franchise that uses product placements strategically to promote brands in their movies and TV shows. In this study, I conduct rhetorical analyses of select product placements …

Distribution Struggle: Assembling A Media History Of J. Brian’S Enterprises With Court Proceedings And Public Records, Finley Freibert

Faculty and Staff Scholarship

This article introduces the concept of “distribution struggle”—the panoply of cultural and industrial conflicts that must be traced and accounted for in distribution histories—to sequence a primary-sourced media history of J. Brian’s gay media enterprises. In tracing this history, primary sources are surprisingly accessible, and provide new insights into J. Brian’s industrial operations. By triangulating archival records with secondary accounts, this article provides a more nuanced cultural and industrial portrait of J. Brian. It argues that media industry historiography must frame historical narratives by accounting for the cultural and industrial struggles that culminated in the available archival sources, in this …

Nomadland: The New Frontiers Of The American Dream At The Periphery Of The Market, Aleksandrina Atanasova, Giana Eckhardt

Markets, Globalization & Development Review

This Dialogue contribution is based around the film Nomadland, which won five Oscars, including Best Film, Best Director, and Best Actress. Nomadland, a captivating ode to resisting market logics of accumulation, delivers a gripping image of what life looks like in the absence of possessions. Navigating between the extremes of lack and social displacement, and community and newfound ability to live life with little, the nomads find ways to live in the face of despair and disenchantment. Nomadland is a critique of the death of the American dream while at the same time a story of solidarity amongst the dispossessed.

"Knowing It's Real Means You Gotta Make A Decision": Depictions Of Post-Traumatic Disorders And Coping Mechanisms In The Punisher And Jessica Jones, Megan M. Rutter

English Department Masters Theses

Post-traumatic disorders have been included in some of the most popular narratives in mainstream culture. Though the early decades of movies included 1948’s The Best Days of Our Lives is an award-winning movie that follows three veterans home from World War II and depicts their struggles with reacclimating to society it became more popular after Vietnam veterans and their allies fought and protested for an appropriate diagnosis for PTSD after decades of it not being seen as a legitimate psychological disorder. Since then, post-traumatic disorders have been included in media as popular as the series finale of M*A*S*H in 1983, …

An Analysis Of Forty Years Of Gender Archetypes On The American Silver Screen, Xaviera I. Valencia

Senior Honors Projects

Hollywood has come under fire recently from producer Harvey Weinstein’s role in sparking the #MeToo movement to the predominantly white, male composition of the Academy Awards’ voting members. Yet the film industry also provides a platform to actors, directors, and other crew members -- through acceptance speeches and movies themselves -- to spread awareness about pressing societal issues, including climate change, sexual assault, racism, and homophobia.

Art, especially film, has a tremendous effect on society and can either perpetuate stereotypes or dispel myths. For instance, Philadelphia (1993) brought into the mainstream the story of a man who was HIV+ and …

Grappling With The Aftereffects Of Modernism In American Literature And Culture: Spiritual, Political, And Ecological, Joseph Neary

Master of Arts in English Plan II Graduate Projects

In this portfolio, Joe Neary examines various texts within contemporary American culture, including David Foster Wallace’s short story, “Good Old Neon,” Harmony Korine’s film, Spring Breakers, Richard Powers’ novel, The Overstory, and Bruce Holsinger’s book of criticism, Neomedievalism, Neoconservatism, and the War on Terror.

Look At Her: The Subversive Spectacle Of Grande Dame Guignol Cinema, Michelle Smith

English Theses

While the Grande Dame Guignol films of the early 1960s served in their time to capitalize on the reputations of aging female stars and the growing popularity of the horror genre, an updated reading of this subgenre proves that it is rich with social critique regarding the feminine experience, social performance, and the tendencies of classical Hollywood cinema that promote a dominant, patriarchal social narrative. While many popular and critical responses diminish them as “psycho-biddy” or “hagsploitation” films, the Grande Dame Guignol tradition’s transformation of its actresses from glamorous icons to unrecognizable villains rejects such limiting appraisals by focusing on …

Found Media: Interactivity And Community In Online Horror Media 2021, Jax Mello

Master's Theses

Being isolated is a common fear. The fear can take many forms, from the fear of being the last one alive in a horrific situation to being completely deserted by everyone you love. This is a fear that has been showcased many different times in movies, novels, and every other piece of media imaginable. Although not always tied to the horror genre, the fear of being isolated is tightly intertwined with many horror stories. Therefore, it is interesting when a horror production goes out of their way to encourage interactivity within its audience. This goes beyond an artist’s desire for …