American Film Studies Commons^™

Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith E. Smith

American Studies Faculty Publication Series

The independently made 1964 film Nothing But a Man is one of a handful of films whose production coincided with the civil rights insurgency and benefited from input from activists. Commonly listed in 1970s surveys of black film, the film lacks sustained critical attention in film studies or in-depth historical analysis given its significance as a landmark text of the 1960s. Documentary-like, but not a documentary, it offers a complex representation of black life, but it was scripted, directed, and filmed by two white men, Michael Roemer and Robert Young.

This essay argues that the film’s unusual attention to labor …

Study Guide For United In Anger: A History Of Act Up, Matt Brim

Open Educational Resources

The United in Anger Study Guide facilitates classroom and activist engagement with Jim Hubbard’s 2012 documentary, United in Anger: A History of ACT UP. The Study Guide contains discussion sections, projects and exercises, and resources for further research about the activism of the New York chapter of ACT UP (AIDS Coalition to Unleash Power). The Study Guide is a free, interactive, multimedia resource for understanding the legacy of ACT UP, the film’s role in preserving that legacy, and its meaning for viewers' lives.

Apaches And Comanches On Screen, Kenneth Estes Hall

ETSU Faculty Works

Excerpt: A generally accurate appraisal of Western films might claim that Indians as hostiles are grouped into one undifferentiated mass. Popular hostile groups include the Sioux (without much differentiation between tribes or bands, the Apaches, and the Comanches).

Out Of True, Andrew David Bryan

LSU New Orleans Theses and Dissertations

In this paper, I will detail the process that went into the making of my thesis film, Out of True. The areas I will cover include Writing, Directing, Production Design, Cinematography, Editing, Sound, as well as Technology and Workflow. Special emphasis will be given to Directing and the new directing style I experimented with in an effort to create not only believable but engaging performances. I will then assess the success of this experiment through the use of audience questionnaires.

No Country For Moral Men, William J. Devlin

Bridgewater Review

No abstract provided.

Bibliography For Work In Travel Studies, Carlo Salzani, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Bibliography For The Study Of Cultural Discourse In Taiwan, Yu-Chun Chang, I-Chun Wang, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Bibliography Of Work On Identity, Migration, And Displacement, Li-Wei Cheng, Steven Tötösy De Zepetnek, I-Chun Wang

CLCWeb Library

No abstract provided.

A History Of The American Film Institute, Deborah Jae Alexander

Dissertations

The American Film Institute (AFI) is a highly politicized, powerful organization. To date, most historical documentation and recording of AFI events and activities has been disseminated to the mass media from within the organization through its own publications or in other historical documentation as incidental history in relation to another topic. This dissertation, written as an overview, is the first comprehensive, independent historical examination of the AFI. The examination begins with an exploration of the development, activities and decline of the American Council on Education‟s original AFI and other film organizations that existed prior to the present day AFI. It …

“The Superman Exists, And He Is American”: Graphic Novel Film Adaptations And Masculine Heroism In Post-9/11 Culture, Richard Charles Abate

Film Studies Honors Papers

This senior thesis paper discusses the representation of masculinity and heroism in post-9/11 culture and how filmic adaptations of graphic novels have helped to shape these representations. Following the events of September 11th, the cultural definitions of the masculine hero shifted, allowing the average, working class man to become the embodiment of American heroism. This new understanding of the American hero was marked by sexual difference and a redefinition of the masculine “hard-body” that allowed for the possession of a heroic masculine identity to appear more attainable. This thesis primarily examines the filmic adaptations of works by Frank Miller and …

Dreadful Sorry: Spots Of Passion And The Memory Of Being Human In Kaufman’S “Eternal Sunshine Of The Spotless Mind” And Pope’S ‘Eloisa To Abelard’, June-Ann Greeley

Philosophy, Theology and Religious Studies Faculty Publications

Memory is a journey of infinite possibility, a continuous passage through time and sense that offers each person an opportunity not merely to recall and to reflect on former occasions and previous experiences, but to reconsider and to reexamine the past as a guide, as instruction, for healthy individuation. Memory, then, can be understood to be the aggregate of experiential and emotional recollection that frames the essential ground in forming and realizing individual identity. Both Alexander Pope in his poem “Eloisa to Abelard” and Michel Gondry/Charlie Kaufman in the film “Eternal Sunshine of the Spotless Mind” offer portraits of individuals …

Gothic Representations: History, Literature, And Film, Daniel Gould

All Student Theses and Dissertations

Gothic storytelling has come a long way since the publication of Horace Walpole's The Castle of Otranto in 1764. This short novel created the standard motifs and tropes that will forever be associated with the genre-the destitute castle, the foreboding atmosphere, supernatural or inexplicable events, omens, prophecies, heroes, villains, and of course, a deteriorating world facilitated by the unconscious evils within hwnanity causing the complete destabilization of society.

This paper will examine the evolution of Gothic fiction and how it has been represented from its romantic heritage and Victorian upbringing to the American Gothic traditions of the nineteenth century and …

‘Evil Against Evil’: The Parabolic Structure And Thematics Of William Friedkin's The Exorcist, Larrie Dudenhoeffer

Faculty Articles

This essay examines and deconstructs three sets of antagonisms in William Friedkin's The Exorcist (1973). It argues that the film describes its own narrative conflicts as a thematics of ‘evil against evil,’ so as to de-ethicize the moral violence of those metaphysical dogmatisms that compete over the ‘souls’ of others. It then re-couches the one-sidedness of scientific and religious orthodoxies, which damage in similar ways Regan MacNeil, one of the film's main characters, as another variation of this thematics. Finally, this essay suggests that The Exorcist surveys certain sociopolitical tensions, thus commenting, in its video and theatrical re-releases, ‘timelessly’ on …

The Social Dimensions Of Fiction: On The Rhetoric And Function Of Prefacing Novels In The Nineteenth-Century Canadas, Steven Tötösy De Zepetnek

CLCWeb Library

Tötösy de Zepetnek, Steven. The Social Dimensions of Fiction: On the Rhetoric and Function of Prefacing Novels in the Nineteenth-Century Canadas. Wiesbaden: Westdeutscher (Friedr. Vieweg & Sohn), 1993. ISBN 3-528-07335-7 188 pages, bibliography, index. Data and analyses of nineteenth-century English- and French-Canadian prefaces to novels with theoretical and methodological frameworks for the study of rhetoric, the sociology of literature, audience research, and genre studies. Copyright of the book was released to Tötösy de Zepetnek by Westdeutscher Verlag in 2003.

Peach, Jewell (Fa 355), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 355. Paper: "Folklore in Film" written by Jewell Peach for a Western Kentucky University folk studies class.

Bibliography Of Works By And About Imre Kertész, Nobel Laureate In Literature 2002, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

The Study Of Literature And Culture Online (Theory And Application), Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

History Of Ricl: Research Institute For Comparative Literature, University Of Alberta 1985-1999, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Bibliography Of Work On Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek, Asma Sayed, Domenic A. Beneventi

CLCWeb Library

No abstract provided.

Bomb Media 1951-1964, Tristan Edward Abbott

Dissertations and Theses @ UNI

This thesis looks at nuclear films, commercial and governmental, that were released between 1951 and 1964. Special attention is paid to the recursivity that existed between the propagandic, often outrageously inaccurate Civil Defense films made by the United States government and the subversive popular films made by visionary dissidents.

The films are divided into three periods. The earliest period focuses on Samuel Fuller's Pickup on South Street and the Robert Aldrich 's Kiss Me Deadly (based on the novel by Mickey Spillane), along with some of the earliest Civil Defense films. Special attention is paid to the politically minded creation …

Accent, Linguistic Discrimination, Stereotyping, And West Virginia In Film, Teresa L. O’Cassidy

Theses, Dissertations and Capstones

This study examines connections between accent, linguistic discrimination, and stereotyping in portrayals of West Virginia film characters. Ten films featuring West Virginia characters were examined for accent and stereotyping: The Right Stuff (Kaufman, 1983), Matewan (Sayles, 1987), Blaze (Shelton, 1989), The Silence of the Lambs (Demme, 1991), October Sky (Johnston, 1999), Hannibal (Scott, 2001), A Beautiful Mind (Howard, 2001), The Mothman Prophecies (Pellington, 2002), Wrong Turn (Schmidt, 2003), and Win a Date with Tad Hamilton! (Luketic, 2004). Coders were employed to score character accents. Stereotyping data was gathered by comparing portrayals with stereotypical traits associated with Appalachian and/or hillbilly characters. …

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Mel Gibson's The Passion Of The Christ: Market Segmentation, Mass Marketing And Promotion, And The Internet, Peter A. Maresco

WCBT Faculty Publications

The pre-release publicity surrounding the Mel Gibson film, The Passion of the Christ, warrants an in-depth look at the role that market segmentation and marketing promotion, including use of the Internet, have played in the overall success of the film. As background, films commonly classified as biblical epics are referenced in order to construct a framework that will demonstrate how the promotion of this genre of film, with the exception of the Internet, has essentially changed very little over time. This paper is not a review of the film nor is it intended to be a brief course in marketing. …

Orson Welles: Interviews (Book Review), Sidney Gottlieb

Communication, Media & The Arts Faculty Publications

Book review by Sid Gottlieb.

Estrin, Mark W. "Orson Welles: Interviews." Jackson, MI: University Press of Mississippi, 2002. ISBN 9781578062089

On Aaron Baker's Contesting Identities: Sports In American Film And Stephen C. Wood And J. David Pincus's Reel Baseball: Essays And Interviews On The National Pastime, Hollywood And American Culture, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Aaron Baker's Contesting Identities: Sports in American Film is an indictment of the key American myth that anyone can succeed through self-reliance. Baker finds that sports films, in general, comprise a site in which the myth is represented and reproduced. Baker's focus, though presented from multiple analytical perspectives, is singular in its purpose. That said, Baker does concentrate on what he considers the four core American sports: football, baseball, basketball and boxing. Approximately ninety movies, from the silent era to the present day, provide the content of the analysis, but several are exemplary and are cited repeatedly in …

The Political Economy Of The Indie Blockbuster: Fandom, Intermediality, And The Blair Witch Project, James Castonguay

Communication, Media & The Arts Faculty Publications

The primary focus of this chapter is on what could be broadly described as The Blair Witch Project's political economy. This includes a consideration of the film's relationship to patterns of ownership and the economic structures of film production, distribution, and marketing within the structure of the entertainment industry and in the context of its critical and popular reception. The second half of the essay historicizes BWP in relation to film production and exhibition in the 1890s, and concludes with an examination of its mythic status as an independent film that threatened to undermine Hollywood's blockbuster paradigm. By placing …

Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Toward A Framework Of Audience Studies In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Constructivism And Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.